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THE ROUGH GUIDE to Bangkok BANGKOK
ROUGH GUIDES THE ROUGH GUIDE to Bangkok BANGKOK N I H T O DUSIT AY EXP Y THANON L RE O SSWA H PHR 5 A H A PINKL P Y N A PRESSW O O N A EX H T Thonburi Democracy Station Monument 2 THAN BANGLAMPHU ON PHE 1 TC BAMRUNG MU HABURI C ANG h AI H 4 a T o HANO CHAROEN KRUNG N RA (N Hualamphong MA I EW RAYAT P R YA OAD) Station T h PAHURAT OW HANON A PL r RA OENCHI THA a T T SU 3 SIAM NON NON PH KH y a SQUARE U CHINATOWN C M HA H VIT R T i v A E e R r X O P E N R 6 K E R U S N S G THAN DOWNTOWN W A ( ON RAMABANGKOK IV N Y E W M R LO O N SI A ANO D TH ) 0 1 km TAKSIN BRI DGE 1 Ratanakosin 3 Chinatown and Pahurat 5 Dusit 2 Banglamphu and the 4 Thonburi 6 Downtown Bangkok Democracy Monument area About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections and you should be able to find whatever you need in one of them. The colour section is designed to give you a feel for Bangkok, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The city chapters cover each area of Bangkok in depth, giving comprehensive accounts of all the attractions plus excursions further afield, while the listings section gives you the lowdown on accommodation, eating, shopping and more. -
CHARITY CONCERT Benefiting Foundation for Children with Disabilities Tuesday 5 July 2011, 7.30Pm at Henri Dunant Hall the Royal Bangkok Sports Club
Suppé ‘The Light Cavalry’ Overture Beethoven Piano Concerto No. 3 in C Minor Dvořák Symphony No. 6 in D Major BCO YOUNG TALENT CHARITY CONCERT Benefiting Foundation for Children with Disabilities Tuesday 5 July 2011, 7.30pm at Henri Dunant Hall The Royal Bangkok Sports Club Sponsored by Conductor: Chulayuth Lochotinan Soloist: Nicha Stapanukul www.charityorchestra.org Painting by: Ali Bernie Buga-ay In association with: Programme Franz von Suppé “The Light Cavalry” Overture Ludwig van Beethoven: Piano Concerto No. 3 in C Minor, Op. 37 (Soloist: Nicha Stapanukul) I. Allegro con brio II. Largo III. Rondo. Allegro Intermission (15 minutes) Antonin Dvořák: Symphony No.6 in D Major, Op. 60 I. Allegro non tanto II. Adagio III. Scherzo (Furiant), Presto Background Foundation for Children with Disabilities is a non-profit organization. The Foundation fo- cuses on the overall development and rehabilitation of disabled children by supporting and strengthening the roles of the family. The FCD was founded in 1982 and was registered as a charitable foundation by the National Cultural Committee (License no.T.190/2529) and the Bangkok Metropolitan Administration Office on March 18th 1986. Vision Foundation for children with a disability is an organization that focuses on developing knowledge and innovation in the prevention of disability. Protection and development of chil- dren with a disability using the participation of the community family. Conductor - Chulayuth Lochotinan Concert Master - Chot Buasuwan Piccolo Trombone Viola Dumrongpol Dulsari* -
Mon Buddhist Architecture in Pakkret District, Nonthaburi Province, Thailand During Thonburi and Rattanakosin Periods (1767-1932)
MON BUDDHIST ARCHITECTURE IN PAKKRET DISTRICT, NONTHABURI PROVINCE, THAILAND DURING THONBURI AND RATTANAKOSIN PERIODS (1767-1932) Jirada Praebaisri* and Koompong Noobanjong Department of Industrial Education, Faculty of Industrial Education and Technology, King Mongkut's Institute of Technology Ladkrabang, Bangkok 10520, Thailand *Corresponding author: [email protected] Received: October 3, 2018; Revised: February 22, 2019; Accepted: April 17, 2019 Abstract This research examines the characteristics of Mon Buddhist architecture during Thonburi and Rattanakosin periods (1767-1932) in Pakkret district. In conjunction with the oral histories acquired from the local residents, the study incorporates inquiries on historical narratives and documents, together with photographic and illustrative materials obtained from physical surveys of thirty religious structures for data collection. The textual investigations indicate that Mon people migrated to the Siamese kingdom of Ayutthaya in large number during the 18th century, and established their settlements in and around Pakkret area. Located northwest of the present day Bangkok in Nonthaburi province, Pakkret developed into an important community of the Mon diasporas, possessing a well-organized local administration that contributed to its economic prosperity. Although the Mons was assimilated into the Siamese political structure, they were able to preserve most of their traditions and customs. At the same time, the productions of their cultural artifacts encompassed many Thai elements as well, as evident from Mon Buddhist temples and monasteries in Pakkret. The stylistic analyses of these structures further reveal the following findings. First, their designs were determined by four groups of patrons: Mon laypersons, elite Mons, Thai Humanities, Arts and Social Sciences Studies Vol.19(1): 30-58, 2019 Mon Buddhist Architecture in Pakkret District Praebaisri, J. -
The Democracy Monument: Ideology, Identity, and Power Manifested in Built Forms อนสาวรุ ยี ประชาธ์ ปไตยิ : อดมการณุ ์ เอกลกษณั ์ และอำนาจ สอผ่ื านงานสถาป่ ตยกรรมั
The Democracy Monument: Ideology, Identity, and Power Manifested in Built Forms อนสาวรุ ยี ประชาธ์ ปไตยิ : อดมการณุ ์ เอกลกษณั ์ และอำนาจ สอผ่ื านงานสถาป่ ตยกรรมั Assistant Professor Koompong Noobanjong, Ph.D. ผชู้ วยศาสตราจารย่ ์ ดร. คมพงศุ้ ์ หนบรรจงู Faculty of Industrial Education, King Mongkut’s Institute of Technology, Ladkrabang คณะครุศาสตร์อุตสาหกรรม สถาบันเทคโนโลยีพระจอมเกล้าเจ้าคุณทหารลาดกระบัง Abstract This research article examines the methods of power mediation in the design of the Democracy Monument in Bangkok, Thailand. It examines its underlying concept and mechanisms for conveying political power and social practice, along with the national and cultural identity that operates under an ideological framework. The study consists of two major parts. First, it investigates the monument as a political form of architecture: a symbolic device for the state to manifest, legitimize, and maintain power. The focus then shifts to an architectural form of politics: the ways in which ordinary citizens re-appropriated the Democracy Monument through semantic subversions to perform their social and political activities as well as to form their modern identities. Via the discourse theory, the analytical and critical discussions further reveal complexity, incongruity, and contradiction of meanings in the design of the monument in addition to paradoxical relationships with its setting, Rajadamnoen Avenue, which resulted from changes in the country’s socio-political situations. บทคดยั อ่ งานวิจัยชิ้นนี้ศึกษากระบวนการสื่อผ่านอำนาจอนุสาวรีย์ประชาธิปไตย -
June 2013 St
JUNE 2013 St. Andrews International School Sathorn • Sukhumvit 107• Green Valley Nurture St. Andrews International School Early Years curriculum provides a rich experience combining play, culture and the roots of structured learning. Challenge Our Primary School curriculum challenges students to think independently, helping them develop into adaptive, thoughtful and active global citizens. Excel Graduating our Secondary School with IGSCE’s and the International Baccalaureate Diploma Programme, students achieve their absolute best academically and socially. Accepting applications now! AD Safecoms (designed2) Size: 210 x 297 MM www.standrews-schools.com [email protected] AD Safecoms (designed2) Size: 210 x 297 MM St. Andrews International School Sathorn • Sukhumvit 107• Green Valley WAITING AD Nurture St. Andrews International School Early Years curriculum provides a rich experience combining play, culture and the roots of structured learning. Challenge Our Primary School curriculum challenges students to think independently, helping them develop into adaptive, thoughtful and active global citizens. Excel Graduating our Secondary School with IGSCE’s and the International Baccalaureate Diploma Programme, students achieve their absolute best academically and socially. Our Free Breakfast Offer Is Too Good to Pass Up! Accepting applications now! Every Friday at 9:30 AM - at SafeComs offices, near Asoke Skytrain Station (P.S.Tower, 36/31 Sukhumvit 21 Road, 11th Floor) AD Safecoms (designed2)Enjoy fresh croissants, coffee, orange -
Happy Schools! a Framework for Learner Well-Being in the Asia-Pacific
HAPPY SCHOOLS! ) Published in 2016 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy, 75352 Paris 07 SP, France, and UNESCO Bangkok Office © UNESCO 2016 ISBN: 978-92-9223-541-3 (Print version) ISBN: 978-92-9223-542-0 (Electronic Version) This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms- use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Copy-editor: Ellie Meleisea Cover Photos and illustrations: © Yejoon (Jennifer) Yoo, © Estiawati Subair, © Debdatta Chakraborty, © Elodie Khan, © Kuntal Kumar Roy Design/Layout: Warren Field Illustrations: Aliénor Salmon Graphics: Kathleen Sullivan TH/IQE/16/006-1000 Table of contents Foreword .........................................................................................................................................................................................................................................V -
Bhumibol Adulyadej, the King of Thailand
Bhumibol Adulyadej, the king of Thailand. The current king of Thailand, Bhumibol Adulyadej, is the longest-reigning monarch in the world today, as well as Thailand's longest-reigning king ever. The beloved king's common name is pronounced "POO- mee-pohn uh-DOON-ja-deht"; his throne name is Rama IX. Early Life: Born a second son, and with his birth taking place outside of Thailand, Bhumibol Adulyadej was never meant to rule. His reign came about through a mysterious act of violence. Since then, the King has been a calm presence at the center of Thailand's stormy political life. On December 5, 1927, a Thai princess gave birth to a son named Bhumibol Adulyadej ("Strength of the Land, Incomparable Power") in a Cambridge, Massachusetts hospital. The family was in the United States because the child's father, Prince Mahidol, Mysterious Succession: was studying for a Public Health certificate at On June 9, 1946, King Ananda Mahidol died Harvard University. His mother studied in his palace bedroom of a single gunshot nursing at Simmons College. The boy was wound to the head. It was never conclusively the second son for Prince Mahidol and proven whether his death was murder, Princess Srinagarindra. accident or suicide, although two royal pages When Bhumibol was a year old, his family and the king's personal secretary were returned to Thailand, where his father took convicted and executed for assassinating up an intership in a hospital in Chiang Mai. him. Prince Mahidol was in poor health, though, 18-year-old Prince Bhumibol had gone in to and died of kidney and liver failure in his brother's room about 20 minutes before September of 1929. -
The Evoluation of Thai Theatre in Bangkok Between 1782-19351
THE EVOLUATION OF THAI THEATRE IN BANGKOK BETWEEN 1 1782-1935 • Surapone Virulrak2 Introduction The study of Thai theatre has always been The Early Period separated into independent issues focus sing upon narrow and indepth areas. This The Sukhothai Period (1238-1350) saw the research intends to investigate the various appearance of rabam, ram, and ten. They elements that contributed to the develop are mentioned in the stone relics and ment of Thai theatre from a broad literature of the period. Today these words perspective. mean group dance, dance with hand movements and dance with steps Thai theatre is deeply rooted in song, dance respectively. They indicate that the Thai and music. It has both a ritualistic and people have developed dance as an art to entertainment function. These functions the point that it can be divided into three reflect the Thai way of life which is based special kinds. It is a traditional belief that primarily upon the agarian cycle where kan fen pleng or balad singing also most activities occur during the dry season. appeared during this period. Animist, Hindu and Buddhist rites require certain kinds of performing arts as a means of communication with man or with The Early Ayuddhya Period (1350-1456) gods.Social gatherings also needs the saw many kinds of dance and theatre. performing arts as a means of interaction They were chak nak dukdamban, kan la/en and enjoyment. Thus, song dance and kong luang, nang and rabam. Chak nak music have always been important parts of dukdamban was the enactment of a Hindu Thai culture since ancient times. -
Bangkokbridges.Pdf
Bangkok Brfdges A look at the vfbrant cfty through fts brfdges Bangkok fs one of the cftfes fn whfch a major rfver Brfdges across the Chao Phraya meanders through ft, together wfth a large number of canals or Klongs as they are called fn Thafland. Bangkok fs located fn the central part of Thafland on And then, there are of course the proverbfal trafffc the low-flat plafn of the Chao Phraya Rfver, whfch jams. So the brfdges are not only requfred to cross fs the most fmportant rfver that can be compared to the rfver and the Klongs, they are also requfred to the mafn artery of the natfon. The cfty fs located at a address trafffc congestfon and flow fssues. And agafn dfstance extendfng from 27 - 56 Km. from the rfver due to the constant flow of trafffc on the roads, mouth adjacent to the Gulf of Thafland. brfdges are also requfred for the pedestrfan to cross Chao Phraya Rfver fs an fmportant part of the those always-busy roads. Bangkok’s character fn more ways than ft may be ap - We are gofng to look at the brfdges fn Bangkok from parent. The rfver has affected the cfty hfstorfcally, About the Author the perspectfve of the people who lfve fn the cfty and geographfcally, socfally, commercfally and culturally. from the perspectfve of vfsftors and tourfst who may The rfver meanders through the cfty, cfrclfng over gafn a fresh and a dffferent fnsfght fnto thfs cfty of part of the cfty that lfes on both sfdes of the rfver. -
Cover Page the Handle Holds The
Cover Page The handle http://hdl.handle.net/1887/28849 holds the collection of TXT in the Leiden University Repository. This document has been released under the following Creative Commons license Using Listening to Encourage Reading in Thailand By Kesaree Prakumthong Student of Books and Digital Media Studies at Leiden University Introduction n 2013, Bangkok was chosen to be the a habit. There have been many efforts to IWorld’s book capital of the year. The encourage reading in Thailand for a long announcement amazed many people time, but most attempts have proven to because, at the same time, there was a be ineffective and little progress has been shocking statistic released by UNESCO on made. Every year, the funds for promoting the latest International Literacy Day stating reading are wasted on temporary superfi- that: ‘Thais only read eight lines per year’.1 cial events such as the Thai national book This statement caused an uproar among fairs which take place twice per year and Thai book lovers, since it was a flawed merely last two weeks. It would be no calculation based on the ratio of the total exaggeration to say that these book fairs Thai population and the number of books are the only substantial form of read- sold ‘legally’ per year. Nonetheless, ing promotion that takes place. The Thai during the past few years there has been government has never spent funding on a wide concern that there is a reading sustainable projects which could benefit crisis in Thailand and something needs to the country’s reading in the long term. -
A Poem by Sunthorn Phu Author: Sunthorn Phu Translated By: Sawanee Nivasabutr Petchpoom Printing Co
BOOK REVIEW The Journey to Petchburi: A Poem by Sunthorn Phu Author: Sunthorn Phu Translated By: Sawanee Nivasabutr Petchpoom Printing Co. Ltd., Petchburi, Thailand: 2013 Paperback, 216 pages; ISBN: 978-616-335-347-4 By Absorn Meesing* Overview This work is an English translation from the Thai of the poem titled “Nirat Muang Phet”, or The Journey to Petchburi, written by Sunthorn Phu (1786-1855). Sunthorn Phu is Thailand’s best known royal poet, the People’s Poet of Thailand. For his bicentennial in 1986, he was honored by UNESCO as a great world poet(Tourism Authority of Thailand, Sunthon Phu Monument, retrieved Jan 2016). Critics equate him to Shakespeare and Chaucer in the range, quality, and national importance of his works (Chanpeon, Kenneth, 2003). In schools, Thai students study and recite Sunthorn Phu’s poems, including Phra Abhai mani, which is one of his masterpieces. Despite his honoured literary status among Thais, Sunthorn Phu is virtually unknown outside Thailand because his works have not been translated. Sawanee Nivasabutr started her translation career at the age of 70 after retirement from many years of work at the World Bank in Washington D.C. Her works include translation from English to Thai and from Thai to English in a wide range of genres: novels, short stories, documentaries, academic articles, legal documents (laws), government contracts, poems, and literary works of well-known and/or award-winning authors. She received an outstanding translator award in 2014 from the Translators and Interpreters Association of Thailand (www.thaitiat.org). Sawanee picked “Nirat Muang Phet” (The Journey to Petchburi) with two purposes in mind and two groups of readers, local and international. -
Bhumibol Adulyadej, Also Known As Rama IX
Feature The Life and Work of His Majesty BhumibolKing Adulyadej No one in the history of the Kingdom of Thailand has done so much to improve the well-being of its people as His Majesty King Bhumibol Adulyadej, also known as Rama IX. He has initiated literally thousands of development projects that have greatly benefited the country and its people. This is why almost every home, office and public building in Thailand is adorned with portraits of His Majesty and other members of the Royal Family, and this is also true in the homes of Hmong, Karen, Mon, Shan and other minorities along the Thai-Myanmar border. But while every Thai citizen is well aware of His Majesty’s achievements, that might not be the case with some foreigners living in Thailand. This article, written to coincide with His Majesty’s 87th birthday which the whole nation will celebrate on December 5, will surely give them a better understanding of what the King represents to the Thai people and why. Words MAXMILIAN WECHSLER Photographs COURTESY OF THE ROYAL DEVELOPMENT PROJECT BOARD 30 TheBigChilli P.30-37_Royal Story.indd 30 12/3/14 6:51 PM The Life and Work of His Majesty TheBigChilli 31 P.30-37_Royal Story.indd 31 12/3/14 6:51 PM “We shall reign with righteousness Nation” and the monarchy has become a rock solid institution, for the benefits and happiness of the ensconced firmly in the hearts of the Thai people. Siamese people.” His Majesty truly deserves to be called the Developer King for his dedication to alleviating the people’s hardships and im- THIS declaration, spoken by His Majesty at his coronation proving their quality of life.