The Digital Wave How the RTL Group Digital TV Brands Have Been Established
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Downloaded in 2002, Some of of 13.7 Million Euros
01 02 03 M6 explores today In 2002, M6 feted its 15th year, the age when an adult and responsible future M6 has been a shareholder of the TPS satellite bouquet since its launching starts to crystallize. An occasion that a television network can celebrate and has also participated in its development. only if it has managed to match consistency with the will to move ahead. The prospects are encouraging for a group with the backing of a strong As the network with France’s second largest advertising market share, in generalist television network. The year’s activity, described in these pages, just a few years M6 has succeeded in earning our industry’s highest tributes. is the best illustration. Late off starting blocks, our network has worked patiently, and without arro- gance, to win over increasingly demanding viewers. Jean Drucker Throughout these fifteen years, with growing audiences and an ever expan- ding share of the advertising market, M6 has never ceased to make its pro- grams more rewarding, boosting its investment in diversity, discovery, and culture, particularly music and magazines, where our network has played a major role. M6 is also the network where new talent and formats are first tried out. 04 Ambitious objectives With its strong operating performance of 2002, M6 proved its capacity to diversification activities, all orientations which enable the Group to adapt to resist in a difficult market. its market. Finally, M6 has the necessary financial resources to consider every investment opportunity. First, it confirmed the station’s standing as the second most watched chan- nel among viewers under 50, with an audience share equal to 2001, which With its one thousand permanent staff members, all motivated by a corpo- had been an exceptional year. -
Social Networking and Digital Gaming Media Convergence: Classification and Its Consequences for Appropriation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Salford Institutional Repository Social Networking and Digital Gaming Media Convergence: Classification and its Consequences for Appropriation Marie Griffiths, PhD and Ben Light, PhD IS, Organisations and Society Research Centre University of Salford, Maxwell Building, Salford, M5 4WT. United Kingdom. Contact Author: Professor Ben Light IS, Organisations and Society Research Centre University of Salford, Maxwell Building, Salford, M5 4WT. United Kingdom. Tel. +44 161 295 5443 Email. [email protected] Suggested running title: Social Networking and Digital Gaming Convergence Biographies Marie Griffiths moved from the IT industry into academia and is now based at the University of Salford as an EPSRC Academic Fellow. She has, and continues to research gender and ICTs. Recently she has embarked upon the study "Cybercitizens and their Virtual Pursuits" to understand the consequence of growing up and living in a technologically saturated environment. Her work has been published in journals such as Gender, Work and Organization, the European Journal of Information Systems and Information Communication and Society. Ben Light is Professor of Technology and Society at the University of Salford. His research concerns the appropriation of configurable technologies within work, organisations and society. This has led him to explore the use of large-scale enterprise resource planning packages, call centre technologies, social networking sites and digital games. He has published in journals such as Communications of the ACM, Information Systems Journal, New Technology, Work and Employment, the European Journal of Information Systems and the Journal of Information Technology. -
Bilan De L'économie Des Chaînes Payantes Année 2009
Bilan de l’économie des chaînes payantes Année 2009 les bilans du CSA Décembre 2010 CONSEIL SUPÉRIEUR DE L ’AUDIOVISUEL Direction des programmes Direction des études et de la prospective Service de l’information et de la documentation Bilan de l’économie des chaînes payantes Année 2009 Bilan 2009 de l’économie des chaînes payantes Comme chaque année, le CSA a dressé le bilan de l’économie des chaînes payantes. Cette analyse, qui ne prend pas en compte la chaîne Canal+, porte sur 99 des 117 chaînes payantes existant fin 2009. Elle fait notamment apparaître que près de 42 % des foyers équipés d’un téléviseur étaient à cette date abonnés à une offre multichaîne payante. Synthèse Un bilan qui porte sur 99 chaînes payantes Le bilan réalisé par le CSA entend par télévision payante tout service qui n’est accessible que par le biais d’un abonnement, que ce soit pour une offre globale, couplée ou non avec d’autres services (internet, téléphone), ou pour des services vendus à l’unité. Cette définition ne tient donc pas compte du financement des services. Au 31 décembre 2009, le nombre des services payants conventionnés ou autorisés en langue française (hors Canal+) diffusés sur le câble, le satellite et l’ADSL en France métropolitaine était de 117, contre 116 en 2008. Parmi ceux-ci, 6 étaient autorisés et 111 conventionnés. Toutefois, les données statistiques qui font l’objet de l’étude portent sur 99 services édités par 58 sociétés. 13 sociétés éditent plusieurs services chacune - Canal J (3 chaînes) : Canal J, June et Tiji ; - Disney Channel -
Childhood Comes but Once National Strategy to Combat Violence and Sexual Abuse Against Children and Youth (2014–2017)
Strategy Childhood comes but once National strategy to combat violence and sexual abuse against children and youth (2014–2017) Strategy Childhood comes but once National strategy to combat violence and sexual abuse against children and youth (2014–2017) 4 FOREWORD As a society, Norway has come a long way in its efforts to protect children and adolescents from violence, sexual abuse and bullying. The progress we have achieved is attributable to policy decisions, legislation, increased knowledge, public discussion, media attention and the work of professionals, parents and children themselves. We do not permit parents to harm their children, and we express collective grief and alarm when we hear of children exposed to serious abuse. To the vast majority of parents in Norway, nothing is more important than the well-being of children. All the same, violence and sexual abuse, whether in the family or elsewhere, are a part of daily life for many children. Extensive research shows how consequential violence may be, whether it is directed at a parent or the child itself, and whether it takes the form of direct physical violence, sexual abuse or bullying. Violence can lead to extensive cognitive, social, psychological and physical problems in both the short and long term. Violence against children and adolescents is a public health challenge. The approach to violence and sexual abuse against children in Norwegian society must be one of zero tolerance. We want safety and security for all children, enabling them to enjoy good health and a good quality of life as they grow. Taboos must be broken. -
M6, Puissance Tnt , Paris Premiere Et Les Chaines Thématiques
CGV TV 2016 : M6, PUISSANCE TNT , PARIS PREMIERE ET LES CHAINES THÉMATIQUES Paris Première a déposé devant le CSA une demande de passage en TNT gratuite. La réponse à cette demande sera connue avant la fin de l’année 2015. Les présentes Conditions Générales de Vente sont construites sur la base de deux hypothèses. Hypothèse 1 : Paris Première intègre l’univers des chaînes gratuites de la TNT. Hypothèse 2 : Paris Première reste au sein des chaînes thématiques. Pour ses Conditions Générales de Vente 2016, M6 Publicité mise sur le choix et la souplesse afin de rééquilibrer l’offre à la demande, et s’appuie pour cela sur trois évolutions principales : 1. M6 Publicité proposera désormais trois niveaux de coût GRP garanti : - Le coût GRP Standard (indice 100) : modulable selon 3 critères médiaplannings - Le coût GRP Select (indice 104) : modulable selon 7 critères médiaplannings - Le coût GRP Select + (indice 106) : modulable selon 12 critères médiaplannings Chaque annonceur pourra désormais choisir le niveau de garantie dont il souhaite bénéficier. 2. Les emplacements préférentiels évoluent également pour une meilleure adaptation à la demande, selon les tranches horaires. 3. Enfin, les indices de saisonnalité sont inchangés mais seront désormais modulables en cours d’année afin de mieux s’adapter aux variations de la demande. Les remises suivantes s’appliquent à tout achat d’espace publicitaire classique sur les chaînes en régie chez M6 Publicité, à l’exception des commercialisations spécifiques et de l’achat au coût GRP net garanti. 1- REMISES APPLICABLES SUR M6 LA REMISE DE DEVELOPPEMENT ANNUEL TV GROUPE M6 rémunère la progression d’investissements sur M6 en 2016 vs 2015, ainsi que la présence sur Puissance TNT et sur les chaînes thématiques. -
LES CHAÎNES TV by Dans Votre Offre Box Très Haut Débit Ou Box 4K De SFR
LES CHAÎNES TV BY Dans votre offre box Très Haut Débit ou box 4K de SFR TNT NATIONALE INFORMATION MUSIQUE EN LANGUE FRANÇAISE NOTRE SÉLÉCTION POUR VOUS TÉLÉ-ACHAT SPORT INFORMATION INTERNATIONALE MULTIPLEX SPORT & ÉCONOMIQUE EN VF CINÉMA ADULTE SÉRIES ET DIVERTISSEMENT DÉCOUVERTE & STYLE DE VIE RÉGIONALES ET LOCALES SERVICE JEUNESSE INFORMATION INTERNATIONALE CHAÎNES GÉNÉRALISTES NOUVELLE GÉNÉRATION MONDE 0 Mosaïque 34 SFR Sport 3 73 TV Breizh 1 TF1 35 SFR Sport 4K 74 TV5 Monde 2 France 2 36 SFR Sport 5 89 Canal info 3 France 3 37 BFM Sport 95 BFM TV 4 Canal+ en clair 38 BFM Paris 96 BFM Sport 5 France 5 39 Discovery Channel 97 BFM Business 6 M6 40 Discovery Science 98 BFM Paris 7 Arte 42 Discovery ID 99 CNews 8 C8 43 My Cuisine 100 LCI 9 W9 46 BFM Business 101 Franceinfo: 10 TMC 47 Euronews 102 LCP-AN 11 NT1 48 France 24 103 LCP- AN 24/24 12 NRJ12 49 i24 News 104 Public Senat 24/24 13 LCP-AN 50 13ème RUE 105 La chaîne météo 14 France 4 51 Syfy 110 SFR Sport 1 15 BFM TV 52 E! Entertainment 111 SFR Sport 2 16 CNews 53 Discovery ID 112 SFR Sport 3 17 CStar 55 My Cuisine 113 SFR Sport 4K 18 Gulli 56 MTV 114 SFR Sport 5 19 France Ô 57 MCM 115 beIN SPORTS 1 20 HD1 58 AB 1 116 beIN SPORTS 2 21 La chaîne L’Équipe 59 Série Club 117 beIN SPORTS 3 22 6ter 60 Game One 118 Canal+ Sport 23 Numéro 23 61 Game One +1 119 Equidia Live 24 RMC Découverte 62 Vivolta 120 Equidia Life 25 Chérie 25 63 J-One 121 OM TV 26 LCI 64 BET 122 OL TV 27 Franceinfo: 66 Netflix 123 Girondins TV 31 Altice Studio 70 Paris Première 124 Motorsport TV 32 SFR Sport 1 71 Téva 125 AB Moteurs 33 SFR Sport 2 72 RTL 9 126 Golf Channel 127 La chaîne L’Équipe 190 Luxe TV 264 TRACE TOCA 129 BFM Sport 191 Fashion TV 265 TRACE TROPICAL 130 Trace Sport Stars 192 Men’s Up 266 TRACE GOSPEL 139 Barker SFR Play VOD illim. -
Names and Behavior: Case of the Name “Muhammad”
International Journal of Philosophy and Theology December 2014, Vol. 2, No. 4, pp. 109-127 ISSN: 2333-5750 (Print), 2333-5769 (Online) Copyright © The Author(s). 2014. All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijpt.v2n4a7 URL: http://dx.doi.org/10.15640/ijpt.v2n4a7 Names and Behavior: Case of the Name “Muhammad” Raja Irfan Sabir1, Farooq Nawaz2, Usman Zakir3, Maira Naeem3 & Talha Anjum3 Abstract Names have great impact on the personality and behavioral traits of a person. Muslims mostly name their children (male) on the names of Prophets (Peace be upon All) and the devoted Companions (May Allah be Pleased with All) of Prophet Muhammad (Peace be Upon Him). The name of the last Prophet “Muhammad (Peace be Upon Him)” is used with most of the names e.g. Muhammad Abu Bakar, Muhammad Umer, Muhammad Usman, Muhammad Ali, Muhammad Bilal, Muhammad Junaid, Muhammad Ahmed, etc. Very rare research has been done on the impact of name on one’s personality and behavior. Furthermore, no research has been carried out specifically by considering the name “Muhammad (Peace be Upon Him)” which is the world’s most popular name. This research is aimed at exploring the impact of the name “Muhammad (Peace be Upon Him)” on one’s personality. Keywords: Muhammad, Name, Behavior, Personality, Theory of Planned Behavior. Introduction Names do have the power to make a child's identity and self-esteem and it also has impact on how he has been treated and seen by other people (Miller & Harrison, 2007). In western countries, just like music, clothes and hairstyles names come and go in fashion cycle. -
Guy Fawkes, from Villain to Icon
FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO Guy Fawkes, from villain to icon Rafael Calle Cardona Tutor: Berta Cano Echevarría 2016-2017 1 2 ABSTRACT In this dissertation, I will be explaining and analyzing the changes that the historical figure of Guy Fawkes underwent from being one of the most hated figures in England, with an annual celebration to commemorate his death, to a fictional character representing the fight against totalitarianism in the late 20th century. And finally, how, in the early years of the 21st century he became the face of the international hacktivist group known as Anonymous. Furthermore, I will be analyzing the historical context in which the character of Guy Fawkes was conceived as well as explaining why he was the main figure who was accounted responsible for the Gunpowder Plot despite the fact that he was not its leader. Moreover, I will analyze why the group Anonymous chose the “Fawkesque” mask from the character from the graphic novel as well as the movie V for Vendetta which was at the same time inspired in the historical character, to become the face of the 21st century hacktivist movement. Keyword: Guy Fawkes, England, Anonymous, Hacktivism, V for Vendetta, Gunpowder Plot. En este trabajo, explicaré y analizaré los cambios que sufrió la figura histórica de Guy Fawkes, de ser una de las más odiadas en Inglaterra, con una celebración anual que para conmemorar su muerte, a un personaje de ficción que representa la lucha contra el totalitarismo en la segunda mitad del siglo XX. -
C72f99e6-0E06-4C50-A755-473Aab0b2680 Worldreginfo - C72f99e6-0E06-4C50-A755-473Aab0b2680 Key Figures 2008 – 2012
WorldReginfo - c72f99e6-0e06-4c50-a755-473aab0b2680 WorldReginfo - c72f99e6-0e06-4c50-a755-473aab0b2680 Key Figures 2008 – 2012 shAre PriCe PerFormanCe 2008 – 2012 – 6.5 % (2012: – 1.9 %) INDEX = 100 rTl group dJ sToXX – 16.1 % (2012: + 17.5 %) r evenue (€ million) e quiTy (€ million) 12 5,998 12 4,858 11 5,765 11 5,093 10 5,532 10 5,597 09 5,156 09 5,530 08 5,774 08 5,871 e BiTA (€ million) M ArKeT Capitalisation (€ billion)* 12 1,078 12 11.7 11 1,134 11 11.9 10 1,132 10 11.9 09 796 09 7.3 08 916 08 6.6 *Asof31December n eT ProFiT AttriButaBle To rTl grouP shAreholders (€ million) To tal dividend Per shAre (€ ) 12 597 12 10.50 11 696 11 5.10 10 611 10 5.00 09 205 09 3.50 08 194 08 3.50 Dividend payout 2008− 2012: € 4.2 billion WorldReginfo - c72f99e6-0e06-4c50-a755-473aab0b2680 2012 A nnuAl rePorT T he leAding euro PeAn en TerTAinMenT n eTworK WorldReginfo - c72f99e6-0e06-4c50-a755-473aab0b2680 RTL Television’s AlarmfürCobra11, Germany’s most popular action series, has become a hit format in some 140 countries around the globe. Since 2012, it has been one of the signature series of the newly launched action channel, Big RTL Thrill, in India WorldReginfo - c72f99e6-0e06-4c50-a755-473aab0b2680 ConTenTs Corporate information 6 Chairman’s statement 8 Chief executives’ report 14 Profit centres at a glance 16 The year in review 16 Broadcast 34 Content 60 Digital 72 Red Carpet 76 Corporate responsibility 92 Operations 94 How we work 96 The Board / executive Committee Financial information 104 directors’ report 110 Mediengruppe RTL Deutschland 114 Groupe M6 117 FremantleMedia 120 RTL Nederland 123 RTL Belgium 126 RTL Radio (France) 128 Other segments 143 Management responsibility statement 144 Consolidated financial statements 149 Notes 210 Auditors’ report 212 RTl group overview 214 Credits 215 Fully consolidated profit centres at a glance 217 Five-year summary WorldReginfo - c72f99e6-0e06-4c50-a755-473aab0b2680 irman’s ChA enT stateM Thomas rabe ChairmaN of The board of DiRectors In 2012, RTL Group delivered solid financial results. -
Thesis (844.6Kb)
ABSTRACT You Should Have Expected Us – An Explanation of Anonymous Alex Gray Director: Linda Adams; PhD Anonymous is a decentralized activist collective that has evolved using the technology of the information age. This paper traces its origins as a way of contextualizing and better understanding its actions. The groups composition is examined using its self‐ascribed imagery to illustrate its’ unique culture and relational norms. Its structure and motivation are analyzed using the framework developed for social movements and terrorist networks. Finally a discussion of a splinter cell and official reaction delineate both strengths and weaknesses of the movement while suggesting its future development. The conclusion serves to expound on the ideal end for the online anonymous community as a new frontier in meritocratic activism. APPROVED BY DIRECTOR OF HONORS THESIS: ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ Dr. Linda Adams, Department of Political Science APPROVED BY THE HONORS PROGRAM: ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ Dr. Andrew Wisely, Director. DATE: ________________________ YOU SHOULD HAVE EXPECTED US AN EXPLANATION OF ANONYMOUS A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Alex Gray Waco, Texas May 2012 TABLE OF CONTENTS Preface iii Acknowledgements iv Dedication v CHAPTER ONE 1 Introduction CHAPTER TWO 4 The Story of Anonymous CHAPTER THREE 20 A Group with No Head and No Members CHAPTER FOUR 39 Activists or Terrorists CHAPTER FIVE 56 Distraction, Diversion, Division CHAPTER SIX 67 Conclusion Bibliography 71 ii PREFACE Writing a paper about a decentralized, online collective of similarly minded individuals presents a unique set of challenges. In spending so much time with this subject, it is my goal to be both intellectually honest and as thorough as I can be. -
Hacktivism Cyberspace Has Become the New Medium for Political Voices
White Paper Hacktivism Cyberspace has become the new medium for political voices By François Paget, McAfee Labs™ Table of Contents The Anonymous Movement 4 Origins 4 Defining the movement 6 WikiLeaks meets Anonymous 7 Fifteen Months of Activity 10 Arab Spring 10 HBGary 11 The Sony ordeal 11 Lulz security and denouncements 12 Groups surrounding LulzSec 13 Green rights 14 Other operations 15 AntiSec, doxing, and copwatching 16 Police responses 17 Anonymous in the streets 18 Manipulation and pluralism 20 Operation Megaupload 21 Communications 21 Social networks and websites 21 IRC 22 Anonymity 23 DDoS Tools 24 Cyberdissidents 25 Telecomix 26 Other achievements 27 Patriots and Cyberwarriors 28 Backlash against Anonymous 29 TeaMp0isoN 30 Other achievements 30 Conclusion 32 2 Hacktivism What is hacktivism? It combines politics, the Internet, and other elements. Let’s start with the political. Activism, a political movement emphasising direct action, is the inspiration for hacktivism. Think of Greenpeace activists who go to sea to disrupt whaling campaigns. Think of the many demonstrators who protested against human rights violations in China by trying to put out the Olympic flame during its world tour in 2008. Think of the thousands of activists who responded to the Adbusters call in July 2011 to peacefully occupy a New York City park as part of Occupy Wall Street. Adding the online activity of hacking (with both good and bad connotations) to political activism gives us hacktivism. One source claims this term was first used in an article on the filmmaker Shu Lea Cheang; the article was written by Jason Sack and published in InfoNation in 1995. -
Generalistes 1. TF1 HD 2. M6 HD 3. Canal+ HD 4. Canal+ Decale
01 – FR – Generalistes 19. Serie Club HD 8. Nickelodeon Junior 1. TF1 HD 20. RTL9 9. Piwi+ HD 2. M6 HD 21. 13 Eme Rue HD 10. Nick4Teens 3. Canal+ HD 22. SyFy HD 11. Boing HD 4. Canal+ Decale HD 23. NT1 12. Canal J HD 5. France 2 HD 03 – FR – Sport 13. Boomerang HD 6. France 3 HD 1. Canal+ Sport HD 14. Manga 7. France 4 2. BEIN Sport 1 FR HD 15. GameOne 8. France 5 HD 3. BEIN Sport 2 FR HD 16. Cartoon Network HD 9. France O HD 4. BEIN Sport 3 FR HD 17. Disney Cinema 10. 6ter HD 5. SFR Sport 1 HD TEST 06 – FR – Infos - News 11. HD1 6. SFR Sport 2 HD 1. Euro News FR 12. Numero 23 HD 7. SFR Sport 3 HD 2. iTele HD 13. Cherie 25 HD 8. Foot+ 24h 3. FRANCE 24 FR 14. ARTE HD 9. GOLF+ HD 4. BFM TV 15. TV5 Monde 10. Infosport+ HD 5. LCI HD 16. W9 HD 11. Eurosport+ HD 06-1 – FR – Decalage +6 TS 17. D8 HD 12. Eurosport HD 1. TF1 HD +6 18. D17 HD 13. Eurosport 2 HD 2. M6 HD +6 19. Paris Premiere HD 14. Ma Chaine Sport HD 3. Canal+ HD +6 20. Comedie+ HD 15. OM TV HD 4. France 2 HD +6 21. E! Entertainment 16. BEIN Sport Max 5 HD 5. France 3 HD +6 22. June HD 17. BEIN Sport Max 6 HD 6. France 4 +6 23. Teva HD 18. BEIN Sport Max 7 HD 7.