Writers' Week 2019
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Rogan's List 2019
Rogan’s List 2019 Greetings WFU parents! Fond thanks to the many of you who recommended this book or that movie or the new restaurant in your home city. Keep ‘em coming! Parents who’ve seen this previously skip this graf, but if you’re new to this odd enterprise: three inspirations converged a dozen-plus years ago. As a still-singleton, felt a response was necessary to my expanding circle of married-with-kids friends’ annual Holiday Letters, tinged with a certain “here’s how life works”-ness. And I loved pal Drew Littman’s roundup of his fave movies/books of the year (Drew also originated the B game/A game you’ll see on next page). Third, I grew up with Roger Angell’s annual New Yorker rhyming ‘poem’ of boldface names, & added my own pale imitation after Angell stopped…then NYer’s Ian Frazier picked up the tradition. Shifted therefore to a ‘found poem’ of lines from songs by millennial/rising-generation musicians; this year’s is after the best-of music page below. Speaking of poems, a stanza from one long beloved, WS Merwin’s To the New Year: so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible On to my favorites of 2019. To adapt a venerable Welsh saying, may the best artistic creations of the decade just ending be the worst of the next. -
The Thought of Literature: Notes to Contemporary Fictions
The Thought of Literature Notes to contemporary fictions Jason Childs A dissertation submitted for the degree of Doctor of Philosophy at the University of Technology Sydney, February 2018. Certificate of original authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by an Austalian Government Research Training Program Scholarship. Signature of Candidate: Production Note: Signature removed prior to publication. February 20, 2018 Acknowledgements First and foremost, I am deeply grateful to Robyn Ferrell for taking over my supervision at a late stage in my candidature. Her feedback on my ideas and drafts, always generous and incisive, was invaluable in completing this work. Without Berndt Sellheim’s encouragement, I would not have begun this project; without his support, I would not have finished it. I am blessed to call him my friend. Martin Harrison was an important mentor for several years prior to starting this work and my supervisor during its defining early stages. Fellow students of Martin's will understand when I say that, despite his untimely death in 2014, there is not a sentence here that wasn’t written in conversation with him. -
WILLIAM LOIZEAUX Writer-In-Residence Boston
WILLIAM LOIZEAUX Writer-in-Residence Boston University College of Arts and Sciences Department of English 236 Bay State Road Boston, Massachusetts 02215 [email protected] www.williamloizeaux.com Publications: Fiction: The Tumble Inn, Syracuse University Press, Fall, 2014, 176 pp. (a novel) --Selected for Readers Digest “10 Great New Books from Small Presses,” Fall, 2014. --2014 New England Book Festival Honorable Mention. --Reviews include New York Journal of Books, Providence Journal, Adirondack Daily Enterprise, blogtalk radio.com, authorlink.com, goodreadingcopy.com. Creative nonfiction books: The Shooting of Rabbit Wells, Arcade/Little Brown, 1998, 234 pp.; paperback reissue Feb., 2012; forthcoming paperback reissue with new introduction, Sept., 2015. --Reviews include USA Today, San Francisco Chronicle --Feature articles include New York Times, Arizona Republic --Film rights optioned to Perimeter Pictures Anna: A Daughter's Life, Arcade/Little Brown, 1993, 213 pp.; paperback reissue Feb., 2013 --A New York Times Notable Book of the Year --Reviews include New York Times Book Review, Washington Post Book World (front page, Book World) --Chapter anthologized in Survival Stories: Memoirs of Crisis, Doubleday, 1997 Children’s fiction books: Clarence Cochran, A Human Boy, Farrar, Straus & Giroux, Spring, 2009, 152 pp. --Featured in Kirkus 2009 Spring/Summer Preview (one of eleven titles) Wings, Farrar, Straus & Giroux, Fall, 2006, 138 pp. --The 2006 ASPCA Henry Bergh Children’s Book Award in Fiction --The Golden Kite Award Honor Book for Fiction, 2006. --A Christian Science Monitor Notable Children’s Book for 2006 (one of four titles) --A USA TODAY Best Children’s Book of 2006 (one of five titles) --Barnes & Nobel “Best of” List for Children’s Literature, 2006 --New York Public Library’s list, Children’s Books 2006, 100 Titles for Reading and Sharing --William Allen White Award Master List Excerpt from novel: “Up the Brook,” 3QR: The Three Quarters Review, Spring, 2013. -
2012 Annual Submission Deadlines List
Annual Submission Deadlines Revised 04/19/12 January 1-31 Annual Reading Period Glimmer Train Very Short Fiction Award (up to 3,000 words) Also open to standard submissions. http://www.glimmertrain.com/writguid1.html January 1 Annual Submission Deadline Poetry Southeast Biannual print and online journal of southern poetry http://www.poetrysoutheast.com/?page_id=10 January 1 Reading Period Begins Red Rock Review College of Southern Nevada Accepts fiction, essays, and poetry. http://sites.csn.edu/english/redrockreview/guidelines.htm January 15 Reading Period Begins Jabberwock Review: A Journal of Literature and Art Biannual publication of Mississippi State University Accepts all forms and styles of writing (traditional and experimental). http://www.jabberwock.org.msstate.edu/ January 15 Submission Deadline Ploughshares Tri-annual literary magazine based at Emerson College Accepts short fiction, personal essays, memoirs, and self-contained novel excerpts. http://www.pshares.org/submit/guidelines.cfm January 31 Reading Period Begins Coppernickel: A Journal of Art and Literature Accepts creative nonfiction, fiction, and poetry. http://www.copper-nickel.org/submissions.html January 31 Reading Period Ends Annual Lamar York Prize for Nonfiction Contest Accepts essays of up to 5,000 words. No theoretical, scholarly, or critical essays accepted. http://www.chattahoochee-review.org/ February 1-29 Annual Reading Period Glimmer Train Short Story Award for New Writers http://www.glimmertrain.com/writguid1.html February 15 Submission Deadline The Aurorean Biannual poetry journal http://www.encirclepub.com/poetry/aurorean/guidelines The Aurorean Contests (featured in each issue): 1. Seasonal Poetic Quote 2. Editor’s Chapbook Choice 3. Best-Poem-of-Last-Issue 4. -
Fall 2019 Catalog (PDF)
19F Macm Farrar, Straus and Giroux The Topeka School A Novel by Ben Lerner From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the new right Adam Gordon is a senior at Topeka High School, class of 1997. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting lost boys" to open up. They both work at the Foundation, a well-known psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater and orator, expected to win a national championship before he heads to college. He is an aspiring poet. He is - although it requires a great deal of posturing, weight lifting, and creatine supplements - one of the cool kids, passing himself off as a "real man," ready to fight or (better) freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who brings the loner Darren Farrar, Straus and Giroux Eberheart - who is, unbeknownst to Adam, his father's patient - into the social On Sale: Oct 1/19 scene, with disastrous effects. 6 x 9 • 304 pages Deftly shifting perspectives and time periods, Ben Lerner's The Topeka 1 Black-and-White Illustration School is the story of a family's struggles and strengths: Jane's reckoning with 9780374277789 • $34.00 • CL - With dust jacket the legacy of an abusive father, Jonathan's marital transgressions, the Fiction / Literary challenge of raising a good son in a culture of toxic masculinity. -
Contributing Authors
The Delmarva Review, Volume 7 - 2014 CONTRIBUTING AUTHORS Glen Armstrong (Michigan) holds an MFA in English from the University of Massachusetts, Amherst and teaches writing at Oakland University in Rochester, Michigan. He edits a poetry journal, Cruel Garters. Sarah Barnett (Delaware) retired to Rehoboth Beach from a career in public Affairs. She writes essays and short fiction, serves as vice president of the Rehoboth Beach Writers' Guild, teaching classes in short story writing and leads "Free Writes" for writers. Her work has appeared in Delaware Beach Life and other publications. Karina Borowicz (Massachusetts) is the author of two poetry collections, Proof (Codhill Press, 2014) and The Bees Are Waiting (Marick Press, 2012), which was named a Must-Read by the Massachusetts Center for the Book. She lives in the Connecticut River Valley of Western Massachusetts. Website: www.karinaborowicz.com. Roger Camp (California) created the cover photograph, “Dolls, Provincetown, MA.” He is the author of three photography books, including the award winning Butterflies in Flight (Thames & Hudson, 2002). His work is represented by the Robin Rice Gallery, in NewYork City. Additional examples of his work may be found at: rogercampphoto.com. Ellen Prentiss Campbell (Maryland). Her fiction, essays, and reviews have appeared in journals including The Massachusetts Review, Potomac Review, Iron Horse, and The Fiction Writer’s Review. She received an MFA from Bennington College, in Vermont, and four fellowships at The Virginia Center for Creative Arts. Website: www.ellencampbell.net. Charlie Clark (Texas). His poetry has appeared in Best New Poets 2011, Blackbird, Missouri Review, Pleiades, Smartish Pace, Third Coast, West Branch, and other journals. -
Fall 2019 Coursebook
SCHOOL COLUMBIA UNIVERSITY OF THE ARTS Fall 2 019 Coursebook Workshops Seminars Lectures Master Classes Updated: August 27, 2019 TABLE OF CONTENTS LIST OF COURSES BY DAY AND TIME WORKSHOPS 1 SEMINARS 2 LECTURES 5 MASTER CLASSES 6 COURSE DESCRIPTIONS SEMINARS 7 LITERARY TRANSLATION WORKSHOP 26 LECTURES 27 MASTER CLASSES 29 SPECIAL PROJECTS WORKSHOP 39 WORKSHOPS FICTION – OPEN (6 points) NONFICTION – OPEN (6 points) Sam Lipsyte Michelle Orange Mon., 10am-1pm Mon., 2pm-5pm Rivka Galchen Brenda Wineapple Mon., 2pm-5pm Tue., 2pm-5pm Brit Bennett Maria Venegas Tue., 10am-1pm Wed., 9:30am-12:30pm Lynn Steger Strong Sarah Perry Tue., 10am-1pm Fri., 2pm-5pm Binnie Kirshenbaum Tue., 2pm-5pm NONFICTION – THESIS (9 points) Joshua Furst Second-Years only Wed., 2pm-5pm Joanna Hershon Leslie Jamison Thu., 10am-1pm Mon., 10am-1pm Paul Beatty Phillip Lopate Thu., 2pm-5pm Mon., 2pm-5pm Nicholas Christopher Wendy S. Walters Thu., 2pm-5pm Tue., 10am-1pm Ben Metcalf Richard Locke Thu., 2pm-5pm Tue., 2pm-5pm Anelise Chen Michael Greenberg Fri., 10am-1pm Wed., 2pm-5pm James Cañón Fri., 2pm-5pm POETRY – OPEN (6 points) Phillip B. Williams Mon., 10am-1pm Timothy Donnelly Wed., 2pm-5pm Shane McCrae Thu., 10am-1pm Lynn Xu Thu., 10am-1pm Emily Skillings Fri., 2pm-5pm 1 SEMINARS ——MONDAY—— ——TUESDAY—— Rivka Galchen (FI) Monica Ferrell (CG) Not Exactly Historical Fiction Word and Image: Reading and Writing Mon., 10am-12pm Contemporary Poetry for Prose Writers Tue., 10am-12pm Lincoln Michel (FI) Structure and Its Discontents Leslie Jamison (NF) Mon., 10am-12pm Archive -
Rogers an Interview Excerpt
n ntrv th Bn Lrnr l Rr Contemporary Literature, Volume 54, Number 2, Summer 2013, pp. 218-238 (Article) Pblhd b nvrt f nn Pr DOI: 10.1353/cli.2013.0021 For additional information about this article http://muse.jhu.edu/journals/cli/summary/v054/54.2.rogers.html Access provided by Boston College (21 Dec 2014 13:44 GMT) BEN LERNER Courtesy of Coffee House Press an interview with BEN LERNER Conducted by Gayle Rogers ne of the most important and prodigious young writers in America today, Ben Lerner is an omniv- orous reader whose work situates itself in relation O to a host of antecedents, many of them notably opposed to theories of writing as the expression or revelation of a singular, coherent interiority. Perhaps the clearest line extends, as Marjorie Perloff might trace it, from the early modernism of Ezra Pound, Gertrude Stein, and William Carlos Williams to Objectivism, through the Black Mountain poets and Language poetry, and to current figures such as John Ashbery, Charles Bernstein, and those whom Stephen Burt has termed “elliptical” poets. If there is or was a tradition of the American avant-garde, Lerner would seem to belong to it, and the theories of referen- tiality and unoriginality posited by Ron Silliman or Allen Gross- man that he cites in this interview seem explicatory. But this genealogy is partial. One is likely to find, in Lerner’s poetry and prose alike, traces of or allusions to Leo Tolstoy, Ludwig Witt- genstein, or Walt Whitman; or quotations from Walter Benjamin, Jean Baudrillard, or Jacques Derrida colliding with cliche´s from TV melodrama; or oblique citations of theories of images and simulacra, not as explanatory or exegetical concepts, but as fig- ures for the acts of poesis and consumption. -
PULITZER PRIZE WINNERS in LETTERS © by Larry James
PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking -
Catholic Imagination Conference Program
Connecting, Researching, Communicating THE THIRD BIENNIAL The Joan and Bill Hank Center CATHOLIC IMAGINATION CONFERENCE Cfor the Catholic CIH Intellectual Heritage THE FUTURE OF THE CATHOLIC LITERARY TRADITION www.luc.edu/ccih/ Loyola University Chicago | September 19-21, 2019 FALL 2019 LAKE SHORE CAMPUS CAMPION HALL WEST LOYOLA AVENUE CROWN MERTZ SeanSean Earl Earl Field Field CENTER HALL Alfie Norville Practice Facility CUDAHY CTA NORVILLE LIBRARY RED LINE GENTILE ATHLETICS LOYOLA ARENA CENTER STATION DAMEN DUMBACH STUDENT HALL CENTER LOYOLA INFORMATION COMMONS Entrance to Fordham parking East Quad CUDAHY HALAS SCIENCE HALL SPORTS MADONNA DELLA FORDHAM West CENTER STRADA CHAPEL HALL Quad P UNIVERSITY BOOKSTORE NORTH SHERIDAN ROAD NORTH SHERIDAN GRANADA CUNEO CENTER HALL CAMPUS SAFETY OFFICE COFFEY HALL P MUNDELEIN QUINLAN LIFE CENTER SCIENCES SHUTTLE PIPER CENTER HALL STOP FLANNER HALL WELCOME CENTER DEVON AVENUE WEST SHERIDAN ROAD RALPH BVM HALL ARNOLD SULLIVAN FINE ARTS DE NOBILI CENTER FOR ANNEX HALL STUDENT SERVICES REGIS INSTITUTE OF HALL SIMPSON ENVIRONMENTAL LIVING- SUSTAINABILITY LEARNING CENTER NORTH SHERIDAN ROAD NORTH SHERIDAN NORTH KENMORE AVENUE NORTH WINTHROP AVENUE NORTH BROADWAY STREET NORTH BROADWAY ALUMNI HOUSE 1 Welcome Conference Attendees: A warm welcome to the Third Biennial Catholic Imagination Conference. In 2015, we inaugurated this unique conference in lovely Los Angeles; in 2017, we assembled in beautiful New York City for an inspired second iter- ation; today, we bring the conference to sweet home Chicago—the city of Big Shoulders, quick wit, and a robust Catholic culture. Our conference features over 80 writers, poets, filmmakers, playwrights, journalists, editors, publishers, stu- dents, and critics who will explore a variety of questions surrounding the Catholic imagination in literature and the arts. -
The Persistence of Print the Persistence Of
Life’s Beginnings • Learning from the Liberal Arts September-OctOber 2013 • $4.95 TThehe PersistencePersistence ofof PrintPrint Helen Vendler Arion Press & The Radcliffe Campaign Invest in Ideas launching october 28, 2013 photo by stu rosner To Sid and Susan, and to each member of the Institute’s advisory councils, thank you for your visionary leadership as we further our mission to advance new ideas and to share them widely. As A great university needs a place where we look to the Institute’s future, we have ambitious thinkers from across its campus and around plans to increase our the globe come together to take risks, explore photo by kathleen dooher photo by kathleen impact on students and new ideas, and connect theory and practice. faculty at Harvard and audiences around the world— through our highly selective Fellowship Program, At Harvard, the Radcliffe Institute is that the preeminent Schlesinger Library on the History place and is contributing to the future of of Women in America, groundbreaking research Harvard’s excellence and leadership. initiatives organized by our Academic Ventures program, and a full calendar of public events. Sidney R. Knafel ’52, MBA ’54, Campaign Co-Chair Lizabeth Cohen, Dean of the Radcliffe Institute for Conceived as a bold interdisciplinary, inter- Advanced Study and Howard Mumford Jones Professor of American Studies generational, and international experiment, the Radcliffe Institute is now one of the world’s leading institutes for advanced study. Dean’s Advisory Council Schlesinger Library Council A vast range of pathbreaking intellectual Susan S. Wallach ’68, JD ’71 (Chair) Caroline Minot Bell ’77 Catherine A. -
Full Schedule
Residency books are available through our local independent bookstore, Byrd’s Books. Visit their website here. 178 Greenwood Avenue • Bethel, CT 06801 • 203-730-2973 2021 Summer Residency Schedule 9:00-10:30 11:00-12:30 12:30-1:45 2:00-3:30 4:00-5:00 5:00-6:30 7:00-8:30 Faculty Flash Reading Matthew Quinn Briana McGuckin New Student Orientation July 31 GB Tran, pt. 1 Lunch Dinner Martin Elizabeth Little 4:00-5:30 (works in progress) Gina Troisi Lunch Dinner Aug. 1 Charles Coe Sonja Mongar, pt.1 Baron Wormser Free Writing Session & Sue William Silverman Aug. 2 Jane Cleland Sonja Mongar, pt. 2 Lunch Adrienne Wallner Student Open Mic Dinner Nadia Owusu Lunch Adria Karlsson Visiting Writer/Mentor Aug. 3 Free Writing Session Poor Yorick Info Lara Ehrlich Dinner Lara Ehrlich Linus Curci Meetings Session Alumni Flash Reading Lunch Michelle Dotter Student Open Mic Aug. 4 Enrichment Projects Nicole Jean Turner Thesis Info Monica Fernandez Featured Readers: Dinner Session Jarret Middleton Ron Farina Nick Manzolillo Visiting Visiting Writer/Mentor Aug. 5 Dave Patterson Writer/Mentor Lunch GB Tran, pt. 2 Dinner Flash Fiction Contest Meetings Meetings 2021 Summer Residency Schedule Saturday, July 31st 9:00 AM – 10:30 AM Matthew Quinn Martin First...Do No Harm: Practical Strategies for Avoiding Hurtful “Help” on Your Writer’s Journey “During the Gold Rush, the folks who got themselves richest...were the ones selling pans.” - Old West Wisdom As writers, we all constantly strive to become the best versions of ourselves. And while our craft is, ultimately, a solitary endeavor, none of us make it to our destination on our own.