DOCSLIB.ORG

Erudite Eyes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Erudite Eyes Erudite Eyes Friendship, Art and Erudition in the Network ofAbraham Ortelius ^527-1598) By Tine Luk Meganck s '68^' BRILL LEIDEN | BOSTON Contents Acknowledgments vn List of Figures ix Introduction: Erudite Eyes 1 1 The Antiquarian Network as Trading Zone 15 The Network of Ortelius as Trading Zone 15 European Antiquarianism between Erudition and Art 19 2 Local Antiquities 37 Ortelius, Goltzius and Laurinus Explore a Roman Fortress in Ancient Batavia 41 Ortelius and Vivianus Trace the Antiquities of Belgian Gaul 49 3 Illuminating History, Imagining Antiquity 65 Lipsius on Roman Amphitheaters outside Rome 67 Ortelius Imagines the Mores and Customs of the Ancient Germans 79 Ortelius and the Artes Historiae 87 4 Comparing Cultures 91 Antiquity and Urban Ethnography in the Art ofJoris Hoefnagel 92 Costume as Emblem in Hoefnagel's Four Ages ofMan 103 Costume as Civilization in Lucas d'Heere's Theatre de tous les peuples 106 5 Marketing Art and Erudition 129 Braun, Hogenberg and Lampsonius on the Civitates Orbis Terrarum 130 Emmanuel van Meteren and the Making of the Historie der Neder-landscher ende haerder na-buren Oorlogen ende Geschiedenissen 141 Getting Published: Jean Jacques Boissard and the Antiquitates Romanae 146 6 Ancients and Moderns in the Arts 157 Art and Antiquity in Bruegel's Death ofthe Virgin 163 Pliny as a Model: Bruegel and Otto van Veen as Eupompus and Pamphilus 171 Art as Refuge in Ortelius's Landscapes Tempe and Daphne 188 7 Art and Erudition as Friendship 195 Friendship, Stoicism and the Limits of Knowledge and Tolerance 198 The Album Amicomm, a Monument more Durable than Bronze 207 Epilogue 215 Appendices 223 Notes 247 Bibliography 288 Index 313 List of Figures 1 Maerten de Vos, Saint Paul on Malta, c. 1566-1568, oil on panel, 124 x 199 cm, Paris, Musee du Louvre, 1931 (photo: © RMN-Grand Palais (Musee du Louvre) / Gerard Blot). 6 2 The knife grinder (Arrotino), Hellenistic, marble, h. 105 cm, Florence, Galleria degli Uffizi, 230 (© 2016, Photo Scala, Florence - courtesy of the Ministero Beni e Att. Culturali). 7 3 The study ofAntiquity, woodcut, in Johannes Sambucus, Emblemata, cum aliquot nummi antiqui operis, Antwerp, Plantin, 1564 [octavo], p. 191, Ghent, Universiteitsbibliotheek Gent, BiB.G.001183/53. 9 4 Farewell letterfrom Abraham Ortelius to Colius, 1598, pen, 305 x 200 mm, The Hague, Koninklijke Bibliotheek, 79 c 4. 17 5 Entry by Lucas d'Heere (fol. 2gr, 1580), pen and ink and wash, 160 x 110 mm, in Album amicorum Abraham Ortelius, 1573-1596, Cambridge, Pembroke College Library, ms 11.113. By permission of the Master and Fellows of Pembroke College, Cambridge. 18 6 Abraham Ortelius, Europe, hand colored engraving, in Theatrum orbis terrarum, Antwerp, Gillis I Coppens van Diest, 1570 [folio], retrieved from the Library of Congress, www.loc.gov/ item/98687183, Washington, Library of Congress Geography and Map Division Washington, D.C., 20540-4650 dcu. 20 7 Abraham Ortelius, Description ofGermania Inferior, hand colored engraving, in Theatrum orbis terrarum, Antwerp, Gillis 1 Coppens van Diest, 1570 [folio], retrieved from the Library of Congress, www.loc.gov/item/98687183, Washington, Library of Congress Geography and Map Division Washington, d.c., 20540-4650 dcu. 21 8 Artist unknown, Portrait ofJohannes Crato (fol. nv), and Entry by Johannes Crato (fol. i2r, 1584), gouache, 160 x 110 mm, in Album amicorum Abraham Ortelius, 1573-1596, Cambridge, Pembroke College Library, MS 11.113. By permission of the Master and Fellows of Pembroke College, Cambridge. 22 9 Lucas d'Heere, Stonehenge, pen and wash, 315 x 205 mm, in Corte beschrijvinghe van Engheland, Schotland ende Irland, 1573-1575, fol. 36r, London, © The British Library Board, Add. 28330 f.36. 26 10 Pont du Gard, engraving, in Jean Poldo dAlbenas, Discours historial de I'antique et illustre cite de Nismes, Lyon, Guillaume Rouille, 1560 [folio], private collection (photo: J. Geleyns - Ro scan). 28 in Braun 11 Joris Hoefnagel, View ofTivoli, 1578, engraving, Georg & Frans Hogenberg, Civitates orbis terrarum, Cologne, Petrus a Brachel, 1612-1618, book 111 (1581) [folio], p. 52, Ghent, Universiteitsbibliotheek Gent, BIB.HIST.008292. 30 the Villa 12 Telamon representing Antinous as a pharaoh, from Adriana in Tivoli, 2nd century ad, red granite, h. 335 cm, Rome, Musei Vaticani, Museo Pio Clementino, Sala a Croce Greca, 196 (Creative Commons license). 31 and ink with 13 Antoine Morillon, Pyramidal tomb at Teggiano, pen visuntur <Sc gray wash, h. 270 mm, in Monumenta qu[a]e Capuae alibi, 1551-1553, fol. lr, Windsor, Eton College, MS 363. 32 the Secundini at 14 Lambert Lombard, Relieffrom the column of Igel, lower halfofthefront side, before 1566, pen and red ink, 190 x 280 mm, Liege, Cabinet des Estampes, Album Arenberg, kd 343/32, don Henri Duval (© Ville de Liege - Musee des Beaux-Arts bal). 38 15 Preface dedicated to Ortelius, engraving, in Dominicus Lampsonius, Lamberti Lombardi apud Eburones pictoris celeberrimi vita, Bruges, Hubertus Goltzius, 1565 [octavo], pp. 2-3, Ghent, Universiteitsbibliotheek Gent, BHSL.RES.1451. 39 16 Charlemagne, copper engraving with cardboard stencil, in Hubertus Goltzius, Vivae omniumfere imperatorum imagines, Antwerp, Gillis I Coppens van Diest, 1557 [folio], p. 113, Antwerp, Museum Plantin-Moretus | Prentenkabinet, A 2684 (photo: Peter Maes). 40 17 Abraham Ortelius, Ancient Egypt, 1565, copper engraving, 600 x 410 mm on two sheets, Basel, Universitatsbibliothek, Kartenslg AA115. 42 18 The Nile, 50-100 ad (Roman, derived from Hellenistic original), marble, h. 165 x w. 310 cm, Rome, Musei Vaticani, 2300 (© 2016, Photo Scala, Florence). 43 19 Abraham Ortelius, The Arx Britannica or Brittenburg, c. 1567-1568, copper engraving, in Lodovico Guicciardini, Descrittione di tutti iPaesiBassi, Antwerp, Plantin, 1581 [folio], pp. 344-345, Ghent, Universiteitsbibliotheek Gent, BIB.ACC.011031. 45 20 Circi Castrensis Caracalla, engraving, in Onofrio Panvinio, De ludis circensibus, libri 11, Venice, Giovanni Battista Ciotti, 1600 [folio], Liber Primus, after p. 56, Antwerp, Museum Plantin-Moretus | Prentenkabinet, Adams p-189. 45 21 Poem and drawing in memory ofFrederic van derMeulen, s.d., pen and ink, 75 x 96 mm, in Album amicorumfohannes Vivianus, c. 1570-1590, fol. 24r, The Hague, Koninklijke Bibliotheek, 74 f 19. 50 22 Entry by Hans van Schille, 1577, pen and ink, 75 x 96 mm, in Album amicorumJohannes Vivianus, c. 1570-1603, fol. 521", The Hague, Koninklijke Bibliotheek, 74 f 19. 51 23 Aqueduct ofJouy, engraving, in Abraham Ortelius & Johannes Vivianus, Itinerarium, Antwerp, Plantin, 1584 [quarto], p. 47, Ghent, Universiteitsbibliotheek Gent, BIB.ACC.002218. 53 24 The Saint-Etienne Cathedral in Metz, i3th-i6th century, (Creative Commons license). 53 25 Ancient Roman bath used as a baptismalfont, Metz Cathedral, porphyry marble (Creative Commons license). 54 26 Gallo-Roman reliefofgoddess Epona, stone, Metz, Musee de La Cour d'Or - Metz Metropole (photo: ©Jean Munin). 55 27 Gallo-Roman reliefwith goddess Epona in Sarpaigne (near Pont-a- Mousson), engraving, in Abraham Ortelius & Johannes Vivianus, Itinerarium, Antwerp, Plantin, 1584 [quarto], p. 45, Ghent, Universiteitsbibliotheek Gent, bib.acc.002218. 55 28 Gallo-Roman column of the Secundini atlgel, c. 250 ad, red sandstone, h. 23 m (photo: Berthold Werner). 58 29 Gallo-Romanfunerary column ofthe Secundini at Igel, engraving, in Abraham Ortelius & Johannes Vivianus, Itinerarium, Antwerp, Plantin, 1584 [quarto, foldout], p. A.53, Ghent, Universiteitsbibliotheek Gent, BIB.ACC.002218. 59 30 Ancient Romanfunerary altar and urn, engraving, in Abraham Ortelius & Johannes Vivianus, Itinerarium, Antwerp, Plantin, 1584 [quarto], p. B.53, Ghent, Universiteitsbibliotheek Gent, BIB.ACC.002218. 60 31 Anonymous Flemish artist (Philips van Winghe?), Ancient Roman funerary altar and urn with 'junctio dextrarum', second half of the 16th century, pen and brown ink over black chalk, cut out 145 x 160 mm, Stockholm, Nationalmuseum, thc 3135b. 61 32 Anonymous Flemish artist (Philips van Winghe?), Ancient Roman funerary altar and urn with dining scene, second half of the 16th century, pen and brown ink over black chalk, 386 x 245 mm, Stockholm, Nationalmuseum, thc 3134. 62 33 Frans Francken n, A collector's cabinet with Abraham Ortelius and Justus Lipsius, 1618, oil on canvas, 52.5 x 73.5 cm, private collection (photo: © Christie's Images / Bridgeman Images). 66 34 Amphitheater ofNimes, engraving, in Jean Poldo dAlbenas, Discours historial de I'antique et illustre cite de Nismes, Lyon, Guillaume Rouille, 1560 [folio], private collection (photo: J. Geleyns - Ro scan). 69 De 35 Amphitheater ofNimes, etching, in Justus Lipsius, amphitheatres quae extra Romam libellus, Antwerp, Plantin, 1584 [quarto], p. 21, Ghent, Universiteitsbibliotheek Gent, BIB.ACC.011882/7BIS. 69 36 Spheres, woodcut, in Albrecht Diirer, Underweysung derMessung, Nuremberg, 1525 [folio], book iv, Antwerp, Erfgoedbibliotheek Hendrik Conscience, h. 202415. 70 37 Human muscular structure, woodcut, in Andreas Vesalius, De humatii corporisfabrica libri septem, Basel, Joannes Oporinus, Hendrik 1543 [folio], p. 644, Antwerp, Erfgoedbibliotheek Conscience, j 5833 [C2-572 a]. 70 38 Peeter van der Borcht, probably after Otto van Veen, A banquet with armed gladiators, etching, in Justus Lipsius, Saturnalium sermonum libri duo, qui de gladiatoribus, Antwerp and Leiden, Plantin, 1585 [quarto], foldout between pp. 21-22, Antwerp, Museum Plantin-Moretus | Prentenkabinet, a 371. 71 39 Giovanni Caroto, Perspectival view ofthe amphitheater of Verona,
Load more

Recommended publications
  • Catalogue Summer 2012
    JONATHAN POTTER ANTIQUE MAPS CATALOGUE SUMMER 2012 INTRODUCTION 2012 was always going to be an exciting year in London and Britain with the long- anticipated Queen’s Jubilee celebrations and the holding of the Olympic Games. To add to this, Jonathan Potter Ltd has moved to new gallery premises in Marylebone, one of the most pleasant parts of central London. After nearly 35 years in Mayfair, the move north of Oxford Street seemed a huge step to take, but is only a few minutes’ walk from Bond Street. 52a George Street is set in an attractive area of good hotels and restaurants, fine Georgian residential properties and interesting retail outlets. Come and visit us. Our summer catalogue features a fascinating mixture of over 100 interesting, rare and decorative maps covering a period of almost five hundred years. From the fifteenth century incunable woodcut map of the ancient world from Schedels’ ‘Chronicarum...’ to decorative 1960s maps of the French wine regions, the range of maps available to collectors and enthusiasts whether for study or just decoration is apparent. Although the majority of maps fall within the ‘traditional’ definition of antique, we have included a number of twentieth and late ninteenth century publications – a significant period in history and cartography which we find fascinating and in which we are seeing a growing level of interest and appreciation. AN ILLUSTRATED SELECTION OF ANTIQUE MAPS, ATLASES, CHARTS AND PLANS AVAILABLE FROM We hope you find the catalogue interesting and please, if you don’t find what you are looking for, ask us - we have many, many more maps in stock, on our website and in the JONATHAN POTTER LIMITED gallery.
    [Show full text]
  • The European Towns in Braun & Hogenberg's Town Atlas, 1572-1617
    Belgeo Revue belge de géographie 3-4 | 2008 Formatting Europe – Mapping a Continent Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617 Cartographie des villes d’Europe: Les villes européennes dans l’Atlas des Villes de Braun et Hogenberg, 1572-1617 Peter van der Krogt Electronic version URL: http://journals.openedition.org/belgeo/11877 DOI: 10.4000/belgeo.11877 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Printed version Date of publication: 31 December 2008 Number of pages: 371-398 ISSN: 1377-2368 Electronic reference Peter van der Krogt, “Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617”, Belgeo [Online], 3-4 | 2008, Online since 22 May 2013, connection on 05 February 2021. URL: http://journals.openedition.org/belgeo/11877 ; DOI: https://doi.org/10.4000/ belgeo.11877 This text was automatically generated on 5 February 2021. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town A... 1 Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617 Cartographie des villes d’Europe: Les villes européennes dans l’Atlas des Villes de Braun et Hogenberg, 1572-1617 Peter van der Krogt This article is based upon the research for Koeman’s Atlantes Neerlandici, vol. IV: The Town Atlases, in preparation, scheduled for publication late 2009. Introduction “The Civitates is one of the great books of the World, (...) a wonderful compendium of knowledge of life in Europe in the sixteenth century, (...) it gives a visual printed record of mediaeval Europe, and is one of the most valuable sources remaining to the student and historian of these periods” (R.V.Tooley)1.
    [Show full text]
  • The Puocession Poutuait of Queen Elizabeth I
    7KH3URFHVVLRQ3RUWUDLWRI4XHHQ(OL]DEHWK,$1RWHRQD7UDGLWLRQ $XWKRU V 'DYLG$UPLWDJH 6RXUFH-RXUQDORIWKH:DUEXUJDQG&RXUWDXOG,QVWLWXWHV9RO SS 3XEOLVKHGE\The Warburg Institute 6WDEOH85/http://www.jstor.org/stable/751357 . $FFHVVHG Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=warburg. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Warburg Institute is collaborating with JSTOR to digitize, preserve and extend access to Journal of the Warburg and Courtauld Institutes. http://www.jstor.org PROCESSION PORTRAIT OF ELIZABETH I 301 scape on the companion Hercules and the visual mysteries of the Elizabethan age',2 not Hydra plate. least because previous commentators have The intarsia and the plate must go back to largely ignored its place in traditions of the same original design, and the suppo- representation by treating it solely as a sition that this was Pollaiuolo's Palazzo document rather than an artefact.
    [Show full text]
  • For People Who Love Early Maps Early Love Who People for 141 No
    141 INTERNATIONAL MAP COLLECTORS’ SOCIETY SUMMER 2015 No.141 FOR PEOPLE WHO LOVE EARLY MAPS JOURNAL ADVERTISING Index of Advertisers 4 issues per year Colour B&W Altea Gallery 44 Full page (same copy) £950 £680 Half page (same copy) £630 £450 Art Aeri 23 Quarter page (same copy) £365 £270 Antiquariaat Sanderus 46 For a single issue Barry Lawrence Ruderman 58 Full page £380 £275 Half page £255 £185 Chicago International Map Fair 32 Quarter page £150 £110 Flyer insert (A5 double-sided) £325 £300 Clive A Burden 6 Daniel Crouch Rare Books 2 Advertisement formats for print Dominic Winter 46 We can accept advertisements as print ready artwork Frame 64 saved as tiff, high quality jpegs or pdf files. It is important to be aware that artwork and files Gonzalo Fernández Pontes 24 that have been prepared for the web are not of Graham Franks 23 sufficient quality for print. Full artwork specifications are available on request. Jonathan Potter 9 Kenneth Nebenzahl Inc. 32 Advertisement sizes Kunstantiquariat Monika Schmidt 53 Please note recommended image dimensions below: Librairie Le Bail 23 Full page advertisements should be 216 mm high x 158 mm wide and 300–400 ppi at this size. Loeb-Larocque 4 Half page advertisements are landscape and 105 mm The Map House inside front cover high x 158 mm wide and 300–400 ppi at this size. Martayan Lan outside back cover Quarter page advertisements are portrait and are 105 mm high x 76 mm wide and 300–400 ppi Mostly Maps 44 at this size. Murray Hudson 53 IMCoS Website Web Banner £160* The Observatory 63 * Those who advertise in the Journal may have a web The Old Print Shop Inc.
    [Show full text]
  • Conf20071116europalia Hand-Out 40Pa4v7.Pub
    European towns in Braun & Hogenberg’s town atlas By Peter van der Krogt (Utrecht) Abstract The Civitates Orbis Terrarum or the ‘Braun & Hogenberg’, published in six volumes in Cologne between 1572 and 1617, is the most famous of the early town atlases. The Civitates was, like Ortelius's Theatrum, one of the best-selling works in the last quarter of the 16 th century. Although it had no comparable precedent, it immediately met a great public demand, because social, political and economic life at that time was con- centrated in cities. Apart from that, the pictorial style of the plans and views appealed very much to the uneducated public. Each of the six volumes is its own entity, containing plans of towns of the whole of Europe (and sometimes also of towns outside Europe) in a strict geographical order: - the British Isles, - Spain and Portugal, - France, - the Low Countries, - Germany, - Denmark, Sweden and Norway, - Hungary, - Poland, Lithuania and Muscovy, - Africa, - East and West-Indies and - Turkey. When a more recent plan of a town was acquired, it was included in one of Distribution of towns the later volumes without changing the in the Braun & Hogenberg town atlas contents of the earlier volume. In fact, the contents of a volume have never been changed at all. The authors of the work are not mentioned as such, but in the dedication, the fore- word and elsewhere three names appear: Georg Braun (Bruin), Frans Hogenberg and Simon van den Neuvel (Novellanus). The first mention of the work is made in a letter by Georg Braun to Abraham Ortelius of 31 October 1571.
    [Show full text]
  • Rare Antique Maps Hartman Schedel «Liber Chronicarum» Four Lithographs by Fridtjof Nansen, a Photo Negative of «Fram», and 35 Original Illustrations from W.M
    CATALOGUE 31 – SPRING 2014 RARE ANTIQUE MAPS HARTMAN SCHEDEL «LIBER CHRONICARUM» FOUR LITHOGRAPHS BY FRIDTJOF NANSEN, A PHOTO NEGATIVE OF «FRAM», AND 35 ORIGINAL ILLUSTRATIONS FROM W.M. CONWAY’S «THE FIRST CROSSING OF SPITSBERGEN» Galleri Bygdøy Allé - Kunstantikvariat Pama CATALOGUE 31 – SPRING 2014 RARE ANTIQUE MAPS INCLUDING A FINE COPY OF HARTMAN SCHEDEL «LIBER CHRONICARUM» IN CONTEMPORARY BINDING. PRESENTED ARE ALSO FOUR LITHOGRAPHS BY FRIDTJOF NANSEN AND A PHOTO NEGATIVE OF «FRAM», AND 35 ORIGINAL ILLUSTRATIONS USED BY M.W. CONWAY FOR HIS BOOK: «THE FIRST CROSSING OF SPITSBERGEN» The catalogue is published in connection with the opening reception: GALLERI BYGDØY ALLÉ KUNSTANTIKVARIAT PAMA In our new premises at Bygdøy Allé 67 8 MAY AT 6PM & The Olympia Book Fair, London www.arhmuseum.ru Our Exhibition Partner in Russia Bygdøy Allé 67, 0265 OSLO, Norway • Tlf: (+ 47) 22 44 06 00 • Fax: (+47) 22 44 06 01 E-mail: [email protected] • Internet: www.antiquemaps.no «FIVE CENTURIES» RARE AND IMORTANT BOOKS AND MAPS THE LIBRARY OF A NORWEGIAN COLLECTOR SPRING 2014 Galleri Bygdøy Allé - Kunstantikvariat Pama WE HAVE ALSO JUST PUBLISHED CATALOGUE 30 «FIVE CENTURIES» RARE AND IMORTANT BOOKS AND MAPS THE LIBRARY OF A NORWEGIAN COLLECTOR TERMS AND EXPLANATIONS All items have been carefully described and are guaranteed to be genuine and authentic. The prices are in NOK (Norwegian kroner) all taxes included. As an indication only, the items are also priced in EURO after an approximate exchange rate of 1€ = NOK 8.00 Contemporary hand-coloured: In our opinion, the colouring is approximately contemporary with the date of issue.
    [Show full text]
  • 42 • Cartography in the German Lands, 1450–1650
    42 • Cartography in the German Lands, 1450 –1650 Peter H. Meurer Introduction the degree of their subjection under royal sovereignty dif- fered greatly. They included the secular dominions The state structure in the heart of central Europe was a (duchies, counties, and baronies) as direct or indirect group of individual regions that in some cases were po- fiefs; the ecclesiastical territories (dioceses and imperial litically and culturally very independent. Additionally, abbeys) somewhat outside the immediate feudal struc- many developments and influences affected these regions ture; the imperial cities; and, as a special case, the king- differently for more than two eventful centuries—from dom of Bohemia, a fief of the German crown since 1198, about 1450 to 1650. This highly complex situation is re- but which was also ruled by kings from non-German dy- flected with unusual clarity in the history of cartography.1 nasties. The main criterion for affiliation with the king- Parallel events and continuities in space and time can be dom of Germany was the right to attend meetings of the recognized in only a few cases. Taken as a whole, Re- joint parliament (Reichstag). naissance cartography in that area is a mosaic of individ- Along with the German lands were the two “side lands” ual parts differing in type and importance, and the sys- (Nebenländer), united with the German crown since the tematic structure applied here is only one of several Middles Ages: the kingdom of Italy, which, after 1454, logical possibilities. At the threshold of the modern age, “Germany” was a Abbreviations used in this chapter include: Karten hüten for Joachim federation of more than six hundred territories that had Neumann, ed., Karten hüten und bewahren: Festgabe für Lothar grown together over a period of about seven hundred Zögner (Gotha: Perthes, 1995); Lexikon for Ingrid Kretschmer, Jo- years.2 It included an area that is covered today by Ger- hannes Dörflinger, and Franz Wawrik, eds., Lexikon zur Geschichte der many, Austria, Switzerland, Belgium, Luxembourg, and Kartographie, 2 vols.
    [Show full text]
  • Historical Periodical.2 Attention Was Called to the Work of a Russian Scholar, 0
    7 3 7 HOSPITALS DEPICTED IN OLD MAPS AND PANORAMAS (I) THE second World War stimulated the advance of many branches of science and of many branches of medicine, including epidemiology and public health. These advances were not only substantive but also methodological. It is not surprising, therefore, that the mapping of dis- ease increased rapidly in scope and effectiveness. Medical cartography has now existed long enough and progressed far enough for a retrospect to be profitable. But as yet we possess only a few scattered facts and a few rudimentary opinions as to the way in which this highly sophisticated cultural product may have originated. The subject is beginning to attract the attention of historians; the essay by Stevenson' is evidence of this trend. At the present stage of inquiry it is necessary to distinguish between medical maps-those which present any subject of medical interest-and maps of disease, which constitute a much smaller category. It appears that the latter are the newer and perhaps represent a specialized form of the distributional, economic, and agricultural mapping that gained cur- rency during the last few decades of the i8th century. Aspects of these early developments were recently reviewed in a historical periodical.2 Attention was called to the work of a Russian scholar, 0. B. Shkurlatov, who referred to a map or picture of Kiev (i683), which was said to show hospitals or hospices, in addition to churches and monasteries. This implies that a systematic search of old city maps and old panoramic views might disclose details of medical interest.
    [Show full text]
  • Maps, Fictions, and Facts: Representations of the City in Literature and Film
    A Book of Cities 8 ___ Maps, Fictions, and Facts: Representations of the City in Literature and Film 10.2478/abcsj-2020-0002 A Book of Cities: Mapping Urban Space in Braun and Hogenberg’s Civitates Orbis Terrarum (1572-1617) PETRUŢA NĂIDUŢ University of Bucharest, Romania Abstract The present article sets out to explore the tradition and the innovative forces involved in the production of the first city atlas, Civitates orbis terrarum, a six-volume collection of town images published by Georg Braun and Franz Hogenberg between 1572 and 1617. In doing so, it considers the consequences of the rediscovery of Ptolemy’s notions of geography and chorography and traces how time-honoured ideas and new practices of describing places meet in the depiction of early modern cities. The article discusses the potential of chorography as a genre capable of representing a city while trying to convey information about its character and addresses the role of printing in the dissemination of city views. The analysis extends from classic notions and modern practices of chorography to the humanist pursuit of a global vision that can be identified in the design of the Civitates, where the metaphor of the theatre appears to extend from the material of the atlas to the book itself. The research is mostly based on social and cultural histories of cartography and cosmography which can contribute to a better understanding of the complex significance of city images in Braun and Hogenberg’s project. Keywords: atlas, bird’s-eye view, cityscape, Civitates orbis terrarum, chorography, Franz Hogenberg, Georg Braun, Ptolemaic geography, map, topography 9 A Book of Cities The early fifteenth-century translation of Ptolemy’s Geography is believed to have ushered in a new stage in the history of geographical knowledge, despite the limitations and errors of the work.
    [Show full text]
  • For People Who Love Early Maps Early Love Who People for 151 No
    151 INTERNATIONAL MAP COLLECTORS’ SOCIETY WINTER 2017 No.151 FOR PEOPLE WHO LOVE EARLY MAPS JOURNAL ADVERTISING Index of Advertisers 4 issues per year Colour B&W Altea Gallery 64 Full page (same copy) £950 £680 Half page (same copy) £630 £450 Antiquariaat Sanderus 58 Quarter page (same copy) £365 £270 Barron Maps 33 For a single issue Full page £380 £275 Barry Lawrence Ruderman 2 Half page £255 £185 Cartographic Associates 12 Quarter page £150 £110 Flyer insert (A5 double-sided) £325 £300 Collecting Old Maps 11 Advertisement formats for print Clive A Burden 12 We can accept advertisements as print ready artwork Daniel Crouch Rare Books 67 saved as tiff, high quality jpegs or pdf files. Dominic Winter 11 It is important to be aware that artwork and files that have been prepared for the web are not of sufficient Frame 42 quality for print. Full artwork specifications are available on request. Jonathan Potter 65 Kenneth Nebenzahl Inc. 58 Advertisement sizes 34 Please note recommended image dimensions below: Kunstantiquariat Monika Schmidt Full page advertisements should be 216 mm high Librairie Le Bail 65 x 158 mm wide and 300–400 ppi at this size. Loeb-Larocque 33 Half page advertisements are landscape and 105 mm high x 158 mm wide and 300–400 ppi at this size. The Map House inside front cover Quarter page advertisements are portrait and are 105 Martayan Lan outside back cover mm high x 76 mm wide and 300–400 ppi at this size. Milano Map Fair 42 IMCoS website Web banner Mostly Maps 65 Those who advertise in our Journal have priority in taking a web banner also.
    [Show full text]
  • Commercial Cartography and Map Production in the Low Countries, 1500 – Ca
    44 • Commercial Cartography and Map Production in the Low Countries, 1500 – ca. 1672 Cornelis Koeman, Günter Schilder, Marco van Egmond, and Peter van der Krogt Louvain: Center of Learning tion in De orbis situ in which a simplified rendering of the globe in two hemispheres was printed on the title page The center for commercial cartography in the sixteenth- (see fig. 10.2).5 Although it is small, it is nevertheless im- century Low Countries was Antwerp, a city of printers, booksellers, engravers, and artists. But Louvain was the Abbreviations used in this chapter include: Abraham Ortelius for center of learning and the meeting place of scholars and M. P. R. van den Broecke, Peter van der Krogt, and Peter H. Meurer, students at the university. Like the circles in Vienna- eds., Abraham Ortelius and the First Atlas: Essays Commemorating the Klosterneuburg (in the first half of the fifteenth century), Quadricentennial of His Death, 1598–1998 (’t Goy-Houten: HES, Saint-Dié in the Vosges (ca. 1490 –1520), and Basel 1998); Gerardus Mercator Rupelmundanus for Marcel Watelet, ed., (where Sebastian Münster worked from 1520 to 1579), Gerardus Mercator Rupelmundanus (Antwerp: Mercatorfonds, 1994); GN for Peter van der Krogt, Globi Neerlandici: The Production of Louvain became a center for the exchange of ideas and Globes in the Low Countries (Utrecht: HES, 1993); KAN for Peter van education and had an important effect on cartography. der Krogt, Koeman’s Atlantes Neerlandici (’t Goy-Houten: HES, Mathematics, globemaking, and instrumentmaking 1997–); and MCN for Günter Schilder, Monumenta cartographica were practiced in and around the University of Leuven Neerlandica (Alphen aan den Rijn: Canaletto, 1986 –).
    [Show full text]
  • ABRAHAM ORTELIUS Y GEORG HOEFNAGEL EN ITALIA (Invierno De 1577-78) Quintana
    Quintana. Revista de Estudos do Departamento de Historia da Arte ISSN: 1579-7414 [email protected] Universidade de Santiago de Compostela España Besse, Jean-Marc EL VIAJE, EL TESTIMONIO, LA AMISTAD: ABRAHAM ORTELIUS Y GEORG HOEFNAGEL EN ITALIA (invierno de 1577-78) Quintana. Revista de Estudos do Departamento de Historia da Arte, núm. 11, 2012, pp. 37-59 Universidade de Santiago de Compostela Santiago de Compostela, España Disponible en: http://www.redalyc.org/articulo.oa?id=65328802004 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto EL VIAJE, EL TESTIMONIO, LA AMISTAD: ABRAHAM ORTELIUS Y GEORG HOEFNAGEL EN ITALIA (invierno de 1577-78) Jean-Marc Besse CNRS (Centre national de la recherche scientifique), París RESUMEN Desde el siglo XVI, la geografía contribuyó a definir nuestra cultura visual y la manera en la que vemos y re- presentamos el mundo. En el presente artículo se analiza, por una parte, el descubrimiento en ese momento de los lugares mediante el desplazamiento, y, por otra, el cambio que esta manera de conocer produjo en las representaciones del territorio, fundamentalmente, de escala y punto de vista. Para ello, se analizan los dibujos y grabados resultantes del viaje por Italia de los flamencos Abraham Ortelius, erudito geógrafo, marchante de arte y antigüedades, y Georg Hoefnagel, artista. El corpus fruto de sus esfuerzos da forma al considerado primer gran atlas urbano de Europa, el Civitates orbis terrarum.
    [Show full text]