DOCSLIB.ORG

July 23–28, 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
July 23–28, 2012 33481 Nan Ath CVR_Layout 1 7/16/12 11:44 AM Page 2 July 23–28, 2012 Benjamin Millepied Artistic Director Friday, July 27th at 6:30 p.m. Saturday, July 28th at 6:30 p.m. Nantucket High School Mary P. Walker Auditorium 33481 Nan Ath CVR_Layout 1 7/16/12 11:44 AM Page 3 DANCE FESTIVAL COMMITTEE 2012 Jane A. Tyler Marcia P. Welch Dance Festival Co-Chairs Marion Martin, Honorary Chair Susan Ambrecht Kathleen Hay Samantha Sandler Mary Randolph Ballinger Kathryn Kay Denise Saul Maureen Bousa Barbara E. Jones Audrey K. Schuster Roxanne Casscells Orla Murphy-LaScola Randee Seiger Jeanne Cohane Curtis Livingston Catharine Soros Barbara G. Cohen John W. Loose Maria Spears Patti Deuster Judy Goyette MacLeod Esta-Lee Stone John Falk Bonnie F. McCausland Pamela Thomas Barbara J. Fife Mary Jane McLean Phoebe Tudor Al Forster Patricia Moran Cathy Weinroth Cosby George Jeanne C. Miller Mary Wolff Tim George Penny Nieroth Marcella Zimmerman Nan Geschke A. Steven Perelman Suzy Grote Gleaves Rhodes NANTUCKET ATHENEUM BOARDOF TRUSTEES Alice F. Emerson William G. Spears Chair Vice-Chair Marcia P. Welch Alan M. Forster Secretary Treasurer Susan Boardman Kathryn Kay David Ross William J. Charlton Jeanne Casey Miller Bernard L. Swain Barbara J. Fife Orla Murphy-LaScola Jane A. Tyler Timothy M. George Pamela J. Nieroth Jay M. Wilson Robert A. Greenspon A. Steven Perelman Ronald Winters William E. Hannum III Anne Phaneuf P. Rhoads Zimmerman Barbara Jones Chairman Emeritus Trustees Emeriti Executive Director John W. Loose Nan Geschke Molly C. Anderson Martha Groetzinger President Emeritus Nancy A. Newhouse Robert F. Mooney Honorary Trustees Mr. and Mrs. Robert Diamond Jr. Lucile W. Hays Mr. and Mrs. Richard Menschel Richard M. Scaife Margaret B. Scaife 33481 Nan Ath text_AtheneumDanceFestivalCovers10 7/17/12 8:18 AM Page 1 NANTUCKET ATHENEUM DANCE FESTIVAL 2012 Featuring stars of the American Ballet Theatre, New York City Ballet and The Royal Ballet Benjamin Millepied Artistic Director Ashley Bouder Maria Kowroski Tyler Angle Alina Cojocaru Tiler Peck Johan Kobborg Stella Abrera Sascha Radetsky Martin Harvey Daniil Simkin This year’s performances are dedicated to the memory of Joe Welch, friend and supporter of the Nantucket Atheneum. Cover photo by Paul Kolnik. Choreography by George Balanchine ©The George Balanchine Trust 1 33481 Nan Ath text_AtheneumDanceFestivalCovers10 7/17/12 8:19 AM Page 2 Welcometo the Nantucket Atheneum Dance Festival! For 178 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 180,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fifth straight summer. This year’s performances feature the world’s very best dancers from American Ballet Theater, New York City Ballet and the Royal Ballet under the exceptional artistic direction of Benjamin Millepied. The festival this week has offered a stimulating array of free community events including Lecture Demonstration with Benjamin Millepied, two dance films, First Position with film maker Bess Kargman and Pina, lecture with Jennifer Homans, author of Apollo’s Angels, Children’s Program and two youth master dance classes. As a public library, the Nantucket Atheneum receives limited funding from government sources. Therefore, cultural offerings, such as tonight’s dance performance, are only possible through the generous support of our donors. We wish to express our deepest appreciation to the festival sponsors who are listed in this program. Finally we send a special thank you to our wonderful Dance Festival Committee under the dynamic leadership of Jane Tyler and Marcia Welch for its hard work, passion, and commitment to bringing this exciting festival to our community. On behalf of the Atheneum Board of Trustees, the Atheneum staff and the Dance Festival Committee, we thank you for being part of the Nantucket Atheneum Dance Festival 2012. Enjoy tonight’s radiant performance! Molly C. Anderson Executive Director Nantucket Atheneum ONE INDIA STREET P.O. BOX 808 NANTUCKET, MA 02554 508 228 1110 WWW.NANTUCKETATHENEUM.ORG 2 33481 Nan Ath text_AtheneumDanceFestivalCovers10 7/17/12 8:19 AM Page 3 PERFORMANCE Nantucket High School Mary P. Walker Auditorium July 27 & 28, 2012 Known By Heart “Junk” Duet Music: Selections from Junk Music by Donald Knaack Choreography: Twyla Tharp ©Twyla Tharp Staged by: Stacy Caddell Original Costume Design: Santo Loquasto Original Lighting Design: Jennifer Tipton Dance Festival Lighting: Mark Stanley Premiere: 2001, Twyla Tharp Dance. LAPAC. This ballet is dedicated to the memory of Bob Patino. Ashley Bouder Sascha Radetsky In this dance, Tharp takes the formal structure of the classical duet (an adagio, two solos and a coda) into a contemporary realm through the witty, fierce, sometimes combative, and always surprising relationship she creates between the partners. The piece is so named because it is set to a percussion piece, “Junk Music” by Donald Knaack, who composes and performs on found objects and materials that have been discarded by others, the Known By Heart (“Junk”) Duet allows dancers used to the classics to transcend their normal roles and perform with light-hearted give and take. 3 33481 Nan Ath text_AtheneumDanceFestivalCovers10 7/17/12 8:19 AM Page 4 Les Bourgeois Music: Les Bourgeois by Jacques Brel Choreography: Ben van Cauwenbergh Lighting: Mark Stanley Premiere: 2003, Ballet Des Hessischen Staatstheaters Wiesbaden; 2008 Gauthier Dance Theaterhaus Stuttgart Daniil Simkin European dancer and choreographer Ben Van Cauwenbergh set Les Bourgeois to the famous Flemish chanson singer Jacques Brel’s song of the same title, which was recorded in 1962. It is a dancing and acting tour de force featuring one male dancer. American Ballet Theatre’s Daniil Simkin has performed Les Bourgeois many times including at the International Ballet Competition in Helsinki, Finland in 2005, where he was awarded the Grand Prix, and on the FOX Television show “So You Think You Can Dance” in July of 2011. After The Rain Pas de Deux Music: Spiegel Im Spiegel by Arvo Pärt Choreography: Christopher Wheeldon Lighting: Mark Stanley Premiere: January 22, 2005, New York City Ballet, New York State Theater, New York, NY. Maria Kowroski Martin Harvey Christopher Wheeldon’s After the Rain is a ballet of bold movements and heartfelt emotion. The final pas de deux, danced to Arvo Pärt’s Spiegel im Spiegel, is a series of unfolding partnering moves, in which the dancers explore the shifting emotions of their relationship. At times they are close and tender with one another, while at other times they inhabit the same space but are separated and searching for one another. 4 33481 Nan Ath text_AtheneumDanceFestivalCovers10 7/17/12 8:19 AM Page 5 Two Hearts Pas de Deux (Friday, July 27 performance only) Music: Two Hearts by Nico Muhly Choreography: Benjamin Millepied Lighting: Mark Stanley after Brad Fields Premiere: May 10, 2012, New York City Ballet, David H. Koch Theater, NY. Tiler Peck Tyler Angle Two Hearts made its world premiere in May of 2012 at the New York City Ballet’s Spring Gala. Benjamin Millepied and composer Nico Muhly have created four pieces together since 2007. In this latest collaboration, they recieved their inspiration from a European folksong called “Lord Thomas and Fair Eleanor” and the idea that the song’s story (the tale of a failed marriage) illustrated a strong sense of community. The ballet’s pas de deux was performed at the world premiere by Tiler Peck and Tyler Angle who reprise the dance for the Nantucket Atheneum Dance Festival. INTERMISSION The Leaves Are Fading Pas de Deux Music: Cypresses for string quartet, together with other chamber music for strings by Anton Dvorak Choreography: Anthony Tudor Lighting: Mark Stanley Premiere: July 17, 1975, American Ballet Theatre, New York State Theater, NY. Stella Abrera Sascha Radetsky Commissioned by the American Ballet Theatre, The Leaves Are Fading is a haunting meditation of youthful romance and time’s bittersweet passing, set to Dvorak’s ravishing score. This was one of Tudor’s last ballets, and it remains one of the major works in the choreographer’s remarkable canon. It marked Tudor’s return to American Ballet Theatre after an absence of nearly 25 years. The creation of Leaves Are Fading followed a five-year period of relative choreographic silence during which he made no major ballets, but did choreograph several short pieces for his students at the Julliard School. 5 33481 Nan Ath text_AtheneumDanceFestivalCovers10 7/17/12 8:19 AM Page 6 Bright Stream Pas de Deux Music: Dmitri Shostakovich Choreography: Alexei Ratmansky Lighting: Mark Stanley Premiere: 2003, Bolshoi Ballet; 2011, American Ballet Theatre, NY. Alina Cojocaru Johan Kobborg Zany and laugh-out-loud funny, The Bright Stream celebrates the illusory nature of love in all of its baffling, maddening detail with mistaken identities, hilarious deceptions and happy resolutions. During a harvest festival on a collective farm in the Russian steppes, a Moscow dance troupe arrives to entertain the workers, upsetting the applecart to humorous effect. Dmitri Shostakovich’s vivid folk music reveals the soul of his actor-dancers with a zest for deft characterization in movement. Stars & Stripes Pas de Deux Music: Liberty Bell and El Capitan by John Philip Sousa Adapted and orchestrated by Hershey Kay. Choreography: George Balanchine, ©George Balanchine Trust Lighting: Mark Stanley Premiere: January 17, 1958, New York City Ballet, City Center of Music and Drama, NY. Ashley Bouder Daniil Simkin For all its exuberant patriotic touches, Stars and Stripes contains as much pure dancing as many full-length classical ballets.
Load more

Recommended publications
  • Valerie Roche ARAD Director Momix and the Omaha Ballet
    Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002.
    [Show full text]
  • Investigating the Constitutive Properties of Antony Tudor's Dark Elegies
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of North Carolina at Greensboro What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies By: Ann Dils Dils, A. (1993) What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies, Dance Research Journal 24 (2), 17-31. Made available courtesy of University of Illinois Press: http://www.press.uillinois.edu/journals/drj.html ***Note: Figures may be missing from this format of the document These papers were originally given as a panel entitled What Constitutes a Dance at the 1989 Congress on Research in Dance Conference in Williamsburg, Virginia. Panelists selected Antony Tudor's 1937 Dark Elegies as a case study and basis for examining general questions regarding elements to be considered in identifying a dance work. Several issues and occurrences inspired panel members, such as recent interest in revivals of dance works from the beginning of this century and scholarly debate about issues related to directing dance from Labanotation scores. While Nelson Goodman's 1968 book Languages of Art served as a theoretical springboard for discussion, Judy Van Zile's 1985-86 article "What is the Dance? Implications for Dance Notation" proved a thought-provoking precedent for this investigation. The term "constitutive" comes from Goodman's work and is one of several ideas discussed in Languages of Art that are important to dance notation. For Goodman, the purpose of notation is to identify a work and specify its essential properties. These essential properties are constitutive; el- ements of a work that can be varied without disturbing the work's identity are "contingent" (p.
    [Show full text]
  • Sarah Brooks
    Sarah Brooks Brooks Family Homeschool 17236 NE 144th St Redmond, WA 98052 425-408-0205 [email protected] 5’6” DOB: 05/04/2003 Grade 12; GPA 4.0/4.0; CLT EXAM 94/120 Training Pacific Northwest Ballet School 2011-2020 Classical Ballet Levels I-VIII (Pointe, Pas, Variations, Repertory, Conditioning) Abbie Siegel, Marjorie Thompson, Marisa Albee, Nancy Crowley, Meg Potter, Dana Hanson New Voices: Choreography and Process for Young Women in Dance I and II 2018-2020 Eva Stone, Michelle Curtis Modern V-VIII 2015-2020 Eva Stone Summer Courses Alonzo King LINES Ballet Online Advanced program 2020 School of American Ballet 2019 Pacific Northwest Ballet 2017, 2018, 2020 Oregon Ballet Theater 2016 Master Classes Kidd Pivot Master Classes 2020 Tiffany Tregarthen Chop Shop Bodies of Work Contemporary Dance Festival 2017, 2018, 2019 Adam Barruch, Alicia Mullikin, others Gaga master class at Gibney Dance, Velocity Dance Center 2017, 2019 Performance Experience School of American Ballet Summer Choreography Workshop 2019 Pacific Northwest Ballet School Bruce Wells’ Beauty and the Beast – (performances cancelled due to Covid19) 2020 Bruce Wells’ Pinocchio 2019 New Voices Choreographic Showcases 2019 Spring Fling Fundraiser Performances 2019 Next Step: Outside/In 2019 End of Year School Performance 2012-2019 Virtual School Celebration 2020 Pacific Northwest Ballet (with PNB School) Coppélia (Alexandra Danilova and George Balanchine)- Waltz girl 2016 George Balanchine’s The Nutcracker- Candy Cane 2015 Don Quixote (Marius Petipa/Alexander Gorsky/Alexi Ratamansky)-
    [Show full text]
  • Digital Commons @ Otterbein Nine
    Otterbein University Digital Commons @ Otterbein 2008-2009 Season Productions 2001-2010 5-21-2009 Nine Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2008-2009 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Nine" (2009). 2008-2009 Season. 4. https://digitalcommons.otterbein.edu/production_2008-2009/4 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2008-2009 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN COLLEGE DEPARTMENT OF THEATRE AND DANCE AND DEPARTMENT OF MUSIC Present Nine Book by ARTHUR KOPIT Music & Lyrics by MAURY YESTON Adaptation from the Italian by Mario Fratti Broadway Production Directed by Tommy Tune Original Cast Album on Columbia Records & Tapes Directed by CHRISTINA KIRK Music Director DENNIS DAVENPORT Choreographer STELLA HIATT-KANE Set Design Costume Design ROB JOHNSON MARCIA HAIN Lighting Design DANA L. WHITE Stage Managed by KELSEY FARRIS May 21-24, 28-30, 2009 Fritsche Theatre at Cowan Hall Produced by special arrangement with SAMUEL FRENCH, INC. cast Guido............................................................................................. Cesar Villavicencio Young Guido..........................................................................................Conner
    [Show full text]
  • October 2020 New York City Center
    NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ
    [Show full text]
  • Articles Blog Posts
    More Than Words: Designs, Dance, and Graphic Notation in the Performing Arts Society of American Archivists, August 2021 / Virtual Tour Library of Congress, Music Division Resources Articles Library of Congress Magazine Brilliant Broadway: Volume 7, No. 3, May-June 2018: Christopher Hartten, “Brilliant by Design” Library of Congress Magazine - May/June 2018 (loc.gov) Blog Posts: In the Muse Albro, Sylvia. Undated. “Conservation Treatment of Seven Engraved Music Motets.” https://www.loc.gov/preservation/conservators/musicmotets/index.html Baumgart, Emily. May 29, 2021. “Cicada Terrible Freedom.” http://blogs.loc.gov/music/2021/05/cicada-terrible-freedom/ ______. March 11, 2021. "A New LGBTQ+ Resource from the Library of Congress Music Division" https://blogs.loc.gov/music/2021/03/a-new-lgbtq-resource-from-the-library-of-congress-music- division Doyle, Kaitlin (Kate). July 9, 2016. “Discovering the Music Within Our Dance Collections: Composer Lucia Dlugoszewski and the Erick Hawkins Dance Company.” http://blogs.loc.gov/music/2016/09/discovering-the-music-within-our-dance-collections- composer-lucia-dlugoszewski-and-the-erick-hawkins-dance-company/ Hartten, Chris. September 6, 2011. “The Bad Boy of Music.” https://blogs.loc.gov/music/2011/09/the-bad-boy-of-music/ ______. February 19, 2015. “Chameleon as Composer: The Colorful Life and Works of Lukas Foss.” http://blogs.loc.gov/music/2015/02/8620/ ______. April 27, 2011. “Good as Gould.” https://blogs.loc.gov/music/2011/04/good-as-gould/ Padua, Pat. July 25, 2012. “Clark Lights Up the Library.” http://blogs.loc.gov/music/2012/07/clark- lights-up-the-library/ Smigel, Libby.
    [Show full text]
  • Belvoir Terrace Staff 2018
    Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University
    [Show full text]
  • Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre
    Founders Stella Abrera is the Artistic Director of Kaatsbaan and a Principal Dancer with American Ballet Gregory Cary Kevin McKenzie Theatre. Ms. Abrera is from South Pasadena, California, and began her studies with Philip and Bentley Roton Martine van Hamel Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Executive Director Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. She also spent three Sonja Kostich Artistic Director years studying the Royal Academy of Dancing method with Joan and Monica Halliday at the Stella Abrera Halliday Dance Centre in Sydney, Australia. Board of Trustees Kevin McKenzie, Chair Stella Abrera Ms. Abrera joined American Ballet Theatre as a member of the corps de ballet in 1996, was Christine Augustine Gregory Cary appointed a Soloist in 2001, and Principal Dancer in August 2015. Her repertoire with ABT includes Sandy Choi Sonja Kostich the Girl in Afternoon of a Faun, Calliope in Apollo, Gamzatti and a Shade in La Bayadère, The Chris Omark Bentley Roton Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Martine van Hamel Moss and Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque Board of Advisors in Le Corsaire, Chloe in Daphnis and Chloe, She Wore a Perfume in Dim Lustre, the woman in white Dancers Isabella Boylston in Diversion of Angels, Mercedes, the Driad Queen and a Flower Girl in Don Quixote, Helena in The Gary Chryst Herman Cornejo Dream, the first
    [Show full text]
  • Bolshoi Theater
    FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet.
    [Show full text]
  • World Premiere of Angels' Atlas by Crystal Pite
    World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 Pm
    New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 pm Photo:Photo: Benoit © Paul Lemay Kolnik 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. ARTISTIC DIRECTOR PETER MARTINS ARTISTIC ADMINISTRATOR JEAN-PIERRE FROHLICH THE DANCERS PRINCIPALS ADRIAN DANCHIG-WARING CHASE FINLAY ABI STAFFORD SOLOIST UNITY PHELAN CORPS DE BALLET MARIKA ANDERSON JACQUELINE BOLOGNA HARRISON COLL CHRISTOPHER GRANT SPARTAK HOXHA RACHEL HUTSELL BAILY JONES ALEC KNIGHT OLIVIA MacKINNON MIRIAM MILLER ANDREW SCORDATO PETER WALKER THE MUSICIANS ARTURO DELMONI, VIOLIN ELAINE CHELTON, PIANO ALAN MOVERMAN, PIANO BALLET MASTERS JEAN-PIERRE FROHLICH CRAIG HALL LISA JACKSON REBECCA KROHN CHRISTINE REDPATH KATHLEEN TRACEY TOURING STAFF FOR NEW YORK CITY BALLET MOVES COMPANY MANAGER STAGE MANAGER GREGORY RUSSELL NICOLE MITCHELL LIGHTING DESIGNER WARDROBE MISTRESS PENNY JACOBUS MARLENE OLSON HAMM WARDROBE MASTER MASTER CARPENTER JOHN RADWICK NORMAN KIRTLAND III 3 Play now. Play for life. We are proud to be your locally-owned, 1-stop shop Photo © Paul Kolnik for all of your instrument, EVENT SPONSORS accessory, and service needs! RICHARD AND MARY JO STANLEY ELLIE AND PETER DENSEN ALLYN L. MARK IOWA HOUSE HOTEL SEASON SPONSOR WEST MUSIC westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Photo: Miriam Alarcón Avila Season Sponsor! Play now. Play for life. We are proud to be your locally-owned, 1-stop shop for all of your instrument, accessory, and service needs! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Season Sponsor! THE PROGRAM IN THE NIGHT Music by FRÉDÉRIC CHOPIN Choreography by JEROME ROBBINS Costumes by ANTHONY DOWELL Lighting by JENNIFER TIPTON OLIVIA MacKINNON UNITY PHELAN ABI STAFFORD AND AND AND ALEC KNIGHT CHASE FINLAY ADRIAN DANCHIG-WARING Piano: ELAINE CHELTON This production was made possible by a generous gift from Mrs.
    [Show full text]