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The Auditorium Theatre Celebrates 50Th Anniversary of Their Grand Re
10/12/2017 Auditorium Theatre One-Night-Only Performance Honoring the Theatre's Past, Present, Future View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 5, 2017 THE AUDITORIUM THEATRE CELEBRATES 50th ANNIVERSARY OF THEIR GRAND RE-OPENING WITH ONE-NIGHT-ONLY PERFORMANCE FEATURING PREMIER DANCERS FROM TOP COMPANIES AROUND THE WORLD THE EVENING INCLUDES PERFORMANCES BY DANCERS FROM ALVIN AILEY AMERICAN DANCE THEATER, AMERICAN BALLET THEATRE, DUTCH NATIONAL BALLET, THE JOFFREY BALLET, NEW YORK CITY BALLET, THE WASHINGTON BALLET, AND FINALISTS FROM YOUTH AMERICA GRAND PRIX A Golden Celebration of Dance – November 12, 2017 On November 12, 2017, the Auditorium Theatre, The Theatre for the People, commemorates the 50th anniversary of its grand re-opening with A Golden Celebration of Dance, a one-night-only mixed repertory program featuring dancers from the world’s premier dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, Dutch National Ballet, Eifman Ballet of St. Petersburg, Hubbard Street Dance Chicago, The Joffrey Ballet, MOMIX, New York City Ballet, Parsons Dance, The Suzanne Farrell Ballet, and The Washington http://tracking.wordfly.com/view/?sid=NjUzXzQ4NTRfMjc3ODA2XzY5NTk&l=4d2b8dea-61af-e711-8416-e41f1345a486&utm_source=wordfly&utm_me… 1/5 10/12/2017 Auditorium Theatre Ballet. In addition, the evening will feature special performances by finalists from the Youth America Grand Prix, the next generation of great dancers. In 1941, the Auditorium Theatre closed its doors to the public in the wake of the Great Depression. Aside from when it was used as a servicemen’s center during World War II, the theatre sat unused and in disrepair, until a 7-year-long fundraising campaign – led by Beatrice Spachner and the Auditorium Theatre Council – covered the costs of theatre renovation, culminating with a grand re-opening on October 31, 1967. -
Gainesville Ballet Contact
Gainesville Ballet Contact: Elysabeth Muscat 7528 Old Linton Hall Road [email protected] Gainesville, VA 20155 703-753-5005 www.gainesvilleballetcompany.org FOR IMMEDIATE RELEASE October 1, 2015 ABT BALLET STARS BOYLSTON AND WHITESIDE IN GAINESVILLE BALLET NUTCRACKER GAINESVILLE, Va. – Gainesville Ballet is excited to announce two performances of The Nutcracker on Friday, November 27, 2015 at 2 PM and 7 PM. The full-length ballet features ballet superstars, international guest dancers, the professional dancers of Gainesville Ballet Company, and the students of Gainesville Ballet School. What better way to continue the celebration of the Thanksgiving holiday weekend, than to see a beautiful, professional performance of The Nutcracker at the elegant opera house of the 1,123-seat Merchant Hall at the Hylton Performing Arts Center! Audiences who reside in Northern Virginia and beyond will have the rare opportunity to see two of American Ballet Theatre’s most exciting Principal Dancers, Isabella Boylston and James Whiteside. James Whiteside and Isabella Boylston in Giselle. Isabella Boylston was promoted to Principal Dancer at American Ballet Photo by MIRA. Theatre in 2014. She originally joined ABT as part of the Studio Company in 2005, joined the main company as an apprentice in 2006, and became a member of the corps de ballet in 2007. She was promoted to Soloist in 2011, before recently becoming Principal. Boylston began dancing at the age of three at The Boulder Ballet. At age 12, she joined the Academy of Colorado Ballet in Denver, Colorado, where she commuted two hours on a public bus to study there each day. -
2018-Abtkids-Guide.Pdf
ABTKids Guide Welcome to American Ballet Theatre! ABT is America’s National Ballet Company. Our mission is to create, to present, to preserve, and to extend the great repertoire of classical dancing, through exciting performances and educational programming of the highest quality, presented to the widest possible audience. Thank you for joining us for today’s performance. Attending the ballet can be a magical experience for children of all ages. Princesses turn into Swans, Romeo falls in love with Juliet, and even cupcakes come to life before our very eyes. Watching the beautiful artistry of ABT’s dancers, listening to the harmonious sounds of the orchestra and marveling at the magnificent scenery and costumes can create memories that last a lifetime. It can also leave you with a lot of questions. This guide is designed to offer a window into the world of American Ballet Theatre and answer some of those questions you may have about ballet, the dancers, and the hundreds of people who bring a ballet to the stage. We hope you have a wonderful day at the ballet and enjoy the ABT Kids Guide! Please visit www.abt.org to learn more about ABT’s educational offerings, workshops and training programs. Cover: Scene from Whipped Cream. Opposite page: Daniil Simkin in Whipped Cream. Photos: Gene Schiavone. Over 75 Years of American Ballet Theatre In 1940, American Ballet Theatre emerged onto the American cultural landscape with a unique and exciting vision of a ballet company that functioned like an art museum. Just as a museum presents paintings by different artists to showcase a wide range of beauty and art, the company would present ballets by diverse choreographers to showcase all the variety the ballet world had to offer. -
PRESS RELEASE 08 SEPTEMBER 2017 Daniil Simkin to Join
PRESS RELEASE 08 SEPTEMBER 2017 Daniil Simkin to join Staatsballett Berlin at the start of the season 2018/2019 Berlin, 08 September 2017 --- Daniil Simkin, a Principal Dancer with American Ballet Theatre since 2012, will join Staatsballett Berlin as a permanent member at the start of the company’s 2018-2019 season also as Principal Dancer. As an internationally successful dancer, Simkin will continue to perform as a Principal Dancer with American Ballet Theatre as scheduling allows. Daniil Simkin is excited about this new step in his career: “I am very much looking forward to join Staatsbal- lett Berlin under the new directorship of Sasha Waltz and Johannes Öhman starting in the 2018/2019 season. I am also extremely grateful for the ten fantastic years I spent with American Ballet Theatre and am very thankful to Mr. Kevin McKenzie who has been very supportive and who is allowing me to return to the won- derful NY audience.” Sasha Waltz and Johannes Öhman look very much forward to work with D. Simkin: „For us, Daniil is one of the top 5 male classical dancers worldwide. He is extremely technically skilled with great artistry. We’re very happy to welcome him as a permanent member of Staatsballett Berlin.” Daniil Simkin was born into a ballet family in Novosibirsk, Russia. At the age of three, his family moved to Germany and took residence in Wiesbaden, Germany, where Simkin grew up. At the age of nine, he began ten years of classical ballet training under the mentorship of his mother, Olga Aleksandrova, with his inter- national performing career starting at the age of 12. -
W Iener Opernball 2020
Cover von Hubert Schmalix Cover von Hubert Schmalix „Königin der Nacht“ „Königin der Nacht“ #wieneropernball #wieneropernball Wiener Opernball 2020 Wiener xxxxx OPERNBALL 2020 2 www.wiener-staatsoper.at #wieneropernball 20. Februar 2020 20 February 2020 Ehrenschutz Patronage Der 64. Wiener Opernball am 20. Februar 2020 steht PROGRAMM unter dem Ehrenschutz des Bundespräsidenten der PROGRAMME Republik Österreich Dr. Alexander Van der Bellen. Das Ehrenpräsidium: Die österreichische Bundesregierung The 64th Vienna Opera Ball on February 20, 2020 is held under the patronage of the President of the Republic of Austria Dr. Alexander Van der Bellen. Honorary Presidency: Austrian Federal Government 3 Vorwort SEHR GEEHRTE DAMEN UND HERREN, LIEBES OPERNBALLPUBLIKUM! Für viele Menschen scheint sich der Wiener Opernball jedes Jahr aufs Neue Pavol Breslik, Yusif Eyvasov und diesmal Piotr Beczała, ebenso aufstrebende weitgehend unverändert zu reproduzieren. Tatsächlich hat sich aber in den Talente wie Aida Garifullina, Olga Bezsmertna, Anita Hartig, Valentina Naforniţă, vergangenen zehn Jahren sehr viel getan. Margarita Gritskova oder Adam Plachetka. Zunächst wurden zahlreiche räumliche Neugestaltungen konzipiert und Auch der Auftritt des Balletts entwickelte sich zum besonders beliebten geschaffen: unter anderem die Crystalbar, die Restaurants auf der Seiten- und Moment für das Ballpublikum: Die Ballettakademie, das Corps de ballet und Hinterbühne, die Wolfsschlucht in der Orchestergarderobe, die Weinbar auf die Solistinnen und Solisten präsentieren sich jedes Jahr in einer originellen der Loggia, die Bars am Balkon oder der attraktiv umgestaltete Einsingraum. Choreographie von hoher Qualität. Das Betreten des Hauses über den Roten Teppich wurde reorganisiert, die Am heutigen Abend wird das Opernhaus wieder in neuem Glanz erstrahlen, Präsenz von Fotografen und Fernsehteams beim Eingang der Oper und auf der die Blumen werden die Feststiege, den Ballsaal und die Prunkräume schmücken. -
Programmheft Wiener Opernball 2018
#wieneropernball aus "Arabella" von Hugo von Hofmannsthal/ Richard Strauss Wiener Opernball 2018 xxxxx OPERNBALL 2018 2 www.wiener-staatsoper.at #wieneropernball 8. Februar 2018 8 February 2018 Ehrenschutz Patronage Der 62. Wiener Opernball am 8. Februar 2018 wird PROGRAMM unter dem Ehrenschutz des Bundespräsidenten der PROGRAMME Republik Österreich Dr. Alexander Van der Bellen stehen. Das Ehrenpräsidium: Die österreichische Bundesregierung The 62nd Vienna Opera Ball on February 8, 2018 is held under the patronage of the President of the Republic of Austria Dr. Alexander Van der Bellen. Honorary Presidency: Austrian Federal Government 3 Vorwort Preface SEHR GEEHRTE DAMEN UND HERREN, LADIES AND GENTLEMEN, LIEBES OPERNBALLPUBLIKUM! DEAR OPERA BALL GOERS! Und wieder ist das Wunder vollbracht: Die Staatsoper hat sich in wenigen The miracle has been performed yet again: The Staatsoper was transformed Stunden in einen einzigartigen Ballsaal verwandelt – den schönsten Ballsaal into a unique ballroom – the most beautiful ballroom in the world – within a der Welt. few hours. Auch rund um den Saal ist das gesamte Gebäude auf das Schönste geschmückt. The whole building has been decorated lavishly. The staterooms, the rehearsal Die Prunkräume, die Probensäle, die Hinter- und Seitenbühnen sind nicht rooms, the side and back stages look totally different to what they normally do. wiederzuerkennen. Nichts ähnelt mehr seinem alltäglichen Erscheinungsbild. The fragrance of thousands of flowers creates a festive atmosphere in the opera. Tausende Blumen verströmen einen festlichen Duft im Haus. The ladies have spent a long time preparing their outfit and hairstyle carefully. Die Damen haben lange und sorgfältig ihre Garderobe und Frisur vorbereitet. The gentlemen have put on their tails reluctantly, promising themselves never Die Herren legen widerwillig den Frack an und schwören sich, ihn nie wieder to wear it again…at least until next year. -
Gainesville Ballet Announces 2015-16 Season
Gainesville Ballet Contact: Elysabeth Muscat [email protected] 7528 Old Linton Hall Road www.gainesvilleballetcompany.org Gainesville, VA 20155 703-753-5005 FOR IMMEDIATE RELEASE May 12, 2015 GAINESVILLE BALLET COMPANY ANOUNCES 2015-16 SEASON After a very successful 2014-15 season, Gainesville Ballet Company is thrilled to announce its 2015-16 season, featuring an expanded resident company of ten international professional dancers supplemented by ten junior company dancers, led by Artistic Director Rafik Hegab of Cairo, Egypt, and Managing Director Elysabeth Muscat Hegab, of Virginia. Gainesville Ballet School is the official school of Gainesville Ballet Company. The 2015-16 season includes The Nutcracker in November with special guest stars Isabella Boylston and James Whiteside (current Principal Dancers with American Ballet Theatre); Carmen, a world premiere with contemporary choreography in February; Giselle, a romantic ballet in two acts in April, and a Spring Performance in conjunction with Gainesville Ballet School in June. The Nutcracker and Carmen will be performed at the prestigious Hylton Performing Arts Center, Merchant Hall, in Manassas, VA. Giselle will be performed at the Ernst Schlesinger Cultural Center in Annandale, VA. The Hylton Performing Arts Center belongs to George Mason University, and the Ernst Schlesinger Cultural Center is a part of Northern Virginia Community College. A detailed list including dates and locations is provided at the end of the Press Release. Following the incredibly enthusiastic response of audiences for Carmina Burana, which premiered on March 20, 2015 at the Hylton Performing Arts Center, Artistic Director Rafik Hegab will create a new, contemporary choreography to the music of the Carmen Suite, by Russian composer Rodion Shchedrin. -
Introduction
Introduction The World Ballet Festival Returns for Summer 2018 From the 14th World Ballet FestivalPhoto: Kiyonori Hasegawa For more than 40 years now, the most talented and renowned dancers have come to Tokyo from around the world to perform in the World Ballet Festival, which will once again be held this summer. When it was first introduced in 1976 under the leadership of Tadatsugu Sasaki, it was very rare for the star ballerinas of different companies or countries to share a stage. Its first edition caused an international sensation by bringing together three legends, Margot Fonteyn from the UK, Maya Plisetskaya from the Soviet Union and Alicia Alonso from Cuba. Since then stars such as Jorge Donn, Patrick Dupond, Sylvie Guillem, Alessandra Ferri, Manuel Legris and Vladimir Malakhov have become regular participants, bringing the audiences to a storm of excitement every time and inspiring them to watch and compare all the dancers perform. The circle of energy created between audiences and artists in this festival produces an atmosphere that motivates dancers to perform to the best of their abilities, and has resulted in many legendary performances. Featuring the world's leading dancers, all from different artistic backgrounds and representing a wide variety of repertoire and styles, the festival also offers an opportunity to observe an overview of today's ballet scene. While there are now many similar festivals, the quality of both artists and audiences at the World Ballet Festival continues to be amongst the highest in the world. Ballet is an art form that unites finely tuned bodies and minds with sophisticated powers of expression, to create a deep and lasting impression on the audience members. -
A S I Lz I H
www.tanznetz.de Das Spielzeitheft Nr. 5 2018 15€ + V e r s a n d D t f 05 a e s h S t i p e i e z l 1 VORWORT SIEGESZUG DES TANZES Die Fronten werden härter in der Welt, nicht nur in der Politik auch im Kultur- betrieb. Indifferenz, Inkompetenz und Intransparenz sowie unmoderierte Prozesse führen zu überflüssigen, die Kunst schädigenden und den Steuerzahler teuer kommen- tICkEtS den Schnellentscheidungen. So die Entlassung von Adolphe Binder beim Tanztheater Wuppertal Pina Bausch. Die politisch hochkochende Diskussion darüber, ob Stefanie JEtzt IM Carp die schottische Band „Young Fathers“, die „Boycott, Divestment, Sanctions“ gegen Israel unterstützt, zur Ruhrtriennale hätte einladen dürfen, führt hoffentlich voRvER- nicht zu ähnlich katastrophalen Konsequenzen. Populismus und lautes Geschrei von allen Seiten anstatt differenzierter Diskussionen, fundierter Denkarbeit und gut kAUf! recherchiertem Journalismus schaden der Kunst und ihrer Freiheit. Umso glücklicher macht es, dass Nele Hertling in diesem Jahr den Deutschen Tanzpreis erhält. Eine Netzwerkerin für den zeitgenössischen Tanz, die seit vielen Jahrzehnten diese Kunstform voranbringt: Leise, konzentriert, bescheiden, mit hoher Sachkenntnis und feinem Gespür fördert sie Talente, Strukturen und Ideen, ohne auf Selbstmarketing und simple Botschaften in sozialen Medien zurückzugreifen. Ein Vor- bild für uns alle und ein Hoffnungsschimmer für den Tanz. Ebenso wie die aktuelle MeToo-Debatte, die auch die Ballett- und Tanzszene erreicht hat und hoffentlich lang- fristig zu neuen, gerechteren Machtstrukturen führt. Wir feiern in diesem Sommer den 75. Geburtstag von Gert Weigelt, einem KINOSAISON Mann, der wie kein anderer tänzerische und fotografische Qualität zusammenbringt. 2018/19 Wir reflektieren die Rolle des Handlungsballetts im deutschen Stadttheater. -
Balletin Dance
ISSN 1850-6275 . Año 24 . Nº 268 Septiembre 2017 . Revista mensual de distribución gratuita en Capital Federal y Gran Buenos Aires SETENTA ANIVERSARIO Teatro Argentino de La Plata INFORME FRUTILLAR-CHILE Ludmila Pagliero Carmen Gloria Larenas Macarena Montecino DE DANZA LA REVISTA ARGENTINA SETENTA ANIVERSARIO Teatro Argentino de La Plata ENTREVISTAS Ayelen Parolin Roberto Dimitrievich Guillermo Hermida 2 .. BALLETIN DANCE .. SEPTIEMBRE 2017 Staff Nota de Tapa 4 Ballet Estable del Teatro editora general Argentino de La Plata Agustina Llumá 8 70 Años…. Y Poco que Festejar editores asociados Diego Llumá Actualidad Martín Goyburu 18/21/33 Breves escriben en este número Provincias Nahuel Aguirre 12 Buenos Aires. Corredor Iratxe de Arantzibia Latinoamericano de Beatriz Cotello Teatro Gustavo Friedenberg 14 Buenos Aires. Ströme, en Román Ghilotti Pizar Natascha Ikonicoff 16 Santa Fe. Experimenta Teatro Ballet Estable del Teatro Argentino de Toni Mas La Plata, en: Marcos Nápoli Estancia (2010) Flamenco Marcia Onzari La Bella Durmiente del Bosque (2012) 22 En Busca de la Identidad Stella Salomón Cuerpos (2014) Flamenca: Alvaro Madrid, Fotos: Guillermo Genitti Melisa Salvo María Juncal, Manuela Daniel Sousa Ríos Gabriel Vaudagna Arango Susana Zimmermann Salud en Danza Declarada de Interés Municipal por el en nuestra sede 26 ¿Cómo Elegimos lo que Honorable Concejo Deliberante de la Comemos? Juan Martín Caset Ciudad de Buenos Aires. Ordenanza Nº 49.027/95. Auspiciada por la Se- corresponsales cretaría de Cultura del Gobierno de la Comentarios Informe Ludmila Pagliero Mercedes Borges (Cuba) Ciudad de Buenos Aires. Resolución 28 Amado Mío 44 Un Fructífero Sacerdocio Nº 12/96. Auspiciada y declarada de 32 Varón pa’ Quererte Mucho Informe Frutillar Rosa C. -
World Premiere of New Work By
MET BOX OFFICE OPENS SUNDAY, MARCH 24 – Page 2 WORLD PREMIERE OF NEW WORK BY ALEXEI RATMANSKY AND COMPANY PREMIERES OF DEUCE COUPE BY TWYLA THARP AND JANE EYRE BY CATHY MARSTON TO HIGHLIGHT AMERICAN BALLET THEATRE’S 2019 SPRING SEASON, MAY 13–JULY 6, 2019, AT METROPOLITAN OPERA HOUSE ROBERTO BOLLE TO GIVE FAREWELL PERFORMANCE WITH ABT ON JUNE 20 BROOKLYN MACK TO APPEAR AS GUEST ARTIST BOX OFFICE OPENS SUNDAY, MARCH 24 AT NOON American Ballet Theatre’s 2019 Spring season at the Metropolitan Opera House, May 13–July 6, will feature a World Premiere work by ABT Artist in Residence Alexei Ratmansky in programs dedicated entirely to his works in honor of the choreographer’s 10th year with the Company. The eight-week season will also include the Company Premieres of Deuce Coupe by Twyla Tharp and the full-length Jane Eyre by Cathy Marston. Tickets for ABT’s 2019 Spring season at the Metropolitan Opera House go on sale at the box office on Sunday, March 24 at 12 Noon. Principal Dancers for the 2019 Metropolitan Opera House season are Stella Abrera, Roberto Bolle, Isabella Boylston, Misty Copeland, Herman Cornejo, David Hallberg, Sarah Lane, Hee Seo, Christine Shevchenko, Daniil Simkin, Cory Stearns, Devon Teuscher and James Whiteside. Brooklyn Mack will appear as a Guest Artist during the Spring season. 2019 Spring Gala Performance and World Premiere American Ballet Theatre’s 2019 Spring Gala on Monday evening, May 20 will pay tribute to the 10th Anniversary year of Alexei Ratmansky as ABT Artist in Residence. Ratmansky, who was named ABT’s first Artist in Residence in 2009, has created 15 (more) MET BOX OFFICE OPENS SUNDAY, MARCH 24 – Page 2 works for the Company. -
02 Hauptdokument / PDF, 8195 KB
III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument 1 von 490 Kunst Kultur Bericht www.parlament.gv.at 2 von 490 III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument www.parlament.gv.at III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument 3 von 490 www.parlament.gv.at 4 von 490 III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument www.parlament.gv.at III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument 5 von 490 Kunst- und Kulturbericht 2019 www.parlament.gv.at 6 von 490 III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument www.parlament.gv.at III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument 7 von 490 Kunst- und Kulturbericht 2019 Wien 2020 www.parlament.gv.at 8 von 490 III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument www.parlament.gv.at III-174 der Beilagen XXVII. GP - Bericht - 02 Hauptdokument 9 von 490 Liebe Leserinnen und Leser, im März 2020 wurde alles anders. Denn die österreichische Bundesregierung und das österreichische Parlament waren angesichts der weltweiten Covid-19-Pandemie zu gesundheitspolitischen Maßnahmen gezwungen. Diese führten zu drastischen Änderun- gen in unserem privaten Alltag, aber auch in unserem beruflichen, wirtschaftlichen und kulturellen Leben. Wer in diesen Tagen unterwegs war, in der Stadt oder am Land, war die meiste Zeit allein und traf kaum auf andere Menschen. Nicht nur Schulen, Universitäten, Geschäfte, Restaurants und Cafés konnten nicht öffnen, auch Konzerthäuser, Theater, Kabaretts, Kinos, Museen, Galerien und Literaturhäuser mussten geschlossen bleiben. Das öffentliche und gesellschaftliche Leben – und damit die Grundvoraussetzung für Kunst und Kultur – stand still.