Hive Hip Hop 2023 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Hive Hip Hop 2023 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop Album: Hip Hop 2023 Country: US Released: 2001 Style: Drum n Bass MP3 version RAR size: 1163 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1160 mb Rating: 4.1 Votes: 770 Other Formats: DXD XM MP2 APE VOC ADX MP4 Tracklist Hide Credits A1 –T.C. Izlam Intro (Live At Konkrete Jungle NYC) A2 –Ed Rush, Optical & Fierce Alien Girl A3 –Bad Company The Nine A4 –Moving Fusion Turbulence A5 –Phoenix Orion Hip Hop 2023 Pt. 1 A6 –Ram Trilogy Terminal One A7 –Ninja Man* Send Them Come A8 –Dom & Roland Parasite A9 –Bounty Killer & Beenie Man East Coast Megamix A10 –Cyba Space What Way To Turn (Dom Remix) A11 –Krumb Snatcha Gettin' Closer To God Ashes To Ashes (Dillinja Remix) A12 –Faith No More Remix – Dillinja A13 –The Associates Ubiquity A14 –John B Pressure A15 –Supernatural Armageddon At Your Door A16 –Technical Itch Trisyinate A17 –X Men Wordplay A18 –Dillinja Thugs A19 –KRS-One Black Cop A20 –Facz* Asylum A21 –Run-DMC Sucka MC's Blue Monday (Optical Remix) A22 –Orgy Remix – Optical A23 –Jurassic 5 Unified Rebellution A24 –Fortran Sardines Ultrasonic Sound (Dillinja Remix) B1 –Hive Remix – Dillinja B2 –Naptron Hip Hop 2023 Pt. 2 Bambaata (Dillinja Remix) B3 –Shy FX Remix – Dillinja B4 –Naptron & P.E.A.C.E. Bloody Mushrooms B5 –Ray Keith Solar Systems B6 –P.E.A.C.E. Jarvis Frye B7 –Decorum Contrax B8 –Jungle Brothers How Ya Want It B9 –Moving Fusion The Beginning B10 –Divine Styler Before Mecca B11 –E-Sassin Runaway B12 –Alien Nation Mysterious B13 –Dom & Roland Killa Bullet B14 –Dark Soldier Servo B15 –Volume 10 Pistol Grip Pump B16 –John B Sight Beyond B17 –Freestyle Fellowship Level Of Difficulty B18 –Technical Itch Scope B19 –Hive & Unseen Master Straight Razor Enemy Infiltration (E-Sassin Remix) B20 –UFO! Remix – E-Sassin Credits DJ Mix – Hive Notes Promo cassette mixed by Hive. Tracks A5, B2, B4 & B6 "Live In Studio" Guest MCs: Naptron (a.k.a. Seymour Frye) P.E.A.C.E. (a.k.a. Jarvis Frye) Phoenix Orion (a.k.a. Zoundwavez) Other versions Category Artist Title (Format) Label Category Country Year none Hive Hip Hop 2023 (2xCD, Mixed) Celestial Recordings none US 2001 Related Music albums to Hip Hop 2023 by Hive DJ DB - Shades Of Technology (A Drum And Bass Journey) Dillinja - Tronik Funk / Thugs Terminal Sound System Remix Retnah Remix Larvae - Solaris Orgy - Blue Monday Dillinja - Cybotron Boymerang / Ed Rush & Fierce - Still - Dom & Optical VIP / Locust Dillinja / Lemon D - Violent Killa / 12.01 Dillinja, Origin Unknown - Funk Will Flow / Truly One Grooverider - FabricLive. 06 Dillinja - Who You (Willy Wonka Remix / Vip) Andy C - Ram Raiders - The Mix DJ Bailey - Intelligent Drum Bass.

Copy Link

Recommended publications

The Journal of Media and Diversity Issue 02 Summer 2021
Sir Lenny Henry, Amma Asante, Afua Hirsch, Kurt Barling, Chi Thai and Delphine Lievens, Nina Robinson, David Hevey, Melanie Gray, Debbie Christie, Gary Younge, Adrian Lester, So Mayer, Siobhán McGuirk, Selina Nwulu, Ciaran Thapar The Journal of Media and Diversity Issue 02 Summer 2021 1 REPRESENTOLOGY THE JOURNAL OF MEDIA AND DIVERSITY ISSUE 02 SUMMER 2021 REPRESENTOLOGY CONTENTS EDITORIAL The Journal of Media and Diversity 04 Developing Film Welcome to Issue Two of Representology - Sir Lenny Henry and Amma Asante The Journal of Media and Diversity. Since we Editorial Mission Statement interview. launched, many of you have shared 14 Finding My Voice encouraging words and ideas on how to help Welcome to Representology, a journal Afua Hirsch create a media more reflective of modern dedicated to research and best-practice 18 Putting the Black into Britain Britain. perspectives on how to make the media more Professor Kurt Barling representative of all sections of society. On March 30th, we hosted our first public event - an 24 The Exclusion Act: British East and South opportunity for all those involved to spell out their A starting point for effective representation are the East Asians in British Cinema visions for the journal and answer your questions. As “protected characteristics” defined by the Equality Act Chi Thai and Delphine Lievens Editor, I chaired a wide-ranging conversation on ‘Race 2010 including, but not limited to, race, gender, and the British Media’ with Sir Lenny Henry, Leah sexuality, and disability, as well as their intersections. 38 The Problem with ‘Urban’ Cowan, and Marcus Ryder. Our discussions and the We recognise that definitions of diversity and Nina Robinson responses to illuminating audience interventions gave representation are dynamic and constantly evolving 44 Sian Vasey - disability pioneer inside us a theme that runs through this issue - capturing and our content will aim to reflect this.
[Show full text]
9Rgrou / F BT Expra6s
f- r n r:l I h. l_ i U ll tl L L. I I l--.- a I "bt" transeau t I : 'q a I I l ? kl I \ € 7 I \ 0 T a I I F II I , L r ^ I \ l t XI ?ortv 9rgrou / F BT expra6s... I \ .a 12 I ! ! I ./ J L. I tl I n I I I a 1 / T / t f I , t I I - \ \ \ ,/ 7 ll 7 / E t / / WWW.EIEH'I, ,1LL.EtrIM TICHTO RAP HOUSE REGGAE ROCK DAIiCEHATL ACIO IUI{GLE AMBIEI{T II{OUSTRIAI- BHAIiGRA FREESTYI"E SOUI. fUI{K R&B LATIII IiI,tR o 'AZZ o alternativelndusttiol . bhongro . blues . dub. freestyle . hi-nry / house. iozzvibes . jungle.latin. rop. reggoe/dancehall remix poradiso . rock . techno music & business: take o ride on the bt express... prem um music zine: print * web I tl v f! t) \ I ) , I t a , ) 1 1 I' ! t I I --l t I E l = ti _) http : / /www.streetso u n d.co m Eorror.rn.orrrr richdmrnrlil*'t^Ll'^fl-t##fhHffiJt**nurr,*r.ro* o,,,"oo, t)ag (IuExTED,ToRS: lonnld.msrAP.&ltLry.s !g'f.mll:rin ($htiff) S P.lnnrle BoG TECtltO. r Todd "Lrh" BlGe T!(H. L.dh tdno.& *O(t. b f!t|rlc! Ht.tPG. ocrnc. rd tDtlOa-AI-tARGE. trtrl.t flodtE SoUL flJ N( R&B.Syu.li Houde aLrtRNATlVt. B.mrd io6lit G FREESIYLE . Rody lrp..t xtE jU . SEwTCES ?.d E. top.E JAZZ VIEES . Ri.l Edl.i NGIE Cl.rl.s lftGlyrn REGGAE Dlrc & T.ry D.hopo los HOUSE lnita E( vldta BHANGRA Iln Frhry / lcI sn€graour{D u( .woorba ( coxla rS um$ | M.td and uiai 6olg.
[Show full text]
394 GLOSSARY Acid Jazz Late 1980S and 1990S
GLOSSARY Acid Jazz Late 1980s and 1990s trend where “London fashion victims created their own early seventies-infatuated bohemia by copying jazz-funk records of the era note by note.”1 Associated with DJ Giles Peterson, acid jazz combined jazz and funk influence with electronica to produce a “danceable” version of jazz. Some of the most prominent British artists associated with acid jazz include are the band 4Hero, producer Ronny Jordan, and the James Taylor Quartet (the last of which at one point included Nitin Sawhney.) Ambient Music intended to create a particular atmosphere. Brian Eno, considered a pioneer of the genre, notes, “One of the most important differences between ambient music and nearly any other kind of pop music is that it doesn’t have a narrative structure at all, there are no words, and there isn’t an attempt to make a story of some kind.”2 Ambient music often substitutes distinct melodies and rhythmic patterns for a wash of sound. Some prominent British artists during the 1990s include The Orb, KLF, Mixmaster Morris and Aphex Twin. Bhangra Bhangra originated as a male folk dance in Punjab to accompany the harvest festival, Baisakhi. It is still performed as a folk dance and may be identified by its characteristic swinging rhythm played on the dhol and dholki, double-sided barrel drums. From the late 1970s onwards, Punjabi immigrants in Britain began to fuse with electronic dance styles including house music and later hip-hop.3 These styles produced a distinct genre of music that was recognized as one of the first prominent examples of British Asian youth culture.
[Show full text]
Dance Music Simon Halstead
After Techno and Rave: Status and Validity in Post- Dance Music by Simon Halstead Submitted for the degree of Doctor of Philosophy Department of Music and Sound Recording University of Surrey July 2009 © Simon Halstead 2009 ProQuest Number: 27558661 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27558661 Published by ProQuest LLO (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This dissertation explores the idea of electronica as a descendent of electronic dance music, which, although embodying many related aesthetic qualities, operates within a different set of musical values. This needs to be understood in the context of how dance music's character, form and modes of performance relate to its specific cultural function. Repetitive beats (as espoused by house and techno in particular) comprise part of the cultural experience of rave. In combination with drug technologies and an ethos of collectivity, rave encapsulates a set of political phenomena that are entrenched within the formal and textural priorities of dance music. I discuss how modes of reception are affected by changes in these priorities, and to what extent post-dance music neglects the physicality that defines the political dimension of dance music's relationship to the body.
[Show full text]
Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
[Show full text]
[email protected] Slept with and She Demands Sex 10 Times a Day
INSIDE: Beryl,GETS HER KNICKERS wessexscene.co.uk 20th March 2002 - ISSUE 754 - PRICELESS IN A TWIST! ANOTHER WESSEXSCENE EXCLUSIVE KEBAB’EDA walk home turned into a nightmare for a group of Southampton University Students...Continued on page 2... PAGE 2 Wessexscene.co.uk INSIDE YOUR THIS ISSUE PAGE Dear6 VODKA WATCH WITH JOEL STOBART Durham A walk home from Poundstretcher Nigel Massen injury to his hand whilst trying to correct the damage done to his four turned into a nightmare for a protect his head from the blow. The front teeth. group of Southampton University er, "this was when we really shit man from the kebab shop then went Wales ourselves," says Computer London students after they were attacked back inside and locked the door. Although not an entirely unpro- in Portswood on the 22nd of Engineering student Oliver Minutes later three police cars and a voked attack, this incident is shock- February. A group of ten students Pearmain. As the situation started to police van were on the scene fol- ing in its brutality, illustrating how Soton were making their way back from get out of control Oliver pulled his lowing a total of four 999 calls from out of control a bit of harmless the Students‘ Union when two of friend John Goldie away from the Oliver, the staff in the shop and ‘cheek’ can get. The whole group of AROUND THE WORLD the group decided to bare their confrontation. John, celebrating his from two other passer-bys. Two students were drunk, Adam had Amsterdam £1.00 Los Angles £1.70 arses to staff cleaning up in a 21st birthday, had his 16 year old members of staff from the kebab been ejected from Poundstretcher Athens £1.20 Madrtid £1.50 kebab shop in the Portswood brother Adam visiting.
[Show full text]
From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2010 From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs. Ambrose Colombo Claremont McKenna College Recommended Citation Colombo, Ambrose, "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." (2010). CMC Senior Theses. Paper 83. http://scholarship.claremont.edu/cmc_theses/83 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Table of Contents I. Introduction 1 II. Disco: New York, Philadelphia, Chicago, and Detroit in the 1970s 3 III. Sound and Technology 13 IV. Chicago House 17 V. Drugs and the UK Acid House Scene 24 VI. Acid house parties: the precursor to raves 32 VII. New genres and exportation to the US 44 VIII. Middle America and Large Festivals 52 IX. Conclusion 57 I. Introduction There are many beginnings to the history of Electronic Dance Music (EDM). It would be a mistake to exclude the impact that disco had upon house, techno, acid house, and dance music in general. While disco evolved mostly in the dance capital of America (New York), it proposed the idea that danceable songs could be mixed smoothly together, allowing for long term dancing to previously recorded music. Prior to the disco era, nightlife dancing was restricted to bands or jukeboxes, which limited variety and options of songs and genres. The selections of the DJs mattered more than their technical excellence at mixing.
[Show full text]
SUNDAY 04.09 MONDAY 05.09 TUESDAY 06.09 WEDNESDAY 07.09 THURSDAY 08.09 FRIDAY 09.09 SATURDAY 10.09 SATURDAY 03.09 Partners
SATURDAY 03.09 MONDAY 05.09 WEDNESDAY 07.09 FRIDAY 09.09 23:30 - 05:00 15:00 - 20:00 15:00 - 19:30 19:00 - 00:00 15:00 - 19:30 19:00 - 00:00 AMBRA NIGHT SECRET LOCATION LA CINTA BEACH AMBRA DAY LA CINTA BEACH AMBRA DAY Gazebo Garden DE LA HAYE JUMPAT B2B SAMMY B ANCESTRAL VOICES NU:TONE PHILTH DJ COMPETITION LAST LIFE SOULSURFER HANDY LENZMAN HIPHOP SET DELICAT LOGISTICS DECO, DIP VERTIGO, DUPPY The Official Drum & Bass Show PAUL SG ARPXP SERUM KABUKI AMBIENT SET SOULTRAIN LONDON ELEKTRICITY M-ZINE & SCEPTIZ, live on Mi-Soul Radio with THE INSIDERS OM UNIT A SIDES SPECTRASOUL ROSANSAY, SOLACE KABUKI COMMIX 20:00 - 22:00 FEAT. COLLETTE WARREN DYNAMITE MC FYM 2015 WINNER FRACTURE SPIRIT JUMPING JACK FROST ADI-J 23:30 - 05:00 INJA & BAILEY MAUOQ KWALITY VANESSA FREEMAN AMBRA NIGHT MARVELOUS FATS Gazebo Garden DJ LEE SPEED SET 23:30 - 05:00 ALITE CLASSICS SET BIG T DILLINJA OLD SCHOOL AMBRA NIGHT SUNDAY 04.09 MARCUS INTALEX UNREAL B2B DOGFACE Gazebo Garden OLD SCHOOL ETHERWOOD 23:30 - 05:00 ENA NME CLICK 15:00 - 19:00 20:00 - 23:00 A-SIDES OLD SCHOOL S.P.Y AMBRA NIGHT PRESHA TOTAL SCIENCE LA CINTA BEACH BAL HARBOUR PARADOX LIVE ALIBI Gazebo Garden SAM KDC FD DAVID WS DOC SCOTT OLD SCHOOL Panel: "Drum&Bass' LOWQUI FLIGHT ED:IT NUCLEUS ANILE DJ CHAP RANDALL OLD SCHOOL best kept secret" GQ STORM MAKOTO CLARITY BLOCKS & ESCHER PATIFE The SUNANDBASS story FATS RANDALL MARKY BLACKEYE FOX / K-EYE STAMINA DJ MOOSE DIGITAL COLLETTE WARREN BRYAN G ARPXP B2B FD B2B DELICAT STAMINA MC SAB STORY SELECTION DEEIZM / GQ LOWQUI CLEVELAND WATKISS ENA LIVE TUESDAY 06.09 BLACKEYE SATURDAY 10.09 MACCA & LOZ CONTRERAS 15:00 - 22:00 THURSDAY 08.09 14:00 - 20:00 23:30 - 05:00 LA CINTA BEACH AMBRA BEACH UPZET CALIBRE AMBRA NIGHT Panel: "All Crews - LYNX 15:00 - 19:30 19:00 - 00:00 Gazebo Garden ESCANAR T.R.A.C.
[Show full text]
Danny Avila Contrast and Tujamo *
561 DRUM & BASS SPECIAL! 27-PAGES OF JUNGLIST GOODNESS! DJMAG.COM WHALE OF A TIME MOBY’S NEW BOOK TEKLIFE LIVING & BREATHING DANCE MUSIC! CREW DJMAG.COM LIVE ON DJ RASHAD’S FOOTWORK LEGACY THE CONTINUED WIDESCREEN ELI ESCOBAR DRUM & BASS OF IN PURSUIT OF HAPPINESS * MUSIC DOWNLOAD * CLUBS CONTENT BY HIGH JEWELZ & SPARKS, * TECHNOLOGY TECHNOLOGY DANNY AVILA CONTRAST AND TUJAMO * HAS D&B COMMERCIALISATION GONE TOO FAR? SIGMA, GOLDIE, GROOVERIDER, FRICTION & MORE EXPLORE VOTE NOW! HOSPITALITY IN THE PARK UK’S FIRST D&B FEST D&B IN AMERICA — F*** YEAH! ALL THE No. 561 NOMINEES EXIT RECORDS PROFILED September 2016 TRUE TO THE CRAFT WE CZECH OUT No.561 September 2016 £4.95 LET IT ROLL & BEATS EVOLUTION £4.95 OCTAVE ONE, MACHINEDRUM, HERVÉ, THOMAS GANDEY, BLACK DEVIL DISCO CLUB, PLUS: FELIX DICKINSON, RECLOOSE, REBOOT, DE SLUWE VOS, SECRET CINEMA, SILKY… cover1.indd 1 12/08/2016 14:00 Untitled-1 1 18/07/2016 12:16 Contents Cover Shot: LARRY ROSTANT 032 WIDESCREEN DRUM & BASS High Contrast’s cinematic productions have made him the undisputed master of underground-credible yet mainstream-accessible d&b. DJ Mag heads to Cardiff to meet the man behind the music... FEATURES 038 COMMERCIAL PROPERTIES Following Sigma’s collab with Take That, we ask industry heavyweights to way up the pros and cons of commercial d&b 046 NON-CORPORATE HOSPITALITY Label heads London Elektricity and Chris Goss talk 20 years of Hospital Records 038 COMMERCIAL D&B 051 EXIT RECORDS and the UK’s ﬁ rst ever d&b festival... 051 BOW DOWN TO THE EXIT We sit down with Exit Records boss dBridge to see why his boundary- breaking imprint stays true to the craft..
[Show full text]
Sasha Carl Cox Dimitri Vegas & Like Mike Hardwell Armin Van Buuren
Simon Posford Omnia DJ Chetas Scratch Perverts Colin Dale Martin Jensen Florian Picasso Andy Smith Paul Trouble Anderson Claptone Remy Breathe Carolina Adam Sheridan BK Gabriel & Dresden Jonathan Lisle Merk & Kremont Plump DJ's Danny Howells Benjamin Bates JFK Stanton Warriors Anne Savage Diego Miranda Infected Mushroom Offer Nissim SLANDER Luciano Filo & Peri Ferry Corsten Ian M Fergie 2 Many DJs Orjan Nilsen Flash Brothers Tidy Boys John Graham Lee Burridge DJ Tarkan DJ Shah Dope Smugglaz Jon Pleased WimminAlex P Blu Peter Ronski Speed Lost Stories Alan Thompson The Chainsmokers James Lavelle Astral Projection Pete Wardman Daniel Kandi Astrix Serge Devant Paul Glazby Phil Smart Sonique Jeremy Healy Ian OssiaDJ Tatana Cass Andy Farley HixxyBrisk Luke Fair Darren Pearce SolarstoneSteve Thomas DJ Skazi Chris Liberator John 00 Fleming Juanjo Martin D.A.V.E The Drummer Paul Oakenfold Yoji Biomehanika Pippi Kyau & Albert Cor Fijneman Dougal DJ Vibes DJ Sammy Jon Carter Scot Project Lisa Lashes Amadeus Parks And Wilson Don Diablo Andy Moor Sharkey Slipmatt Mat Zo Mike Candys Sy Rob Tissera Heatbeat Lisa Pin-up Chris Fortier tyDi Christopher Lawrence Johan Gielen Magda Sied Van Riel Alex Morph & Woody Van EydenAlok Stu Allen John Kelly Steve Porter Mike Koglin Mariana Bo Super8 & Tab Cosmic Gate Tom Swoon Bl3nd Force & Styles Guy Ornadel Max Graham Alex M.O.R.P.H.Bobina Rachel Aubern Ronald Van Gelderen Simon Patterson Yahel Jeffrey Sutorius Jon The Dentist Jimpy Above & Beyond Tallah 2XLC NGHTMRE Nick Sentience Sean Tyas Arty Neelix Lange Rank 1 DJ Feel Alan Walker Krafty Kuts Junior Jack Scott Bond Marco V Audien M.I.K.E.
[Show full text]
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Drum'n'Bass (These are excerpts from my book "A History of Rock and Dance Music") Jungle TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Dance music of the 1990s largely rejected the simple, jovial, hedonistic approach to body movement that had ruled since James Brown invented funk music in the 1960s. Disco, techno and house had simply imported new technologies (both for rhythm and arrangements) into the paradigm of funk. The 1990s continued that process, but further removing the "joy" of dancing from the beats, and, in fact, replacing it with fits of acute neurosis. One of the most important ideas to come out of Britain was "jungle" or "drum'n'bass", a syncopated, polyrhythmic and frantic variant of house, a fusion of hip-hop and techno that relied on extremely fast drum-machines, epileptic breakbeats and huge bass lines. Precursors of jungle included, in the USA, Bug In The Bassbin (1989), the rhythmic workout of Carl Craig's Innerzone Orchestra, and, in Britain, Perfecto's Baz De Conga (1989). The experiments of Plaid and Meat Beat Manifesto also laid the foundations of jungle. Jungle saw the light in 1992 in London with tracks such as Leakage Trip's Psychotronic, Nebula II's Flatliners and Johnny Jungle's Johnny, followed by Andy C's Valley Of The Shadows (1993) and Ed Rush's Bloodclot Attack (1993), while Omni Trio's Renegade Snares (1993) and especially LTJ Bukem's Music (1993) invented "ambient jungle" (a calmer, introverted version of that hyperkinetic dance music).
[Show full text]
Classic Radio 1 Schedules (1967-2004)
Frequency Finder UK (www.frequencyfinder.org.uk) Classic Radio 1 Schedules (1967-2004) October 1967 In the early years, Radio 1 was very different. It was originally conceived as a general popular music network, broadcasting easy listening, jazz, folk and country as well as pop and rock music. The intention was that it would opt out of the Light Programme with music when the Light was carrying a speech programme. This was largely the pattern in the first few years, with a lot of sharing between Radios 1 and 2, though the two stations did carry separate music programmes at breakfast and late afternoon. The daytime schedules didn't fully separate until the 1970s. Another feature of the early schedule is that many programmes featured different presenters on different days or in different weeks. A lot of the presenters floated between several shows. Saturday Monday to Friday 05:30 As Radio 2 05:30 As Radio 2 07:00 Tony Blackburn 07:00 Tony Blackburn 08:30 Junior Choice with Leslie Crowther (also on R2) 08:30 Family Choice with a guest presenter (also on R2) 10:00 Saturday Club with Keith Skues 10:00 Jimmy Young (also on R2 until 11:00) 12:00 Emperor Rosko 12:00 Midday Spin with Simon Dee (Mon), Duncan 13:00 Jack Jackson (also on R2) Johnson (Tue), Kenny Everett (Wed), David Rider 14:00 Chris Denning (also on R2) (Thur) and Stuart Henry (Fri) (also on R2) 15:00 Pete Murray (also on R2) 13:00 (Mon) Dave Cash - Live Music 16:00 Pete Brady (also on R2) 13:00 (Tue) Keith Fordyce - Live Music 17:30 Country Meets Folk with Wally Whyton (also on 13:00 (Wed) Bob Miller and The Millermen with R2) Parade of the Pops - Live orchestral pop 18:30 Scene and Heard - magazine with Johnny Moran 13:00 (Thur) Pop North with the Northern Dance 19:30 As Radio 2 Orchestra 22:00 Pete Murray (easy listening, also on R2) 13:00 (Fri) The Joe Loss Show - Live orchestral pop 00:00-02:00 Night Ride with Sean Kelly (easy listening, 14:00 Pete Brady (also on R2 15:00-16:15) also on R2) 16:30 What's New 17:30 David Symonds Sunday 19:30 As Radio 2 except..
[Show full text]