DOCSLIB.ORG

Fallen Radagast

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fallen Radagast Patrick Laxander, 1. European Championship MECCG 2004 Deck Type: Fallen-wizard Deck vs. Heroes Deck vs. Minions & FW Starting Character Pool Starting Character Pool Annalena Annalena Asternak Asternak Balin Balin Broin Broin Gloin Gloin Gulla Gulla Kili Kili Nain Nain Oin Oin Threlin Threlin Starting Minor Items Starting Minor Items Horn of Anor Horn of Anor Dagger of Westernesse Dagger of Westernesse Starting Stage Cards Starting Stage Cards Glove of Radagast Glove of Radagast Shifter of Hues Shifter of Hues Characters Characters Radagast (3x) Radagast (3x) Beretar Beretar Faramir Faramir From Draft: From Draft: Asternak Asternak Balin Balin Broin Broin Kili Kili Nain Nain Resources Resources An Untimely Brood An Untimely Brood Awaiting the Call Awaiting the Call Barrow Blade Barrow Blade Blackbole Blackbole Dark Tryst (2x) Dark Tryst (2x) Farmer Maggot Farmer Maggot Great Patron Great Patron Hall of Fire (2x) Hall of Fire (2x) Hide in Dark Places (2x) Hide in Dark Places (2x) Hiding (2x) Hiding (2x) Longbottom Leaf Longbottom Leaf Marvels Told (2x) Marvels Told (2x) Radagast’s Black Bird Radagast’s Black Bird Sapling of the White Tree Sapling of the White Tree Smoke Rings (2x) Smoke Rings (2x) The Warg King The Warg King War-Warg (2x) War-Warg (2x) War-Wolf (2x) War-Wolf (2x) Wild Hounds (2x) Wild Hounds (2x) Withdrawn to Mordor Withdrawn to Mordor (2x) Wizard’s Myrmidon Hazards Hazards Adunaphel Alone and Unadvised (2x) Alatar the Hunter An Unexpected Outpost (2x) An Unexpected Outpost Assassin (3x) Returned Beyond All Hope (2x) Cave Drake (3x) Cave Drake Corpse-Candle (2x) Chill them with Fear (3x) Daelomin at Home Daelomin at Home Foolish Words (2x) Dwarven Travellers (3x) Itangast at Home Elf-Lord Revealed in Wrath (3x) Lure of Expedience (2x) Gandalf the White Wizard Lure of Nature (2x) Heedless Revelry (3x) Lure of Power Master of the House Mouth of Sauron Mouth of Sauron Ren the Unclean My Precious Revealed to All Watchers Pallando the Soul-keeper Scorba at Home Revealed to all Watchers Sellswords Between Charters Saruman the Wise (3x) Searching Eye The Balance of Things Sellswords Between Charters Uvatha the Horseman (2x) Uvatha the Horseman Sideboard Dwarven Light-Stone (2x) Sideboard Girdle of Radagast Crept Along Carefully (2x) Great Bats Dwarven Light-Stone (2x) Keys of the White Towers Girdle of Radagast Legacy of Smiths Great Bats Longbottom Leaf Keys of the White Towers Mischief in a Mean Way Legacy of Smiths Noble Hound Longbottom Leaf Noble Steed Mischief in a Mean Way Petty-Dwarves (hero) Noble Hound Ready to His Will Noble Steed Regiment of Black Crows Petty-Dwarves (hero) The White Tree Ready to His Will Tom Bombadil Regiment of Black Crows Voices of Malice The White Tree Withdrawn to Mordor Tom Bombadil Wizards River Horses Voices of Malice Wizard’s Trove Wizard’s Myrmidon Call of Home Wizards River Horses Corsair of Umbar Anarin Ivic Arthedain Rangers Lobelia Sackville-Baggins Doubled Vigilance Muster Disperses Itangast Ahunt Pilfer Anything Unwatched Lady of the Golden Wood Rolled Down to the Sea Nameless Thing Searching Eye Pilfer Anything Unwatched Smaug Ahunt Redoubled Force The Roving Eye The Way is Shut Twisted Tales Twisted Tales Sideboard vs. Fallen-wizards A Friend or Three Arouse Defenders Awaken Defenders Dror Fear! Fire! Foes! Foolish Words Heart Grown Cold Nature’s Revenge Searching Eye Wizards Voice.
Load more

Recommended publications
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
    [Show full text]
  • ARMIES of the HOBBIT Designer’S Commentary, February 2021
    ARMIES OF THE HOBBIT Designer’s Commentary, February 2021 The following commentary is intended to complement the A note on the Allies Matrix: We have had a few questions Armies of The Hobbit. It is presented as a series of questions asking us about the levels of alliance presented in the Allies and answers; the questions are based on ones that have Matrix; ‘should this army be Historical with this one?’, or been asked by players, and the answers are provided by the ‘why isn’t X Historical Allies with Y?’. rules writing team and explain how the rules are intended to be used. The commentaries help provide a default When we developed the Allies Matrix we spent a lot of time setting for your games, but players should always feel free working out timelines, deciding what timelines each Army to discuss the rules before a game, and change things as List represents, and cross referencing these to give the final they see fit if they both want to do so (changes like this are Allies Matrix. usually referred to as ‘house rules’). Historical Allies represent those that actually fought together, Our commentaries are updated regularly; when changes not just co-existed. So, for example, the reason that The are made, any changes from the previous version will be Fellowship are not Historical Allies with the Dead of highlighted in magenta. Where the stated update has a Dunharrow is simply because the Fellowship had been broken note, e.g. ‘Regional update’, this means it has had a local before the Dead were recruited by Aragorn, and so they did update, only in that language, to clarify a translation issue not fight alongside each other.
    [Show full text]
  • Middle-Earth: the Wizards Characters(Hero) Resources(Hero
    Middle-earth: The Wizards Card-list (484 cards) Sold in starters and boosters (no cards from other sets needed to play). A booster (15 cards, 36 boosters per display) holds 1 rare, 3 uncommons, and 11 commons. A starter holds a fixed set (at random), 3 rares, 9 uncommons, and 40 commons. R: rare; U: uncommon; CA1: once on general common sheet; CA2: twice on general common sheet; CB1: once on booster-only common sheet; CB2: twice on booster-only common sheet; F#: in # different fixed sets (out of 5). Look at the Fixed pack specs to see what cards are in in which fixed set. Characters (hero) Thorin II R Gwaihir R Risky Blow CA Thranduil F1 Halfling Stealth CB2 Roäc the Raven R Adrazar F1 Vôteli CB Halfling Strength CB2 Sacrifice of Form R Alatar F2 Vygavril R Hauberk of Bright Mail CA Sapling of the White Tree U Anborn U Wacho U Healing Herbs CA2 Scroll of Isildur U Annalena F2 Hiding R Secret Entrance R Aragorn II F1 Resources (hero) Hillmen U Secret Passage CA Arinmîr U A Chance Meeting CB Hobbits R Shadowfax R Arwen R A Friend or Three CB2 Horn of Anor CB Shield of Iron-bound Ash CA2 Balin U Align Palantir U Horses CA Skinbark R Bard Bowman F2 Anduin River CB2 Iron Hill Dwarves F1 Southrons R Barliman Butterbur U Anduril R Kindling of the Spirit CA Star-glass U Beorn F1 Army of the Dead R Knights of Dol Amroth U Stars U Beregond F1 Ash Mountains CB Lapse of Will U Stealth CA Beretar U Athelas U Leaflock U Sting U Bergil U Beautiful Gold Ring CA2 Lesser Ring U Stone of Erech R Bifur CB Beornings F1 Lordly Presence CB2 Sun U Bilbo R Bill
    [Show full text]
  • Health & Safety Handout for Education Abroad Programs
    Health & Safety Handout for Education Abroad Programs Program Name: There and Back Again: Experiencing the Cultural and Political Environment of Middle Earth Countries/Cities to be visited during program (overnight stays): Middle Earth Westlands (overnight stays in bold): - Gondor (including Minas Tirith and Osgiliath); - Rohan (including Helms Deep and Edoras) - Eriador (including The Shire, Bree, Rivendell, Moria) The EAO encourages students to take responsibility for their own safety and security by carefully reading the information, advice, and resources provided, including the following websites: CDC Website (Health Information for Travelers): Gondor: http://wwwnc.cdc.gov/travel/destinations/traveler/none/gondor Eriador: http://wwwnc.cdc.gov/travel/destinations/traveler/none/eriador Rohan: http://wwwnc.cdc.gov/travel/destinations/traveler/none/rohan State Department Website (International Travel Information): Gondor: http://travel.state.gov/content/passports/english/country/gondor.html Eriador: http://travel.state.gov/content/passports/english/country/eriador.html Rohan: http://travel.state.gov/content/passports/english/country/rohan.html Students Abroad: http://studentsabroad.state.gov/smarttravel.php Traveling with Disabilities: http://travel.state.gov/content/passports/english/go/disabilities.html LGBT Travel Information: http://travel.state.gov/content/passports/english/go/lgbt.html You should be up to date on routine vaccinations while traveling to any destination. Some additional vaccines may also be required for travel. Routine vaccines include measles-mumps-rubella (MMR) vaccine, diphtheria-tetanus- pertussis vaccine, varicella (chickenpox) vaccine, polio vaccine, and your yearly flu shot. The CDC may also recommend additional vaccines or medications depending on where and when you are traveling. Please consult with your doctor/medical professional if you have questions or concerns regarding which vaccines/medicines are right for you.
    [Show full text]
  • Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
    Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R.
    [Show full text]
  • Character Biography Radagast the Brown
    Character Biography: Radagast the Brown 1 ____ Character Biography Radagast the Brown By Oshun ___ Radagast the Brown is one of the Istari (Wizards) who were sent from Aman to assist the peoples of Middle-earth in their struggle against Sauron. His Quenya name is Aiwendil, which means 'lover of birds.' Unfinished Tales contains a section entitled The Istari,which is an excellent source for Tolkien's conceptions of these emissaries from the land of the gods and their roles in the continuing struggle against darkness in Middle-earth. (We will explore this resource in more detail below.) Before we saw Radagast with bird droppings in his hair and driving a sled pulled by giant bunnies in Peter Jackson's film-stylings of The Hobbit, the majority of readers were probably all but unaware of this blink-and-one-misses-him character. I knew him, of course, and cringed—appalled, offended, and grudgingly entertained—every time he appeared on the screen. (I realize some viewers actually like Radagast in the film, but I'd like to reserve that discussion for another time and another venue.) There are, more importantly, some fascinating threads to chase about Radagast in the published texts. Radagast is identified in the novels, but not developed or exploited fully: In The Hobbit, Gandalf actually leans on Radagast's (local) reputation to get himself, and his dwarvish and hobbit charges, accepted by Beorn. In The Lord of the Rings, Radagast plays a key, intermediary role in communications between Gandalf and Saruman. Yet Radagast disappears from The Lord of the Rings after the Council of Elrond.
    [Show full text]
  • Nordic Roots in Tolkien's Writings Mr
    Nordic Roots in Tolkien's Writings Mr. Rayan Akbari & Dr. Sayyed Rahim Moosavinia Associate Professor of English Literature Faculty of Letters and Humanities Shahid Chamran University of Ahvaz Ahwaz, Khuzestan, Iran Introduction The social cataloguing website, Goodreads, in accord with Amazon, ranks The Lord of the Rings as the third best-selling book of all time, and The Hobbit as the fourth. This statistic is also confirmed by Facebook's 2014 data analysis of over 130,000 accounts for finding the top 100 most popular books. Sophie Hinger believes that this success stems from Tolkien's different attitude towards his writing. She suggests that Tolkien has pictured "Middle-earth as a mythological version of Europe, rather than creating a new and separate world as many fantasy authors after him did" (3). Her view is perhaps shared by many of the scholars who are searching for the outside influences of Tolkien's works. So far, as different sources as Celtic, Anglo-Saxon, Viking, Old Norse, Finnish, Arthurian, and biblical have been suggested by scholars like Thomas, Atherton, Hinger, Birkett, Tarkka, and Carpenter. Yet, the Nordic side of the argument seems to be better recognized. Many articles and books have established their aim to find these Nordic references; still, none seems to consider Scandinavia as a concrete place. Therefore, articles on different aspects of the culture like the mythology, literature, and specific people, like Vikings, and Finnish are popular in Tolkien studies. The present paper, however, does not discriminate between the different aspects of the concept; therefore, words like Norse, Nordic, Icelandic, Northern, and Scandinavian have all been used by the researchers to refer to the same thing, meaning the culture and literature of the Northern Germanic people.
    [Show full text]
  • © 2019 C.Wilhelm
    © 2019 C.Wilhelm Questions About THE HOBBIT The Unexpected Journey, Movie 1, 2012 Name ________________________________ Date _____________ 1. Who was telling (writing) the story in the movie? _______________________________________________ _______________________________________________ 2. What happened to ruin the peaceful, prosperous Lonely Mountain and the Mines of Moria? _______________________________________________ _______________________________________________ 3. Why do the Dwarves want their ancestral home back? _______________________________________________ _______________________________________________ 4. Why does Thorin especially want to fight the pale Orc? _______________________________________________ _______________________________________________ 5. How does Bilbo Baggins become involved in the quest to enter Lonely Mountain? _______________________________________________ _______________________________________________ 6. Why does the company need Bilbo’s help? _______________________________________________ _______________________________________________ 7. Which groups in the story especially love food? _______________________________________________ _______________________________________________ Page 1 © 2019 C.Wilhelm THE HOBBIT questions continued Name ________________________________ Date _____________ 8. Do the Dwarves have good table manners? Explain. _______________________________________________ _______________________________________________ 9. Did you notice the map in the beginning of the story? Is
    [Show full text]
  • Norse Monstrosities in the Monstrous World of J.R.R. Tolkien
    Norse Monstrosities in the Monstrous World of J.R.R. Tolkien Robin Veenman BA Thesis Tilburg University 18/06/2019 Supervisor: David Janssens Second reader: Sander Bax Abstract The work of J.R.R. Tolkien appears to resemble various aspects from Norse mythology and the Norse sagas. While many have researched these resemblances, few have done so specifically on the dark side of Tolkien’s work. Since Tolkien himself was fascinated with the dark side of literature and was of the opinion that monsters served an essential role within a story, I argue that both the monsters and Tolkien’s attraction to Norse mythology and sagas are essential phenomena within his work. Table of Contents Abstract Acknowledgements 3 Introduction 4 Chapter one: Tolkien’s Fascination with Norse mythology 7 1.1 Introduction 7 1.2 Humphrey Carpenter: Tolkien’s Biographer 8 1.3 Concrete Examples From Jakobsson and Shippey 9 1.4 St. Clair: an Overview 10 1.5 Kuseela’s Theory on Gandalf 11 1.6 Chapter Overview 12 Chapter two: The monsters Compared: Midgard vs Middle-earth 14 2.1 Introduction 14 2.2 Dragons 15 2.3 Dwarves 19 2.4 Orcs 23 2.5 Wargs 28 2.6 Wights 30 2.7 Trolls 34 2.8 Chapter Conclusion 38 Chapter three: The Meaning of Monsters 41 3.1 Introduction 41 3.2 The Dark Side of Literature 42 3.3 A Horrifically Human Fascination 43 3.4 Demonstrare: the Applicability of Monsters 49 3.5 Chapter Conclusion 53 Chapter four: The 20th Century and the Northern Warrior-Ethos in Middle-earth 55 4.1 Introduction 55 4.2 An Author of His Century 57 4.3 Norse Warrior-Ethos 60 4.4 Chapter Conclusion 63 Discussion 65 Conclusion 68 Bibliography 71 2 Acknowledgements First and foremost I have to thank the person who is evidently at the start of most thesis acknowledgements -for I could not have done this without him-: my supervisor.
    [Show full text]
  • Tolkien's Unnamed Deity Orchestrating the Lord of the Rings Lisa Hillis This Research Is a Product of the Graduate Program in English at Eastern Illinois University
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1992 Tolkien's Unnamed Deity Orchestrating the Lord of the Rings Lisa Hillis This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Hillis, Lisa, "Tolkien's Unnamed Deity Orchestrating the Lord of the Rings" (1992). Masters Theses. 2182. https://thekeep.eiu.edu/theses/2182 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for i,\1.clusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for iqclusion in that institution's library or research holdings. Date I respectfully request Booth Library of Ef\i.stern Illinois University not allow my thes~s be reproduced because --------------- Date Author m Tolkien's Unnamed Deity Orchestrating the Lord of the Rings (TITLE) BY Lisa Hillis THESIS SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DECREE OF Master .of Arts 11': THE GRADUATE SCHOOL.
    [Show full text]
  • Tracing Tolkien's Sources of Inspiration
    Grado en Lengua y Literatura Inglesas Trabajo de Fin de Grado Tracing Tolkien’s Sources of Inspiration: Adventure, History and British Culture in His Major Works Alumna: Directora: Ana Martínez Velasco Manuela Palacios González Santiago de Compostela Curso académico 2018/2019 UNIVERSIDADE DE SANTIAGO OE COMPOSTELA FACULTADE DE FILOLOX[A unv ''" ) [ - 5 i\U . t. ,J u FACULTADE DE FILOLOXÍA ENTRADA N~..... ............................... CUBRIR ESTE FORMULARIO ELECTRONICAMENTE Formulario de delimitación de título e resumo Trabal lo de Fin de Grao curso 2018/2019 ,- APELIDOS E NOME: Martínez Velasco, Ana GRAO EN: Lengua y Literatura Inglesas (NOCASO DE MODERNAS) MENCIÓN EN: - - TITOR/A: Manuela Palacios González LIÑA TEMÁTICA ASIGNADA: Literatura y cultura británica e irlandesa SOLICITO a aprobación do seguinte título e resumo: Título: Tracing To lkien's Sources of lnspiration: Adventure, History and British Culture in His Majar Works. Resumo [na lingua en que se vai redactar o TFG; entre 1000 e 2000 caracteres]: The objective of this project will be to identify the m a in sources that inspired John R. R. Tolkien to write his work the way he did. This dissertation will be divided into two main parts: one dealing with the author's life and the socio-historical context he lived in, with a focus on his views on war, religion and ecology and how these aspects are represented in his work, as he participated in the First World War and was a re ligious man and an ecologist. Another part will deal with the literary influences he received, such as Arthuric legends, Norse cu lture, European mythology and other related contents he used.
    [Show full text]
  • The Lord of the Rings: the Card Game Core Set.)
    Ally Objective Card: Wilyador In this scenario, the players encounter an “ally objective” card, Wilyador, the Eagle. This card has a constant effect that reads, “The first player gains control of Wilyador, as an ally.” This means that the first player takes control of Wilyador, and can use him in the same manner he would use any ally he controls. At the end of each round, when the first player token passes to a new player, the new first player also gains control of Wilyador. Wilyador also has the text “no attachments.” This means A Journey to Rhosgobel that players cannot play or move attachment cards onto Wilyador. Difficulty Level = 6 If Wilyador leaves play for any reason, the players have While travelling in the Anduin Valley, the heroes come lost the game. Additionally, if the player who controls across a fallen Eagle, dreadfully wounded from a recent Wilyador is eliminated, the players have lost the game. battle with Goblins, and on the verge of death. Given their location, the heroes attempt to transport the Eagle to Removed from Game Rhosgobel, on the edge of Mirkwood, in the hope that the wizard Radagast can save the Eagle’s life. Players may be instructed to remove cards from the game during this scenario. When a card is removed from the A Journey to Rhosgobel is played with an encounter deck game, it should be set aside and ignored for the rest of the built with all the cards from the following encounter sets: game. Do not place any “removed from game” cards in A Journey to Rhosgobel, Spiders of Mirkwood, and Dol the discard pile, as effects that bring cards back from the Guldur Orcs.
    [Show full text]