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Summary for the Annunciation (2061) KRESS COLLECTION DIGITAL ARCHIVE Fra Filippo Lippi, c. 1406-1469 The Annunciation KRESS CATALOGUE NUMBER IDENTIFIER K1241 2061 ARTIST NATIONALITY Lippi, Filippo, Fra, c. 1406-1469 Italian DATE MEDIUM c. 1435/1440 tempera on panel TYPE OF OBJECT Painting DIMENSIONS 100 x 161 cm (39 3/8 x 63 3/8 in) LOCATION National Gallery of Art, Washington, District of Columbia PROVENANCE Possibly Tommaso Puccini [1749-1811], Villa a Scornio, near Pistoia. [1] possibly (Sangiorgi, Rome), early 1900s. [2] Achillito Chiesa, Milan. [3] (Piero Tozzi [1882-1974], New York), by 1925 until at least 1927. [4] Percy S. Straus, New York, by 1932. [5] (Bachstitz Gallery, The Hague), by 1934. [6] (Duveen Brothers, Inc., London, New York, and Paris), by 1937; [7] sold 1940 to the Samuel H. Kress Foundation, New York; [8] gift 1943 to NGA. [1] In commentary on Filippo Lippi, Tommaso Puccini writes ("Dialoghi sulle Vite del Vasari," Archive of the Gallerie Fiorentine, Florence, c. 1800, Ms. no. 46, fol. 199): "Io possiedo di questo Autore un quadretto conservatissimo esprimente l'Annunziata...Genuflette davanti alla Vergine, assorta in contemplazione del S. Spirito che viene a deporla nel seno il Messia, bianco vestito, con un giglio in mano, un grazioso Angeletto che non tocca coi ginocchi il terreno, ma sta sull'ali sospeso. Il fondo rappresenta l'interno della Camera con una prospettiva intesa a meraviglia..." ("I possess by this author a very well preserved little picture representing the Annunciate...Kneeling before the Virgin, rapt in contemplation of the Holy Spirit who comes to place the Messiah in her womb, dressed in white, with a lily in his hand, a lovely little angel who does not touch the ground with his knees but floats on wings. The background represents the interior of a room with a perspective which is marvelously understood"). Apart from the detail concerning the knees which do not touch the floor, the description is quite similar to the NGA painting, but it may refer, of course, to some other of Lippi's paintings on this subject. [2] The name "S. Giorgi" is written on the back of a photograph of the painting belonging to the Biblioteca Berenson at Villa I Tatti near Florence and coming from Bernard Berenson's files, indicating the panel's earliest known location. This was Berenson's customary abbreviation for the name of the Roman dealer Sangiorgi. [3] The art collection of Achille Chiesa in Milan, inherited after his death by his son Achillito, was sold at the American Art Association Galleries in New York at various sales between 1925 and 1927. The NGA painting, however, which is not listed in the auction catalogues, must have been sold privately sometime earlier. [4] According to Odoardo H. Giglioli, "Una pittura ignota di Fra Filippo Lippi," BdA, n.s. 6 (1925-1926): 553, the painting was brought to Florence NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 1 KRESS COLLECTION DIGITAL ARCHIVE for restoration. Records of the Florentine Soprintendenza dei Beni Artistici e Storici (pratica no. 630 of 27 January 1925) show that the panel, belonging to the dealer Tozzi, entered Italy in January 1925 and left for New York in March 1927. No records concerning this painting have been discovered in The Tozzi Archive, housed in The Onassis Library for Hellenic and Roman Art, Department of Greek and Roman Art, The Metropolitan Museum of Art, New York. [5] See Berenson Berenson, Italian Pictures of the Renaissance , Oxford, 1932: 288. Possibly the painting passed through various hands before entering, sometime around 1930, the Straus collection. The annotation on Berenson's photograph, cited in note 2, also records the Florence dealer Albrighi as owner. [6] The painting was illustrated in 1934, in a partially cleaned state, in an advertisement of the Bachstitz Gallery in the December issue of The Burlington Magazine 65, xvi. [7] See Robert Oertel, Fra Filippo Lippi, Vienna, 1942: 67. [8] Fern Rusk Shapley, Catalogue of the Italian Paintings, 2 vols., Washington, D.C., 1979: 1:263. ACCESSION NUMBER 1943.4.35 KRESS NUMBER 1241 PICHETTO NUMBER 10515 LEGACY NGA NUMBER 536 1 ACQUISITION Duveen Brothers, May 27, 1940 2 DISTRIBUTIONS Loan to National Gallery of Art, February 21, 1941 Gift to National Gallery of Art, March 31, 1943 EXTERNAL LINKS Related Collection Record https://www.nga.gov/collection/art-object-page.12133.html Related National Gallery of Art Library Image Collections Record https://library.nga.gov/permalink/01NGA_INST/1p5jkvq/alma99291283804896 Related National Gallery of Art Systematic Catalog https://library.nga.gov/permalink/01NGA_INST/1cl1g8d/alma992014793504896 8 ARCHIVAL ITEMS K1241 - Expert opinion by Berenson, circa 1920s-1950s NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 2 KRESS COLLECTION DIGITAL ARCHIVE K1241 - Art object record, circa 1930s-1950s K1241 - Alan Burroughs report, circa 1930s-1940s K1241 - Alan Burroughs report, 1940 K1241 - Work summary log, 1941-1943 K1241 - Expert opinion by Berenson, 1945 NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 3 KRESS COLLECTION DIGITAL ARCHIVE K1241 - Condition and restoration record, circa 1950s-1960s K1241 - Examination summary, 1989 RECORD LINK https://kress.nga.gov/Detail/objects/2061 NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 4.
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