DOCSLIB.ORG

SONGS WITHOUT Word5

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SONGS WITHOUT Word5 Artist POP ROCK R &B RAP DANCE COUNTRY LATIN CLASSICALusic PRO AUDIO JAll Trio Setting Suits Summers Sept. RIAA Red Ant's Salt 'N Pepa Guitarist Back To Old Approach On RCA Victor Certs Led By Gets 3 -Label Campaign BY PAUL VERNA ic, more cut -and -paste. This one comes and CARRIE BELL out of playing in clubs and improvising BY SHAWNEE SMITH don the Salt 'N Pepa catalog-1987's in space." Pink Floyd, Joel "Hot Cool & Vicious," 1988's "A Salt NEW YORK-After a series of multi - FeaturingSummers on guitar, Tony NEW YORK-In an unprecedented With A Deadly Pepa," and 1990's layered, genre -defying solo albums, Levin on bass, and Greg Bissonette on BY CHRIS MORRIS arrangement, Salt 'N Pepa's fifth al- "Blacks' Magic " -in 1992 through a guitarist Andy Summers has returned drums, "The Last Dance Of Mr. X" is a bum, "Brand New," is being worked licensing agreement. The act's fourth to the stripped-down trio approach that contemporary jazz record colored by LOS ANGELES - Two-CD sets by and released Oct. 21 through three set, "Very Neces- he flourished in as a Summers' singular Pink Floyd and Billy Joel topped labels: Red Ant Entertainment, Lon- sary," was released member of the playing, which September album certifications don Records, and Island Black Music. directly through Police in the late relies as much on from the Recording Industry Assn. "We went looking for one label, and the London in 1993. '70s and early '80s. melodic lyricism as of America (RIAA). Lord blessed us with three," says Salt The group signed Summers' Oct. it does on innova- However, the major news of the 'N Pepa's manager, Darryll Brooks, of with MCA in 1995, 14 release, "The tive soundscapes month was the the group's search for a label to buy out but the contract Last Dance Of Mr. made possible by previously its MCA contract. never resulted in a X," will be his first guitar synthesizers and other process- announced, Officially signed to Red Ant Sept. 17, project. under a long-term ing tools. instantaneous the trio suggested that the label SALT 'N PEPA The MCA con- contract with RCA SUMMERS In keeping with the jazz approach, multi -platinum approach London for a distribution tract did serve to Victor after an "The Last Dance" is made up of a mix- certification of agreement. Recently acquired by establish Salt 'N Pepa's label, Jireh album for the now-defunct German ture of original compositions and inter- Elton John's investment bank Wasserstein Perella Records, and called for the act to sign indie CMP and a string of titles for Pri- pretations of such standards as Wayne tribute single & Co. (Billboard, Aug. 30), Red Ant has four acts each year for four years. The vate Music. Shorter's "The Three Marias" and for Princess no established distribution contracts. act's deal with Red Ant also includes a "The last record I did, `Synaesthe- "Footprints," Horace Silver's "Lonely JOEL Diana, "Candle The group's original label, indepen- similar deal for Jireh. sia,' was pretty differeht from this," Woman," Charles Mingus' "Goodbye In The Wind dent Next Plateau Records, gave Lon- (Continued on page 100) says Summers. "There were a lot more Porkpie Hat," and Mongo Santa - 1997," which reached the 8 million instruments, and it was more cinemat- (Continued on page 108) mark upon its release Sept. 23 (Billboard, Oct. 4). Pink Floyd's Canada's Cole Showcases "The Wall" Reprise, Mercury Hit Market With (Columbia, 1979) and Joel's Pop Side On Metro Blue Set Letterman, Conan Compilations "Greatest Hits BY LARRY LeBLANC released Sept. 25 in Japan and is due Volume I & II" Oct. 21 in Germany and Nov. 3 in the BY CRAIG ROSEN (Columbia, TORONTO -While far from an out- U.K. 1985) reached right pop album, "Dark Dear Heart," Highlighted by its leadoff single, an LOS ANGELES -The late -night TV new certified peaks of 22 million due Oct. 21 in the U.S. on Metro arresting cover of John Lennon and wars are heading to a record store near and 18 million, respectively these Blue /Capitol Records, is Canadian Paul McCartney's "I've Just Seen A you with the release of "Live From 6A: totals represent sales levels of 11 singer Holly Cole's Face," "Dark Dear Great Musical Per- million and 9 million, respectively, most pop -based Heart" is anchored formances From since RIAA certifications are cal- recording to date. M c_) by bassist David `Late Night With culated in multiples of CDs in a set. "[With previous mtro blu Piltch and key - Conan O'Brien,' " The fresh certifications for the releases] I have boardist Aaron out Tuesday (7) on Floyd and Joel titles place the slowly been inching Davis, as well as Mercury, and "Live albums at third and fourth on the my way toward percussionist Jim Kelso and guitarist On Letterman: 311 list of all-time best sellers, trailing pop," says the 33- Kevin Breit. Additionally, there are Music From The Michael Jackson's `Thriller" (Epic, year -old Cole, best contributions by Dean Parks (guitar), `Late Show,' " due Letterman albums to see if it is feasi- 1982, 25 million) and the Eagles' know to date for her COLE Jon Hassell (trumpet), Greg Leisz Nov. 18 from Re- REED ble to release its own collection. "Their Greatest Hits 1971 -1975 jazz- skewed sound. (steel guitar), and Steve Tavaglione prise Records. If an "SNL" album does come to (Elektra, 1976, 24 million). "This [album] is a slightly bigger step." (soprano sax). The release of the two albums has fruition, it will likely go to Mercury, With the certification of Barbra Produced by Larry Klein (Shawn With its 16 Tom Waits compositions, also heated up talk about the possibili- since the label already has a relation- Streisand's 1994 two -CD set "The Colvin, Joni Mitchell), the multihued Cole's previous album, 1995's darkly ty of an album of performances from ship with Broadway Video and Lorne Concert" at 10 million, Streisand album is released Tuesday (7) in Cana- colored "Temptation," marked a piv- "Saturday Night Live." According to a Michaels. Broadway produces the takes the lead as the female vocal - da by Alert Music, distributed by the otal transition for Cole, introducing to source, the "SNL" camp will be keep- O'Brien show and "SNL," and Michaels (Continued on page 96) PolyGram Group Canada affiliate her work for the first time a main - ing a close watch on the O'Brien and (Continued on page 98) A &M/Island/Motown. The album was (Continued on page 99) SONGS WITHOUT wORD5 SONGS WITHOUT WORDS A Windham Hill All -Star Piano Collection Featuring Piano Solos From 16 Of The Greatest Songwriters, Producers & Artists Of The Last 3 Decades. DAVID FOSTER * DESMOND CHILD * DAVID BENOIT * ERIC BAZILIAN * JOHN COREY * WALTER AFANASIEFF * BOB JAMES * MICHAEL KAMEN * DIANE WARREN * JIM BRICKMAN * JEREMY LUBBOCK * BRIAN WILSON * STEPHEN SONDHEIM * MICHAEL WHALEN * JEFF LORBER * CAROLE KING Street Date: October 4, 1997 nvw.windham.com A WINDHAM HILL COLLECTION BILLBOARD OCTOBER 11, 1997 15 www.americanradiohistory.com.
Load more

Recommended publications
  • The Playlist!
    THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel.
    [Show full text]
  • Chapters in Canadian Popular Music
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined.
    [Show full text]
  • Huppah Press
    The Huppah Project Music Under The Canopy “...gather round to absorb and channel these melodies that open the ears of the heart. Music that comes from the heart, enters the heart” -Rabbi Dr. Aubrey Glazer For additional information please contact Aviva Chernick...416-535-1689 [email protected] www.thehuppahproject.com The Huppah Project is a Musical Event Hear the Jewish Wedding Celebration in music, both traditional and contemporary. Under a huppah, Aviva Chernick’s soaring vocals and Aaron Lightstone’s melodic ud and guitar, together with the virtuosic sounds of an ensemble of world class musicians weave their way through the moments of this long celebrated Jewish life-cycle event. While the ensemble plays original compositions as well as traditional liturgy to contemporary settings they also fuse global rhythms and melodies from around the Jewish World. The concert runs approximately one hour. Aviva Chernick (vocals) is a versatile and passionate singer whose voice and presence enchant audiences. Among her collaborations, Aviva has recorded and performed with Jaffa Road, Mitch Smolkin and Klezmer Buenos Aires and Beyond the Pale. She is also a Cantorial Soloist, lending her voice to Jewish Spiritual practice throughout Toronto. www.avivachernick.com Aaron Lightstone (ud, guitar) has performed on the guitar, ud and related string instruments in various projects for over a decade. He has trained with world-class teachers in Jazz, Sephardic, Arabic, and Classical Indian Music. Aaron is the bandleader for the world music ensemble Jaffa Road (www.jaffaroadmusic.com). He holds a Masters degree in Music Therapy and practices music therapy in palliative care.
    [Show full text]
  • Stich Wynston
    Stich Wynston Drummer – Composer – Arranger – Improviser – Demon 529A Parliament St., Apt 3, Toronto, ON, Canada M4X 1P3 437-225-7795 | [email protected] | www.StichWynston.com ________________________________________________________________________ Professional Summary 1980 – present: Professional freelance musician (drum kit, percussion) & international performing and/or recording artist for renowned performers in jazz, classical, pop, avant-garde, rock, blues, folk, funk, soul, RnB, calypso, reggae, swing & world music genres. Teaching Experience 2004 – present Workshops/Clinics at music festivals, public schools, high schools, universities and music and cultural institutions all over the world with the Shuffle Demons Education Formal Training 1981 – 1985 York University Toronto, ON Bachelor of Fine Arts Degree Majoring in Music 1982 – 1984 Banff School of Fine Arts Banff, AB - Summer Jazz Music Program Diploma 1978 / 1979 Jamey Aebersold Summer Jazz Clinics DeKalb, IL 1978 Ontario College of Percussion Toronto, ON - Drumming Studies Diploma Private Study 2006 – 2007 Drum lessons with Sean Rickman, Tacoma Park, MD 1978 – 1988 Drum lessons with Jim Blackley, Toronto, ON 1980 – 1985 Piano lessons with Brian Rudolph, Toronto, ON Professional Associations • Co-founding member & co-leader of iconic music group the Shuffle Demons • Leader of ground-breaking creative improvisation ensemble Modern Surfaces • Has performed, recorded or toured with: Jazz: Paul Bley, Keith Tippett, Julius Hemphill, Charles Gayle, Jon Ballantyne, Phil Dwyer, George McFetridge, Mike Murley, Perry White, Richard Underhill, Seamus Blake, Ernie Watts, Bob Mover, Geoff Young, Lorne Lofsky, Ted Quinlan, Reg Schwager, Roy Patterson, Bill Smith, Jean Derome, Holly Cole, Molly Johnson, The Shuffle Demons, Brownman Ali, Andrew Downing, Kelly Lee Evans, Jane Bunnett Commercial: Jane Siberry, Tom Cochrane, Alex Lifeson, Big Sugar, Bare Naked Ladies, The Sidemen, Mendelson Joe, Hubert Sumlin, Bob Baldori, Jeff Healy, Cadillac Blues Band, Hart House Singers, Lawrence Gowan, Jeff Healy, Dr.
    [Show full text]
  • Al Henderson Septet
    AL HENDERSON SEPTET The Al Henderson Septet features Alex Dean (saxes, bass clarinet), Pat LaBarbera (saxes, flute), pianist Richard Whiteman, bassist Al Henderson and dru er Barry Romberg plus noted cellists Matt Brubeck and Mark hambers, first heard on the "#$# %uno nominated recordin& Re&eneration ('RST 'D$(") and subse)uentl* for three trac+s of the !st recentl* released Tai&a ('RST 'D$(,)- Ala*ne .c/re&or 0rites 12n all the 3a44 c! bos 256e seen !6er the *ears, t0o cellos in the front row 0as a first- Al Henderson’s septet had that – plus piano, saxophones, clarinets, flutes, bass, dru s and bird 0histles, to produce s!undscapes that 0ere far ore c! plex than *our a6era&e stai&ht8ahead 3a44…Re&eneration Suite9 an engrossin& piece-: (Otta0a%a44Scene-ca, %une ";, "#$#) <2O/RAPH2ES <assist, c! poser, arran&er, leader and usic educator AL H!"D!RSON, (.=A .usic!l!&*, $>,() formed 6arious &roups under his !0n na e as a 0a* to perfor and record his nu erous ori&inal 3a44 c! positions 0ith nearl* ninet* of his c! positions bein& on c! erciall* a6ailable recordings- /eoff 'hap an 0rote 1---a formidable bandleader.--and c! p!ser.--: (?hole Note .a* ";, "#$#)- 2n $>>@ he 0as rec!&ni4ed both as the %a44 Report '! poser of the Aear and 0inner of the presti&ious SO'AN A0ard for Ori&inal %a44 '! position for the large 0or+ BEllin&toniaB- His c! positions ha6e appeared on recordings b* the Al Henderson Septet, Sextet, Cuintet, and Cuartet, Ti e ?arp, <arr* R! berg5s Rand! Access, Richard ?hite an, Alex Dean, Don Pullen D %ane <unnett, and Shox %ohnson
    [Show full text]
  • EZ-CB120 License
    GNU LESSER GENERAL PUBLIC LICENSE Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. This version of the GNU Lesser General Public License incorporates the terms and conditions of version 3 of the GNU General Public License, supplemented by the additional permissions listed below. 0. Additional Definitions. As used herein, "this License" refers to version 3 of the GNU Lesser General Public License, and the "GNU GPL" refers to version 3 of the GNU General Public License. "The Library" refers to a covered work governed by this License, other than an Application or a Combined Work as defined below. An "Application" is any work that makes use of an interface provided by the Library, but which is not otherwise based on the Library. Defining a subclass of a class defined by the Library is deemed a mode of using an interface provided by the Library. A "Combined Work" is a work produced by combining or linking an Application with the Library. The particular version of the Library with which the Combined Work was made is also called the "Linked Version". The "Minimal Corresponding Source" for a Combined Work means the Corresponding Source for the Combined Work, excluding any source code for portions of the Combined Work that, considered in isolation, are based on the Application, and not on the Linked Version. The "Corresponding Application Code" for a Combined Work means the object code and/or source code for the Application, including any data and utility programs needed for reproducing the Combined Work from the Application, but excluding the System Libraries of the Combined Work.
    [Show full text]
  • CREDITS Files/EVELYNE DATL COMPOSER CV 2020.Pdf
    EVELYNE DATL | KEYBOARDS, COMPOSER, MUSIC EDITOR, ARRANGER, PRODUCER | 416.656.5578 [email protected] www.evelynedatl.com EDUCATION _____________________________________________________________________________________________ • Royal Conservatory of Music, A.R.C.T. in Classical Music Performance • University of Toronto, electronic music studies, Faculty of music • Improvisation studies with Freddie Stone • East Indian Music studies • Tai Chi (Instructor) INSTRUMENTS _____________________________________________________________________________________________ Piano, MIDI programing, Guitar, Harmonica, Percussion, Synthesizer, Organ, Accordion PERFORMANCE HIGHLIGHTS ______________________________________________________________________________________________ • Keyboardist for various artists. Includes touring, recording and concerts at The Sony Centre, St Lawrence Centre, Roy Thompson Hall, Ontario Place Forum, Rogers Centre, Lincoln Centre NYC. These artists include: • SHIRLEY EIKHARD - Grammy Award Winner “Let’s Give them Something to Talk About” 2 time JUNO Award winner • THE PARACHUTE CLUB - 2 time Juno Award Winner • ALANNAH MYLES - Grammy and 3 time JUNO Award Winner • LILLIAN ALLEN - 2 time JUNO Award winner • COREY HART - JUNO Award Winner • ERIC NAGLER - Elephant Show 4 time Juno Nominee • THE FLYING BULGAR KLEZMER BAND JUNO Nominee • HOLLY COLE - Juno Award Winner • AMY SKY - 3 time JUNO nominee • JANI LAUZON - Juno Nominee • LORETTO REID 2 time Juno Nominee • MARY MARGARET O'HARA • RITA CHIARELLI Juno Award Winner • MARTHA
    [Show full text]
  • Student •-1- to Internet Around »- •
    THEUBYSSETUESDAY 24 NOVEMBER 1993 VOLUME 76Y. ISSUE 20 A FOUNDING MEMBER OF THE CANADIAN UNIVERSITY PRESS Bumping and grinding since 1918 Student •-1- to Internet around »- • You can discuss papers and other Bill Bartlett are among the pio­ you can have a news group set up There is so much to see on the by Graham Cook 'net that some people can spend UBC will soon be full of matters very quickly." neers of this cyber-art. for questions and answers about Another Internet convertis Bill For those interested in chat­ it." hours at a time browsing through cyberpunks interfacing virtually, the different ne wsgroups—but not if the folks at the UBC library and Unruh, a professor of Physics who ting to people who share their spe­ The Internet has exploded in specializes in cosmology ."E-mail is cialized interests, there is Internet popularity over the last year and with the new Netinfo service. UBC Computing and Communica­ The service will restrict students tions have their way. As of 1 De­ how I keep in touch with my col­ news. Once connected you can the number of people, primarily leagues around the world—There graze through "newsgroups," back- academics, using the network has to 20 minutes of free computing cember, all UBC students can hook time per day. themselves Those who into the want more worldwide will have to computer net­ sign up for a work known separate ac- as the Inter­ count net, through a through new program UBC Com­ called puting and Netinfo. Communica­ The In­ tions, for an ternet is a initial cost of way for peo­ $20.
    [Show full text]
  • Canandaigua Concert History
    Canandaigua Concert History FLPAC CMAC 1983 Season……………..page 1 2006 Season……………..page 21 1984 Season……………..pages 1-2 2007 Season……………..pages 21-22 1985 Season……………..pages 2-4 2008 Season……………..page 22 1986 Season……………..pages 4-5 2009 Season……………..page 23 1987 Season……………..pages 5-6 2010 Season……………..pages 23-24 1988 Season……………..pages 7-8 2011 Season……………..page 24 1989 Season……………..pages 8-9 2012 Season……………..page 25 1990 Season……………..pages 9-10 2013 Season……………..pages 25-26 1991 Season……………..pages 10-11 2014 Season……………..pages 26-27 1992 Season……………..page 12 2015 Season……………..pages 27-28 1993 Season……………..pages 12-13 2016 Season……………..page 28 1994 Season……………..pages 13-14 2017 Season……………..page 29 1995 Season……………..pages 14-15 2018 Season……………..page 29-30 1996 Season……………..page 15 2019 Season……………..page 30-31 1997 Season……………..pages 15-16 2020 Season…………….Covid-19 Virus 1998 Season……………..pages 16-17 1999 Season……………..pages 17-18 2000 Season……………..page 18 2001 Season……………..pages 18-19 2002 Season……………..page 19 2003 Season……………..pages 19-20 2004 Season……………..page 20 2005 Season……………..pages 20-21 Canandaigua Concert History 1 1983 Season July 16 – RPO: All Beethoven Opening Night Gala July 17 – RPO: Pop-Overs! July 18 – Joni Mitchell July 21 – Preservation Hall Jazz Band July 23 – RPO: Russian Romantics July 24 – RPO: Sousa Spectacular! July 30 – RPO: 1812 Classical July 31 – RPO: 1812 Pops! August 6 – RPO: Three Great Romantics August 7 – RPO: Dixieland Night August 9 – Al Jarreau August 13 – RPO: Vive La France! August 14 – RPO: From the Classics to Broadway August 19 – Diana Ross August 20 – RPO: Viennese Classics August 21 – RPO: E.T.
    [Show full text]
  • Artpark Archival Collection at the Burchfield Penney Art Center Archives Gift of Earl W
    Artpark Archival Collection At The Burchfield Penney Art Center Archives Gift of Earl W. Brydges Artpark State Park 2013; A2013.017 Title: Artpark Archival Collection Name and Location of Repository: Burchfield Penney Art Center Date: 1970 - 2010 (Inclusive Dates) 1974-2005 (General Bulk Dates) Extent: 118.979 linear feet of textual, photographic and audio-visual materials Name of Creator: Earl W. Brydges Artpark State Park Administrative History: Artpark is currently (as of 2021) a 154-acre State Park along the Niagara River Gorge, located on the American side of the American-Canadian border in Lewiston, NY. It was initially created to develop tourism around local historic attractions and revitalize the area following late 1950s development of the New York State Power Authority power plant in Niagara Falls. Over- developed and costly theater construction under State Senator Earl W. Brydges in this direction of cultural development, said to be modeled after the Saratoga Performing Arts Center, resulted in a consulting emergency between the Natural Heritage Trust, the New York State Office of Parks and Recreation, and national experts and local cultural community leadership. This included the arts administration consulting firm Arts Development Associates (which had helped with the Lincoln Center), and a Steering Committee involving, amongst many, Niagara University Theater director Brother Augustine Towey, C.M., and Haudenosaunee Council on the Arts founder and artist Duffy Wilson. As a result, Artpark (or the Artpark program at the Earl W. Brydges Artpark) emerged from the Niagara Frontier Performing Arts Center, and in 1973 was established as a publicly-funded state park dedicated to all of the arts, with portions of support coming from earned revenue, grants and contributions.
    [Show full text]
  • TWO ALBUMS STOKE GROWING FIRE for JAMAICA's SIZZLA Hands -On Producer, Which Has Always President of Alert Music Here
    CANADA'S COLE SHOWCASES POP SIDE ON METRO BLUE /CAPITOL SET (Continued from page 15) stream pop tone. In the 18 months hesitant to tackle the song. A version units in Canada, while "Blame It On has a very meaty sound, a bit different Youth" in 1992 in an HMV outlet in San since its release, Cole has toured with a recorded in the Toronto sessions didn't My Youth" has sold 83,000 units; than what's out now. [In Canada] Holly Francisco and began playing "Calling full band, and, as a result, her music work out, because "it didn't fit with the "Don't Smoke In Bed," 120,000 units; has been attracting big audiences but You." The album was subsequently has shifted significantly toward a fuller general stylistic tenor of the rest of the "Temptation," 62,000 units; and "It has still been one of those artists con- released by Toshiba -EMI and has sold pop sound. record," Klein says. Happened One Night," 25,000 units. tinually under- ranked." 125,000 units. Besides the Lennon/McCartney "It's always a scary proposition to "Dark Dear Heart" marks Cole's While several Canadian retailers are According to Berry, "Dark Dear cover, "Dark Dear Heart" features cover a Beatles song," says Klein. After first album to be distributed by Poly- enthusiastic about Cole's new album, Heart" has sold 24,000 units in Japan pop -styled songs penned by Joni the sessions in Toronto, "I put my mind gram Group Canada after Berry ended they also emphasize that sales of such since its release there.
    [Show full text]
  • Vlijtiujti Table of Contents
    MU VliJTiUJTi Table of Contents Ordering Information 2 Blues * Jazz * R&B * Divas 30 Ladyslipper Online! 3 Choral * Acappella 31 Order Blank 4 BabySlipper Music 31 Turning 30: Ladyslipper & Women's Music 5 Comedy 32 New Additions: All Genres & Categories 6 Classical 32 Hot Wire Back Issues 12 Ho * Ho * Holiday Music 33 "Women's Music" * Feminist Music 13 Gift Certificates * Cards 34 Compilations for Cool Causes 18 Calendars * Books 35 Drumming * Percussion 19 DVD's * Videos 35 Women's Spirituality * New Age 20 Songbooks 36 African Heritage 24 $6.99 CD's 37 World Music 25 $5.99 CD's 37 Native American 26 $4.99 CD's 38 Singer-Songwriter * Folk 27 Grab-Bags 38 Country * Bluegrass 29 $2.99 Cassettes 39 Artist Index 39 Dedication This publication is lovingly dedicated to Kay Gardner 1941-2002 Ordering info CONTACT INFO: BACK-ORDERS AND ALTERNATIVES: If we are U.S. POSTAGE & HANDLING RATES: MAIL: Ladyslipper, PO Box 3124, Durham NC 27715 temporarily out of stock on a title, we will automatical­ ORDER LINE: 800-634-6044 Mon-Fri 10-5 Eastern ly back-order it unless you include alternatives STANDARD: $2.95 first item, $1.00 each additional INFO: 919-383-8773 Mon-Fri 10-5 Eastern Time (should be same-priced titles). Listing alternatives item. FAX: 919-393-3525 will give you faster service. If we back-order for you, EMAIL: [email protected] you may contact us at any time to cancel or to EXPEDITED: $4.95 first item, $2.00 each additional WEB: www.ladyslipper.org instead choose a substitute, credit or refund.
    [Show full text]