Illuminated Manuscript Photographs Collection, Ca. 1950
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Magdalena Sto J an O V a the Cemetery Church of Rožen
MAGDALENA STO J AN O V A THE CEMETERY CHURCH OF ROŽEN MONASTERY Rožen Monastery is situated on a hill between Rožen and Melnik amidst magnificent mountain scenery. Isolated from busy centres and difficult of access—though rich in natural beauty—this position has proved exceptionally favourable for the monastery’s survival up to the present day. Its architecture indicates a relatively early construction date, around the twelfth or thirteenth century1, but the first written source for Rožen Monastery dates only from 15512. Having studied a great number of Greek documents, the architect Alkiviadis Prepis3 has established that the monastery was originally a de pendency with a church dedicated to St George, which was built in the thir teenth century by the Byzantine soldier George Contostephanus Calameas and his wife. According to surviving data from the period up until 1351, in 1309 they presented the dependency to the Georgian Iviron Monastery on Mount Athos, and continued to enrich it4. After this area was conquered by 1. On the basis of the construction and the plan, Assen Vassiliev dates the church to about the twelfth century : A Vassiliev, Ktitorski portreti, Sofia 1960, p. 88. George Trajchev opines that the monastery was built in 1217 (Maitastirite v Makedonija, Sofia 1933, pp. 192- 3). The opinion that the church dates from the fourteenth or fifteenth century is shared by Metropolitan Pimen of Nevrokop ('Roženskija manastir’, Tsarkoven vestnic, 17 (1962) 14) and Professor V. Pandurski ('Tsarcovni starini v Melnik, Ročenskija manastir i Sandanski’, Duhovna cultura, 4 (1964) 16-18). Nichola Mavrodinov suggests an earlier date in: 'Tsarcvi i manastiri v Melnik i Rožen, Godishnik na narodnija musej, vol. -
Illustrations
Illustrations 1. Valentin Drausch and Hans Schlottheim, und vier weltlichen Kurfürsten mit Symbolen Trumpeter Automa ton, 1582, Kunsthistorisches ihrer Krönungsämters, 1500–1536, Aachen Museum, Vienna. Photo: KHM- Museum s- Stadtarchiv, DA 24. Photo: Anne Gold. 27 verband. 3 10. Christusmantel, 1525, Weltliche Schatz - 2. Hans Schlottheim, London Nef, 1580–1590, kammer, Vienna. Photo: KHM- British Museum, London. Photo © The Trustees Museumsverband. 29 of the British Museum. All rights reserved. 18 11. Christusmantel (detail), 1525, Weltliche 3. Hans Schlottheim, Écouen Nef, 1580–1590, Schatzkammer, Vienna. Photo: KHM- Musée national de la Renaissance, Écouen. Museums verband. 29 Photo: RMN- Grand Palais / Art Resource, New 12. Allegory of the Emperor and the Pope, ca. 1495, York (Hervé Lewandowski). 18 National Gallery of Art, Washington, D.C. 4. Burghley Nef, 1527–1528, The Victoria and Rosenwald Collection, 1958.8.157. Photo cour- Albert Museum, London. Photo © Victoria and tesy National Gallery of Art, Washington, Albert Museum. 20 D.C. 31 5. Limbourg Brothers, January: New Year’s Reception 13. Giuseppe Arcimboldo, Vertumnus, 1590, of the Duke Jean de Berry, from the Très Riches Skoklosters Slott, Stockholm. Photo courtesy Heures, 1411–1416, Musée Condé, Chantilly, of Skoklosters Slott, Stockholm. 34 Ms. 65, fol. 1v. Photo: RMN- Grand Palais / Art 14. Hans Schlottheim, Christmas Crib Automa- Resource, New York (René-Gabriel Ojéda). 21 ton, 1588, formerly in the Mathematisch- 6. Hans Schlottheim, London Nef (detail), 1580– Physikalischer Salon, Dresden. Photo: bpk 1590, British Museum, London. Photo © The Bildagentur / Staatliche Kunstsammlungen / Trustees of the British Museum. 24 Art Resource, New York. 38 7. Hans Schlottheim, Écouen Nef (detail), 1580– 15. -
Aspects of St Anna's Cult in Byzantium
ASPECTS OF ST ANNA’S CULT IN BYZANTIUM by EIRINI PANOU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham January 2011 Acknowledgments It is said that a PhD is a lonely work. However, this thesis, like any other one, would not have become reality without the contribution of a number of individuals and institutions. First of all of my academical mother, Leslie Brubaker, whose constant support, guidance and encouragement accompanied me through all the years of research. Of the National Scholarship Foundation of Greece ( I.K.Y.) with its financial help for the greatest part of my postgraduate studies. Of my father George, my mother Angeliki and my bother Nick for their psychological and financial support, and of my friends in Greece (Lily Athanatou, Maria Sourlatzi, Kanela Oikonomaki, Maria Lemoni) for being by my side in all my years of absence. Special thanks should also be addressed to Mary Cunningham for her comments on an early draft of this thesis and for providing me with unpublished material of her work. I would like also to express my gratitude to Marka Tomic Djuric who allowed me to use unpublished photographic material from her doctoral thesis. Special thanks should also be addressed to Kanela Oikonomaki whose expertise in Medieval Greek smoothened the translation of a number of texts, my brother Nick Panou for polishing my English, and to my colleagues (Polyvios Konis, Frouke Schrijver and Vera Andriopoulou) and my friends in Birmingham (especially Jane Myhre Trejo and Ola Pawlik) for the wonderful time we have had all these years. -
Mount Athos(Greece)
World Heritage 30 COM Patrimoine mondial Paris, 10 April / 10 avril 2006 Original: English / anglais Distribution limited / distribution limitée UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION ORGANISATION DES NATIONS UNIES POUR L'EDUCATION, LA SCIENCE ET LA CULTURE CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE CONVENTION CONCERNANT LA PROTECTION DU PATRIMOINE MONDIAL, CULTUREL ET NATUREL WORLD HERITAGE COMMITTEE / COMITE DU PATRIMOINE MONDIAL Thirtieth session / Trentième session Vilnius, Lithuania / Vilnius, Lituanie 08-16 July 2006 / 08-16 juillet 2006 Item 7 of the Provisional Agenda: State of conservation of properties inscribed on the World Heritage List. Point 7 de l’Ordre du jour provisoire: Etat de conservation de biens inscrits sur la Liste du patrimoine mondial. JOINT UNESCO/WHC-ICOMOS-IUCN EXPERT MISSION REPORT / RAPPORT DE MISSION CONJOINTE DES EXPERTS DE L’UNESCO/CPM, DE L’ICOMOS ET DE L’IUCN Mount Athos (Greece) (454) / Mont Athos (Grece) (454) 30 January – 3 February 2006/ 30 janvier – 3 février 2006 This mission report should be read in conjunction with Document: Ce rapport de mission doit être lu conjointement avec le document suivant: WHC-06/30.COM/7A WHC-06/30.COM/7A.Add WHC-06/30.COM/7B WHC-06/30.COM/7B.Add REPORT ON THE JOINT MISSION UNESCO – ICOMOS- IUCN TO MOUNT ATHOS, GREECE, FROM 30 JANUARY TO 3 FEBRUARY 2006 TABLE OF CONTENTS ACKNOWLEDGEMENTS EXECUTIVE SUMMARY AND LIST OF RECOMMENDATIONS 1 BACKGROUND TO THE MISSION o Inscription history o Inscription criteria -
Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral
UNIVERSITY OF CALIFORNIA RIVERSIDE International Projects with a Local Emphasis: Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Daniel A. Powazek June 2020 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Randolph Head Dr. Jeanette Kohl Copyright by Daniel A. Powazek 2020 The Thesis of Daniel A. Powazek is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE THESIS International Projects with a Local Emphasis: The Collecting and Representation of Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral by Daniel A. Powazek Master of Arts, Graduate Program in Art History University of California, Riverside, June 2020 Dr. Kristoffer Neville, Chairperson When the Albertine Dukes of Saxony gained the Electoral privilege in the second half of the sixteenth century, they ascended to a higher echelon of European princes. Elector August (r. 1553-1586) marked this new status by commissioning a monumental tomb in Freiberg Cathedral in Saxony for his deceased brother, Moritz, who had first won the Electoral privilege for the Albertine line of rulers. The tomb’s magnificence and scale, completed in 1563, immediately set it into relation to the grandest funerary memorials of Europe, the tombs of popes and monarchs, and thus establishing the new Saxon Electors as worthy peers in rank and status to the most powerful rulers of the period. By the end of his reign, Elector August sought to enshrine the succeeding rulers of his line in an even grander project, a dynastic chapel built into Freiberg Cathedral directly in front of the tomb of Moritz. -
Dr. Stephen H. Rapp Jr
1 Dr. Stephen H. Rapp Jr. Professor of Eurasian and World History Associate Departmental Chair Sam Houston State University Department of History, Box 2239 Huntsville, Texas 77341-2239 USA [email protected], (936) 294-3659 Education Ph.D. History, The University of Michigan—Ann Arbor, May 1997 Dissertation: Imagining History at the Crossroads: Persia, Byzantium, and the Architects of the Written Georgian Past. Winner, 1998 University of Michigan Distinguished Dissertation Award (one of four, campus-wide). M.A. History, The University of Michigan—Ann Arbor, May 1992 B.A. Political Science with Area Certificate from the Russian and Eastern European Institute (REEI), Indiana University—Bloomington, May 1990 Academic employment ■ Permanent academic appointments Professor of Eurasian History, Sam Houston State University, Huntsville, Texas, August 2015-present Associate Professor of Eurasian History, Sam Houston State University, Huntsville, Texas, August 2012- July 2015 Associate Professor of Eurasian and World History, Department of History, Georgia State University, Atlanta, May 2004-May 2008, and Founding Director, GSU Program in World History and Cultures, January 2001-May 2008 Assistant Professor of Eurasian and World History, Georgia State University, Atlanta, August 1998-May 2004 2 Academic affiliations Affiliated Researcher, “JewsEast: Jews and Christians in the East: Strategies of Interaction between the Mediterranean and the Indian Ocean,” Europe Research Council (ERC) project at the Center for Religious Studies, Ruhr-Universität Bochum, Germany, Spring 2017-present Associated Researcher (Assoziierter Forscher), Historisches Institut, Abteilung für Alte Geschichte und Rezeptiongeschichte der Antike, University of Bern, Switzerland, December 2009-present Associate Fellow, Centre for the Exploration of Georgian Antiquities (qarTuli siZveleTa moZiebisa da kvlevis centri), Georgian University of St. -
Inauguration and Images of Kingship in England, France and the Empire C.1050-C.1250
Christus Regnat: Inauguration and Images of Kingship in England, France and the Empire c.1050-c.1250 Johanna Mary Olivia Dale Submitted for examination for the degree of Doctor of Philosophy University of East Anglia School of History November 2013 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract This thesis challenges the traditional paradigm, which assumes that the period c.1050-c.1250 saw a move away from the ‘biblical’ or ‘liturgical’ kingship of the early Middle Ages towards ‘administrative’ or ‘law-centred’ interpretations of rulership. By taking an interdisciplinary and transnational approach, and by bringing together types of source material that have traditionally been studied in isolation, a continued flourishing of Christ-centred kingship in the twelfth and early thirteenth centuries is exposed. In demonstrating that Christological understandings of royal power were not incompatible with bureaucratic development, the shared liturgically inspired vocabulary deployed by monarchs in the three realms is made manifest. The practice of monarchical inauguration forms the focal point of the thesis, which is structured around three different types of source material: liturgical texts, narrative accounts and charters. Rather than attempting to trace the development of this ritual, an approach that has been taken many times before, this thesis is concerned with how royal inauguration was understood by contemporaries. Key insights include the importance of considering queens in the construction of images of royalty, the continued significance of unction despite papal attempts to lower the status of royal anointing, and the depth of symbolism inherent in the act of coronation, which enables a reinterpretation of this part of the inauguration rite. -
A Descriptive Catalogue of the Greek Manuscript Collection of Lambeth Palace Library
A Descriptive Catalogue of the Greek Manuscript Collection of Lambeth Palace Library Christopher Wright, Maria Argyrou and Charalambos Dendrinos Lambeth Palace Library Hellenic Institute Royal Holloway, University of London February 2016 Contents TABLEOFCONTENTS Preface by His Grace Justin Welby, Archbishop of Canterbury ::::::::::::::::::::::: 4 Preface by Mr Anastasios P. Leventis, the A. G. Leventis Foundation ::::::::::::::::: 5 Cataloguing the Greek Manuscripts of Lambeth Palace Library :::::::::::::::::::::: 7 Lambeth Palace Library: a brief history ::::::::::::::::::::::::::::::::::::::::::::: 10 Constantinople and Canterbury: contact and collaboration ::::::::::::::::::::::::: 13 Provenance and Sub-Collections ::::::::::::::::::::::::::::::::::::::::::::::::::: 19 Notable features of manuscripts in the collection ::::::::::::::::::::::::::::::::::: 30 List of Abbreviations:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::36 Technical notes and feedback:::::::::::::::::::::::::::::::::::::::::::::::::::::::39 Editorial Conventions :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 40 Glossary of Terms Used :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 41 MS. 461 :::::::::::::::::::::::::::: 45 MS. 1194 :::::::::::::::::::::::::: 260 MS. 528 :::::::::::::::::::::::::::: 52 MS. 1195 :::::::::::::::::::::::::: 269 MS. 528 B :::::::::::::::::::::::::: 59 MS. 1196 :::::::::::::::::::::::::: 280 MS. 802 (a–b) ::::::::::::::::::::::: 63 MS. 1197 :::::::::::::::::::::::::: 298 MS. 1175 ::::::::::::::::::::::::::: -
The Development of Athanasius's Early Pneumatology
Durham E-Theses The Development of Athanasius's Early Pneumatology HILL, KEVIN,DOUGLAS How to cite: HILL, KEVIN,DOUGLAS (2015) The Development of Athanasius's Early Pneumatology, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11300/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The Development of Athanasius’s Early Pneumatology Kevin Douglas Hill Department of Theology and Religion Durham University Submitted for the Degree of Doctor of Philosophy 2015 Abstract The Development of Athanasius’s Early Pneumatology Kevin Douglas Hill Athanasius of Alexandria wrote over seven dozen works, the majority of which contain at least one reference to the Holy Spirit. Yet, previous studies have primarily concentrated on Athanasius’s Letters to Serapion on the Holy Spirit (ca. 359–361), leaving a lacuna in our knowledge of Athanasius’s prior pneumatology. -
The Unique Spiritual Heritage of the Athos Peninsula in the Context of History and Present Time
Polonia Sacra 21 (2017) nr 3 (48) ∙ s. 5–26 DOI: http://dx.doi.org/10.15633/ps.2167 Peter Caban1 Filozofická fakulta, Katolícka univerzita v Ružomberku “A place where no woman has ever entered…” The unique spiritual heritage of the Athos peninsula in the context of history and present time From the viewpoint of the history of Christian spirituality, the Athos peninsula takes a very interesting and precious position. For centuries, Athos was the centre of eastern monastic life, art, and science. It played a huge spiritual role in the history of spirituality. Even in the times before Christ, there were small inhabited cities on Athos, for example Sani, Dion, etc. Athos is mentioned in the works of Thucydides, Homer, Plutarch, and many other Greek authors. During the Turkish occupation, Athos was the centre of national renewal and refuge of Greek education, art, and science.2 1 The priest doc. ThDr. Peter Caban, PhD, is a docent at the Department of Religious Studies and Religious Education of the Faculty of Arts and Letters of the Catholic University in Ružomberok. In his scientific and Literary pursuits activities, he described the history of Christianity, sacral art, and Christian archaeology. He lectured at several European uni- versities and he authors more than 160 books. As a priest, he works in the Cathedral of St. Francis Xavier in Banská Bystrica and in the Priest seminary in Badín (Slovakia). E-mail: [email protected] 2 The exploration for the study was implemented with the support of the grant of the Foundation for the support of Science at the Faculty of Arts and Letters of the Catholic 5 Peter Caban The peninsula together with the entire range of the Athos moun- tains – ῞Αγιον Ὄρος is one of the three “fingers” of the Greek penin- sula Khalkidhiki – Cassandra, Sithonia and Athos which juts into the Aegean Sea from Khalkidhiki. -
340 Handpicked Collecting Boxwood Carvings from The
HANDPICKED COLLECTING BOXWOOD CARVINGS FROM THE SIXTEENTH TO THE TWENTY-FIRST CENTURIES Alexandra Suda & Barbara Drake Boehm In 1862, at the height of the Industrial Revolution in Protestant England, the Duke of Devonshire sent a circlet of carved wooden prayer beads to a special exhibition at London’s South Kensington Museum, which had opened only five years earlier ‘to increase the means of industrial education and extend the influence of science and art upon productive industry.’1 Even in the vast halls of that great museum, and among over eight thousand works of art, this precious object from the duke’s collection at Chatsworth House was undoubtedly a surprising − even suspect − object [FIG. 134].2 Of the rosary’s myriad images, drawn from both the Old and New Testaments, only two, on the circlet’s terminal paternoster nut, were singled out for mention in the catalogue: ‘The Crowning of the Virgin’ and ‘The Sacrifice of the Mass’, both long- standing sore points of dispute between Roman Catholics and Protestants, the one having to do with the role of the Virgin Mary and the other the inter- pretation of the Last Supper of Christ and his apostles. The scene described as ‘The Sacrifice of the Mass’ is, more specifically, a depiction of the Mass of St Gregory [FIGS. 135, 136]. For Roman Catholics, the story of Christ’s appearance to St Gregory at the al - tar confirmed the doctrine of transubstantiation: the belief that the bread and wine of the Mass become the body and blood of Jesus. The subtleties of this 340 FIGS. -
Viewing Heaven: Rock Crystal, Reliquaries, and Transparency in Fourteenth-Century Aachen Claire Kilgore University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, and Student Creative Activity, Art, Art History and Design, School of School of Art, Art History and Design 5-2017 Viewing Heaven: Rock Crystal, Reliquaries, and Transparency in Fourteenth-Century Aachen Claire Kilgore University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/artstudents Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Architectural History and Criticism Commons, Catholic Studies Commons, Christianity Commons, European History Commons, History of Christianity Commons, History of Religion Commons, Liturgy and Worship Commons, Medieval History Commons, Medieval Studies Commons, Metal and Jewelry Arts Commons, Other History of Art, Architecture, and Archaeology Commons, Other Philosophy Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Kilgore, Claire, "Viewing Heaven: Rock Crystal, Reliquaries, and Transparency in Fourteenth-Century Aachen" (2017). Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design. 121. http://digitalcommons.unl.edu/artstudents/121 This Article is brought to you for free and open access by the Art, Art History and Design, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VIEWING HEAVEN: ROCK CRYSTAL, RELIQUARIES, AND TRANSPARENCY IN FOURTEENTH-CENTURY AACHEN By Claire Kilgore A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Art History Under the Supervision of Professor Alison Stewart Lincoln, Nebraska May, 2017 VIEWING HEAVEN: ROCK CRYSTAL, RELIQUARIES, AND TRANSPARENCY IN FOURTEENTH-CENTURY AACHEN Claire Kilgore, M.A.