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Rolf Wikipedia om Frankie Manning https://en.wikipedia.org/wiki/Frankie_Manning FRANKIE MANNING and EWA BURAK dancing at Herräng Dance Camp in 2005 Count Basie Beaver Junction https://www.youtube.com/watch?v=pryxUW79euY 23:30 • 14.33 Slim Gaillard - Jumpin' At The Record Shop Album: Tutti Frutti Kompositör: Slim Gaillard Bolag: Contact Spotify Youtube Hellzapoppin' (1941) - Slim Gaillard & Slam Stewart - The Harlem Congeroos spola till 2:10 https://www.youtube.com/watch?v=qrcZqnICYbs • 14.34 24:32 Cab Calloway, Don Redman - Doin' The New Low Down Album: The Most Important Recordings Of Cab Calloway Kompositör: Jimmy Mchugh Bolag: Spa https://www.youtube.com/watch?v=rXMnMBR6Rzc • 14.37 25:15 Karl Dyall, Rennie Mirro - Once In A Life Time Kompositör: Betty Comden https://www.youtube.com/watch?v=dVQz0FqTFzA • 14.39 26:50 Sammy (2) Davis, Will Mastin - Boogie Woogie Piggie Album: Boogie Woogie Piggie Kompositör: Anthony Geiss Bolag: LABEL MISSING https://www.youtube.com/watch?v=0ClPUyXMB-8 • 14.41 Karl Dyall - Boogie Woogie Piggie Kompositör: Roy Jacobs Nicholas Brothers – Sammy Davis Jr Tribute https://www.youtube.com/watch?v=Ldk9byC1zgU 29:40 https://www.youtube.com/watch?v=LBQOfyR75vY med Cab Calloway • 14.49 33:10 Bill Bojangles Robinson, Don Redman - Doin' The New Low-Down Album: A Tribute To Black Entertainers (1) Kompositör: Jimmy Mchugh Bolag: Columbia Spotify Youtube https://www.youtube.com/watch?v=jumDEe2If7Q Bill " Bojangles " ROBINSON " The Sand Dance " !!! https://www.youtube.com/watch?v=WkD60wab3n4 33:40 National Jazz Museium Al Vollmer http://jazzmuseuminharlem.org/events/al-vollmer-founder-of-harlem- blues-and-jazz-band/ • 14.52 35:10 Ferdinand Jelly Roll Morton - Freakish Album: Winin' Boy Blues Kompositör: Ferdinand Jelly Roll Morton Bolag: Rounder Spotify Youtube https://www.youtube.com/watch?v=ghsFOpGLfN4 • 14.56 38:30 Benny Goodman - Sing Sing Sing Album: Sing Sing Sing Kompositör: Louis Prima Bolag: Rca Spotify Youtube https://www.youtube.com/watch?v=3mJ4dpNal_k https://www.herrang.com/SwingKidsSwe https://www.nytimes.com/2018/08/10/arts/dance/lindy-hop-herrang-norma-miller.html https://www.facebook.com/herrangdancecamp/ Gunnar blues for Red Mitchell [M8747-13] Rejoice !: Frank Strazzeri (p) Jim Hall (g) Red Mitchell (cello) Jimmy Bond (b) Frank Butler (d) Live "Renaissance Cafe", Hollywood, CA, October, 1960 Jim's blues Pacific Jazz PJ22 Rejoice - Oh ! you crazy moon - Black-eyed peas - You'd be so nice to come home to - A night in Tunisia - Joe Pass [P1497-13] Finally/Joe Pass With Red Mitchell Live In Stockholm: Joe Pass (g) Red Mitchell (b,vcl) Live "Club Fasching", Stockholm, Sweden, February 15, 1992 The shadow of your smile EmArcy (Jap)PHCE-5048 [CD] Have you met Ms. Jones ? - I thought about you - Doxy - All the things you are - These foolish things - Blue moon - For Django (rm out) - , Verve (E)5450362 [CD] Finally (rm vcl) - Pennies from Heaven (jp out) - Softly, as in a morning sunrise - Note: All above titles also on EmArcy (G)512603-2 [CD], Verve 314-512603-2 [CD]. .

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Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
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From King Records Month 2018
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The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
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Frankie Manning: Ambassador of Lindy Hop Free
FREE FRANKIE MANNING: AMBASSADOR OF LINDY HOP PDF Frankie Manning,Cynthia R. Millman | 312 pages | 28 Sep 2008 | Temple University Press,U.S. | 9781592135646 | English | Philadelphia PA, United States Frankie Manning - Wikipedia N o one has contributed more to the Lindy Hop than Frankie Manning -- as a dancer, innovator and choreographer. For much of his lifetime he was an unofficial Ambassador of Lindy Hop. Once again, since the swing dance revival that started in the s, Frank Manning was a driving force worldwide with his teaching, choreography and performance. His own love of swing music and dancing was contagious as his dazzling smile. History African Roots Reading. F rankie Manning started dancing in his early teens at a Sunday afternoon dance at the Alhambra Ballroom in Harlem to the music of Vernon Andrade. From there he moved on to the Rennaissance Ballroomwhich had an early Frankie Manning: Ambassador of Lindy Hop dance for older teens with the live swing music of the Claude Hopkins Orchestra. Finally, Frankie "graduated" to the Savoy Ballroomwhich was known for its great dancers and bands. Competitive as well as gifted, Manning, became a star in the informal jams in the " Kat's Korner " of Frankie Manning: Ambassador of Lindy Hop Savoy, frequently won the Saturday night contests, and was invited to join the elite Clubwhose members could come to the Savoy Ballroom daytime hours to practise alongside the bands that were booked at the Savoy. F Frankie Manning: Ambassador of Lindy Hop Manning's dancing stood out, even among the greats of the Savoy Ballroom, for its unerring musicality.
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The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012
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Process Metamorphosis, My Choreographic Journey
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2017 Process Metamorphosis, My Choreographic Journey Brianna J. Larson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Dance Commons, and the Other Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4845 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Brianna Jean Lucas Larson 2017 All Rights Reserved Process Metamorphosis My Choreographic Journey A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Pedagogy at Virginia Commonwealth University by BRIANNA JEAN LUCAS LARSON Bachelor of Arts, Theatre, Minnesota State University Moorhead, 2010 Director: David S. Leong Professor, Head of Graduate Performance, Department of Theatre Virginia Commonwealth University Richmond, Virginia May 2017 ii Acknowledgement I would rst and foremost like to thank my husband , Nicholas Larson, for his unwavering and never -ending supply of support throughout my graduate school journey. Without him I would never have made it this far. I want to thank Patti D’Beck, whose mentorship over the last two and a half years has shaped me into the artist I am today. She has opened my eyes to so much more about theatre and my potential than I ever knew existed. I also wish to thank David Leong for helping me discover how much I have changed as an artist and how to put that all into words.
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Reading List for Susan's Course
ANTHOLOGIES AND GENERAL HISTORIES Social Dancing in America. A History and Reference by Ralph G. Giordano. If you’ve got a lot of cash to burn or have access to a university library, get your hands on this detailed two volume reference, filled with amazing photos and dance realia. Dance and Its Music in America, 1528-1789 by Kate Van Winkle Keller. Very well researched, scholarly tome. I See America Dancing by Maureen Needham. This anthology contains excerpts offering little windows into key moments in the history of American dance forms, starting with primary historical texts like George Catlin’s documentation of Native American dancing in the 19th century, a very fascinating account of African dance in Congo Square in New Orleans in the 18th century. Also reviews of minstrel shows, a reading on the Twist, even a piece about Nashville’s own Wildhorse Saloon. Dancing in the Streets. A History of Collective Joy by Barbara Ehrenreich. I particularly like her chapter on Rock and Roll. AFRICAN AMERICAN DANCE: Swinging the Machine. Modernity, Technology, and African American Culture Between the World Wars. Joel Dinerstein. One of my favorite books - an exploration of music and dance, and so much more. African American Dance: An Illustrated History by Barbara S. Glass. Another resource filled with illustrations in a very readable style. From the Ballroom to Hell. Thomas Faulker. No relation to William, I can assure you! This anti-dance booklet offers a wonderful example of the lengths religious leader went to in order to stem the tide on social dance in the early 19th century.
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CAN YOU SWING IT? Images of Swing Dance from Across the Nation
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“Right to Refusal”: Practices of Consent in the Pittsburgh Swing Dance Community
Title Page “Right to Refusal”: Practices of Consent in the Pittsburgh Swing Dance Community by Hannah Standiford Bachelor of Music, Virginia Commonwealth University, 2011 Submitted to Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2020 Committee Membership Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Hannah Standiford It was defended on April 29th, 2020 and approved by Dr. Andrew Weintraub (advisor) Professor, Music Dr. Adriana Helbig, Associate Professor, Music Dr. Michael Heller, Associate Professor, Music ii Copyright © by Hannah Standiford 2020 iii Abstract “Right to Refusal”: Practices of Consent in the Pittsburgh Swing Dance Community Hannah Standiford, MA University of Pittsburgh, 2020 In 2015, professional swing dancer Steven Mitchell was outed online by several women as a serial sexual abuser and was ostracized from the swing dance community both within the United States and globally. The first woman to share her story was Sarah Sullivan and her blog post detailing her sexual assault has been translated into at least seven languages. Within a week, swing dance organizers began having conversations online, leading to changes in practices of consent and the promotion of safer spaces during dance events. While etiquette of the swing dance revival starting in the mid-1980s dictated that dancers should say “yes” to any dance, current practices have shifted to encourage dancers to feel empowered to say “no” for any reason. This thesis joins a small but growing body of literature on social dance in the field of ethnomusicology and other fields including dance and performance studies.
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