Purdue Convocations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
September 1, 2018
September 1, 2018: (Full-page version) Close Window “To achieve great things, two things are needed; a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, Awake! 00:01 Buy Now! Wagner Prelude to Act 1 ~ Parsifal Royal Concertgebouw/Haitink Philips 420 886 028942088627 00:14 Buy Now! Strauss, R. Don Juan, Op. 20 (Symphonic Poem) Pittsburgh Symphony/Honeck Reference Recordings 707 030911270728 00:33 Buy Now! Brahms Clarinet Trio in A minor, Op. 114 Schmidl/Dolezal/Schiff London 410 114 028941011428 01:01 Buy Now! Pachelbel Suite in B flat for Strings Paillard Chamber Orchestra/Paillard Erato 98475 745099847524 01:13 Buy Now! Lalo Symphonie espagnole, Op. 21 Mutter/French National Orchestra/Ozawa EMI 547318 n/a 01:48 Buy Now! Geminiani Concerto No. 9 in A I Musici Philips 438 766 028943876629 02:01 Buy Now! Schumann Manfred Overture, Op. 115 Royal Concertgebouw/Haitink Philips 411 104 028941110428 Czecho-Slovak Radio 02:14 Buy Now! Humperdinck Prelude ~ The Canteen Woman Marco Polo 8.223369 4891030233630 Symphony/Fischer-Dieskau 02:23 Buy Now! Nicolai Symphony No. 2 in D Bamberg Symphony/Rickenbacher Virgin 91079 075679107923 03:00 Buy Now! Chopin Two Waltzes, Op. 18 & Op. 34 No. 1 Vladimir Ashkenazy London 414 600 028941460028 03:11 Buy Now! Reicha Horn Quintet in E, Op. 106 Klanska/Panocha Quartet Supraphon 73081 081757308120 03:40 Buy Now! Brahms Violin Sonata No. 2 in A, Op. 100 Perlman/Barenboim Sony 45819 07464458192 04:00 Buy Now! Bach Trio Sonata in G, BWV 1039 Florilegium Channel Classics 14598 723385145981 04:13 Buy Now! Haydn Symphony No. -
Leonide Massine: Choreographic Genius with A
LEONIDE MASSINE: CHOREOGRAPHIC GENIUS WITH A COLLABORATIVE SPIRIT A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN'S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF HEALTH, PHYSICAL EDUCATION AND RECREATION BY ©LISA ANN FUSILLO, D.R.B.S., B.S., M.A. DENTON, TEXAS Ml~.Y 1982 f • " /, . 'f "\ . .;) ;·._, .._.. •. ..._l./' lEXAS WUIVIAI'l' S UNIVERSITY LIBRAR't dedicated to the memories of L.M. and M.H.F. ACKNOWLEDGMENTS The author wishes to express her appreciation to the members of her committee for their guidance and assistance: Dr. Aileene Lockhart, Chairman; Dr. Rosann Cox, Mrs. Adrienne Fisk, Dr. Jane Matt and Mrs. Lanelle Stevenson. Many thanks to the following people for their moral support, valuable help, and patience during this project: Lorna Bruya, Jill Chown, Mary Otis Clark, Leslie Getz, Sandy Hobbs, R. M., Judy Nall, Deb Ritchey, Ann Shea, R. F. s., and Kathy Treadway; also Dr. Warren Casey, Lynda Davis, Mr. H. Lejins, my family and the two o'clock ballet class at T.C.U. iv TABLE OF CONTENTS DEDICATION • • • . iii ACKNOWLEDGMENTS . iv LIST OF TABLES • . viii LIST OF FIGURES . ix LIST OF ILLUSTRATIONS . X Chapter I. INTRODUCTION . 1 Purpose • • • • • • • . • • • • 5 Problem • • . • • • • • . • • • 5 Rationale for the Study • • • . • . • • • • 5 Limitations of the Study • • . • • • • • 8 Definition.of Terms • . • • . • . • • 8 General Dance Vocabulary • • . • • . • • 8 Choreographic Terms • • • • . 10 Procedures. • • • . • • • • • • • • . 11 Sources of Data • . • • • • • . • . 12 Related Literature • . • • • . • • . 14 General Social and Dance History • . • . 14 Literature Concerning Massine .• • . • • • 18 Literature Concerning Decorative Artists for Massine Ballets • • • . • • • • • . 21 Literature Concerning Musicians/Composers for Massine Ballets • • • . -
January/February 2012
MGS Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community and amateur and professional guitarists of all ages. A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 JANUARY / FEBRUARY 2012 VOL. 28 NO. 1 We Bring the World of Music to You! The Beijing Guitar Duo Zoran Dukić from China at Sundin Hall at Sundin Hall on Sat., Jan. 21st on Sat., Feb. 18th e are delighted that the second half of our 2011 12 o classical guitar duo may be attracting more atten- concert series at Sundin Music Hall starts with the first tion these days than the Beijing Guitar Duo, composed appearance in Minnesota by one of the most celebrated of Meng Su and Yameng Wang, natives of China who Wclassical guitarists in the world, Zoran Dukić. In addition to his Ncurrently reside in the U.S. We are thrilled that they will be our performance on Saturday, January 21st, Dukić will be giving a February guest artists. Their concert is Saturday, Feb. 18th at 8 pm. masterclass (also at Sundin Hall) the next day. See sidebar for more They will conduct a masterclass on Friday the 17th at 2 pm. Both information. Members of our board, and others, who have had the will be at Sundin Music Hall. See sidebars for more info, and for opportunity to hear or meet the artist all rave about his tremendous details of their program. -
STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT By ©2016 Olivia Needham Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________________ Chairperson: Paul Laird ________________________________________ Véronique Mathieu ________________________________________ Bryan Haaheim ________________________________________ Philip Kramp ________________________________________ Jerel Hilding Date Defended: 04/15/2016 The Dissertation Committee for Olivia Needham certifies that this is the approved version of the following dissertation: STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT ________________________________________ Chairperson: Paul Laird Date Approved: 04/15/2016 ii ABSTRACT This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing. iii Igor Stravinsky (1882-1971) was born in Oranienbaum (now Lomonosov) in Russia near St. -
Chamber Music Society of Lincoln Center
Chamber Music Society of Lincoln Center Saturday, April 18, 2015 8 p.m. 7:15 p.m. – Pre-performance discussion Regina A. Quick Center for the Arts www.quickcenter.com ~INTERMISSION~ COPLAND ................................ Two Pieces for Violin and Piano (1926) K. LEE, MCDERMOTT ANNE-MARIE MCDERMOTT, piano STRAVINSKY ................................Concertino for String Quartet (1920) DAVID SHIFRIN, clarinet AMPHION STRING QUARTET, HYUN, KRISTIN LEE, violin SOUTHORN, LIN, MARICA AMPHION STRING QUARTET KATIE HYUN, violin DAVID SOUTHORN, violin COPLAND ............................................Sextet for Clarinet, Two Violins, WEI-YANG ANDY LIN, viola Viola, Cello, and Piano (1937) MIHAI MARICA, cello Allegro vivace Lento Finale STRAVINSKY ..................................... Suite italienne for Cello and Piano SHIFRIN, HYUN, SOUTHORN, Introduzione: Allegro moderato LIN, MARICA, MCDERMOTT Serenata: Larghetto Aria: Allegro alla breve Tarantella: Vivace Please turn off cell phones, beepers, and other electronic devices. Menuetto e Finale Photographing, sound recording, or videotaping this performance is prohibited. MARICA, MCDERMOTT COPLAND ...............................Two Pieces for String Quartet (1923-28) AMPHION STRING QUARTET, HYUN, SOUTHORN, LIN, MARICA STRAVINSKY ............................Suite from Histoire du soldat for Violin, Clarinet, and Piano (1918-19) The Soldier’s March Music to Scene I Music to Scene II Tonight’s performance is sponsored, in part, by: The Royal March The Little Concert Three Dances: Tango–Waltz–Ragtime The Devil’s Dance Great Choral Triumphal March of the Devil K. LEE, SHIFRIN, MCDERMOTT Notes on the Program by DR. RICHARD E. RODDA Two Pieces for String Quartet Aaron Copland Suite italienne for Cello and Piano Born November 14, 1900 in Brooklyn, New York. Igor Stravinsky Died December 2, 1990 in North Tarrytown, New York. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
Dossier Pédagogique the Rake's Progress
Dossier pédagogique Opéra / Nouvelle production THE RAKE’S PROGRESS DE IGOR STRAVINSKI DIRECTION MUSICALE ARIE VAN BEEK MISE EN SCÈNE DAVID LESCOT AVEC L’ORCHESTRE DE PICARDIE ET LE CHŒUR DE L’OPÉRA DE LILLE Sa 8, Ma 11, Je 13, Di 16 (16h), Me 19 OCTOBRE 2011 à 20h Contacts Service des relations avec les publics [email protected] Dossier réalisé avec la collaboration de Sébastien Bouvier, enseignant missionné à l’Opéra de Lille Septembre 2011 Sommaire Préparer votre venue à l’Opéra 3 THE RAKE’S PROGRESS Résumé 4 Synopsis 5 Igor Stravinski 6 La genèse de l’œuvre 7 Guide d’écoute 11 Vocabulaire 31 Pistes pédagogiques 33 Références 34 THE RAKE’S PROGRESS À L’OPÉRA DE LILLE Distribution 35 Mise en scène, note d’intention 36 Entretien avec Arie van Beek, directeur musical 38 Repères biographiques 40 POUR ALLER PLUS LOIN La voix à l’opéra 41 Qui fait quoi à l’opéra ? 42 L’Opéra de Lille, un lieu, une histoire 43 ANNEXE Fiche instruments 47 2 Préparer votre venue Ce dossier vous aidera à préparer votre venue avec les élèves. L’équipe de l’Opéra de Lille est à votre disposition pour toute information complémentaire et pour vous aider dans votre approche pédagogique. Si le temps vous manque, nous vous conseillons, prioritairement, de : - lire la fiche résumé et le synopsis détaillé - faire une écoute des extraits représentatifs de l’opéra (guide d’écoute) Recommandations Le spectacle débute à l’heure précise. Il est donc impératif d’arriver au moins 30 minutes à l’avance, les portes sont fermées dès le début du spectacle. -
Concert Program
CONCERT PROGRAM PRESENTED BY 1 – 12 aPRIL 2014 | MELBOURNe rECITAl cENTRE MSO PARTNERS PRINCIPAL PARTNER GOVERNMENT partners MAESTRO PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS 2 CONTENTS CONCERT GUIDES PROGRAM Joanna MacGregor - Musical Toys (1 April) 5 INFORMATION Plexus - Pantheon (2 April) 12 Forest Collective - The Garden of Ice (4 April) 13 MSO Programs can be read online or downloaded up to a Six Degrees Ensemble - Garden of Earthly Desire (5 April) 14 week before each concert, from mso.com.au Stefan Cassomenos and Judith Dodsworth - Sappho's Butterflies (9 April) 15 If you do not need this printed program after the concert, (5 April) 16 The MSO and Olli Mustonen - Tapiola we encourage you to return it to The MSO and Olli Mustonen - Frescoes of Dionysius (9 April) 28 a member of staff. Please share one program between two people ( ) Syzygy - Logic 10 April 33 where possible. The MSO and Olli Mustonen - Concert Champêtre (12 April) 34 This program has been printed Aura Go - Dichotomie (12 April) 39 on FSC accredited paper. For news and updates on the Melbourne Symphony Orchestra MSO Partners 2 (MSO) follow us on Facebook MSO Supporters 25 or Twitter. Commissioning the Future 27 Sign up for MSO's monthly e-news, at mso.com.au, to receive Meet Your Musician 40 special offers from the MSO and partner organisations. The Orchestra 41 Sign up for Melbourne Recital Melbourne Recital Centre Supporters 42 Centre's eNews for special offers, priority booking and giveaways at melbournerecital.com.au COVER image: Soundscape: Sibelius Tapiola Find your work-life groove From laid back to more upbeat, you’ll find a range of inspirations in our Business Class. -
PIANO KAPUSTIN: a Recap of Recent Classical Releases
HAL LEONARD WIN T ER 2019 UPDATE NIKOLAI Within this newsletter you will find PIANO KAPUSTIN: a recap of recent classical releases. HUMORESQUE, The following classical catalogs are JOHANN SEBASTIAN OP. 75 distributed by Hal Leonard: BACH/JOHANNES Schott BRAHMS: CHACONNE The Humoresque Op. 75 Alphonse Leduc FROM PARTITA NO. 2 IN D — composed in 1994 — is Associated Music MINOR considered one of the most Publishers ARRANGEMENT FOR PIANO, difficult pieces by Kapustin. Boosey & Hawkes LEFT-HAND Presented in the standard jazz Bosworth Music form, the variations sound like Henle Urtext Edition Bote & Bock The D-minor Chaconne is improvisations, influenced by undoubtedly the most famous McCoy Tyner’s style, but are minutely through-composed. Chester Music movement of all of Bach’s 6 49046035 ......................................................................$16.99 DSCH Sonatas and Partitas for violin. Editio Musica Budapest So it is hardly surprising that it has seen many arrangements. Editions Durand Johannes Brahms marvelled at how a single staff of music could SERGEI RACHMANINOFF: offer “a whole world of the deepest thoughts and the mightiest PIANO SONATA NO. 2 IN Editions Max Eschig emotions.” He promptly made his own arrangement for piano, B-FLAT MINOR, OP. 36 Editions Musicales left hand alone. 1913 & 1931 VERSIONS Transatlantique 51481187 ........................................................................$11.95 ed. Dominik Rahmer, fing. Editions Salabert Marc-André Hamelin Ediciones Henle Urtext Edition Joaquín Rodrigo FRÉDÉRIC CHOPIN: Includes both Rachmaninoff’s Edward B. Marks SCHERZI original 1913 version and Music Company ed. Norbert Müllemann edited 1931 version of this Eulenburg fing. Hans-Martin Theopold substantial piece, with Forberg Henle Urtext Edition fingerings by Marc-André 51480886 ........................$25.95 Hamelin. -
Violin Syllabus / 2013 Edition
VVioliniolin SYLLABUS / 2013 EDITION SYLLABUS EDITION © Copyright 2013 The Frederick Harris Music Co., Limited All Rights Reserved Message from the President The Royal Conservatory of Music was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience. More than a century later, we continue to build and expand on this vision. Today, The Royal Conservatory is recognized in communities across North America for outstanding service to students, teachers, and parents, as well as strict adherence to high academic standards through a variety of activities—teaching, examining, publishing, research, and community outreach. Our students and teachers benefit from a curriculum based on more than 125 years of commitment to the highest pedagogical objectives. The strength of the curriculum is reinforced by the distinguished College of Examiners—a group of fine musicians and teachers who have been carefully selected from across Canada, the United States, and abroad for their demonstrated skill and professionalism. A rigorous examiner apprenticeship program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become not only an important partner with The Royal Conservatory in the development of creativity, discipline, and goal- setting, but also an active participant, experiencing the transcendent qualities of music itself. In a society where our day-to-day lives can become rote and routine, the human need to find self-fulfillment and to engage in creative activity has never been more necessary.