The Daily Egyptian, March 30, 1984
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Illinois Assembly on Political Representation and Alternative Electoral Systems I 3 4 FOREWORD
ILLINOIS ASSEMBLY ON POLITICAL REPRESENTATION AND ALTERNATIVE # ELECTORAL SYSTEMS FINAL REPORT AND BACKGROUND PAPERS ILLINOIS ASSEMBLY ON POLITICAL REPRESENTATION AND ALTERNATIVE #ELECTORAL SYSTEMS FINAL REPORT AND BACKGROUND PAPERS S P R I N G 2 0 0 1 2 CONTENTS Foreword...................................................................................................................................... 5 Jack H. Knott I. Introduction and Summary of the Assembly Report ......................................................... 7 II. National and International Context ..................................................................................... 15 An Overview of the Core Issues ....................................................................................... 15 James H. Kuklinski Electoral Reform in the UK: Alive in ‘95.......................................................................... 17 Mary Georghiou Electoral Reform in Japan .................................................................................................. 19 Thomas Lundberg 1994 Elections in Italy .........................................................................................................21 Richard Katz New Zealand’s Method for Representing Minorities .................................................... 26 Jack H. Nagel Voting in the Major Democracies...................................................................................... 30 Center for Voting and Democracy The Preference Vote and Election of Women ................................................................. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Planning for Chicago.Pdf
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From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Chicago Mayor Daley's Racist Machine
The long shadow of the 1919 Chicago race riot STEPHEN MILLIES The long shadow of the 1919 Chicago race riot Stephen Millies Copyright © 2019 October 8, 2019 Struggle for Socialism H La Lucha por Socialismo Struggle-La-Lucha.org Twitter: @StruggleLaLucha Facebook.com/strugglelalucha email: [email protected] East Coast office 2011 N. Charles St., Baltimore, MD 21218 Phone: 443.221.3775 West Coast office 5278 W. Pico Blvd., Los Angeles, CA 90019 Phone: 323.306.6240 Cover Photo by Bill Hackwell of the campaign for Harold Washington who became mayor of Chicago in 1983. Contents The long shadow of the 1919 Chicago race riot .............1 Bombings greet the Great Migration ......................7 What did the unions do? ..................................11 Communists fight racism and evictions...................19 Chicago Mayor Daley’s racist machine ....................25 Never forget Fred Hampton ..............................31 The people put Harold Washington in City Hall..........37 A city of struggle .........................................41 1 The long shadow of the 1919 Chicago race riot century ago, Chicago was convulsed by anti-Black Ariots. For days, African Americans were beaten and killed in a city whose first non-Indigenous resident was the Black man Jean Baptiste Point du Sable. Black work- ers couldn’t go to their jobs in the Union Stockyards, steel mills or downtown. The violence started July 27, 1919, when five young Black men went to a beach on a hot Sunday afternoon. They climbed aboard a raft that they had helped build, went out into Lake Michigan and started diving from the vessel. Chicago is a segregated city. It was worse a century ago. -
The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012
“Best of South Jersey” 2008 - 2011! The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012 OUR NEXT CONCERT TRI-STATE JAZZ SOCIETY On March 18, Emily Asher says, The Garden Party Presents will play a variety of hot jazz and early swing, their instrumentation and concept influenced by EMILY ASHER’S GARDEN PARTY Louis Armstrong's Hot Fives and Sevens, Armstrong's All-Stars, and Eddie Condon's classic recording groups. Their repertoire will also include material from the heart of the West Coast Dixieland revival, Lu Watters' Yerba Buena Jazz Band. Trombonist and vocalist Emily Asher is a rising musical personality in New York, leading the Garden Party and The Emily Asher Quartet and making regular appearances with the Brooklyn- based Baby Soda Jazz Band. She toured North America with the ground-breaking Mighty Aphrodite Jazz Band and Europe with New Orleans’ Tuba Skinny. See Asher on Page 2 CONCERT ADMISSION $20 ADMISSION $10 FIRST TIME ATTENDEES & MEMBERS HIGH SCHOOL/COLLEGE STUDENTS WITH Emily Asher, trombone, leader ID AND CHILDREN WITH PAYING ADULT ADMITTED FREE Bria Skonberg, trumpet Pay At the Door - No Advance Sales Dan Levinson, clarinet Gordon Webster, piano In This Issue… Sean Cronin, bass Kevin Dorn, drums Looking Ahead ............. Page 2 American Rag ............... Page 2 Sunday, March 18, 2012 Barnes Review ............. Page 2 2:00 p.m. – 5:00 p.m. Spirits Of Rhythm ......... Page 3 Community Arts Center Help Wanted ................. Page 4 Upcoming Events ......... Page 5 414 Plush Mill Road Wallingford, PA Directions on Page 7 The Strutter is published by Tri-State Jazz Society, Inc. -
Interview with Carter Hendren # ISG-A-L-2009-013.01 Interview # 1: April 28, 2009 Interviewer: Mark Depue
Interview with Carter Hendren # ISG-A-L-2009-013.01 Interview # 1: April 28, 2009 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 A Note to the Reader This transcript is based on an interview recorded by the ALPL Oral History Program. Readers are reminded that the interview of record is the original video or audio file, and are encouraged to listen to portions of the original recording to get a better sense of the interviewee’s personality and state of mind. The interview has been transcribed in near- verbatim format, then edited for clarity and readability, and reviewed by the interviewee. For many interviews, the ALPL Oral History Program retains substantial files with further information about the interviewee and the interview itself. Please contact us for information about accessing these materials. DePue: Today is Tuesday, April 28, 2009. My name is Mark DePue. I’m the director of oral history at the Abraham Lincoln Presidential Library. Today it’s my honor and privilege to talk to Carter Hendren. Good afternoon, Carter. Hendren: Good afternoon. DePue: We are at the Abraham Lincoln Presidential Library, decided to do it here. -
Notes Towards the Insertion of Black Dada
MARK BEASLEY Motherfist and her five glossaries: Notes towards the insertion of Black Dada — Black Dada is a way to talk about the future while talking about the past. It is our present moment. The Black Dada must use irrational language. The Black Dada must exploit the logic of identity. Black Dada is neither madness, nor wisdom, nor irony, nor naiveté. Black Dada: we are successive. Black Dada: we are not exclusive. Black Dada: we abhor simpletons and are perfectly capable of an intelligent discussion. The Black Dada’s manifesto is both form and life. Black Dada your history of art. Adam PENDLETON, ‘BLACK Dada MANIFesto’, 2008 By removing all semantic and normative functions of the word the Dada poets released language from its obligation to merely communicate. That is to say, through the rupture of speech, they reordered the code: they made the familiar strange. To what end? Corresponding with the outbreak of the First World War, it was an attempt on the part of the few—Hugo Ball, Emmy Hennings, Tristan Tzara, Jean Arp, Marcel Janco, Richard Huelsenbeck, and Sophie Täuber—to address the acts of the many. Deploring the ‘common sense’ 1 that had led Europe into blood- shed, Dada was for contrary action and contradiction. It was a gibbering, critical response to the brutality of the Somme and Verdun. As such, nonsense became a home for sagacity in the face of senselessness. Choosing the heterogeneous, the frustrating and disruptive above clarity, they created new glossaries and new dialects. In short, there is always a point to be made in nonsense—a point thoroughly explored by Kant—it too has its logic. -
Spellista Möte 2021-03-17.Pdf
Rolf Wikipedia om Frankie Manning https://en.wikipedia.org/wiki/Frankie_Manning FRANKIE MANNING and EWA BURAK dancing at Herräng Dance Camp in 2005 Count Basie Beaver Junction https://www.youtube.com/watch?v=pryxUW79euY 23:30 • 14.33 Slim Gaillard - Jumpin' At The Record Shop Album: Tutti Frutti Kompositör: Slim Gaillard Bolag: Contact Spotify Youtube Hellzapoppin' (1941) - Slim Gaillard & Slam Stewart - The Harlem Congeroos spola till 2:10 https://www.youtube.com/watch?v=qrcZqnICYbs • 14.34 24:32 Cab Calloway, Don Redman - Doin' The New Low Down Album: The Most Important Recordings Of Cab Calloway Kompositör: Jimmy Mchugh Bolag: Spa https://www.youtube.com/watch?v=rXMnMBR6Rzc • 14.37 25:15 Karl Dyall, Rennie Mirro - Once In A Life Time Kompositör: Betty Comden https://www.youtube.com/watch?v=dVQz0FqTFzA • 14.39 26:50 Sammy (2) Davis, Will Mastin - Boogie Woogie Piggie Album: Boogie Woogie Piggie Kompositör: Anthony Geiss Bolag: LABEL MISSING https://www.youtube.com/watch?v=0ClPUyXMB-8 • 14.41 Karl Dyall - Boogie Woogie Piggie Kompositör: Roy Jacobs Nicholas Brothers – Sammy Davis Jr Tribute https://www.youtube.com/watch?v=Ldk9byC1zgU 29:40 https://www.youtube.com/watch?v=LBQOfyR75vY med Cab Calloway • 14.49 33:10 Bill Bojangles Robinson, Don Redman - Doin' The New Low-Down Album: A Tribute To Black Entertainers (1) Kompositör: Jimmy Mchugh Bolag: Columbia Spotify Youtube https://www.youtube.com/watch?v=jumDEe2If7Q Bill " Bojangles " ROBINSON " The Sand Dance " !!! https://www.youtube.com/watch?v=WkD60wab3n4 33:40 National Jazz Museium -
Tommy Dorsey 1 9
TOMMY DORSEY 1 9 4 6 Prepared by: DENNIS M. SPRAGG CHRONOLOGY PART 1 - CHAPTER 12 Updated November 28, 2017 January 1946 INSIDE ORCHESTRAS – MUSIC “There has been considerable discussion in N. Y. about the reports of a fire at the Vogue Record Laboratories in Detroit, which is claimed to have destroyed masters of Art Mooney's first disks for that company. Apparently the feeling is that the first story was just an "out" for the company to evade promised release dates due to its inability to start production. Fire story, however, is on the level. Beside Mooney's masters, four sides by Charlie Shavers were destroyed. Shavers, trumpeter with Tommy Dorsey's band, had cut four jumpers with a small band.”1 TD – MCA SPAT LOOKS SETTLED “Tommy Dorsey's difficulties with Music Corp. of America, which led the leader several weeks ago to order MCA to stop booking his orchestra,, have been smoothed over. Dorsey and MCA execs had one or two meetings during the past week during which the differences were patched up. This was one dispute between the leader and MCA that was kept almost completely under cover. Its cause is still vague, although it is known that the friction was over money, not over the bookings. At any rate, Dorsey is again being submitted by the agency. He has nothing booked following the current Capitol theatre, N. Y. run and may go straight to the Coast after its completion. Incidentally, the, new contract between RCA Victor and Dorsey has been completed, It's a three-year deal, effective yesterday (Tues.) and replacing an old deal that still had more than a year to run. -
Dizzy and Bird Studio 1945
Dizzy and Bird Studio 1945: The Guild, Continental, Comet and Bel-Tone/Savoy Sessions May 11, 1945 Unknown recording studio New York City, NY Commercial for Guild Dizzy Gillespie and His All-Stars Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Al Haig (piano); Dillon "Curly" Russell (bass); Sid Catlett (drums); Sarah Vaughan (vocal) 1. Salt Peanuts (D. Gillespie-K. Clarke) 2. Shaw 'Nuff (D. Gillespie-C. Parker) 3. Lover Man (J. Davis-R. Ramirez-J. Sherman) 4. Hot House (T. Dameron) February 28, 1945 Unknown recording studio New York City, NY Commercial for Guild Dizzy Gillespie Sextet Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Clyde Hart (piano); Remo Palmieri (guitar); Slam Stewart (bass); William "Cozy" Cole (drums) 5. Groovin' High (D. Gillespie-F. Paparelli) 6. All the Things You Are (J. Kern-O. Hammerstein) 7. Dizzy Atmosphere (D. Gillespie-C. Parker) June 6, 1945 WOR Studio New York City, NY Commercial for Comet Red Norvo and His Selected Sextet Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Flip Phillips (tenor); Red Norvo (vibes); Teddy Wilson (piano); Slam Stewart (bass); Gordon "Specs" Powell (drums); J.C. Heard (drums) 8. Hallelujah (C. Grey-L. Robin-V. Youmans) 9. Get Happy (H. Arlen-T. Koehler) 10. Slam Slam Blues (R. Norvo) 11. Congo Blues (C. Parker) January 4, 1945 Unknown venue New York City, NY Commercial for Continental Clyde Hart's All-Stars Charlie Parker (alto); J.B. "Dizzy" Gillespie (trumpet); Don Byas (tenor); James "Trummy" Young (trombone, vocal); Clyde Hart (piano); Mike Bryan (guitar); Al Hall (bass); Gordon "Specs" Powell (drums); Henry "Rubberlegs" Williams (vocal) 12.