DOCSLIB.ORG

The Daily Egyptian, March 30, 1984

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Daily Egyptian, March 30, 1984 Southern Illinois University Carbondale OpenSIUC March 1984 Daily Egyptian 1984 3-30-1984 The aiD ly Egyptian, March 30, 1984 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_March1984 Volume 69, Issue 126 Recommended Citation , . "The aiD ly Egyptian, March 30, 1984." (Mar 1984). This Article is brought to you for free and open access by the Daily Egyptian 1984 at OpenSIUC. It has been accepted for inclusion in March 1984 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Independent Senate hid a possibility,) Epton says By John Raciile 1,Iwyer said. "I haven't rult'<l the GOP and Cook County most 01 the money we raisell would nommate someone else StaH Writer cut the possibility, but my wife Democrats. was small donations of $5 and Epton maintzins th:ll he had a would probably kill me. ,. Chris Atchison. executive $lIl," he said. "We only moderate voting record on Former Chicago mayoral U.S. Sen. Charles Percy, R­ director DC the Illinois received a few large con· social issues and a conservative contender Bernard Epton said Ill., and V.S. Rep. Paul Simon, Republican Central Committee, tributions." btmd on fiscal malters WI ile in Thursday that it was too eady D-Makanda. are set to square­ said that the Chicago-based Epton said that the grouIJ will 'lie Legislature. to decide whether h~~ would run off for the seat in the Nov. 6 group was a product of the rneet to nominate candidates as an independent candidate in general election. Both can­ strongly contended Epton' sometime aCtH April 2, When "I would probably agree with the U.S. Senate race. didatesS.lid Thursday it was too Washington race last year. officers are ejected for Simon on social philosphy and Epton, a 14-year veteran of early to tell what effect an in­ Atchison said that if Epton municipal boards in Cook would consider myself a con­ the st.'lte House of Represen­ dependent candidate would decided to run as an in· County. servative in the fiscal votes." tatives, said in a telephone have on their race. dependent, "he ,,'~uld be "The Illinois Republicans hl'said. ir_:C!rview from his Chicago law Epton confinned reports that treated as Paul Simon woultl be have gotten in the bad habit of office that several factors are at he has heen pursued by treated. " losing elections," Epton S<lid, '" play in his decision. He said that Percy often members of the l\ew He said that financing a want to reverse tn.... • " "gets in frr".t of the crowd" on "Chicago is my first love and Republican Organization, a campaign would not be a He said that i! ;,e '.ecided not votes. He cited the three-term I have no desire to go to group of moderates ~ho say problem either. to run for the Senat~ then it was senator's support oC the Baker Washington," the 62-year-old they are dissatisfied with LoOth "During the (mayoral) race unlikl'lv that the organizatiOI1 school prayer amendment. Salvadoran rebel attacks Vaily C£gyptian made public By W. Dale Nelson Of the Associated Press Friday. March 30. 1984. Vol. 69. No 126 Southern Illinois University WASHINGTON lAP) - A Pentagon statement acknowledging three guerrilla attacks on P .S. !-:p.rvicemen in El Salvador was made public CATV plan retains Thursday as Democratic critics fought President Reagan's request for more military aid St. Louis channel for the Saivadoran regime. No Americans were injured in By Paula J. Finlay the commission and monthly any of the attacks. aecording to Starr Writer tests of the strength of .. ignals from stations would also Sen. James Sasser. D·Tenn .. Tele':ommunications Inc., required The city would who 'laid he received the parent company of Carbondale reSf'rye the right to do its own statelT'ent from tt,e Defense Cablevision. has agreed to testing. Department on Wedn~day in response to questions he put at a retain Channel 4 fnun ·~L Louis Commissioner John Greg.)ry hearing last week t'l an with il<. additional rate increase voted for the standards. but assistant sec~tary of defer.:'" In a revised 21-channel service said that the stanuards could package for Cablevision have been improved with a Sasser read the Pentagon customers. credit system for customers . responses shortly after the Through time-sharing. when Cablevision service falls Senate v("\ted 71-20 to shelve an Cablevision will pr!)vide 23 below standards. amendment bv Sen. Edward M. channels of service on 21 Kennedy, D-Mass., to require a ch:!nnels in the proposed line-up "It doesn't seem to me there declaration of war or other beginning withir one year of are any teeth in what we have," congressional action before rate determination by the City Gregory said. U.s. troops could be sent into Council. The proposed channel Central America for comb?t. line-up. changes in the city's Cablevision manager Cr>tig Kennedy noted a Washington cable teievision franchise and a Perica said that if a station falls Post report quoting a senior proposed $2.75 rate increase are below the standa,ds it can be Salvador!!D Army officer as to be considered by the council penalized by the FCC, and that saying V.S. aircraft are Mon<iay. cu.:;tomers are given credit for pro"""Jng reconnaiSsance and In a move to provide more days when they are without communications support for variety in programming, the service because of a Salvadoran troops during Cable Television C.ommission Cablevision error. combat operations. agreed in January to give up St. "The Vnited SLates is actively parllcipating in the prosecution Louis channels 2 and 4 to bring A request from the com­ in Nickelodeon, which is billed of '.h~ war in EI Salvador," he mission for an annual audlt..ad toltl the SenatE;. as a family-oriented station, report from TCI was revised to and Atlanta superstation allow an auditefi report an­ "The administration is slowly WTBS. That action drew nually, but retaining the right but surely putting our combat criticism at a March public for thl! city to send an ac­ troops into a war in EI hearing and, at the request of a countant toTCI headquarters to Salvador." negoltiating comrr.lttee, TCI audit the report ar,nually or The Massachusetts senator agreed to retain channel 4. when a rate I'lCreaSe is offered the amendment to a bili The commissir.n agreed requested. providing $61.7 million in Wednesday on the revised emergency military aid to help channel line-up and on propose{:. the FI Salvador government in performa:Jce quality standards its battle against leftist in· w be added to the franchise surgents. The aid figure agreement. represents a compromise The proposed standards between the Reagan ad­ requre the Ira.1chise holder to ministration, which hall sought Dlaintain the minimum more money for the Central technical standards required by Catch the wild wind Staff Photo by Stephen Kennedy American Dation, and some the Federal Communications Senate Democrats. Gus says Zl cDannels on TV . iled th 15 t.!O Kennedy revived his measure Commission. Annual proof that Dan Ha-grave, junior in biologla.i SCience, sa on e 0 for another try through the company is meeting the WOll't meBD a thing if they don't mph breeze Thursday at Campus ...!te. Thursday's high of 50 is . standards must be submitted to carry the Canis, Cubs BDd Sox. ex ....ted to give way to sunny skies and 60 degree weather Friday. parliamentary meaits, but r-- Senate Majority leader Howard H. Baker .Jr., R-Tenn., predicted that the GOP­ controlled body would defeat GPSC opposes layoff policy this and other amendments by critics I.'f Reagan's Central Sy John S&ewart point average be lowered to 3.0, stated that upper-level ad­ onlr. a 3.0 to graduate. American policies. Staff WritftO and nominated two candidates min;.strators should possess the • Raising grade requiremenl8 Baker said a final vote on the to run in GPSC elections to be foresight to anticipate financial will only lead to grade in­ aid package might not come In a reso)uti;,n adamantly held April 11. crises in order to avoid invoking f1ation," said Dan Venturi, a until next week because 0" a opposing revisions to the SIU-C The GPSC rejected the the policy. third-year law student. filihuster by Kennedy. fiscal emergency policy, the revised emergency policy for A rule requiring doctoral Sherry Knapp, Graduate The Penagon statement read Graduate and Profesa!onal .1landatorv leave of absence. students to maintain a 3.25 School liaison, saJd that the by Sasser said small banrls of Student Council Wednesday without pay for contractual grade point average was im­ recenUy adopted policy was employees anti invflhmtary pay plemented last fall to correct insurgent attacked a camp at urged that students be exemp­ particularly unfair to studenl8 San Miguel, EI Salvador, where ted from having their pay "It or reductions for aU employees. Graduate School policy in- who take ooly one or two gradpd The resolution stated that consistencies. U.S. military advisers are being laid off as provided in the classes once accepted in·.o stationed, in November and pollcy. students would be adversely Previously, students were doctoral candid~~y and to again in March. It 'laid they did The GPSC also suggested that affected by the policy. wi'Jch required students to have a 3.25 students just beginning their was formulated by a committee averiige to be accepted into not enter the camp and no !tIe rule requiring doctoral Americans were woun<ied.
Load more

Recommended publications
  • Illinois Assembly on Political Representation and Alternative Electoral Systems I 3 4 FOREWORD
    ILLINOIS ASSEMBLY ON POLITICAL REPRESENTATION AND ALTERNATIVE # ELECTORAL SYSTEMS FINAL REPORT AND BACKGROUND PAPERS ILLINOIS ASSEMBLY ON POLITICAL REPRESENTATION AND ALTERNATIVE #ELECTORAL SYSTEMS FINAL REPORT AND BACKGROUND PAPERS S P R I N G 2 0 0 1 2 CONTENTS Foreword...................................................................................................................................... 5 Jack H. Knott I. Introduction and Summary of the Assembly Report ......................................................... 7 II. National and International Context ..................................................................................... 15 An Overview of the Core Issues ....................................................................................... 15 James H. Kuklinski Electoral Reform in the UK: Alive in ‘95.......................................................................... 17 Mary Georghiou Electoral Reform in Japan .................................................................................................. 19 Thomas Lundberg 1994 Elections in Italy .........................................................................................................21 Richard Katz New Zealand’s Method for Representing Minorities .................................................... 26 Jack H. Nagel Voting in the Major Democracies...................................................................................... 30 Center for Voting and Democracy The Preference Vote and Election of Women .................................................................
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Planning for Chicago.Pdf
    87,,I Jauur-lueruqsruJlda.r ou su,\\ e.raqt 'aurrt ts-rU aqt J()C 'stueruqsrl(lElsa ssaursnq pue slrrerErruurr mau {c1 paqsrualclar uJrq s,ie,n1e peq {aqt tnq 'sellluntutuoJ ueqrnqns ot pue slrrurl .itrr Furpuedxa eqt Jo stJrlstrlo rqr ol sqof pue aldoad 3o trreurr.\onr rr{l {q patalclap ueaq peq ,{ltuetsuoJ spa-re Jarrur asaql 'tfrJtsrp sseursnq leJluJJ aqt ot tuarelpe ,{.lalerpaurur spooq.roqqFrau JO Jrroz lJrrul eqt.}o aurJlap IRrnlrruls u ',Seus palee^ar uorssardag tea-rt eqt Jo srstrt 1r;rr1t,(.l 3ucl1 aq1 rofeu ts.Iq sll tlq uorsuedxa ssaltuelar s.{tn aqt'ra,ra^roq '.s{)[.,6] eqt ig 'uB6I ssle^\ :6961 epP.M puz ra.,{e6 :tg6t tio11 :qZ,fOI u()rssrruruol uuld o8elqj) qr.rtorfi eJnlnJ a^rsseur eqt Jo.I uort)nJlsuol pue etlrtsa [EaJ ur luJru]S3,\rrr elenud pue )rlqnd areurpJool pue suJetted asn-puu1 adeqs ol se,r\ Suruueld ueqrn ro.] elor {rerur-rcl aqt terll os tuau,{o1dua pue uou -ulnclod ur sJsee-r:rur -Suruoafi:nq Surtepoturuol)e tueaur I48I .]o aJrJ olierrqt aql ra4ts fiurppnqa; 'lla^\ se apert lrpte-r pue rlesalorl^\ pue 'sucllJufllintutuor prIE uortel-rodsue.rl 'selr,\Jas lurrosJed pue SSeurs^tre go a8ue-r aplM B paJaJJo spq pup Suunt.tr'.gnuuru str ur peurs.rJ,\rp {tq8tq ueaq seq Luouorr eare oFerlq) eq.J. 'selr,\.rrs^ patr?lr.r pue ,{trnrlre .fiuuntre.Jnueru JO uors-uedxa snopuJrue-rt aqt uo paseq sB,\\ 1uau,{o1dtue prre uorlelndod ur qr,uo.r8 prcle-r stl '0U6I ,,(q 000'00!- puB '006I ur sqo[-Suunlre;nuuru petl o8urlq.J'0t]t ur uorlllur 009'00t, I € ,{q srural leraua8 eJoru rrr i.rr: pue'0161 rrl rrorllrut A'06ill ur uorllrru I 'gtgl ul 00093<r uortplnclod 'UOIJfII-IlSLl('r .' e ol ,rlat8'0gBI ur teltugrl iurl e aeJ_'srrrntueJ qt0A.{1,rea pue Jo qfntu 'eJ.Ie xv-I Jqt l)rr:' "hD 's r{16I a}el rql JO Ltrr lglrlsl-lpur rrrepour .rarruald aql se^l 03eIq3 IloA .\\rN loJ 9 | I \) {)rr ,' .
    [Show full text]
  • From King Records Month 2018
    King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • Chicago Mayor Daley's Racist Machine
    The long shadow of the 1919 Chicago race riot STEPHEN MILLIES The long shadow of the 1919 Chicago race riot Stephen Millies Copyright © 2019 October 8, 2019 Struggle for Socialism H La Lucha por Socialismo Struggle-La-Lucha.org Twitter: @StruggleLaLucha Facebook.com/strugglelalucha email: [email protected] East Coast office 2011 N. Charles St., Baltimore, MD 21218 Phone: 443.221.3775 West Coast office 5278 W. Pico Blvd., Los Angeles, CA 90019 Phone: 323.306.6240 Cover Photo by Bill Hackwell of the campaign for Harold Washington who became mayor of Chicago in 1983. Contents The long shadow of the 1919 Chicago race riot .............1 Bombings greet the Great Migration ......................7 What did the unions do? ..................................11 Communists fight racism and evictions...................19 Chicago Mayor Daley’s racist machine ....................25 Never forget Fred Hampton ..............................31 The people put Harold Washington in City Hall..........37 A city of struggle .........................................41 1 The long shadow of the 1919 Chicago race riot century ago, Chicago was convulsed by anti-Black Ariots. For days, African Americans were beaten and killed in a city whose first non-Indigenous resident was the Black man Jean Baptiste Point du Sable. Black work- ers couldn’t go to their jobs in the Union Stockyards, steel mills or downtown. The violence started July 27, 1919, when five young Black men went to a beach on a hot Sunday afternoon. They climbed aboard a raft that they had helped build, went out into Lake Michigan and started diving from the vessel. Chicago is a segregated city. It was worse a century ago.
    [Show full text]
  • The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012
    “Best of South Jersey” 2008 - 2011! The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012 OUR NEXT CONCERT TRI-STATE JAZZ SOCIETY On March 18, Emily Asher says, The Garden Party Presents will play a variety of hot jazz and early swing, their instrumentation and concept influenced by EMILY ASHER’S GARDEN PARTY Louis Armstrong's Hot Fives and Sevens, Armstrong's All-Stars, and Eddie Condon's classic recording groups. Their repertoire will also include material from the heart of the West Coast Dixieland revival, Lu Watters' Yerba Buena Jazz Band. Trombonist and vocalist Emily Asher is a rising musical personality in New York, leading the Garden Party and The Emily Asher Quartet and making regular appearances with the Brooklyn- based Baby Soda Jazz Band. She toured North America with the ground-breaking Mighty Aphrodite Jazz Band and Europe with New Orleans’ Tuba Skinny. See Asher on Page 2 CONCERT ADMISSION $20 ADMISSION $10 FIRST TIME ATTENDEES & MEMBERS HIGH SCHOOL/COLLEGE STUDENTS WITH Emily Asher, trombone, leader ID AND CHILDREN WITH PAYING ADULT ADMITTED FREE Bria Skonberg, trumpet Pay At the Door - No Advance Sales Dan Levinson, clarinet Gordon Webster, piano In This Issue… Sean Cronin, bass Kevin Dorn, drums Looking Ahead ............. Page 2 American Rag ............... Page 2 Sunday, March 18, 2012 Barnes Review ............. Page 2 2:00 p.m. – 5:00 p.m. Spirits Of Rhythm ......... Page 3 Community Arts Center Help Wanted ................. Page 4 Upcoming Events ......... Page 5 414 Plush Mill Road Wallingford, PA Directions on Page 7 The Strutter is published by Tri-State Jazz Society, Inc.
    [Show full text]
  • Interview with Carter Hendren # ISG-A-L-2009-013.01 Interview # 1: April 28, 2009 Interviewer: Mark Depue
    Interview with Carter Hendren # ISG-A-L-2009-013.01 Interview # 1: April 28, 2009 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 A Note to the Reader This transcript is based on an interview recorded by the ALPL Oral History Program. Readers are reminded that the interview of record is the original video or audio file, and are encouraged to listen to portions of the original recording to get a better sense of the interviewee’s personality and state of mind. The interview has been transcribed in near- verbatim format, then edited for clarity and readability, and reviewed by the interviewee. For many interviews, the ALPL Oral History Program retains substantial files with further information about the interviewee and the interview itself. Please contact us for information about accessing these materials. DePue: Today is Tuesday, April 28, 2009. My name is Mark DePue. I’m the director of oral history at the Abraham Lincoln Presidential Library. Today it’s my honor and privilege to talk to Carter Hendren. Good afternoon, Carter. Hendren: Good afternoon. DePue: We are at the Abraham Lincoln Presidential Library, decided to do it here.
    [Show full text]
  • Notes Towards the Insertion of Black Dada
    MARK BEASLEY Motherfist and her five glossaries: Notes towards the insertion of Black Dada — Black Dada is a way to talk about the future while talking about the past. It is our present moment. The Black Dada must use irrational language. The Black Dada must exploit the logic of identity. Black Dada is neither madness, nor wisdom, nor irony, nor naiveté. Black Dada: we are successive. Black Dada: we are not exclusive. Black Dada: we abhor simpletons and are perfectly capable of an intelligent discussion. The Black Dada’s manifesto is both form and life. Black Dada your history of art. Adam PENDLETON, ‘BLACK Dada MANIFesto’, 2008 By removing all semantic and normative functions of the word the Dada poets released language from its obligation to merely communicate. That is to say, through the rupture of speech, they reordered the code: they made the familiar strange. To what end? Corresponding with the outbreak of the First World War, it was an attempt on the part of the few—Hugo Ball, Emmy Hennings, Tristan Tzara, Jean Arp, Marcel Janco, Richard Huelsenbeck, and Sophie Täuber—to address the acts of the many. Deploring the ‘common sense’ 1 that had led Europe into blood- shed, Dada was for contrary action and contradiction. It was a gibbering, critical response to the brutality of the Somme and Verdun. As such, nonsense became a home for sagacity in the face of senselessness. Choosing the heterogeneous, the frustrating and disruptive above clarity, they created new glossaries and new dialects. In short, there is always a point to be made in nonsense—a point thoroughly explored by Kant—it too has its logic.
    [Show full text]
  • Spellista Möte 2021-03-17.Pdf
    Rolf Wikipedia om Frankie Manning https://en.wikipedia.org/wiki/Frankie_Manning FRANKIE MANNING and EWA BURAK dancing at Herräng Dance Camp in 2005 Count Basie Beaver Junction https://www.youtube.com/watch?v=pryxUW79euY 23:30 • 14.33 Slim Gaillard - Jumpin' At The Record Shop Album: Tutti Frutti Kompositör: Slim Gaillard Bolag: Contact Spotify Youtube Hellzapoppin' (1941) - Slim Gaillard & Slam Stewart - The Harlem Congeroos spola till 2:10 https://www.youtube.com/watch?v=qrcZqnICYbs • 14.34 24:32 Cab Calloway, Don Redman - Doin' The New Low Down Album: The Most Important Recordings Of Cab Calloway Kompositör: Jimmy Mchugh Bolag: Spa https://www.youtube.com/watch?v=rXMnMBR6Rzc • 14.37 25:15 Karl Dyall, Rennie Mirro - Once In A Life Time Kompositör: Betty Comden https://www.youtube.com/watch?v=dVQz0FqTFzA • 14.39 26:50 Sammy (2) Davis, Will Mastin - Boogie Woogie Piggie Album: Boogie Woogie Piggie Kompositör: Anthony Geiss Bolag: LABEL MISSING https://www.youtube.com/watch?v=0ClPUyXMB-8 • 14.41 Karl Dyall - Boogie Woogie Piggie Kompositör: Roy Jacobs Nicholas Brothers – Sammy Davis Jr Tribute https://www.youtube.com/watch?v=Ldk9byC1zgU 29:40 https://www.youtube.com/watch?v=LBQOfyR75vY med Cab Calloway • 14.49 33:10 Bill Bojangles Robinson, Don Redman - Doin' The New Low-Down Album: A Tribute To Black Entertainers (1) Kompositör: Jimmy Mchugh Bolag: Columbia Spotify Youtube https://www.youtube.com/watch?v=jumDEe2If7Q Bill " Bojangles " ROBINSON " The Sand Dance " !!! https://www.youtube.com/watch?v=WkD60wab3n4 33:40 National Jazz Museium
    [Show full text]
  • Tommy Dorsey 1 9
    TOMMY DORSEY 1 9 4 6 Prepared by: DENNIS M. SPRAGG CHRONOLOGY PART 1 - CHAPTER 12 Updated November 28, 2017 January 1946 INSIDE ORCHESTRAS – MUSIC “There has been considerable discussion in N. Y. about the reports of a fire at the Vogue Record Laboratories in Detroit, which is claimed to have destroyed masters of Art Mooney's first disks for that company. Apparently the feeling is that the first story was just an "out" for the company to evade promised release dates due to its inability to start production. Fire story, however, is on the level. Beside Mooney's masters, four sides by Charlie Shavers were destroyed. Shavers, trumpeter with Tommy Dorsey's band, had cut four jumpers with a small band.”1 TD – MCA SPAT LOOKS SETTLED “Tommy Dorsey's difficulties with Music Corp. of America, which led the leader several weeks ago to order MCA to stop booking his orchestra,, have been smoothed over. Dorsey and MCA execs had one or two meetings during the past week during which the differences were patched up. This was one dispute between the leader and MCA that was kept almost completely under cover. Its cause is still vague, although it is known that the friction was over money, not over the bookings. At any rate, Dorsey is again being submitted by the agency. He has nothing booked following the current Capitol theatre, N. Y. run and may go straight to the Coast after its completion. Incidentally, the, new contract between RCA Victor and Dorsey has been completed, It's a three-year deal, effective yesterday (Tues.) and replacing an old deal that still had more than a year to run.
    [Show full text]
  • Dizzy and Bird Studio 1945
    Dizzy and Bird Studio 1945: The Guild, Continental, Comet and Bel-Tone/Savoy Sessions May 11, 1945 Unknown recording studio New York City, NY Commercial for Guild Dizzy Gillespie and His All-Stars Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Al Haig (piano); Dillon "Curly" Russell (bass); Sid Catlett (drums); Sarah Vaughan (vocal) 1. Salt Peanuts (D. Gillespie-K. Clarke) 2. Shaw 'Nuff (D. Gillespie-C. Parker) 3. Lover Man (J. Davis-R. Ramirez-J. Sherman) 4. Hot House (T. Dameron) February 28, 1945 Unknown recording studio New York City, NY Commercial for Guild Dizzy Gillespie Sextet Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Clyde Hart (piano); Remo Palmieri (guitar); Slam Stewart (bass); William "Cozy" Cole (drums) 5. Groovin' High (D. Gillespie-F. Paparelli) 6. All the Things You Are (J. Kern-O. Hammerstein) 7. Dizzy Atmosphere (D. Gillespie-C. Parker) June 6, 1945 WOR Studio New York City, NY Commercial for Comet Red Norvo and His Selected Sextet Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Flip Phillips (tenor); Red Norvo (vibes); Teddy Wilson (piano); Slam Stewart (bass); Gordon "Specs" Powell (drums); J.C. Heard (drums) 8. Hallelujah (C. Grey-L. Robin-V. Youmans) 9. Get Happy (H. Arlen-T. Koehler) 10. Slam Slam Blues (R. Norvo) 11. Congo Blues (C. Parker) January 4, 1945 Unknown venue New York City, NY Commercial for Continental Clyde Hart's All-Stars Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Don Byas (tenor); James "Trummy" Young (trombone, vocal); Clyde Hart (piano); Mike Bryan (guitar); Al Hall (bass); Gordon "Specs" Powell (drums); Henry "Rubberlegs" Williams (vocal) 12.
    [Show full text]