Elite Politics in Postwar Lebanon
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Re-Examining Discourses of Muslim Terrorism in Hollywood Beyond
Reid • 95 Te Age of Sympathy: Re-examining discourses of Muslim terrorism in Hollywood beyond the ‘pre-’ and ‘post-9/11’ dichotomy Jay Reid – University of Adelaide [email protected] Te events of September 11 did not herald a new age of terrorism, for terrorism had been primarily fuelled by religion since the 1980s; however, the 9/11 attacks did herald changes in the representation of terrorism in Hollywood cinema, with an increased frequency of Muslim antagonists, more sinister and deadly than their pre-9/11 compatriots. While pre- and post-9/11 images have been investigated in previous studies, the continued evolution of Middle Eastern characters in the decade since the attacks has rarely been discussed. Tis paper examines six Hollywood action flms released between 1991 and 2011 (a decade prior to and after the attacks) through an Orientalism critique, investigating how representations of Muslim terrorists in Western popular culture have evolved. Te fndings support earlier research on a discursive shift immediately post-9/11, but also reveal a second shift in representation, occurring approximately half a decade after the attacks. Cinematic representations immediately after the attacks positioned Muslim terrorists as sympathetic individuals seduced to commit acts of terrorism by religious fundamentalism. However, from 2007 onwards, representations again change, framing onscreen Muslim terrorists as willing participants in violent activities motivated by Islamic fundamentalism, with an absence of the earlier sympathetic positioning. Tis research builds on existing studies into cinematic representations of terrorism and extends our knowledge of the cinematic discourses of the Hollywood Muslim terrorist, a subject to which continued media and public attention is directed. -
Nick Davis Film Discussion Group December 2015
Nick Davis Film Discussion Group December 2015 Spotlight (dir. Thomas McCarthy, 2015) On Camera Spotlight Team Robby Robinson Michael Keaton: Mr. Mom (83), Beetlejuice (88), Birdman (14) Mike Rezendes Mark Ruffalo: You Can Count on Me (00), The Kids Are All Right (10) Sacha Pfeiffer Rachel McAdams: Mean Girls (04), The Notebook (04), Southpaw (15) Matt Carroll Brian d’Arcy James: mostly Broadway: Shrek (08), Something Rotten (15) At the Globe Marty Baron Liev Schreiber: A Walk on the Moon (99), The Manchurian Candidate (04) Ben Bradlee, Jr. John Slattery: The Station Agent (03), Bluebird (13), TV’s Mad Men (07-15) The Lawyers Mitchell Garabedian Stanley Tucci: Big Night (96), The Devil Wears Prada (06), Julie & Julia (09) Eric Macleish Billy Crudup: Jesus’ Son (99), Almost Famous (00), Waking the Dead (00) Jim Sullivan Jamey Sheridan: The Ice Storm (97), Syriana (05), TV’s Homeland (11-12) The Victims Phil Saviano (SNAP) Neal Huff: The Wedding Banquet (93), TV’s Show Me a Hero (15) Joe Crowley Michael Cyril Creighton: Star and writer of web series Jack in a Box (09-12) Patrick McSorley Jimmy LeBlanc: Gone Baby Gone (07), and that’s his only other credit! Off Camera Director-Writer Tom McCarthy: See below; co-wrote Pixar’s Up (09), frequently acts Co-Screenwriter Josh Singer: writer, West Wing (05-06), producer, Law & Order: SVU (07-08) Cinematography Masanobu Takayanagi: Silver Linings Playbook (12), Black Mass (15) Original Score Howard Shore: The Lord of the Rings Trilogy (01-03), nearly 100 credits Previous features from writer-director -
Understanding the Rise of the Lebanese Hezbollah
A report on recent developments in the Middle East and the Muslim world nderstanding the Rise of the Lebanese UHezbollah The 1985–2000 South Lebanon Security Zone Conflict Introduction The fruit of foreign interference in Lebanon: Hezbollah emerges The “Party of God” navigates troubled domestic waters Hezbollah’s military performance in south Lebanon: Resilience and hybrid warfare Conclusion Jumada I - II, 1437 23 February - March, 2016 © KFCRIS, 2016 This edition of Masarat is the latest publication of the King Faisal Research Center's new initiative: The Middle East Strategy Project. The aim of this project is to conduct in-depth research and analysis that falls within the scope of regional grand strategy of security and defense. In light of the recent ISSN: 1658-6972 events in the Syrian Arab Republic, the study will focus on Issue No. 23 - 07/04/2016 examining the ongoing turmoil, study the resulting regional L.D. No: 1437/2868 repercussions unfolding across the Levant, and analyze the policy objectives of the local, sub-state, and international actors. February - March, 2016 - Jumada I - II, 1437 3 hile pundits attribute the Damascene Wregime’s resilience in the ongoing Syrian conflict largely to the Russian intervention since September 2015, the sudden emergence of the Lebanese Hezbollah on Syrian turf since 2013 has arguably proven to be no less valuable for Bashar al-Assad’s continuous grip on power. This report showcases, by virtue of a case study, a detailed account of Hezbollah’s internal adaptability in transforming from a loose Khomeinist guerilla movement in its early stages into a “state within a state” in Lebanon. -
Lebanon in the Syrian Quagmire
Lebanon in the Syrian Quagmire: Fault-Lines, Resilience and Possible Futures Ishac Diwan, Paris Sciences et Lettres Youssef Chaitani, UN ESCWA Working Paper for Discussion The purpose of this paper is to examine the weaknesses and strengths of Lebanon amidst the tensions created by the Syrian conflict that started in 2011. Lebanon’s sectarian governance system has been over 150 years in the making. But the Syrian fire next door, which has taken an increasing sectarian nature, is likely to burn for a long time. With such dire prospects, what is the fate of Lebanon’s governance system? Will it lead the country inexorably towards civil strife? The Lebanese governance system could be described as a horizontal deal among communal oligarchs, supported by vertical organizations within each community. While oligarchs have changed over time, the system itself survived devastating civil wars, endured extensive global and regional influences, and was also undeterred by the projection of power by many external forces, including the Palestinian Liberation Organization, Syria, Iran and Israel. What are the forces at work that make the Lebanese governance system both resilient and resistant to change? In the paper, we use as an analytical framework, which is introduced in section one, the model of limited orders developed by Douglas North and his associates. In section two, we argue that the Syrian civil war is likely to be long lasting. Section three examines the weaknesses and fault-lines of the Lebanese system in light of the Syrian war. Section four explores the factors that continue to contribute to the strength and resilience of Lebanon in spite of the rise in extremist Islamic militancy. -
William B. Kaplan CAS
Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B. -
Research Notes
Number 21 — August 2014 RESEARCH NOTES THE WASHINGTON INSTITUTE FOR NEAR EAST POLICY MINDING THE HOME FRONT Hezbollah in Lebanon Mona Alami riggered by the March 2011 uprising against the egie’s online journal Sada, have addressed Hezbol- regime of Bashar al-Assad, the civil war in Syria lah’s involvement in Syria.1 However, this paper goes Thas been marked by the extensive military involve- beyond the emphasis of such reports—which often ment of Hezbollah, the Lebanon-based Shiite Mus- discuss the effects of Hezbollah’s war involvement on lim militant group and political party. Although con- the regional power balance and Lebanon’s economics sidered a terrorist organization by the United States, and security—by also probing the party’s relationship the “Party of God” is embraced by Lebanon’s Shiite with its Lebanese constituency. population as a resistance movement and represented Alongside the experts named in this report, some within the Lebanese government. Backed by Iran and forty Lebanese Shiites were interviewed, including Syria, Hezbollah has an extensive security apparatus fifteen from southern Lebanon, twelve from Beirut, and a wide-reaching social services network. Hez- ten from the largely Shiite Beqa Valley, and two Shi- bollah has always framed itself according to its resis- ite party members, in addition to security sources and tance against Israel and its commitment to moumana Hezbollah fighters. The interviews were conducted (securing immunity from Western influence) in the off the record due to security concerns. A request for Middle East, alongside Syria and Iran. In recent years, an interview with Hezbollah’s public relations arm especially since the end of the Pax Syriana—a period was declined. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Hollywood and Terrorism
Hollywood and Terrorism James Harrison A Thesis Submitted to the Faculty of Graduate Studies In Partial Fulfillment of the Requirements For the Degree of Master's of Arts Communications & Culture York University May 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-45940-9 Our file Notre reference ISBN: 978-0-494-45940-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. reproduced without the author's permission. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Lebanon in the Syrian Quagmire Fault-Lines, Resilience and Possible Futures
Lebanon in the Syrian Quagmire Fault-Lines, Resilience and Possible Futures by Youssef Chaitani Ishac Diwan Outline What are we trying to do? I. Conceptual Framework II. Why the Syrian War will Last and impact on Lebanon III. Weaknesses of the Lebanese System IV. Lebanese Strengths and Resilience V. Comparing Future Scenarios “In a country like ours, composed of minorities that are already approximately equal and equally jealous of their rights, where no single element can hope to constitute a dominant majority, where there can be no question of a dictatorial regime – the only possible peace is one arrived at by consent, based on understanding and cooperation, on a state of Charles Helou, Lebanese President equilibrium.” (1941) (1964 – 1970) 1. CONCEPTUAL FRAMEWORK What is “Sectarian, Ethnic, Communal”? • group wt shared sense of identity (cultural tradition, language, religion, historical narratives etc.) reinforced by social relations of kinship that tends to be stable (Geertz 1967) • Formation of social groups and emergence Manipulation of culture of communal identities as responses to (histories of oppression, Generate inequalities martyrdom) in a manner economic and political conditions, and hence Social - or are discriminatory that becomes politicized towards certain groups as inherently dynamic (Horowitz 1985 and and exclusionary Economic Anderson 2006) • Historical events can strengthen or even create a sense of communal identity. Political actors, often Tensions/ State Cultural with interests of their own, may manipulate or Identity -
WARS and WOES a Chronicle of Lebanese Violence1
The Levantine Review Volume 1 Number 1 (Spring 2012) OF WARS AND WOES A Chronicle of Lebanese Violence1 Mordechai Nisan* In the subconscious of most Lebanese is the prevalent notion—and the common acceptance of it—that the Maronites are the “head” of the country. ‘Head’ carries here a double meaning: the conscious thinking faculty to animate and guide affairs, and the locus of power at the summit of political office. While this statement might seem outrageous to those unversed in the intricacies of Lebanese history and its recent political transformations, its veracity is confirmed by Lebanon’s spiritual mysteries, the political snarls and brinkmanship that have defined its modern existence, and the pluralistic ethno-religious tapestry that still dominates its demographic makeup. Lebanon’s politics are a clear representation of, and a response to, this seminal truth. The establishment of modern Lebanon in 1920 was the political handiwork of Maronites—perhaps most notable among them the community’s Patriarch, Elias Peter Hoyek (1843-1931), and public intellectual and founder of the Alliance Libanaise, Daoud Amoun (1867-1922).2 In recognition of this debt, the President of the Lebanese Republic has by tradition been always a Maronite; the country’s intellectual, cultural, and political elites have hailed largely from the ranks of the Maronite community; and the Patriarch of the Maronite Church in Bkirke has traditionally held sway as chief spiritual and moral figure in the ceremonial and public conduct of state affairs. In the unicameral Lebanese legislature, the population decline of the Christians as a whole— Maronites, Greek Orthodox, Catholics, and Armenians alike—has not altered the reality of the Maronites’ pre-eminence; equal confessional parliamentary representation, granting Lebanon’s Christians numerical parity with Muslims, still defines the country’s political conventions.