Drawing Game by Ulrich Blum for 2 to 4 Dungeon Masters for Ages 10+
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Dragon Magazine #158
S PECIAL ATTRACTIONS Issue #158 Vol. XV, No. 1 9 Weve waited for you: DRAGONS! June 1990 A collection of lore about our most favorite monster. The Mightiest of Dragons George Ziets Publisher 10 In the D&D® game, no one fools with the dragon rulers and lives for James M. Ward long. Editor A Spell of Conversation Ed Friedlander Roger E. Moore 18 If youd rather talk with a dragon than fight it, use this spell. The Dragons Bestiary The readers Fiction editor Barbara G. Young 20 The gorynych (very gory) and the (uncommon) common dragonet. Thats Not in the Monstrous Compendium! Aaron McGruder Assistant editor 24 Remember those neutral dragons with gemstone names? Theyre 2nd Dale A. Donovan Edition now! Art director Larry W. Smith O THER FEATURES Production staff The Game Wizards James M. Ward Gaye OKeefe Angelika Lokotz 8 Should we ban the demon? The readers respondand how! Subscriptions Also Known As... the Orc Ethan Ham Janet L. Winters 30 Renaming a monster has more of an effect than you think. U.S. advertising The Rules of the Game Thomas M. Kane Sheila Gailloreto Tammy Volp 36 If you really want more gamers, then create them! The Voyage of the Princess Ark Bruce A. Heard U.K. correspondent 41 Sometimes its better not to know what you are eating. and U.K. advertising Sue Lilley A Role-players Best Friend Michael J. DAlfonsi 45 Give your computer the job of assistant Dungeon Master. The Role of Computers Hartley, Patricia and Kirk Lesser 47 The world of warfare, from the past to the future. -
Heroes and Villains
CutBank Volume 1 Issue 86 CutBank 86 Article 15 Winter 2017 Heroes and Villains Lacey Rowland Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation Rowland, Lacey (2017) "Heroes and Villains," CutBank: Vol. 1 : Iss. 86 , Article 15. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss86/15 This Prose is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. Lacey Rowland successful in selling junk was the story. It was also how he sold himself to my mother. He told her stories of the desert, of the haunted pasts of men Heroes and Villains on the range. He enchanted her. • • • guess you could say my father was a magician. He could make things I disappear. Heartache, tears, a quarter behind the ear. A bottle of The funeral home transported my father’s body to Twin Falls, Idaho, the bourbon. Paychecks. He’d figured out how to make his heart stop once, closest point of civilization north of the Nevada border. My mother moved but couldn’t make it start again. His death was not an illusion. I didn’t to Boise from Twin after my father left, she couldn’t handle the small-town know how to feel about it at the time because I hadn’t seen my father in stares, the feeling of failure that lingers over the place. -
Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
“Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode. -
True Heroes WALL
The Spirit of Caring is alive at St.Vincent, True Heroes WALL represented by the three doves of our logo, flying proudly in an integrated formation, depicting the three aspects of holistic healing – body, mind and spirit. We strive to deliver to our patients and families extraordinary patient care every day, with the three doves as our guiding symbol. As a member of Ascension Health and St.Vincent Health, we are called to: Service of the Poor Generosity of spirit for persons most in need Reverence Respect and compassion for the dignity and diversity of life Integrity Inspiring trust through personal leadership Wisdom Integrating excellence and stewardship Creativity Courageous innovation Dedication Affirming the hope and joy of our ministry Celebration Wall Tiles for our True Heroes 2001 W. 86th Street Indianapolis, IN 46260 white peytonmanning.stvincent.org THE SPIRIT OF CARING®. f o r k i d s black THE SPIRIT OF CARING®. f o r k i d s PMS 302 THE SPIRIT OF CARING®. f o r k i d s Peyton Manning Children’s Hospital at St.Vincent Here at Peyton Manning Children’s Hospital at St.Vincent, real heroes walk our halls True Heroes Wall every day—their courageous presence brightens our building. You can help to inspire and encourage these heroes—our children. q I/We would like to donate to order: q Small Tile (1 x 4”) for a $250 or more contribution The True Heroes Wall provides you with an opportunity to honor, celebrate, or commemorate a child (2 line maximum) by purchasing a personalized tile to be placed on the Wall located in the lobby of Peyton Manning Children’s _____________________________________________ Hospital at St.Vincent. -
2018-2019 Wall High School Wall High School 2018-2019
WallWall HighHigh SchoolSchool ProgramProgram ofof StudiesStudies 20182018--20192019 BOARD OF EDUCATION Robin Zawodniak, President Ralph Addonizio, Vice President Michael McArthur Linda Bradley Dori Molloy Allison Connolly Christopher San Filippo Tennant D. Magee Sr. Kenneth Wondrack ADMINISTRATION Ms. Cheryl Dyer, Superintendent of Schools (732) 556-2006 [email protected] Mrs. Rosaleen A. Sirchio, Principal (732) 556-2041 [email protected] Mr. Kevin Davis, Assistant Principal (732) 556-2045 [email protected] Mrs. Kristen Scott, Assistant Principal (732) 556-2043 [email protected] Mrs. Kathryn A. Misa, Director of Guidance (732) 556-2056 [email protected] Mr. Thomas E. Ridoux, Director of Athletics (732) 556-2065 [email protected] Ms. Carol Duffy, Director of Special Services (732) 556-2121 [email protected] Dr. Lisa Gleason, Director of Curriculum & Instruction (732) 556-2023 [email protected] Dr. Tracy Skinner, Supervisor of Humanities (732) 556-2053 [email protected] Mrs. Laura Kurmin, Supervisor of STEM (732) 556-2091 [email protected] Dr. Nancy Samaha, Supervisor of Special Education (732) 556-2621 [email protected] DEPARTMENT CHAIRPERSONS Ms. Suzanne Clark, World Language (732) 556-2040 [email protected] Ms. Joanna Fierro & Mr. Michael Puorro, PE/Health (732) 556-2040 [email protected] Mrs. Amanda Glynn, Mathematics (732) 556-2040 [email protected] Mr. Seth Hewitt, Technology/ TV, Family Life & Business (732) 556-2040 [email protected] Mr. Les Hollander, Visual & Performing Arts (732) 556-2040 [email protected] Mrs. -
The Monument of the Eponymous Heroes in the Athenian Agora'
THE MONUMENT OF THE EPONYMOUS HEROES IN THE ATHENIAN AGORA' (PLATES 41-58) T175HE heroes who gave their names to the Athenian tribes provided the essential framework within which the Athenian democracy customarily functioned. In their persons, they linked historical present with immemorial past, the realities of government with the legends of remote antiquity. In their cults, they perpetuatedthat ancient marriage of ancestral religion and practical politics which formed so char- acteristic a feature of the Greek polis. The Athenian citizen enjoyed the privileges and responsibilities of his citizenship almost wholly under the protecting aegis of his tribal hero. It was by tribe that he voted in the annual elections, by tribe that he would be allotted to public office. As a representative of his tribe, he would serve in the Council and by rotation of the tribal delegations the Council formed its executive committee. On behalf of his tribe, the citizen competed in the sacred games or performed in the choral dances in the theater. As a youth he was mustered by tribe for military service. It was in the ranks of his tribal regiment that the Athenian drilled and marched to war, by tribe that he fought in battle, and by tribe that he listed the names of his comrades who fell fighting and did not return. The tribal structure of the Athenian state found its monumental embodiment in the precinct of the Eponymous Heroes in the Agora. Just as the neighboring Altar of the Twelve Gods was the central milestone from which the roads ran out to all parts of Athens, so the complex channels of civic authority ran out to every citizen from the monument of the Eponymoi. -
Achilles Redivivus: "Pink Floyd: the Wall" As a Modern-Day "Iliad"
Fecha de recepción: 22 octubre 2020 Fecha de aceptación: 29 diciembre 2020 Fecha de publicación: 1 febrero 2021 URL: https://oceanide.es/index.php/012020/article/view/74/196 Oceánide número 14, ISSN 1989-6328 DOI: https://doi.org/10.37668/oceanide.v14i.74 Jorge Sacido-Romero Universidade de Santiago de Compostela, España ORCID: https://orcid.org/0000-0003-0302-0990 Luis Miguel Varela-Cabo Universidade de Santiago de Compostela, España ORCID: https://orcid.org/0000-0002-0569-0042 Achilles Redivivus: "Pink Floyd: The Wall" as a Modern-Day "Iliad" Resumen El presente artículo desarrolla la similitudes estructurales, temáticas y caracterológicas que existen entre Pink Floyd: The Wall de Alan Parker y La Ilíada de Homero, interpretando ambas obras como épicas centradas en la ira del héroe, sus consecuencias y su resolución. El argumento está organizado en torno a tres temas centrales: la pérdida como causa de la inacción y el sufrimiento del héroe infligido por un poder inhumano en el contexto de la guerra; la ley en tanto fundamento del orden social capaz de restablecer el equilibrio; el amor como fuerza unificadora para la armonía individual y colectiva. Comienza con una explicación de las razones de por qué se escoge la película en vez del álbum como objeto de análisis antes de pasar a presentar la tesis y los objetivos principales y de justificar la elección de la crítica arquetípica como marco metodológico de referencia. Para establecer las características definitorias del arquetipo aquíleo es necesario reequilibrar la concepción de Aquiles como ejemplo de poder masculino, llamando la atención sobre su lado más humano, que es el realmente dominante en la Ilíada, haciendo referencia ya en esta parte a las similitudes que conectan a Aquiles y a Pink, el personaje principal de la película. -
The Role of the Dungeon Master
06_783307 ch01.qxp 3/16/06 8:40 PM Page 9 Chapter 1 The Role of the Dungeon Master In This Chapter ᮣ Discovering the role of the Dungeon Master ᮣ Finding what you need to play D&D ᮣ Exploring the many expressions of Dungeon Mastering ᮣ Understanding the goals of Dungeon Mastering ou know what DUNGEONS & DRAGONS is. It’s the original roleplaying game, Ythe game that inspired not only a host of other roleplaying games, but most computer roleplaying games as well. A roleplaying game allows players to take on the roles of characters in a story of their own creation. Part improvisation, part wargame, the D&D game provides a wholly unique and unequalled experience. For a game such as D&D to work, one of the players in a group must take on a fun, exciting, creative, and extremely rewarding role — the role of Dungeon Master. Thanks to the presence of a Dungeon Master (DM), a D&D game can be more interactive than any computer game, more open-ended than any novel or movie. Using a fantastic world of medieval technology, magic, and monsters as a backdrop, the DM has the power of the game mechanics and the imagi- nation of all the players to work with. Whatever anyone can imagine can come to life in the game, thanks to the robust set of rules that are the heart of the D&D game. The rules and imagination can take your game only so far, however. The heights your game can reach and the fun you can have with it depend onCOPYRIGHTED the creativity and involvement MATERIAL of the Dungeon Master. -
Beyond the Bookends Arnold Branch Northwest Branch Windsor Branch 1701 Missouri State Rd
Volume 16 Jefferson County Library November Issue 3 2014 Beyond the Bookends Arnold Branch Northwest Branch Windsor Branch 1701 Missouri State Rd. 5680 State Rd. PP 7479 Metropolitan Blvd. Arnold, MO 63010 High Ridge, MO 63049 Barnhart, MO 63012 (636) 296-2204 (636) 677-8186 (636) 461-1914 Amy Held Molly Schmitt Patty Lagermann Notice — The Jefferson County Library will be closed for the following holidays: Veterans Day Thanksgiving Tuesday, November 11 Thursday, November 27 - Friday, November 28 A Resource List for Veterans Day A Resource List for Thanksgiving Henry Knox: Bookseller, Soldier, Patriot 1621: A New Look at Thanksgiving by Anita Silvey by Catherine O’Neill Grace I Am a SEAL Team Six Warrior: Memoirs of Balloons Over Broadway: The True Story of the an American Soldier Puppeteer of Macy’s Parade by Howard Wasdin by Melissa Sweet I Remember Korea: Veterans Tell Their The Mayflower and the Pilgrims’ New World Stories of the Korean War, 1950- by Nathaniel Philbrick 1953 by Linda Granfield Paper Crafts for Thanksgiving I’ll Pass for Your Comrade: Women Soldiers by Randel McGee In the Civil War by Anita Silvey Round the Turkey: A Grateful Thanksgiving Off to War: Voices of Soldiers’ Children by Leslie Kimmelman by Deborah Ellis Sarah Gives Thanks: How Thanksgiving Shooting at the Stars: The Christmas Truce Became a National Holiday of 1914 by John Hendrix by Mike Allegra Stubby the War Dog: The True Story of Saying Grace: A Prayer for Thanksgiving World War I’s Bravest Dog by Virginia Kroll by Ann Bausum T Is for Turkey: A True -
Frostburn: Mastering the Perils of Ice and Snow, and Their Respective Logos, and Wizards Product Names Are Trademarks of Wizards of the Coast, Inc., in the U.S.A
CREDITS DESIGNERS ART DIRECTOR WOLFGANG BAUR, JAMES JACOBS, Dawn Murin GEORGE STRAYTON COVER ARTIST DEVELOPMENT TEAM Sam Wood RICHARD BAKER (LEAD), ANDREW J. FINCH, DAVID NOONAN, JAMES WYATT INTERIOR ARTISTS Steve Bel l edin, Mitch Cotie, Ed Cox, EDITOR Dennis Crabappl e McCl ain, Steve El l is, GREG COLLINS David Griffith, David Hudnut, MANAGING EDITOR Dana Knutson, Doug Kovacs, Dan Scott GWENDOLYN F.M. KESTREL GRAPHIC DESIGNER DESIGN MANAGERS Dee Barnett, Trish Yochum CHRISTOPHER PERKINS, ED STARK CARTOGRAPHERS DEVELOPMENT MANAGER James Jacobs, Todd Gambl e ANDREW J. FINCH DIRECTOR OF RPG R&D GRAPHIC PRODUCTION SPECIALIST BILL SLAVICSEK Erin Dorries PRODUCTION MANAGERS IMAGE TECHNICIAN JOSHUA C.J. FISCHER, RANDALL CREWS Robert Jordan Resources: Epic Level Handbook, Arms and Equipment Guide, FORGOTTEN REALMS Campaign Setting, World of Greyhawk Campaign Setting, Living Greyhawk Gazetteer, Monsters of Faerûn, Races of Faerûn, Oriental Adventures, Dragon Magazine, and Book of Vile Darkness. Based on the original DUNGEONS & DRAGONS® rules created by Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This product uses updated material from the v.3.5 revision. This Wizards of the Coast ® game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System License, please visit www.wizards.com/d20. U.S., CANADA, ASIA, PACIFIC, EUROPEAN HEADQUARTERS & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. T Hofveld 6d P.O. -
Bestiary of Krynn, Revised
Bestiary of Krynn, Revised Designers: Cam Banks, André La Roche Additional Design: Jamie Chambers, Christopher Coyle, Sean Macdonald, Trampas Whiteman Editing: Jamie Chambers Proofreading: Elizabeth Baldwin, Christy Everette, Margaret Weis Project Manager: Jamie Chambers Typesetter: Sean Everette Art Director: Renae Chambers, Christopher Coyle Cover Artist: Jeff Easley Interior Artists: Omar Dogan, Jason Engle, Mark Evans, Eric Fortune, Scott Harshbarger, Scott Hepburn, James Holloway, Jennifer Meyer, Stanley Morrison, Ron Spencer, Eric Vedder, Brad Williams, Kevin Yan, Jim Zubkavich Cover Graphic Designer: Ken Whitman Interior Graphic Designer: Kevin T. Stein Special Thanks: Shivam Bhatt, Ross Bishop, Neil Burton, Weldon Chen, Richard Connery, Luis Fernando De Pippo, Tracy Everette, Matt Haag, Ben Jacobson, Tobin Melroy, Ashe Potter, Joshua Stewart, Heine Kim Stick This d20 System® game accessory utilizes mechanics developed for the new DUNGEONS & DRAGONS® game by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This Wizards of the Coast® Official Licensed Product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System License, please visit www.wizards.com/d20. DUNGEONS & DRAGONS, D&D, Dungeon Master, DRAGONLANCE, the DRAGONLANCE Logo, d20, the d20 System Logo, Wizards of the Coast, and the Wizards of the Coast Logo are registered trademarks of Wizards of the Coast, Inc., a subsidiary of Hasbro, Inc. © 2006 Wizards of the Coast, Inc. Used with permission. All rights reserved. First Printing—2006. Printed in the USA. © 2006 Margaret Weis Productions, Ltd. Margaret Weis Productions and the Margaret Weis Productions Logo are trademarks owned by Margaret Weis Productions, Ltd. -
A Dungeon Master in the Library: Women, Libraries, and Role-Playing Games
A Dungeon Master in the Library: Women, Libraries, and Role-playing Games Erin Stachowiak, MLIS What are role-playing games? • RPGs are games where players create characters within a fictional world and act out a story according to a set of mechanics which can vary from game to game • Types of RPGs include table-top (TTRPG), live action (LARP), and video games • For TTRPGs, like Dungeons & Dragons, all you need are an imagination and some dice A short history of RPGs • Early origins in Chess and ancient strategy games • Wargames like Kriegsspiel from the early 19th century were created to teach battle tactics • Chainmail - a medieval miniature wargame developed by Gary Gygax and Jeff Perren in 1971 • Dungeons & Dragons - developed by Gary Gygax and Dave Arneson - 1974 Women make up almost 40% of players with ever increasing representation of transgender and gender diverse characters, creators, players, & fans • Dungeon Masters & Players • Video Streaming • Podcasts • Publishing • Game Design • Artists • Writers • RPG adjacent (fiction & comics) • Fans • Cosplay • Art Benefits of playing RPGs • Improved communication, empathy and social skills • Enhanced reading, writing and math skills • Cooperative problem solving and teamwork • Exposure to other cultures, religions, histories, belief systems, etc. How RPGs can easily fit into your library • Easily justifiable benefits to the community through existing research • Free resources allow for low cost programs, or game nights that will take up little to no resources • Libraries can feel like