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The Playlist!
THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel. -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
Huppah Press
The Huppah Project Music Under The Canopy “...gather round to absorb and channel these melodies that open the ears of the heart. Music that comes from the heart, enters the heart” -Rabbi Dr. Aubrey Glazer For additional information please contact Aviva Chernick...416-535-1689 [email protected] www.thehuppahproject.com The Huppah Project is a Musical Event Hear the Jewish Wedding Celebration in music, both traditional and contemporary. Under a huppah, Aviva Chernick’s soaring vocals and Aaron Lightstone’s melodic ud and guitar, together with the virtuosic sounds of an ensemble of world class musicians weave their way through the moments of this long celebrated Jewish life-cycle event. While the ensemble plays original compositions as well as traditional liturgy to contemporary settings they also fuse global rhythms and melodies from around the Jewish World. The concert runs approximately one hour. Aviva Chernick (vocals) is a versatile and passionate singer whose voice and presence enchant audiences. Among her collaborations, Aviva has recorded and performed with Jaffa Road, Mitch Smolkin and Klezmer Buenos Aires and Beyond the Pale. She is also a Cantorial Soloist, lending her voice to Jewish Spiritual practice throughout Toronto. www.avivachernick.com Aaron Lightstone (ud, guitar) has performed on the guitar, ud and related string instruments in various projects for over a decade. He has trained with world-class teachers in Jazz, Sephardic, Arabic, and Classical Indian Music. Aaron is the bandleader for the world music ensemble Jaffa Road (www.jaffaroadmusic.com). He holds a Masters degree in Music Therapy and practices music therapy in palliative care. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
A Life in C Major
A LIFE IN C MAJOR By CHRIS SCHUTZ Copyright Dr C.J.Schutz schutz(a,usinet.co.za tel. 021782 4244 2014 Cover design: Reinet Blignaut Cover photo: A Class 19D sets off for a long run: Courtesy of David Bern. Printed by Zip Print - Fish Hoek. FOR PIERRE, REINFT AND CAROL AUTHOR'S NOTE I have been blessed by my children's interest in my past. It is in response to their questions that I have written this account. It is the story of how Christ became the major influence on my life, and what happened as a result, hence the title of this book. C 772cz/.or is also a musical term and my favourite key when playing the oboe - a key without shaxps or flats. It also mirrors my desire to live for the Lord without my own discordant ,Sharps' or ,flats' . My daughter Reinet had asked me to describe my early years, "leaving nothing out." I have therefore concentrated on my history bc/ore marriage -after that my children were there, so they knew what happened! Nevertheless, I have added a brief overview of experiences from marriage to the present, just to round things off. As I grew up in the Age of Steam, trains have always been a part of my life -hence the cover photo. ACKN0lvLHDGEMENTS Reinet put in much hard work in improving some of the text, and also the art work for the cover design, for which I am very grateful. I am indebted to my wife, Milly, for editing, for encouragement and for tolerance. -
SONGS WITHOUT Word5
Artist POP ROCK R &B RAP DANCE COUNTRY LATIN CLASSICALusic PRO AUDIO JAll Trio Setting Suits Summers Sept. RIAA Red Ant's Salt 'N Pepa Guitarist Back To Old Approach On RCA Victor Certs Led By Gets 3 -Label Campaign BY PAUL VERNA ic, more cut -and -paste. This one comes and CARRIE BELL out of playing in clubs and improvising BY SHAWNEE SMITH don the Salt 'N Pepa catalog-1987's in space." Pink Floyd, Joel "Hot Cool & Vicious," 1988's "A Salt NEW YORK-After a series of multi - FeaturingSummers on guitar, Tony NEW YORK-In an unprecedented With A Deadly Pepa," and 1990's layered, genre -defying solo albums, Levin on bass, and Greg Bissonette on BY CHRIS MORRIS arrangement, Salt 'N Pepa's fifth al- "Blacks' Magic " -in 1992 through a guitarist Andy Summers has returned drums, "The Last Dance Of Mr. X" is a bum, "Brand New," is being worked licensing agreement. The act's fourth to the stripped-down trio approach that contemporary jazz record colored by LOS ANGELES - Two-CD sets by and released Oct. 21 through three set, "Very Neces- he flourished in as a Summers' singular Pink Floyd and Billy Joel topped labels: Red Ant Entertainment, Lon- sary," was released member of the playing, which September album certifications don Records, and Island Black Music. directly through Police in the late relies as much on from the Recording Industry Assn. "We went looking for one label, and the London in 1993. '70s and early '80s. melodic lyricism as of America (RIAA). Lord blessed us with three," says Salt The group signed Summers' Oct. -
Al Henderson Septet
AL HENDERSON SEPTET The Al Henderson Septet features Alex Dean (saxes, bass clarinet), Pat LaBarbera (saxes, flute), pianist Richard Whiteman, bassist Al Henderson and dru er Barry Romberg plus noted cellists Matt Brubeck and Mark hambers, first heard on the "#$# %uno nominated recordin& Re&eneration ('RST 'D$(") and subse)uentl* for three trac+s of the !st recentl* released Tai&a ('RST 'D$(,)- Ala*ne .c/re&or 0rites 12n all the 3a44 c! bos 256e seen !6er the *ears, t0o cellos in the front row 0as a first- Al Henderson’s septet had that – plus piano, saxophones, clarinets, flutes, bass, dru s and bird 0histles, to produce s!undscapes that 0ere far ore c! plex than *our a6era&e stai&ht8ahead 3a44…Re&eneration Suite9 an engrossin& piece-: (Otta0a%a44Scene-ca, %une ";, "#$#) <2O/RAPH2ES <assist, c! poser, arran&er, leader and usic educator AL H!"D!RSON, (.=A .usic!l!&*, $>,() formed 6arious &roups under his !0n na e as a 0a* to perfor and record his nu erous ori&inal 3a44 c! positions 0ith nearl* ninet* of his c! positions bein& on c! erciall* a6ailable recordings- /eoff 'hap an 0rote 1---a formidable bandleader.--and c! p!ser.--: (?hole Note .a* ";, "#$#)- 2n $>>@ he 0as rec!&ni4ed both as the %a44 Report '! poser of the Aear and 0inner of the presti&ious SO'AN A0ard for Ori&inal %a44 '! position for the large 0or+ BEllin&toniaB- His c! positions ha6e appeared on recordings b* the Al Henderson Septet, Sextet, Cuintet, and Cuartet, Ti e ?arp, <arr* R! berg5s Rand! Access, Richard ?hite an, Alex Dean, Don Pullen D %ane <unnett, and Shox %ohnson -
EZ-CB120 License
GNU LESSER GENERAL PUBLIC LICENSE Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. This version of the GNU Lesser General Public License incorporates the terms and conditions of version 3 of the GNU General Public License, supplemented by the additional permissions listed below. 0. Additional Definitions. As used herein, "this License" refers to version 3 of the GNU Lesser General Public License, and the "GNU GPL" refers to version 3 of the GNU General Public License. "The Library" refers to a covered work governed by this License, other than an Application or a Combined Work as defined below. An "Application" is any work that makes use of an interface provided by the Library, but which is not otherwise based on the Library. Defining a subclass of a class defined by the Library is deemed a mode of using an interface provided by the Library. A "Combined Work" is a work produced by combining or linking an Application with the Library. The particular version of the Library with which the Combined Work was made is also called the "Linked Version". The "Minimal Corresponding Source" for a Combined Work means the Corresponding Source for the Combined Work, excluding any source code for portions of the Combined Work that, considered in isolation, are based on the Application, and not on the Linked Version. The "Corresponding Application Code" for a Combined Work means the object code and/or source code for the Application, including any data and utility programs needed for reproducing the Combined Work from the Application, but excluding the System Libraries of the Combined Work. -
Catalogue of Canadian Women Empowered by Music 1
Catalogue of Canadian Women Empowered by Music Who is in this catalogue? ...women empowered by music, women who empowered others through music, and women who were trailblazers in music. You will find composers, singers, educators, songwriters and activists, from every era and every style of music...but the catalogue is not complete! Here’s where YOU come in! See an entry for your favourite artist which needs a longer entry? Send us an expanded version! (limit: 200 words). Know a musician who is not even in the catalogue yet? Write an entry send it to: [email protected] Name Dates Category Career Highlights Listening Links Active Norma Abernethy 1930’s Performer Norma Abernathy was a pianist from Vancouver, British http://www.thecanadianencycl (1914-1973) - Columbia. She is best known as an accompanist and opedia.ca/en/article/norma- 1940’s soloist on radio stations such as CNRV and CBR, and as abernethy-emc/ a pianist with the Vancouver Chamber Orchestra and the Victoria Symphony Orchestra. Lydia Adams 1980s- Conductor Lydia Adams was born in Glace Bay, Nova Scotia and “Sing all ye https://www.thecanadianencycl (1953- ) Accompan completed her training at Mount Allison University in New joyful: the opedia.ca/en/article/lydia- ist Brunswick and the Royal College of Music in London, works of Ruth adams-emc/ Arranger England. She worked as an accompanist for the Elmer Watson Iseler Singers in the 1980s and early 1990s, and in 1997 Henderson” http://www.elmeriselersingers. she became the choir’s conductor and music director. Dr. com/lydia_adams.htm Adams was also the conductor and artistic director of the Amadeus Choir, and commissioned and premiered many works by Canadian composers. -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.