The Ithacan, 1976-09-16

Total Page:16

File Type:pdf, Size:1020Kb

The Ithacan, 1976-09-16 Ithaca College Digital Commons @ IC The thI acan, 1976-77 The thI acan: 1970/71 to 1979/80 9-16-1976 The thI acan, 1976-09-16 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1976-77 Recommended Citation The thI acan, "The thI acan, 1976-09-16" (1976). The Ithacan, 1976-77. 4. http://digitalcommons.ithaca.edu/ithacan_1976-77/4 This Newspaper is brought to you for free and open access by the The thI acan: 1970/71 to 1979/80 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1976-77 by an authorized administrator of Digital Commons @ IC. September 16, 1976 Vol. 50/No. 4 Ithaca College lt.hoca, New York published independently by the students of Ithaca College Frictions Surface By Jon Choate in Communications Former Assistant Professor Ordinarily, a professor wh~ awarding their colleagues tenure The fallowing article is aimed at Arnold Gibbons was denied is denied tenure must leave after in the School of Communications) analyzing and repDrting the tenure in the spring of 1975. He one more year (according to the sat in on the committee in his conditions and underlying dissat­ appealed to the College Faculty rules of the American Associa­ capacity as department chair­ isfactions within the School of Personnel Appeals Committee tion· of University Professors man. Communications. In the next few who ruled last spring that (AAUP). Gibbons' year (1975-76) weeks, the many subjects con­ Gibbons warranted reevaluation. was spent in appeal, culminating New Camera tained herein will be covered on a Last Jun e, then-Provost Frank in a decision rendered too late to _f:arger, more in-depth scale. Darrow reversed the commit­ enable him to find another 'job. The School of Communica­ tee's decision to reevaluate Gib­ To bypass the AAUP · rule, tions this past summer acquired The School of Communica­ bons. Because Darrow had wai­ Gibbons was promoted for this a third color camera, at an tions may face a serious shortage ted until the close of the school year to the post of SJ;>ecial approximate cost of $27,000. of returning faculty in the year to inform Gibbons . of his Assistant to Communications According to Assistant Provost Dean John K~oglou Department of Television-Radio actions, Gibbons has been· allow­ Dean John Keshishoglou. Gib­ Frank Falcone, the money was in the fall of 1977. Two profes­ ed to remain at Ithaca College for bons' duties now entail teaching appropriated last year (during sors have recently been denied one more year. one course and developing future Frank Darrow's term as Provost) tenure. courses for the Communications from the College's capital equip­ school. ment budget. Receipt of the Gibbons has reacted bitterly money was conditional on the towards Darrow's actions, say­ ability of the School of Communi­ ing, ''.I think DaITow's decision to cations to raise funds to pay for ·a COn1rress Holds First reverse the findings of the TV tower; however Darrow has committee was pernicious, ill-­ pretty much denied any correla­ advised, untimely and moreover, tion between· the tower and the it was the decision of a tired and camera. The funds were raised, frightened man, incapable of however, the tower was built, Meetinl{ o_f the Year understanding the elements of and the School received its fair play and justice. The College camera. is well rid of him." Although funds allocated for By Andy Friedman Gibbons future plans include capital equipment in other divis­ a possible position as Research ions of _the College are unques­ Student Congress began this Associate at the Stanfor School tionably higher, there seems to year with inild controyersy of Communications. be some question as to the need :· Tuesda'.y-:C'e-venmg·- as.-· Student_-,:,: .: . _ Assistant professor Saundra foi- the expenditure for a third Trusteee Julie Stromsteruf and · '· ~---;·,,Hyb~Is.wa.s..denied tenw:e at.the­ color;camera. the Cayugan both came_ unden-:..-_.: .. close of the most recent academic ·one professor stated that criticism. •. and explanations. ·:: year. She has . since . gone to there is ."no teaching need for Stromstead commented in Lockhaven State College in the that camera at all. Any station April after capturing the Student state of Pennsylvania. Hybels students go to will have either Trustee position, "The growing left disillusioned, saying, "educa­ two color cameras or 200." awareness and involvement of tion here (at I. C.] has been Dean Keshishoglou called both students and faculty on sacrificed for the sake of an the third color camera necessary. campus and their input will give electronic playground." "What happens if one camera me a more comprehensive view Sources close to the Hybels goes out. .. you can't do a show of campus affairs." She opted, situation have indicated that the with only one camera," he said. however, to move off-campus tenure committee originally vo­ Keshishoglou further added that this semester-3000 miles off ted to grant her tenure, changing it is "unprofessional to have two campus, and spend the semester their votes only after pressure cameras." at I.C.-London. Student Congresii from the Dean. PHOTO BY CHUCK RITER That same source indicated While some Congressional Shmikler represe~tatives were apparently that the only person not to vote annoyed that Stromstead is not against Hybel's tenure in the Undercurrents within the in Ithaca now to attend to her final vote was . the department faculty are not representative of Congress budgeted, and he Perialas had outlined, but of­ chairman Dana Ulloth, who, the only frictions in the School of duties as trustee, Vice-President turned in a $31,000 yearbook," -of Student and Campus Affairs fered "to take some of that loss although not himself tenured, Communications. said Perialas. with our budget (for this year)." (only tenured professors vote on Gus Peria as rose to her defense. When he heard about it, [cont. page 3] Rick Otis and last year's Perialas called the publisher and Roberta Peters to Teach: Executive Board knew that Bill in an effort to stop Volume stronstead would be going to Two of the yearbook. But wait, London this semester, according seniors, you will be getting that to Perialas. "Whether they second half... Perialas's office chose to pass that information on coughed up $3,000 of the dinlin- was their business." quent $6,000, and the Develop­ Perialas also recalled that ment Office managed to throw in The first meeting of the Stromstead made clear her in­ another $2,000, so that with "the ithaca College Board of Trustees tentions to spend a semester in $1,500 coming from Student for the 1976-77 school year will London while she was elect­ Congress coffers, the debt will be be held on campus tomorrow. ioneering. "If there is any onus," paid off and the yearbook will The meeting will be held in the he said, "it does not fall on Julie." Board Room beginning at 1:00 come out almost on schedule. p.m. Howard Schloss, last year's Congress does have one Vice President of Academic hope of retrieving the $1,500 In addition to the full "Board Affairs, admitted that "we being used to pay off last year's meeting three committee mee­ knew," when asked whether he Cayugan debts. Binders that will tings are also being held. · The and the rest of the Executive hold the two volumes are being Resource Committee meets at Board were aware of Strom-· sold and the first $~,500 will go 3:00 this afternoon on the fifth stead's intentions. When askecf back into congress;· the rest of floor of the library, and the why that information was not the profits will go back into the trusteeship and Executive com­ publicly passed on, however, he College. mittees will convene tomorrow replied, "No comment." morning. .-·\ One representative wanted ' '\ ,-,: Attentions then turned to to know why this year's Con­ One highlight of the Board's the Cayugan, it was announced gress is responsible for last gathering here this weekend is that Student Congress is starting year's debts and Student Body that trustee . Roberta Pe~ers of '. s .. : the year $2300 in the red, and President John Nader explained the Metropolitan opera will con­ $1600 of it is due to last year's "When the books are .closed at · dtt a master class in ~ocal music editor Bill Shayne's handling of the end of each (academic) year, ; the Scho_ol of Music, Walter the yearbook. the bills aren't, and wh~n ,you 0rd rall this afte~oon. According to Perialas, last owe soembody money, you owe nterested auditors are wel- I -·· year's Student Congress . bud­ somebody money." com~ to atten~ . the two-.h~ur geted $24,000 for the 'Ca~. ThepresentCayuganeditor, ses~ion ~om 2 to 4 p.m., durt?g ' "Bill made some changes -t!iat Dave Workman. said he was not w_hich Miss ~eters-will work with ' (:OS~ $6,000 _!D!>re . than wh~t. aware"of-the..financial:~c_ul~ie~ contmued on page 2 .':-,r- ....• , - \,, Primary Result§ By Peter Ajemian later, at 10:20 A.M. Abzug issued a statement through her campaign manager saying she had conceded but that she would await the results of an official recount she had requested before she supported Moynihan, U.P .I. reported. According to Gannet News Service fewer than 20 percent of New York's 3.6 million Demo­ crats voted in the primary, which is one of the lightest turnouts in years (The Republican voter turnout was even lower, inciden- tally).
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • November/December 2005 Issue 277 Free Now in Our 31St Year
    jazz &blues report november/december 2005 issue 277 free now in our 31st year www.jazz-blues.com Sam Cooke American Music Masters Series Rock & Roll Hall of Fame & Museum 31st Annual Holiday Gift Guide November/December 2005 • Issue 277 Rock and Roll Hall of Fame and Museum’s 10th Annual American Music Masters Series “A Change Is Gonna Come: Published by Martin Wahl The Life and Music of Sam Cooke” Communications Rock and Roll Hall of Fame Inductees Aretha Franklin Editor & Founder Bill Wahl and Elvis Costello Headline Main Tribute Concert Layout & Design Bill Wahl The Rock and Roll Hall of Fame and sic for a socially conscientious cause. He recognized both the growing popularity of Operations Jim Martin Museum and Case Western Reserve University will celebrate the legacy of the early folk-rock balladeers and the Pilar Martin Sam Cooke during the Tenth Annual changing political climate in America, us- Contributors American Music Masters Series this ing his own popularity and marketing Michael Braxton, Mark Cole, November. Sam Cooke, considered by savvy to raise the conscience of his lis- Chris Hovan, Nancy Ann Lee, many to be the definitive soul singer and teners with such classics as “Chain Gang” Peanuts, Mark Smith, Duane crossover artist, a model for African- and “A Change is Gonna Come.” In point Verh and Ron Weinstock. American entrepreneurship and one of of fact, the use of “A Change is Gonna Distribution Jason Devine the first performers to use music as a Come” was granted to the Southern Chris- tian Leadership Conference for ICON Distribution tool for social change, was inducted into the Rock and Roll Hall of Fame in the fundraising by Cooke and his manager, Check out our new, updated web inaugural class of 1986.
    [Show full text]
  • The Quill Student Publications
    Roger Williams University DOCS@RWU The Quill Student Publications 11-20-1975 The Quill -- November 20, 1975 Roger Williams University Follow this and additional works at: http://docs.rwu.edu/the_quill Part of the Education Commons Recommended Citation Roger Williams University, "The Quill -- November 20, 1975" (1975). The Quill. Paper 101. http://docs.rwu.edu/the_quill/101 This News Article is brought to you for free and open access by the Student Publications at DOCS@RWU. It has been accepted for inclusion in The Quill by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. THE NIKE SITE: THE DEBATE INTENSIFIES Roger Williams College and session; Bristol High was de­ Lege." such potential for development town, sensing defeat, has asked the Town of Bristol have ap­ signed to accommodate 1,000 RWC's needs are related to of the college." for a special meeting with the plied to the Government Ser­ students there are now 1,4 77 expansion; laboratories, dorms, Realizing that their first pro­ GSA 's representative in Boston vices Agency for use of the enrolled. ln addition, some of and astronomy observatory, posal would probably be to defend their claim. As we go Nike site adjacent to the col­ the children in grades 1-5 at­ physical education facilities denied, the town of Bristol to press, the outcome is uncer­ lege, presently government sur­ tend the multi-unit school, a (just maybe a gym?), etc. When issued a new proposal to share tain. plus land. The conflict is humorous euphemism for the asked if the college would con­ the land with the school and Clearly, Bristol is not a rich further heightened by HEW's Kaiser Aluminum Factory, tinue its fight for the land if the Newport County Chapter town and cannot afford to recommendation that RWC which is evicting the children the town takes the matter to for Retarded Citizens, a late build the classrooms they need.
    [Show full text]
  • For Immediate Release July 2016 Rare Jerry Garcia Band
    FOR IMMEDIATE RELEASE JULY 2016 RARE JERRY GARCIA BAND PERFORMANCE OUT AUGUST 19TH VIA TWO-DISC ARCHIVAL SERIES RELEASE GARCIALIVE VOLUME SEVEN RECORDED NOVEMBER 8, 1976 AT SOPHIE’S IN PALO ALTO, CA PREVIOUSLY UNRELEASED AND UNCIRCULATED TAPES FOUND BY FORMER GRATEFUL DEAD & JGB VOCALIST DONNA JEAN GODCHAUX Nashville, TN – On August 19, Round Records & ATO Records will release the two-disc GarciaLive Volume Seven: November 8th, 1976 – Jerry Garcia Band, a previously unreleased and uncirculated performance recorded at Sophie’s in Palo Alto, CA. The original reels, along with several other recordings, which have come to be known as the “Houseboat Tapes,” were only recently discovered by former Grateful Dead and Jerry Garcia Band vocalist Donna Jean Godchaux. The chance finding is the subject of a Q&A with Godchaux in the current issue of Relix. Pre-order for GarciaLive Vol. Seven can be found at Garcia Family Provisions (http://jerrygarcia.shop.musictoday.com/). Once a supermarket, Sophie’s was an unassuming and intimate venue where the Jerry Garcia Band played four times in 1976. The hall eventually became the Keystone Palo Alto and hosted the group many more times through the years. Palo Alto itself holds a distinctive place in Garcia’s history. After a brief stint in the Army, it was where Garcia settled and became fully committed to music in the early 1960’s when he was teaching guitar and playing in bands around the area. With former Elvis Presley drummer Ron Tutt manning the throne, longtime Garcia collaborator John Kahn on bass, Keith Godchaux on keys and Donna Jean Godchaux on backing vocals, this ensemble performed almost 70 shows that year and became known as one of the Garcia Band’s strongest lineups.
    [Show full text]
  • Stardigio Program
    スターデジオ チャンネル:450 洋楽アーティスト特集 放送日:2019/03/04~2019/03/10 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■ROXY MUSIC 特集 (1) RE-MAKE/RE-MODEL ROXY MUSIC LADYTRON ROXY MUSIC IF THERE IS SOMETHING ROXY MUSIC VIRGINIA PLAIN ROXY MUSIC PYJAMARAMA (POLYDOR MIX) ROXY MUSIC IN EVERY DREAM HOME A HEARTACHE ROXY MUSIC DO THE STRAND ROXY MUSIC FOR YOUR PLEASURE ROXY MUSIC EDITIONS OF YOU ROXY MUSIC JUST LIKE YOU [君の如く] ROXY MUSIC A SONG FOR EUROPE [ヨーロッパ哀歌] ROXY MUSIC MOTHER OF PEARL ROXY MUSIC ■ROXY MUSIC 特集 (2) STREET LIFE ROXY MUSIC AMAZONA ROXY MUSIC THE THRILL OF IT ALL (EDIT) ROXY MUSIC ALL I WANT IS YOU ROXY MUSIC OUT OF THE BLUE ROXY MUSIC PRAIRIE ROSE ROXY MUSIC SHE SELLS ROXY MUSIC LOVE IS THE DRUG [恋はドラッグ] ROXY MUSIC BOTH ENDS BURNING ROXY MUSIC MANIFESTO ROXY MUSIC TRASH ROXY MUSIC DANCE AWAY ROXY MUSIC ANGEL EYES ROXY MUSIC SPIN ME ROUND ROXY MUSIC ■ROXY MUSIC 特集 (3) IN THE MIDNIGHT HOUR ROXY MUSIC OH YEAH! ROXY MUSIC SAME OLD SCENE ROXY MUSIC MY ONLY LOVE ROXY MUSIC OVER YOU ROXY MUSIC Jealous Guy ROXY MUSIC MORE THAN THIS ROXY MUSIC THE SPACE BETWEEN ROXY MUSIC AVALON ROXY MUSIC TO TURN YOU ON ROXY MUSIC TAKE A CHANCE WITH ME (7" VERSION) ROXY MUSIC TRUE TO LIFE ROXY MUSIC LIKE A HURRICANE (LIVE) ROXY MUSIC ■BRYAN FERRY 特集 (1) A HARD RAIN'S A-GONNA FALL [はげしい雨が降る] BRYAN FERRY IT'S MY PARTY [涙のバースデイ・パーティー] BRYAN FERRY DON'T WORRY BABY BRYAN FERRY I LOVE HOW YOU LOVE ME [わすれたいのに] BRYAN FERRY SYMPATHY FOR THE DEVIL [悪魔を憐れむ歌] BRYAN FERRY THESE FOOLISH THINGS [愚かなり、わが恋] BRYAN FERRY The 'In' Crowd BRYAN FERRY Smoke Gets In Your Eyes [煙が目にしみる]
    [Show full text]
  • Ballant Amb Roxy Music
    Ballant amb Roxy Music DAVID CASTILLO AVUI, 21/06/10 28 anys després de la seva última actuació a Barcelona, Roxy Music tornava a la ciutat en la segona cita de la gira de reunificació, que es va iniciar fa un parell de dies a Hèlsinki. L'agost del 1982 van triomfar en la presentació d'Avalon a l'estadi del Sant Andreu, telonejats pels experimentals King Crimson de Robert Fripp. Aquella va ser una nit magnífica, quan Barcelona bullia en projectes, s'acabaven els fantasmes dels anys setanta i la majoria dels músics internacionals importants passaven pels nostres escenaris amb tota normalitat. El concert del 82, amb l'entrada amb una reproducció de les dues noies rosses de la portada del disc Flesh and blood, va ser una de les últimes actuacions del grup junts. En un moment d'un dels solos, a Manzanera li va saltar la corda d'una guitarra i va continuar tocant mentre el públic l'ovacionava. Han passat moltes coses des d'aleshores, fins i tot entre nosaltres. Dels quatre amics amb què vaig anar al concert només en sobreviu un, Pere Boluña, a qui no vaig veure dissabte a la nit en la immensa sala de la Fira de l'Hospitalet, on se celebren les actuacions nocturnes del Sónar. Públic majoritàriament jove el que es va concentrar a veure una formació que comptava amb quatre supervivents: Bryan Ferry, el guitarrista Phil Manzanera, el saxofonista Andy Mackay i el bateria Paul Thompson, acompanyats d'una banda d'instrumentistes brillants, tres coristes negres i una violinista i teclista amb una minifaldilla vertiginosa.
    [Show full text]
  • Jgarcia Flammia Spread.Pdf
    VOL 7 ISSUE 10 contents04.16 118 A GRATEFUL LEGEND An inside look at Grateful Dead vocalist, guitarist, father and all out amazing performer, Jerry Garcia, and his influence on the cannabis scene. 16 APRIL 2016 iReadCULTURE.com ON THE COVER: Photo © Jay Blakesberg Photography 118 APRIL 2016 iReadCULTURE.com Photos © Jay Blakesberg Photography erome John “Jerry” Garcia deadheads with day jobs. By the late 1980s, online archive of concert recordings; surviving was a larger than life figure, the travelling circus was so huge it could stop band members who have continued to tour the musical and spiritual a city in its tracks. And Garcia was the driver, in various incarnations; and dedicated fans leader of the Grateful “Uncle Jerry” or “Captain Trips,” whose wildly who refuse to let go. Some 70,000 of them Dead—a band so beloved improvisational guitar style melted the minds turned out in the summer of 2015 when the that many fans devoted their of generations of fans. band played what was billed as their last lives to following them from He also shared his fans’ love of cannabis; show together, ever. show to show. And when he when the house lights at a Dead show went CULTURE recently caught up with two died, millions mourned as if down, the whole audience lit up. But it was of Garcia’s four children, Trixie, 40, who they had lost a family member. heroin Garcia was battling when he checked represents the Garcia family in the Grateful Originating as the house band of the himself into rehab after a summer 1995 tour.
    [Show full text]
  • The Complete Ask Scott
    ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me.
    [Show full text]
  • Billboard 1978-04-01
    oe!?c* NEWSPAPER A Billboard Publication The International Music -Record -Tape Newsweekly April 1, 1978 $1.95 (U.S.) Pickwick's Smith Will 250,000 See Broad Sales Base Chair IMIC Session Cal Jam Il And Growth Seen LOS ANGELES -C. Charles France; Peter Meisel, Intro Gebr. Smith, president of Pickwick Inter- Meisel, Germany; and Ralph Peer Set History national, will chair the session en- II, Peer -Southern, U.S. By PAUL GREIN titled "Harnessing The Computer: Other topics will include "The In- ONTARIO, Calif. -An estimated At NARM Confab Bar Coding, Newest Answer To In- dependent Label: Hope Of The Fu- 250,000 paying concertgoers ventory Control" at IMIC '78, the (Continued on page 78) crowded into the Ontario Motor By JOHN SIPPEL Billboard sponsored International Speedway here March 18 for Cal NEW ORLEANS -The record /tape industry presently has a far broader Music Industry Conference in Jam II to become the largest paying and different age group base than previously reckoned, atten,lee6-r'rARM's Venice, May 1 -4. audience in the history of U.S. rock 20th annual convention here learned. Population growth estimates project Other sessions firmed are New Brand Names No concerts and the largest rock even more optimistic sales plateaus Techniques In Talent Negotiations," crowd -paying or not -ever in Cali- as 1985 nears. Bar coding of albums chaired by Frederic N. Gaines, at- Lure For Discos fornia. Publishers is imminent and the sooner the bet- torney, Bushkin, Kopelson, Gaims The previous record -holder, Mull ter, all segments of the business re- By RADCLIFFE JOE & Gaines; "Bridging The Gap Be- claims Sandy Feldman, a copro- port.
    [Show full text]
  • Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
    [Show full text]
  • ABIGOR 22 Is Stunning
    Weirdos and freaks, scientists and philosophers, Index libertines and mavericks of metal music! Crew 2 Half a year ago avantgarde-metal.com About Avantgarde-Metal 4 began to sprout its branches into the internet. Originally it was meant to be a little harbour for lovers of the metal sounds beyond the streamlines. But very Interviews soon it became obvious that we are not the only ones bored by the clichés and conventions of the metal scene. BETHLEHEM 5 DøDHEIMSGARD 12 Your interest in the weird sides of metal ABIGOR 22 is stunning. More than 45.000 visitors FLEURETY 31 show that the metal revolution has al- ready begun! And so avant-garde- KOROVAKILL 38 metal.com grew rapidly. In February DOL AMMAD 44 2007 we started with four people. Now ANGIZIA 51 the crew consists of 16 enthusiastic writ- MANES 60 ers from all corners of the world. More SATANOCHIO 63 than two hundred articles have been written to present you the most experi- BERGRAVEN 67 mental and innovative sounds metal can KEKAL 69 provide. THE AMENTA 74 IMPURE DOMAIN 78 So we thought that the time was ripe for [D]EKADEN[Z] 81 a big Christmas present for you – the first print edition of avant-garde- GIRE 84 metal.com. On 124 pages you can find ANSUR 88 all online interviews and reviews of the UMBAH 92 most important avant-garde metal al- BRACHIALILLUMINATOR 94 bums of 2007. And you can find the re- ABSTRUSE 98 sults of your voting for the best albums of this year. Discover the hidden Treas- ures & Reviews Never stop the Freak Show… Chrystof Retrospection 2007 102 rd 23 December
    [Show full text]
  • FW May-June 03.Qxd
    CD REVIEWS • CALENDAR OF EVENTS • INTERVIEWS FREE Volume 3 Number 6 November-December 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY VIVA“Don’t you knowCONJUNTO that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers FLACO JIMENEZ ROCKIN’ THE SKIRBALL BY BETTO ARCOS laco Jimenez knows where ings, of your roots, where you come from. he comes from and he’s My point is ‘life is life’ and everybody’s proud to say it: “I’m just got a heart that feels, and there’s good ones an accordion player from and bad ones. We all struggle to survive. the West side of town.” But still, if I’m a poor musician, I’m a mil- The West side of town is a lionaire in music, but not with money. The F working class area in San heart is the one that’s rich.” Antonio. For a long time, this neigh- Flaco Jimenez has a particular way of borhood carried a stigma and a bad explaining what it is that makes music so reputation, but for Flaco, and many of important in life. Every musician has their the best Tejano musicians, the West own style, their own feeling the way they side is where much of the music we play music, he says. But, “sometimes there now know as Tex-Mex, Conjunto or are musicians that are just mechanical, Tejano was born. they don’t have the ‘crying expression’ of Leonardo “Flaco” Jimenez was born explaining the music, but still they’re good into a legendary musical family.
    [Show full text]