Nohra Haime Gallery 730 Fifth Avenue

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N OHRA HAIME GALLERY 730 FIFTH AVENUE FEMINIST FEMININE January 25 – March 4, 2017 Opening Reception: Tuesday, January 24th from 6 to 8 p.m. SHIRIN NESHAT:FACELESS - FROM SERIES WOMEN OF ALLAH, 1994, c-print, unique, 10 x 8 in. 26 x 20 cm. FEMINIST OR FEMININNE: DIFFERENT RESPONSES Feminist Feminine, an impressive display of women artists and converging cultures spanning from the 1960s and 70s to present day, opens at Nohra Haime Gallery on Tuesday, January 24th from 6 – 8 p.m. The exhibition hosts key figures from the American Feminist movement such as Judy Chicago, Carolee Schneemann, Hannah Wilke, Faith Ringgold, Nancy Spero, Martha Wilson, Dotty Attie and Joyce Kozloff, who represent a time when women were demanding the right to exhibit in both museums and galleries. Such powerful personalities as Louise Bourgeois, Louise Nevelson, Niki de Saint Phalle, Cindy Sherman, Yayoi Kusama and Marina Abramovic, who have broken the cannons of art and societal acceptance, are included in the exhibition with influential contemporary figures like Marilyn Minter, Adriana Marmorek and Rhiannon Schneiderman, who utilize the body in a bold and compelling way. Feminist Feminine highlights an era of women who combine anger, rage and resentment with love, sexuality and seduction to create a deep everlasting physicality in art. Socially constructed barriers are broken and femininity is emphasized with sensuality and tenderness. The exhibition embraces an alternative approach to power utilizing this femininity and feminine guile combined with intelligence to accomplish far-reaching goals. The result pushes mind and body to the limit and commands strength and pride in creative virtuosity. To view the exhibition is to gain a comprehensive look into the power of feminism and what it means to be feminine. DATES: January 25 – March 4, 2017 OPENING RECEPTION: Tuesday, January 24th from 6 to 8 p.m. FOR MORE INFORMATION CONTACT: Leslie Garrett at [email protected] or 212-888-3550 NEW YORK, NY 10019 212-888-3550 [email protected] PARTICIPATING ARTISTS MARINA ABRAMOVIC NATALIA ARIAS DOTTIE ATTIE TINA BARNEY LOUISE BOURGEOIS CAROL K. BROWN MARIA MAGDALENA CAMPOS-PONS ADRIANA CARVALHO JUDY CHICAGO AGNES DENES LESLIE DILL INDIA EVANS SHADI GHADIRIAN BEATRIZ GONZALEZ VALERIE HIRD MARIA DE LA PAZ JARAMILLO JOYCE KOZLOFF BARBARA KRUGER YAYOI KUSAMA ADRIANA MARMOREK MARILYN MINTER SHIRIN NESHAT LOUISE NEVELSON DEBORAH OROPALLO FAITH RINGGOLD RUBY RUMIE NIKI DE SAINT PHALLE CAROLEE SCHNEEMANN RHIANNON SCHNEIDERMAN CAROLE SEBOROVSKI CINDY SHERMAN KIKI SMITH NANCY SPERO MICHELLE STUART BRIDGET BATE TICHENOR LISETTE URQUIJO SOPHIA VARI HANNAH WILKE MARTHA WILSON .

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2018 — Anonymous Was a Woman
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DOTTY ATTIE B
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Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Signal Disruptions: Gendered Tropes and the Feminist Burlesque of Martha Rosler A Dissertation Presented by Jennifer Mary Kruglinski to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Art History and Criticism Stony Brook University December 2014 Copyright by Jennifer Mary Kruglinski 2014 Stony Brook University The Graduate School Jennifer Mary Kruglinski We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. _______________________________________ Andrew V. Uroskie Associate Professor, Department of Art _______________________________________ Michele H. Bogart Professor, Department of Art _______________________________________ Zabet Patterson Assistant Professor, Department of Art _______________________________________ Victoria Hesford Associate Professor, Department of Cultural Analysis and Theory This dissertation is accepted by the Graduate School ___________________________ Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Signal Disruptions: Gendered Tropes and the Feminist Burlesque of Martha Rosler by Jennifer Mary Kruglinski Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 My dissertation reveals the role of burlesque and humor in the feminist art of Martha Rosler. Rosler is acknowledged as a key figure in the feminist art movement, as well as a pioneer in video art, yet the fact that humor was integral to what I call her “feminist burlesque”—Rosler’s parodic interpretation and re-presentation of the gendered imagery portrayed by the mass media—has been largely ignored in the literature surrounding her work.
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