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WILLIAM LOIZEAUX Writer-In-Residence Boston
WILLIAM LOIZEAUX Writer-in-Residence Boston University College of Arts and Sciences Department of English 236 Bay State Road Boston, Massachusetts 02215 [email protected] www.williamloizeaux.com Publications: Fiction: The Tumble Inn, Syracuse University Press, Fall, 2014, 176 pp. (a novel) --Selected for Readers Digest “10 Great New Books from Small Presses,” Fall, 2014. --2014 New England Book Festival Honorable Mention. --Reviews include New York Journal of Books, Providence Journal, Adirondack Daily Enterprise, blogtalk radio.com, authorlink.com, goodreadingcopy.com. Creative nonfiction books: The Shooting of Rabbit Wells, Arcade/Little Brown, 1998, 234 pp.; paperback reissue Feb., 2012; forthcoming paperback reissue with new introduction, Sept., 2015. --Reviews include USA Today, San Francisco Chronicle --Feature articles include New York Times, Arizona Republic --Film rights optioned to Perimeter Pictures Anna: A Daughter's Life, Arcade/Little Brown, 1993, 213 pp.; paperback reissue Feb., 2013 --A New York Times Notable Book of the Year --Reviews include New York Times Book Review, Washington Post Book World (front page, Book World) --Chapter anthologized in Survival Stories: Memoirs of Crisis, Doubleday, 1997 Children’s fiction books: Clarence Cochran, A Human Boy, Farrar, Straus & Giroux, Spring, 2009, 152 pp. --Featured in Kirkus 2009 Spring/Summer Preview (one of eleven titles) Wings, Farrar, Straus & Giroux, Fall, 2006, 138 pp. --The 2006 ASPCA Henry Bergh Children’s Book Award in Fiction --The Golden Kite Award Honor Book for Fiction, 2006. --A Christian Science Monitor Notable Children’s Book for 2006 (one of four titles) --A USA TODAY Best Children’s Book of 2006 (one of five titles) --Barnes & Nobel “Best of” List for Children’s Literature, 2006 --New York Public Library’s list, Children’s Books 2006, 100 Titles for Reading and Sharing --William Allen White Award Master List Excerpt from novel: “Up the Brook,” 3QR: The Three Quarters Review, Spring, 2013. -
2012 Annual Submission Deadlines List
Annual Submission Deadlines Revised 04/19/12 January 1-31 Annual Reading Period Glimmer Train Very Short Fiction Award (up to 3,000 words) Also open to standard submissions. http://www.glimmertrain.com/writguid1.html January 1 Annual Submission Deadline Poetry Southeast Biannual print and online journal of southern poetry http://www.poetrysoutheast.com/?page_id=10 January 1 Reading Period Begins Red Rock Review College of Southern Nevada Accepts fiction, essays, and poetry. http://sites.csn.edu/english/redrockreview/guidelines.htm January 15 Reading Period Begins Jabberwock Review: A Journal of Literature and Art Biannual publication of Mississippi State University Accepts all forms and styles of writing (traditional and experimental). http://www.jabberwock.org.msstate.edu/ January 15 Submission Deadline Ploughshares Tri-annual literary magazine based at Emerson College Accepts short fiction, personal essays, memoirs, and self-contained novel excerpts. http://www.pshares.org/submit/guidelines.cfm January 31 Reading Period Begins Coppernickel: A Journal of Art and Literature Accepts creative nonfiction, fiction, and poetry. http://www.copper-nickel.org/submissions.html January 31 Reading Period Ends Annual Lamar York Prize for Nonfiction Contest Accepts essays of up to 5,000 words. No theoretical, scholarly, or critical essays accepted. http://www.chattahoochee-review.org/ February 1-29 Annual Reading Period Glimmer Train Short Story Award for New Writers http://www.glimmertrain.com/writguid1.html February 15 Submission Deadline The Aurorean Biannual poetry journal http://www.encirclepub.com/poetry/aurorean/guidelines The Aurorean Contests (featured in each issue): 1. Seasonal Poetic Quote 2. Editor’s Chapbook Choice 3. Best-Poem-of-Last-Issue 4. -
Heroes and Villains
CutBank Volume 1 Issue 86 CutBank 86 Article 15 Winter 2017 Heroes and Villains Lacey Rowland Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation Rowland, Lacey (2017) "Heroes and Villains," CutBank: Vol. 1 : Iss. 86 , Article 15. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss86/15 This Prose is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. Lacey Rowland successful in selling junk was the story. It was also how he sold himself to my mother. He told her stories of the desert, of the haunted pasts of men Heroes and Villains on the range. He enchanted her. • • • guess you could say my father was a magician. He could make things I disappear. Heartache, tears, a quarter behind the ear. A bottle of The funeral home transported my father’s body to Twin Falls, Idaho, the bourbon. Paychecks. He’d figured out how to make his heart stop once, closest point of civilization north of the Nevada border. My mother moved but couldn’t make it start again. His death was not an illusion. I didn’t to Boise from Twin after my father left, she couldn’t handle the small-town know how to feel about it at the time because I hadn’t seen my father in stares, the feeling of failure that lingers over the place. -
Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
“Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode. -
True Heroes WALL
The Spirit of Caring is alive at St.Vincent, True Heroes WALL represented by the three doves of our logo, flying proudly in an integrated formation, depicting the three aspects of holistic healing – body, mind and spirit. We strive to deliver to our patients and families extraordinary patient care every day, with the three doves as our guiding symbol. As a member of Ascension Health and St.Vincent Health, we are called to: Service of the Poor Generosity of spirit for persons most in need Reverence Respect and compassion for the dignity and diversity of life Integrity Inspiring trust through personal leadership Wisdom Integrating excellence and stewardship Creativity Courageous innovation Dedication Affirming the hope and joy of our ministry Celebration Wall Tiles for our True Heroes 2001 W. 86th Street Indianapolis, IN 46260 white peytonmanning.stvincent.org THE SPIRIT OF CARING®. f o r k i d s black THE SPIRIT OF CARING®. f o r k i d s PMS 302 THE SPIRIT OF CARING®. f o r k i d s Peyton Manning Children’s Hospital at St.Vincent Here at Peyton Manning Children’s Hospital at St.Vincent, real heroes walk our halls True Heroes Wall every day—their courageous presence brightens our building. You can help to inspire and encourage these heroes—our children. q I/We would like to donate to order: q Small Tile (1 x 4”) for a $250 or more contribution The True Heroes Wall provides you with an opportunity to honor, celebrate, or commemorate a child (2 line maximum) by purchasing a personalized tile to be placed on the Wall located in the lobby of Peyton Manning Children’s _____________________________________________ Hospital at St.Vincent. -
2018-2019 Wall High School Wall High School 2018-2019
WallWall HighHigh SchoolSchool ProgramProgram ofof StudiesStudies 20182018--20192019 BOARD OF EDUCATION Robin Zawodniak, President Ralph Addonizio, Vice President Michael McArthur Linda Bradley Dori Molloy Allison Connolly Christopher San Filippo Tennant D. Magee Sr. Kenneth Wondrack ADMINISTRATION Ms. Cheryl Dyer, Superintendent of Schools (732) 556-2006 [email protected] Mrs. Rosaleen A. Sirchio, Principal (732) 556-2041 [email protected] Mr. Kevin Davis, Assistant Principal (732) 556-2045 [email protected] Mrs. Kristen Scott, Assistant Principal (732) 556-2043 [email protected] Mrs. Kathryn A. Misa, Director of Guidance (732) 556-2056 [email protected] Mr. Thomas E. Ridoux, Director of Athletics (732) 556-2065 [email protected] Ms. Carol Duffy, Director of Special Services (732) 556-2121 [email protected] Dr. Lisa Gleason, Director of Curriculum & Instruction (732) 556-2023 [email protected] Dr. Tracy Skinner, Supervisor of Humanities (732) 556-2053 [email protected] Mrs. Laura Kurmin, Supervisor of STEM (732) 556-2091 [email protected] Dr. Nancy Samaha, Supervisor of Special Education (732) 556-2621 [email protected] DEPARTMENT CHAIRPERSONS Ms. Suzanne Clark, World Language (732) 556-2040 [email protected] Ms. Joanna Fierro & Mr. Michael Puorro, PE/Health (732) 556-2040 [email protected] Mrs. Amanda Glynn, Mathematics (732) 556-2040 [email protected] Mr. Seth Hewitt, Technology/ TV, Family Life & Business (732) 556-2040 [email protected] Mr. Les Hollander, Visual & Performing Arts (732) 556-2040 [email protected] Mrs. -
The Monument of the Eponymous Heroes in the Athenian Agora'
THE MONUMENT OF THE EPONYMOUS HEROES IN THE ATHENIAN AGORA' (PLATES 41-58) T175HE heroes who gave their names to the Athenian tribes provided the essential framework within which the Athenian democracy customarily functioned. In their persons, they linked historical present with immemorial past, the realities of government with the legends of remote antiquity. In their cults, they perpetuatedthat ancient marriage of ancestral religion and practical politics which formed so char- acteristic a feature of the Greek polis. The Athenian citizen enjoyed the privileges and responsibilities of his citizenship almost wholly under the protecting aegis of his tribal hero. It was by tribe that he voted in the annual elections, by tribe that he would be allotted to public office. As a representative of his tribe, he would serve in the Council and by rotation of the tribal delegations the Council formed its executive committee. On behalf of his tribe, the citizen competed in the sacred games or performed in the choral dances in the theater. As a youth he was mustered by tribe for military service. It was in the ranks of his tribal regiment that the Athenian drilled and marched to war, by tribe that he fought in battle, and by tribe that he listed the names of his comrades who fell fighting and did not return. The tribal structure of the Athenian state found its monumental embodiment in the precinct of the Eponymous Heroes in the Agora. Just as the neighboring Altar of the Twelve Gods was the central milestone from which the roads ran out to all parts of Athens, so the complex channels of civic authority ran out to every citizen from the monument of the Eponymoi. -
Contributing Authors
The Delmarva Review, Volume 7 - 2014 CONTRIBUTING AUTHORS Glen Armstrong (Michigan) holds an MFA in English from the University of Massachusetts, Amherst and teaches writing at Oakland University in Rochester, Michigan. He edits a poetry journal, Cruel Garters. Sarah Barnett (Delaware) retired to Rehoboth Beach from a career in public Affairs. She writes essays and short fiction, serves as vice president of the Rehoboth Beach Writers' Guild, teaching classes in short story writing and leads "Free Writes" for writers. Her work has appeared in Delaware Beach Life and other publications. Karina Borowicz (Massachusetts) is the author of two poetry collections, Proof (Codhill Press, 2014) and The Bees Are Waiting (Marick Press, 2012), which was named a Must-Read by the Massachusetts Center for the Book. She lives in the Connecticut River Valley of Western Massachusetts. Website: www.karinaborowicz.com. Roger Camp (California) created the cover photograph, “Dolls, Provincetown, MA.” He is the author of three photography books, including the award winning Butterflies in Flight (Thames & Hudson, 2002). His work is represented by the Robin Rice Gallery, in NewYork City. Additional examples of his work may be found at: rogercampphoto.com. Ellen Prentiss Campbell (Maryland). Her fiction, essays, and reviews have appeared in journals including The Massachusetts Review, Potomac Review, Iron Horse, and The Fiction Writer’s Review. She received an MFA from Bennington College, in Vermont, and four fellowships at The Virginia Center for Creative Arts. Website: www.ellencampbell.net. Charlie Clark (Texas). His poetry has appeared in Best New Poets 2011, Blackbird, Missouri Review, Pleiades, Smartish Pace, Third Coast, West Branch, and other journals. -
Achilles Redivivus: "Pink Floyd: the Wall" As a Modern-Day "Iliad"
Fecha de recepción: 22 octubre 2020 Fecha de aceptación: 29 diciembre 2020 Fecha de publicación: 1 febrero 2021 URL: https://oceanide.es/index.php/012020/article/view/74/196 Oceánide número 14, ISSN 1989-6328 DOI: https://doi.org/10.37668/oceanide.v14i.74 Jorge Sacido-Romero Universidade de Santiago de Compostela, España ORCID: https://orcid.org/0000-0003-0302-0990 Luis Miguel Varela-Cabo Universidade de Santiago de Compostela, España ORCID: https://orcid.org/0000-0002-0569-0042 Achilles Redivivus: "Pink Floyd: The Wall" as a Modern-Day "Iliad" Resumen El presente artículo desarrolla la similitudes estructurales, temáticas y caracterológicas que existen entre Pink Floyd: The Wall de Alan Parker y La Ilíada de Homero, interpretando ambas obras como épicas centradas en la ira del héroe, sus consecuencias y su resolución. El argumento está organizado en torno a tres temas centrales: la pérdida como causa de la inacción y el sufrimiento del héroe infligido por un poder inhumano en el contexto de la guerra; la ley en tanto fundamento del orden social capaz de restablecer el equilibrio; el amor como fuerza unificadora para la armonía individual y colectiva. Comienza con una explicación de las razones de por qué se escoge la película en vez del álbum como objeto de análisis antes de pasar a presentar la tesis y los objetivos principales y de justificar la elección de la crítica arquetípica como marco metodológico de referencia. Para establecer las características definitorias del arquetipo aquíleo es necesario reequilibrar la concepción de Aquiles como ejemplo de poder masculino, llamando la atención sobre su lado más humano, que es el realmente dominante en la Ilíada, haciendo referencia ya en esta parte a las similitudes que conectan a Aquiles y a Pink, el personaje principal de la película. -
Beyond the Bookends Arnold Branch Northwest Branch Windsor Branch 1701 Missouri State Rd
Volume 16 Jefferson County Library November Issue 3 2014 Beyond the Bookends Arnold Branch Northwest Branch Windsor Branch 1701 Missouri State Rd. 5680 State Rd. PP 7479 Metropolitan Blvd. Arnold, MO 63010 High Ridge, MO 63049 Barnhart, MO 63012 (636) 296-2204 (636) 677-8186 (636) 461-1914 Amy Held Molly Schmitt Patty Lagermann Notice — The Jefferson County Library will be closed for the following holidays: Veterans Day Thanksgiving Tuesday, November 11 Thursday, November 27 - Friday, November 28 A Resource List for Veterans Day A Resource List for Thanksgiving Henry Knox: Bookseller, Soldier, Patriot 1621: A New Look at Thanksgiving by Anita Silvey by Catherine O’Neill Grace I Am a SEAL Team Six Warrior: Memoirs of Balloons Over Broadway: The True Story of the an American Soldier Puppeteer of Macy’s Parade by Howard Wasdin by Melissa Sweet I Remember Korea: Veterans Tell Their The Mayflower and the Pilgrims’ New World Stories of the Korean War, 1950- by Nathaniel Philbrick 1953 by Linda Granfield Paper Crafts for Thanksgiving I’ll Pass for Your Comrade: Women Soldiers by Randel McGee In the Civil War by Anita Silvey Round the Turkey: A Grateful Thanksgiving Off to War: Voices of Soldiers’ Children by Leslie Kimmelman by Deborah Ellis Sarah Gives Thanks: How Thanksgiving Shooting at the Stars: The Christmas Truce Became a National Holiday of 1914 by John Hendrix by Mike Allegra Stubby the War Dog: The True Story of Saying Grace: A Prayer for Thanksgiving World War I’s Bravest Dog by Virginia Kroll by Ann Bausum T Is for Turkey: A True -
PULITZER PRIZE WINNERS in LETTERS © by Larry James
PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking -
Drawing Game by Ulrich Blum for 2 to 4 Dungeon Masters for Ages 10+
An amazing (heroic) drawing game by Ulrich Blum for 2 to 4 Dungeon Masters for ages 10+ our own dungeon! You’ve dreamed about it for years. Until now, you could only spread fear and terror as a dungeon tenant. Until now,Y your fortune wasn’t depleted due to adventurous heroes (who overestimated themselves and will probably rot as corpses in their pathetic armor anyway). No, it was the constant rent increases from the dungeon rental companies that drove you to ruin! They claimed the increases were justified due to all the repairs necessitated by hero infestations. But that’s all over now. Your own dungeon! Chance brought it your way. During a shopping excursion in the Fallen Outlet Center while looking for new traps, you discovered a posted ad: “Dungeon for sale, direct from the owner!” This was your opportunity to finally stop throwing your coins away to your landlord demons and to turn the tables on the heroes. The price was amazingly cheap. You didn’t even have to pay a broker troll’s commission! Your own dungeon! Today you’re going to see it for the first time. There, that has to be it, the entrance to your new realm. You strut in and find a gigantic cave. Hmm, wait a second, why a cave? And it’s completely empty! Where’s the dungeon? There aren’t any walls to create maze-like corridors. There aren’t any traps to cause malicious injuries to adventurers. And worst of all: there aren’t any monsters to defeat heroes for you! Now it dawns on you ..