NVDJS NEWS on June 11, 2017 1:00 - 4:00 June July 2017 the Dixie Giants
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Beach Management Major Agenda Item for New Council Captivans
Every week we mail to every home and business on Sanibel and Captiva, subscribers throughout the United States and this week... Monica Seles Sarasota, FL » EXCLUSIVE "Ding" Darling Cartoon page 3 Courtesy of JN "Ding" Darling Foundation VOL 8, NO, 22 SANIBEL & CAPTIVA ISLANDS, FLORIDA DECEMBER 1,2000 DECEMBER SUNRISE/SUNSET: 1 06:58 17:36 2 06:59 17:36 3 07:00 17:36 4 07:00 17:36 $ 07:01 17:36 6 07:02 17:37 7 07:03 17:37 During the next few weeks the Island Sun agement. The issue has been smolder- will be publishing a series of articles on a ing during the past five years since the major issue facing Sanibel, beach renourish completion of the first beach renourish- ment. As the city contemplates a future policy ment project at Gulf Pines and Gulf that could include increased taxes, residents Shores in 1995 That project was a may be asked to decide their preference on the issue The Island Sun will present both sides of complete departure from City's non the issue so residents can make an Informed intervention policy at the time. The decision renourishment of that beach was pre- dicted to last between six and eight Beach years. The project, which cost approxi- Management mately $2.4 million, was funded through a special taxing district that the next Captiva renourishment as it and retreat, a strategy that was consis- Major Agenda included twenty five beach front home- was for engineering reasons. tent with the Florida Department of owners who, depending on the direct Combining with Captiva results in a Environmental Protections' preference Item For New benefit they received, were assessed saving for the mobilization costs of Retreating simply means moving a anywhere from $20,000 to $140,000. -
Old Wine New Bottles
Why must he waste his talent and the Wilber was never able to command a sit talent of his sidemen on an outmoded uation as could Bechet. He evidently conception that was hardly necessary in lacked Bechet’s utter self-confidence His the first place? (D.DeM.) vibrato, while similar to his mentor’s, uiiiimiimiimiimitiimiimmitiiiiiiiiimiiitiiiiiiiiiiiuiiimiiiiimiiitiiiimutimiiiM sounded nervous; Bechet’s was an indis pensable adjunct to his playing and en hanced his expressiveness rather than de OLD WINE tracted from it, as Wilber’s did. The HRS Bechet-Spanier sides are not NEW BOTTLES only Bechet gems, but are some of the best mimiiiiiiHiiuuiiimimimmmimiiiiumiitiiitiHiiiiiiitmitiiiitiiiimiiuHmiiiuiiiiM jazz records ever made, though collectors have tended to ignore them. There was no Sidney Bechet effort to re-create days beyond recall Four « IN MEMOR1AM—Riverside RLP 138/139; Sweet Lorraine; Up the Lazy River; China Boy; excellent jazzmen got together and just Four or Five Times; That's Aplenty; If / Could played. Of course, some of the intros and Be with You; Squeeze Me; Sweet Sue; I Got Rhythm; September Song; Whot; Love Me with endings were no doubt rehearsed, but the Feeling; Baby, Won't You Please Come Hornet; lasting value of these records lies in the Blues Improvisation; I’m Through, Goodbye; Waste No Tears; Dardanella; I Never knew; breathless Bechet solos and the driving Broken Windmill; Without a Home. ensembles. And if any of the kiddies com Personnel: Tracks 1-8: Bechet, clarinet, soprano ing along these days think that drums are saxophone; Muggsy Spanier, cornet; Carmen Mas tern. guitar; Wellman Braud, bass. -
Frisco Cricket Published by the San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter
Frisco Cricket Published By The San Francisco Traditional Jazz Foundation Fall 2013 INTERNATIONAL = NATIONAL = LOCAL by William Carter We’re reminded, once again, of the perma- spent decades in Europe and South America. nent power of jazz to syncopate itself across time Our media-savvy correspondent Dave Ra- zones. From the earliest years, Storyville’s “ragtime” dlauer has rendered future jazz historians a service and “jazz” bands quickly reproduced themselves on by painstakingly tracking the elusive career of this San Francisco’s Barbary Coast, then in Los Angeles, peripatetic reedman (and sometime trumpeter). After Chicago, New York, Paris... Seeking jobs -- even on you peruse the Goodie story in this issue, be sure to ocean liners -- jazzmen tune your digital device joined the flood of their to his streaming site, recordings in seamlessly jazzhotbigstep.com for blanketing the planet more info and sound with a music that would recordings. come to be recognized as Another ex- America’s great cultural ample of the increas- gift to the world. ingly two-way com- Yet jazz also merce between national remains, a century later, and local events have firmly anchored to its been the appearances hometown venues. This of Loren Schoenberg in issue of your Cricket the South Bay. Once a celebrates the little- year for three years, this known career of Frank Director of the National “Big Boy” Goodie. His Jazz Museum in Harlem compelling life story has been presenting begins in Creole New fascinating free public Orleans and ends (like lectures at Stanford that of many another University’s Cantor classic jazz pioneer: Museum. -
Clint Baker Jazz Band & Oasis Ukulele Band
Basin Street Regulars • The Central Coast Hot Jazz Society August 2021 Page 1 August 29th Annual BBQ 11:30 AM traditional jazz bands ever to perform at this world-renowned festival, joining the ranks Featuring of Louis Armstrong and Jack Teagarden. Clint Baker Jazz Band The band tours festivals in the US and Canada extensively and was voted one of the & Oasis Ukulele Band top five Favorite New (Emerging) Jazz Bands in the 1998 Mississippi Rag Trad Jazz and Ragtime Poll. (In the same poll Clint was voted one of the top three Favorite New (Emerging) Musicians.) The line-up for the Clint Baker Jazz Band will be: Marc Caparone, cornet Nathan Tokunaga, clarinet Clint, trombone Bill Reinhart, banjo Katie Cavera, bass Dawn Lambeth, piano Riley Baker, drums The Oasis Ukulele Band The Oasis Ukulele Band plays weekly on Wednesdays from 1-3 p.m. at the Oasis Clint Baker Senior Center in Old Town Orcutt (420 Clint Baker's New Orleans Jazz Band was Soares Ave.). The Band was formed in founded in 1990 and began playing at Cafe November of 2003 by Ben Tromp. Ben visited Borrone in Menlo Park in October 1990. a ukulele band in Ventura, CA and was so Although continuing to play there as the Café excited that he wanted to start a band in Borrone All-Stars, the New Orleans Jazz Band Orcutt. Sign-ups and practice started soon became inactive in 2000 when the birth of after and the rest is history. The band was Baker's twins exacted extensive parenting originally named the Oasis Play and Sing duties from Clint. -
Guide to the Milt Gabler Papers
Guide to the Milt Gabler Papers NMAH.AC.0849 Paula Larich and Matthew Friedman 2004 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Personal Correspondence, 1945-1993..................................................... 5 Series 2: Writings, 1938 - 1991............................................................................... 7 Series 3: Music Manuscripts and Sheet Music,, 1927-1981.................................. 10 Series 4: Personal Financial and Legal Records, 1947-2000............................... -
December, 2008 Newsletter
NOJCNC Membership Member All year From July 1 Coming soon Musician $10 $5 Individual $25 $12.50 December: No Meeting! Couple $35 $17.50 Contributing $100 $50 Jan. 18: And That’s Jazz Sustaining $125 $62.50 Vol. 43 No. 12 December 2008 (Note: All memberships expire Dec. 31) NOJCNC Annual Feb.15: Dedicated to the Education, Preservation & Promotion of Traditional Jazz Showcase Make checks payable to “NOJCNC” and send to: Lynn Schloss, Membership March 15: Bob Schulz’s 1871 Stratton Circle, Frisco Jazz Band Walnut Creek, CA 94958 (All events at the San Pablo Band List Benefits of membership: Moose Lodge) * All contributions are tax-free * Free NOJCNC monthly newsletter Visit www.nojcnc.org for jazz * Contributing members: Free admission for info and news on the Web. two to all regularly scheduled events 2009 * Sustaining members: Free admission for four to regularly scheduled events Stellar line-up features new faces – as well as a few familiar ones NOJCNC News New Orleans Jazz Club of Northern California P.O. Box 27232 FIRST CLASS San Francisco, CA 94127 RETURN SERVICE REQUESTED Bob Schulz Jelly Roll Happy Jazz Band holidays! ■ No meeting in December. ■ And That’s Jazz on Jan. 18. 8 NOJCNC President’s Message In Search of Live Jazz o drums, no piano, but what a rhythm section! Anchored by News San Francisco Stuart Zank’s tenor guitar, driven by Reinhart’s four-beat Published by the New Orleans N bass and enhanced by Reyes’ complementary banjo, Clint Tuesday Pier 23, Embarcadero near Filbert, 5 - 8 pm, 415-362-5125 Rotating pianists: Virginia Tichenor, Marty Eggers, Jazz Club of Northern Baker had a solid and unwavering foundation for his talented California, a nonprofit front line. -
Band Sponsorships Each Musican $100.00 Tax
BAND SPONSORSHIPS EACH MUSICAN $100.00 TAX DEDUCTIBLE 501 C 3 FIN 91-1494983 JEFF BARNHART & CHARLOTTE’S BOYS GRAND DOMINION___________________________ Leader/Piano Jeff Barnhart Leader/Piano Bob Pelland Clarinet Allan Vache Trombone/vocals Jim Armstrong Cornet Fred Vigorito Cornet Clint Baker Trombone Jim Fryer Reeds Gerry Green Drums Josh Duffee Drums Jeff Hamilton Bass Marty Eggers Banjo Bill Dixon Banjo Eddie Erickson Bass Mike Fay YERBA BUENA STOMPERS BLACK SWAN CLASSIC______________________ Leader/banjo John Gill Leader/Tuba Kit Johnson Piano Conal Fowkes Trombone Don Stone Trumpet Brian Shaw Cornet Rick Holzgrafe Cornet Leon Oakley Clarinet Steve Matthes Clarinet Orjan Kjllin Banjo Allan Philips Trombone Tommy Bartlett Drums Ron Leach Drums Kevin Dorn Piano John Bennett Tuba Clint Baker Vocals Marilyn Keller HIGH SIERRA JAZZ BAND____________________ EVERGREEN JAZZ BAND_____________________ Leader/Clarinet Pieter Meijers Tom Jacobus Leader/ Bass/tuba Tuba Earl McKee Ray Skjelbred Piano Banjo Bruce Huddleston Steve Wright Cornet/reeds Cornet Marc Caparone Dave Loomis Trombone Trombone Howard Miyata Josh Roberts Banjo/guitar Piano Stan Huddleston Jacob Zimmerman Reeds Drums Charlie Castro Mike Daugherty Drums WOLVERINES UPTOWN LOWDOWN_________________________ Leader/Reeds John Clark Leader/Cornet Bert Barr Trombone Tom Boates Piano Rose Marie Barr Banjo Jimmy Mazzy Reeds John Goodrich Banjo Rick MacWilliams Reeds Paul Woltz Cornet Jeff hughes Trombone Andy Hall Drums Dave Didrksen Banjo Kevin Johnson Piano Ross Petot Tuba Art Horgen -
The Napa Valley Dixieland Jazz Society at Grant Hall
The Napa Valley Dixieland Jazz Society presents . New Orleans Jazz, on May 12, 2019 1:00 - 4:00 At Grant Hall - Veterans’ Home Yountville, CA ...… President’s Message . on May 12, 2019. 1:00 - 4:00 .. .Food and wine update - at this date, there will still be no food or wine San Francisco. Feetwarmers available from the Vet's Home on May 12.. That means there will be no wine, as we are not allowed to bring any into the Vet's Home. We will Featuring a two cornet line-up of provide water, soft drinks and a few snacks. If you would like to bring Mike Slack and Tom Barnebey, snacks to share, that would be great. Hopefully, the powers that be will hire someone soon to staff the cafe and bar and our needs at our gig. expect to hear some great King Oliver tunes plus the wonderful I'm sorry to say that Elizabeth Ingalls passed away recently. She will cer- music of Morton, Bechet, Arm- tainly be missed - it was always such fun to watch Phil and Elizabeth strong, Fats Waller and even swooping around the dance floor. Although not on the board of the club, Edith Piaf. This fine band has she was supportive of all that Phil accomplished, which was a great deal, offered good ideas for the club, and what nice cookies she made for our been featured at the Sacramento Jubilee, the Fairmont on Nob Hill, and holiday parties. Our thoughts are with Phil at this difficult time. jazz festivals and clubs all over California. -
Here at the Beginning
Dixieland Monterey Presents SCHEDULE & VENUE MAP MONTEREY, CALIFORNIA INSIDE 1 Bands 4th Street Five Jazz Band Cow Bop 20th Century Jazz Band Cornet Chop Suey Gremoli Monterey Bay Classic Specs 101st Army Dixieland Band Cocuzzi All-Star Quintet G-Whiz Boogie Band Jass Band Spirit of ‘29 Allan Vaché’s Big Four Cocuzzi/Vaché Swing All-Stars Hal’s Angels Natural Gas Jazz Band State Street with Marsha K Au Brothers Jazz Band Commander’s Jazz Ensemble Hangtown Jazz Band New Reformation Band Steve Lucky & the Rhumba Avalon Swing Crescent Katz High Sierra Jazz Band Night Blooming Jazzmen Bums Banjo Buddies Dixieland Band Crazy Rhythm Hogin’s Heroes Nuclear Whales Saxophone Stumptown Jazz Band Barehanded Wolfchokers Creole Jazz Kings Holland-Coots Jazz Quintet Orchestra Sweet Thursday Jazz Band Barnhart-Midiri Quartet Creole Syncopators Holy Crow Old Friends Swinging Gate Jazz Band Beale Street Jazz Band Crown Syncopators Hot Cotton Jazz Band Olive Street Stompers Swing City! BED Ragtime Trio Hot Frogs Jumping Jazz Band Original Wildcat Jass Band Swing Design Beverly Hills Unlisted Custer’s Last Band Howard Alden Trio Pacific Brass Taking Stock with Jackson Big Mama Sue & Friends Desert City Six Igor’s Jazz Cowboys Parlor Jam Tenth Avenue Jazz Band Big Tiny Little Desolation Jazz Ensemble Illuminati Pat Yankee & Her Gentlemen Titan Hot Seven Bill Allred’s Classic Jazz Band Devil Mountain Jazz Band The International Sextet of Jazz Titanic Jazz Band Black Diamond Jazz Band Dick Johnson’s Mardi Gras Ivory&Gold® Pieter Meijers Quartet Tom Rigney & Flambeau Black Dog Jazz Band Jazz Band Jake Stock & the Abalone Polly’s Hot Paupers Tom Saunders’ Midwest Black Swan Classic Jazz Band Dixieland Express Stompers Port City Jazz Band All-Stars Blue Street Jazz Band Dixieland Inc. -
2018-Wcrsf-Program Web-Version.Pdf
How You Can Help with WCRS contact info ...............2 Message from the WCRS President ............................3 WCRS Board of Directors ...........................................4 Program Editors .........................................................4 WCRS Volunteer Coordinators ...................................4 Festival Volunteers ..................................................... 5 West Coast Ragtime Society Members ........................6 Sacramento Ragtime Society ......................................7 Thanks to Our Donors ........................................... 8–9 WCRS Youth Ragtime Piano Competition ........... 10–11 Ragtime Store ..........................................................12 Recording Policy ....................................................... 12 Food ........................................................................ 13 Seminars ........................................................... 14–16 Special Events ....................................................18–25 Other Festival Features .......................................26-27 Theme Sets by Various Performers .....................28–34 Performers, Presenters and Dance Instructors ..........36 Festival Performers ............................................ 37–81 Venue Map ..............................................................40 Schedule ............................................................ 41–43 Piano Tuning ............................................................ 81 In Memoriam .....................................................82–83 -
Guide to the Leonard Gaskin Papers
Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated.......................................................... -
Music Traditional Jazz Educators Network Resources
A Traditional Jazz Style Guide by Dave Robinson Foreword For the past 25 years I have been collecting, performing, arranging, teaching, broadcasting and writing about my first musical love, TRADITIONAL JAZZ (aka dixieland, classic jazz, vintage jazz, New Orleans jazz, etc.). This music is frequently misunderstood, and even knowledgeable fans, collectors and musicians disagree on terminology and stylistic divisions. This document presents my view of the most logical stylistic categories of traditional jazz. It is presented as informed opinion, not dogma, and your commentary is welcome. It is hoped that jazz educators will find this guide useful, and that directors of youth ensembles specializing in traditional jazz will make an effort to instill in their bandmembers an understanding of and proficiency in the full spectrum of "flavors" available to them. Towards a Definition of Traditional Jazz Before dividing this pie into logical pieces, we should describe the pie itself. What is "traditional jazz"? What are the common denominators that define it? In my view, "traditional jazz" in the proper sense of the term is jazz which exhibits all or most of the following characteristics: 1) Wind instruments playing polyphonically 2) Easily discernible chord patterns 3) 2/4 or 4/4 meter 4) Instrumentation approximating the following: "FRONT LINE" (HORNS): 1. Trumpet or cornet 2. Clarinet or soprano sax 3. Trombone 4. Tenor, alto or bary sax (sometimes) --or a subset of these RHYTHM SECTION: 1. Piano 2. Banjo or guitar 3. Tuba, string bass or bass sax 4. Drums or washboard --or a subset of these 5) Pre-bop harmonies and phrasing (the earlier the musical vocabulary employed, the greater the compliance to this part of our definition) The single most distinguishing characteristic of traditional jazz is the first element above--the wind instruments playing polyphonically (a New Orleans tradition).