Erica Robinson Animation

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ERICA ROBINSON SENIOR 3D ANIMATOR MAJOR PROJECTS For a full filmography, please visit my IMDb profile 2014 2018 2020 DUST THOR: RAGNAROK MOH: ABOVE AND BEYOND Short film by Ember Lab. CG by Luma Pictures. Anim by Respawn. CONTACT Hand-keyed animation of the Mix of performance capture Mix of performance capture main creature. and hand-keyed animation for and hand-keyed animation for EricaRAnimation.com Korg. Hand-keyed lip sync. cutscene animation. [email protected] EXPERIENCE (213) 631-8264 RESPAWN ENTERTAINMENT 2020 (contract) I created face and body cutscene animation for characters in Medal of Honor: Above and Beyond (2020) VR. The animation was accomplished with Maya using ABOUT ME motion capture performance as a starting point. LUMA PICTURES I am a fast learner and a hard 2016- 2019 (intermittent contract work) I animated on several Marvel films, including Doctor Strange , Spider-Man: worker. I am open to critique, and Homecoming, Thor: Ragnarok, and Spider-Man: Far From Home. I worked using I try to give the best possible both performance capture and hand-keyed animation techniques in Maya, often blending the two types of anim together. collaborative feedback to clients, PSYOP coworkers, and superiors. My 2018- 2019 (intermittent contract work) goal is to provide beautiful, I animated on several commercial projects. These projects required hand-keyed character animation with an emphasis on performance. professional-quality animation in INGENUITY STUDIOS a time-efficient manner. 2016- 2018 (intermittent contract work) I animated on commercial, TV, and Music Video projects. All animation was hand-keyed in Maya. I have animation experience EMBER LAB primarily in Maya. I also have 2013-2018 (intermittent contract work) I animated on multiple projects, varying from short film, commercial projects, and experience with basic character video games. All work was hand-keyed in Maya. Rigging in Maya as well as some basic scene assembly with Unreal EDUCATION Engine. BFA Digital Arts, Emphasis Animation, 2015 Chapman Univerrsity SKILLZ REFERENCES Hand -keyed anim in Maya MoCap Performance enhancement Rigging and modeling in Maya RAPHAEL PIMIENTEL Star Trek Trivia Animation Sup., Luma Pictures [email protected] HOBBIES Climbing (301) 888-8738 Surfing Photography CHRIS BARSAMIAN Painting Lead Animator, Respawn [email protected] .

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Gautama Murcho Compositing Reel 2012 [email protected] 321.223.1466 BREAKDOWN
Gautama Murcho Compositing Reel 2012 [email protected] 321.223.1466 BREAKDOWN Shot 1 Project: The Amazing Spiderman Studio: Sony Pictures Imageworks Description: Full CG composite. Practical FX added for wall hole impact, falling debris, and feet scratches using Nuke noise and animated roto. CG is rendered in Arnold. Shot works in stereo. Shot2 Project: The Amazing Spiderman Studio: Sony Pictures Imageworks Description: Composited CGI creature "Lizard." Rendered in Arnold. Multiple intricate passes tweaked to acheive desired look. Projected still image to get animated BG plate. Shot works in stereo. Shot3 Project: The Amazing Spiderman Studio: Sony Pictures Imageworks Description: CG webshot lookdev: web, disbursing particles, and interactive red lighting. Shot works in stereo. Shot4 Project: "UFC Open" Promo/Commercial Studio: Digital Domain Description: Integrated footage of fighters into FX-heavy interactive environments. Used practical and CG rendered FX elements for desired action. ShotS Project: Thor Studio: Luma Pictures Description: Composited heavy multi-pass fume FX and maya particle debris over plate. Generated sky via sky footages. Keyed actors from blue screen plates and integrated them inside the tornado. Shot6 Project: The Amazing Spiderman Studio: Sony Pictures lmageworks Description: Full CG composite. BG plate beyond window is footage projection. CG is rendered in Arnold. Shot works in stereo. Shot 7 Project: The Amazing Spiderman Studio: Sony Pictures Imageworks Description: Full CG composite. BG plate beyond window is footage projection. CG is rendered in Arnold. Shot works in stereo. ShotS Project: Thor Studio: Luma Pictures Description: Full CG composite. CG is rendered in Mental Ray. Atmospheric FX are combination ofNuke noise, godrays, and a fumeFX pass.
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Work Experience
Work Experience Blur Studios Culver City, CA 7/19- Present Compositor, Scene Assembly Compositing and scene assembly on Terminator: Dark Fate Sony Pictures Imageworks Culver City, CA 2/15- Present Lighting Lead, Compositor Compositing and/or lighting for a variety of projects in VFX and feature animation including Ghostbusters, Spider-Man Homecoming, and Spider-Man: Into the Spiderverse. # " " Luma Pictures Santa Monica, CA 7/17- 10/17, 12/18- 2/19 Email [email protected]" Web jaredbrient.com" Lighting TD, Compositor Phone 424.298.7125" Lighting and/or compositing for a number of shots in Thor: Ragnarok, Black Panther, and Spider-Man: Films $ TERMINATOR: DARK FATE" Far From Home $ SPIDER-MAN: FAR FROM HOME" $ SPIDER-MAN: INTO THE Digital Domain 3.0 Los Angeles, CA 9/14- 2/15 SPIDERVERSE" Compositor $ LUCKY THIRTEEN (LDR)" Compositing for many shots on Blackhat, Blacksails, and Furious 7 $ BLACK PANTHER" $ THOR: RAGNAROK" Industrial Light & Magic San Francisco, CA 4/14- 7/14 SPIDER-MAN HOMECOMING" $ Lighting TD $ SMURFS: THE LOST VILLAGE" $ STORKS" Lighting on Transformers 4: Age of Extinction and Teenage Mutant Ninja Turtles. $ GHOSTBUSTERS" Sony Pictures Imageworks Culver City, CA 1/12- 4/14 $ ALICE THROUGH THE LOOKING GLASS" Lighting TD $ PIXELS" Lighting, and compositing on shows including The Amazing Spider-Man, Oz: The Great and Powerful, $ FAST & FURIOUS 7" and Cloudy with a Chance of Meatballs 2 $ BLACKHAT" $ TEENAGE MUTANT NINJA The Moving Picture Company London, UK 4/10- 12/11 TURTLES" Senior Lighting TD - Lighting Lead $ TRANSFORMERS: AGE OF Shot lighting on Narnia, key lighting on X-Men and Harry Potter, and lighting lead on Prometheus EXTINCTION" which included lookdeving the alien ship.
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2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.com TABLE OF CONTENTS ABOUT THIS REPORT 2 FILMING LOCATIONS 3 GEORGIA IN FOCUS 5 CALIFORNIA IN FOCUS 5 FILM PRODUCTION: ECONOMIC IMPACTS 8 6255 W. Sunset Blvd. FILM PRODUCTION: BUDGETS AND SPENDING 10 12th Floor FILM PRODUCTION: JOBS 12 Hollywood, CA 90028 FILM PRODUCTION: VISUAL EFFECTS 14 FILM PRODUCTION: MUSIC SCORING 15 filmla.com FILM INCENTIVE PROGRAMS 16 CONCLUSION 18 @FilmLA STUDY METHODOLOGY 19 FilmLA SOURCES 20 FilmLAinc MOVIES OF 2016: APPENDIX A (TABLE) 21 MOVIES OF 2016: APPENDIX B (MAP) 24 CREDITS: QUESTIONS? CONTACT US! Research Analyst: Adrian McDonald Adrian McDonald Research Analyst (213) 977-8636 Graphic Design: [email protected] Shane Hirschman Photography: Shutterstock Lionsgate© Disney / Marvel© EPK.TV Cover Photograph: Dale Robinette ABOUT THIS REPORT For the last four years, FilmL.A. Research has tracked the movies released theatrically in the U.S. to determine where they were filmed, why they filmed in the locations they did and how much was spent to produce them. We do this to help businesspeople and policymakers, particularly those with investments in California, better understand the state’s place in the competitive business environment that is feature film production. For reasons described later in this report’s methodology section, FilmL.A. adopted a different film project sampling method for 2016. This year, our sample is based on the top 100 feature films at the domestic box office released theatrically within the U.S. during the 2016 calendar
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Thorragnarok59d97e5bd2b22.Pdf
©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager .
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Rising Sun Pictures
Multichannel News – 1 June Edition RISING SUN PICTURES Adelaide, South Australia—Rising Sun Pictures Education has earned a stellar reputation among aspiring visual effects artists both because it offers a unique opportunity to train in a working studio environment, and for the success its graduates enjoy in launching their careers. Many young artists who have completed its rigorous Graduate Certificate programs, operated in partnership with the University of South Australia (UniSA), have been hired by RSP itself, where they’ve had a chance to work on Ford v Ferrari, Spider-Man: Far From Home, Captain Marvel and other hit films. Others have found employment at studios elsewhere in Australia and internationally. RSP provides its students with the visual effects training they need to get a foot in the door and prepares them to thrive in their first VFX role. Having honed their skills in a professional environment, under the tutelage of highly-experienced, working professionals, most find the transition to real-world employment seamless. Similarly, having benefitted from the school’s diverse career guidance resources, graduates understand what’s expected of them as working professionals, how to develop industry contacts and how to market themselves to prospective employers. “Teaching practical, professional skills is central to our program,” says the studio’s Manager of Education and Training Anna Hodge. “We provide crucial building blocks to long-term success and career advancement. We are thrilled when our graduates land their first jobs in industry, but our interest doesn’t end there. We want them to continue to succeed, move up the ranks and achieve their career goals.” Abby Nath and Rebecca Wells are prime RSP success stories.
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2013 Feature Film Production Report
2013 Feature Film Production Report © 2014, FilmL.A. Research 6255 W. Sunset Blvd., 12th Floor ● Los Angeles, CA 90028 ● 213.977.8600 ● www.filmla.com About this Report This report is the product of independent research conducted by FilmL.A, Inc. FilmL.A. is Los Angeles’ regional film office, serving the City and County of Los Angeles and an ever‐increasing roster of local municipalities. Providing streamlined permit processing, comprehensive community relations, marketing services, film policy analysis and more to these jurisdictions, FilmL.A. works to attract and retain film production in Greater Los Angeles. Integral to FilmL.A.’s work is ongoing research into the benefits that local filming brings to the Los Angeles region. To that end, the company maintains an internal research division devoted to the production, collection and dissemination of information regarding the U.S. film production economy. On behalf of everyone at FilmL.A. and those who depend on local entertainment production for their livelihoods, we thank you for your interest in this report. If you have any questions about the content herein, the authors welcome your inquiries. Adrian McDonald, Lead Research Analyst FilmL.A. Research 6255 W. Sunset Blvd., 12th Floor Hollywood, CA 90028 213.977.8636 www.filmla.com Executive Summary This study is the result of approximately six months of independent research performed by FilmL.A., Inc., the film office for the greater Los Angeles region. It began with a desire to better quantify the negative effects of runaway production on California’s signature feature film industry. FilmL.A. Research endeavored to track the movies released in 2013 to determine where they were filmed, why they filmed in the locations they did, and how much was spent to produce them.
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Monika Gelbmann Technical Director / Animator Vfx Showreel 2020 Shot
Monika Gelbmann Technical Director / Animator Vfx Showreel 2020 Shot List with my involvement 1. Film: Spider-Man: Homecoming (2017), Studio: Luma Pictures, LA a. Motion Capture Recording, Cleanup and Pipeline integration b. Backpack Dynamics Simulation 2. Film: Spider-Man: Homecoming (2017), Studio: Luma Pictures, LA a. Backpack Dynamics Simulation 3. Film: Doctor Strange (2016), Studio: Luma Pictures, LA a. Building Animation Rigging and TD 4. Film: Doctor Strange (2016), Studio: Luma Pictures, LA a. Wristband Rigging and Animation 5. Film: Black Panther (2018), Studio: Luma Pictures, LA a. Arm Gun Rigging and Animation b. Cash Cart Rigging and Destruction Dynamics Simulation 6. Film: Ant-Man (2015), Studio: Luma Pictures, LA a. Ant-Man Motion Capture Recording, Cleanup and Pipeline integration b. Ants Flying Dynamic Simulation c. Ants crawling on interior walls Crowd Simulation 7. Film: Black Panther (2018), Studio: Luma Pictures, LA a. Motion Capture Recording, Cleanup and Pipeline integration b. Claws Hand Animation 8. Film: Doctor Strange (2016), Studio: Luma Pictures, LA a. Church Animation Rigging and TD 9. Super Bowl commercial: Coca-Cola: (Hulk vs Ant-Man) Coke Mini Marvel a. Hulk Muscle Setup 10. Film: Deadpool (2016), Studio: Luma Pictures, LA a. Bullet Rigging 11. Film: Black Panther (2018), Studio: Luma Pictures, LA a. Motion Capture Recording, Cleanup and Pipeline integration b. Car Rigging and Animation 12. Film: Avengers: Age of Ultron (2015), Studio: Luma Pictures, LA a. Lightning Animation 13. Film: Spider-Man: Homecoming (2017), Studio: Luma Pictures, LA a. Laser Light Rigging and Animation b. Street Destruction Animation 14. Film: Thor: Ragnarok (2017), Studio: Luma Pictures, LA a.
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Tom Newbury Wellington, 6011 (+64) 021 038 4672 CG Generalist + Creature Artist [email protected]
70 Brougham Street Mount Victoria Tom Newbury Wellington, 6011 (+64) 021 038 4672 CG Generalist + Creature Artist [email protected] EXPERIENCE SKILLS Model Weta Digital, Wellington — Texture Artist Texture June 2017 - July 2018 Texturing hero assets including vehicles and creatures. Look Dev Design Luma Pictures, Melbourne — CG Generalist Leadership January 2013 - June 2017 Modelling, Texturing, Look Dev, and Concept Design for hero props, sets Personal Development and creatures. Remote Freelance, Brisbane — CG Generalist PUBLICATIONS February 2012 - December 2012 3D Artist Magazine TVC production, Architectural Visualisation. August 2018 3D Artist Magazine Liquid Animation, Brisbane — CG Generalist April 2018 February 2011 - February 2012 3D World Magazine TVC and Disney TV production. April 2017 EDUCATION LINKS Griffith University QCA, Brisbane — Bachelor of Animation Portfolio 2008 - 2010 tom_newbury_cg.artstation.com GumRoad PROJECTS gumroad.com/tomnewbury Weta Digital — Texture Artist Instagram Game of Thrones: Season 8 (2018) instagram.com/tom.newbury.cg Alita: Battle Angel (2018) LinkedIn Rampage (2018) linkedin.com/in/tom-newbury-1808 9626 Luma Pictures — CG Generalist A Wrinkle in Time (2018) Spider-Man: Homecoming (2017) Alien: Covenant (2017) Underworld: Blood Wars (2016) Doctor Strange (2016) Captain America: Civil War (2016) Allegiant (2016) Deadpool (2016) In the Heart of the Sea (2015) The Last Witch Hunter (2015) The Vatican Tapes (2015) Ant-Man (2015) Avengers: Age of Ultron (2015) The Age of Adaline (2015) Insurgent (2015) Guardians of the Galaxy (2014) Captain America: The Winter Soldier (2014) I, Frankenstein (2014) Thor: The Dark World (2013) REEL - SHOT BREAKDOWN Shot 01 - Spiderman Homecoming: Spider Man Suit Look Dev. Shot 02 - Alien Covenant: Model, Texture, Lookdev for inner ear.
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Lenny D. Gordon
Lenny D. Gordon 708 Venice Way, #11 (760) 877 - 9729 Inglewood, CA 90302 [email protected] Reel: https://vimeo.com/250039937 http://www.lennygordon.com Password: 090677 Objective: To obtain a full time position using my skills and professional attitude. I'll explain my work ethics as quickly as possible. When put on my first VR headset I immediately started learning Unreal Engine. After 11 months of training I started prototyping. After a month of prototyping I teamed up with two others. After 6 months I released my first VR game title “Hangry Bunnies From Mars”. When I wanted to work for Luma Pictures they told me they needed trackers. I asked them “What is a tracker?”. Two Weeks later I had my demo reel ready for them. They hired me and I went on to become their Lead Rotomation Tracking and Layout Artist for 8 years. I am relentless in becoming very good at whatever job I take, as my references will testify. I take great pride in becoming an expert at any position I hold. While I may stumble at first, my upbeat personality and driven work ethics have made every employee that has ever hired me very pleased they did so. Professional Experience: Luma Pictures, Santa Monica, CA 06/2009 - 02/2017 Senior Rotomation Tracking and Layout Artist (310) 888 - 8738 ● Organization of sequence layouts and cameras via set photos, lidar scans and blueprints. ● Lead and teach a team of CG Trackers to achieve highest quality camera tracks and CG virtual sets for use in digital effects.
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Luma Special Effects / Sfx Producers
LUMA SPECIAL EFFECTS / SFX PRODUCERS Hollywood’s Best Visual Effects Studio Luma Pictures debuted in 2002 with 65 visual effects shots for Charlie's Angels: Full Throttle, and since then it has completed visual effects on over 70 films, including Thor: The Dark World, Prisoners, Iron Man 3, Oz the Great and Powerful, Captain America: The First Avenger, X- Men: First Class, Underworld (film series) for which it was the lead VFX provider for Underworld: Evolution. Additionally, they have worked with the Coen Brothers on four films, including No Country for Old Men, and True Grit. In 2012, the company opened a studio in Melbourne, Australia and currently employs as many as 200 artists worldwide. In 2016, they worked on Deadpool, Captain America: Civil War, The Divergent Series: Allegiant 41 59 HYDRAULX SPECIAL EFFECTS / SFX PRODUCERS Hollywood’s Best Visual Effects Studio Hydraulx is a uniquely designed and operated award-winning visual effects facility based in Santa Monica, California. As a full service SFX house, Hydraulx has the versatility to provide high quality visual effects regardless of the size or scope of the project. We hold to two basic tenets: hire the best artists, and keep them armed with the latest tools and technology. The result is a highly efficient team of talented artists and consistently groundbreaking work in a broad range of applications. With less of the bureaucracy of larger companies, and a core group of in-house talent (producers, programmers, photographers & designers), we decrease overhead while increasingproject flexibility. 41 59.
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David Tilton Concept Artist at Rooster Teeth Austin, Texas A9a72591 (Linkedin) (Portfolio) Summary
Contact [email protected] David Tilton Concept Artist at Rooster Teeth www.linkedin.com/in/david-tilton- Austin, Texas a9a72591 (LinkedIn) www.tiltonart.com/ (Portfolio) Summary Top Skills David Tilton Photoshop Concept Design I'm a concept artist working for the Entertainment Industry. I am Concept Artist currently based in the Austin, Texas Languages Here's my portfolio: https://www.tiltonart.com/ Spanish (Elementary) Mandarin (Elementary) Skills: English (Native or Bilingual) Pre-Vis Concept Art Honors-Awards Prop and Vehicle Design The Rookies Industry Ranking: A Visual Development Publications 2D Artist Magazine May 2015 issue Environment Design How to create a moody sci-fi environment using both 2d and 3d Key Art Illustration 2D Artist Magazine July 2016 Issue Develop an atmospheric cityscape Tutorial IP Development _______________________ For inquiries please contact me at: [email protected] Experience Rooster Teeth Concept Artist November 2017 - Present Austin, Texas Area World building, and concept design on: Gen:Lock Season 1 Page 1 of 3 VICIOUS CIRCLE RWBY Season 7 Mob Scene Freelance Concept Artist December 2018 - December 2018 (1 month) Greelight Digital Freelance Concept Artist August 2018 - October 2018 (3 months) London, United Kingdom Concept Art done for a possible what if game world pitch Luma Pictures Concept Artist May 2017 - July 2017 (3 months) Thor: Ragnarok VFX concept Black Panther VFX concept Wrinkle In Time VFX concept Rodeo FX Concept Artist March 2017 - May 2017 (3 months) Venice, California Game of
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Rising Sun Pictures' Female Artists Making Strides in an Industry Once
Shoot Publicity Wire 10/3/2020 Rising Sun Pictures’ Female Artists Making Strides In An Industry Once Dominated By Men Adelaide, South Australia --(SPW)-- Historically, the visual effects (VFX) industry has had a male-dominated workforce. Gender disparity runs across the board, but is especially evident in artist and supervisory roles, where women occupy a small fraction of positions, and have for decades. But, at long last, that is slowly changing. Even as female-led blockbusters like Captain Marvel, Wonder Woman and Rogue One: A Star Wars Movie have taken the box office by storm, women have begun to turn up with greater frequency on VFX studio credits. Rising Sun Pictures (RSP) has been especially successful in this regard. As a company with women in several prominent Executive roles, the Adelaide studio has been making a concerted effort to encourage more females to pursue a career in VFX, at all levels, with an ultimate goal of achieving gender parity. Similarly, its highly-regarded Education department has been collaborating with its program- partner the University of South Australia (UniSA) and other local schools to recruit talented young women who want to study VFX. One such success story is Adelaide local Rebecca Wells. An aspiring artist, Wells was motivated to study VFX because of her love of films. In a couple of her classes at UniSA, she was one of few women, “I wish there had been more women in the class, but it didn’t discourage me”, she says. Completing the Graduate Certificate program in 2017, Wells has gone on to work at several Australian studios including Luma Pictures, KOJO and Resin.
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