Daniel Maudlin Phd Thesis
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Hoock Empires Bibliography
Holger Hoock, Empires of the Imagination: Politics, War, and the Arts in the British World, 1750-1850 (London: Profile Books, 2010). ISBN 978 1 86197. Bibliography For reasons of space, a bibliography could not be included in the book. This bibliography is divided into two main parts: I. Archives consulted (1) for a range of chapters, and (2) for particular chapters. [pp. 2-8] II. Printed primary and secondary materials cited in the endnotes. This section is structured according to the chapter plan of Empires of the Imagination, the better to provide guidance to further reading in specific areas. To minimise repetition, I have integrated the bibliographies of chapters within each sections (see the breakdown below, p. 9) [pp. 9-55]. Holger Hoock, Empires of the Imagination (London, 2010). Bibliography © Copyright Holger Hoock 2009. I. ARCHIVES 1. Archives Consulted for a Range of Chapters a. State Papers The National Archives, Kew [TNA]. Series that have been consulted extensively appear in ( ). ADM Admiralty (1; 7; 51; 53; 352) CO Colonial Office (5; 318-19) FO Foreign Office (24; 78; 91; 366; 371; 566/449) HO Home Office (5; 44) LC Lord Chamberlain (1; 2; 5) PC Privy Council T Treasury (1; 27; 29) WORK Office of Works (3; 4; 6; 19; 21; 24; 36; 38; 40-41; 51) PRO 30/8 Pitt Correspondence PRO 61/54, 62, 83, 110, 151, 155 Royal Proclamations b. Art Institutions Royal Academy of Arts, London Council Minutes, vols. I-VIII (1768-1838) General Assembly Minutes, vols. I – IV (1768-1841) Royal Institute of British Architects, London COC Charles Robert Cockerell, correspondence, diaries and papers, 1806-62 MyFam Robert Mylne, correspondence, diaries, and papers, 1762-1810 Victoria & Albert Museum, National Art Library, London R.C. -
Altea Gallery
Front cover: item 32 Back cover: item 16 Altea Gallery Limited Terms and Conditions: 35 Saint George Street London W1S 2FN Each item is in good condition unless otherwise noted in the description, allowing for the usual minor imperfections. Tel: + 44 (0)20 7491 0010 Measurements are expressed in millimeters and are taken to [email protected] the plate-mark unless stated, height by width. www.alteagallery.com (100 mm = approx. 4 inches) Company Registration No. 7952137 All items are offered subject to prior sale, orders are dealt Opening Times with in order of receipt. Monday - Friday: 10.00 - 18.00 All goods remain the property of Altea Gallery Limited Saturday: 10.00 - 16.00 until payment has been received in full. Catalogue Compiled by Massimo De Martini and Miles Baynton-Williams To read this catalogue we recommend setting Acrobat Reader to a Page Display of Two Page Scrolling Photography by Louie Fascioli Published by Altea Gallery Ltd Copyright © Altea Gallery Ltd We have compiled our e-catalogue for 2019's Antiquarian Booksellers' Association Fair in two sections to reflect this year's theme, which is Firsts The catalogue starts with some landmarks in printing history, followed by a selection of highlights of the maps and books we are bringing to the fair. This year the fair will be opened by Stephen Fry. Entry on that day is £20 but please let us know if you would like admission tickets More details https://www.firstslondon.com On the same weekend we are also exhibiting at the London Map Fair at The Royal Geographical Society Kensington Gore (opposite the Albert Memorial) Saturday 8th ‐ Sunday 9th June Free admission More details https://www.londonmapfairs.com/ If you are intending to visit us at either fair please let us know in advance so we can ensure we bring appropriate material. -
Persons Index
Architectural History Vol. 1-46 INDEX OF PERSONS Note: A list of architects and others known to have used Coade stone is included in 28 91-2n.2. Membership of this list is indicated below by [c] following the name and profession. A list of architects working in Leeds between 1800 & 1850 is included in 38 188; these architects are marked by [L]. A table of architects attending meetings in 1834 to establish the Institute of British Architects appears on 39 79: these architects are marked by [I]. A list of honorary & corresponding members of the IBA is given on 39 100-01; these members are marked by [H]. A list of published country-house inventories between 1488 & 1644 is given in 41 24-8; owners, testators &c are marked below with [inv] and are listed separately in the Index of Topics. A Aalto, Alvar (architect), 39 189, 192; Turku, Turun Sanomat, 39 126 Abadie, Paul (architect & vandal), 46 195, 224n.64; Angoulême, cath. (rest.), 46 223nn.61-2, Hôtel de Ville, 46 223n.61-2, St Pierre (rest.), 46 224n.63; Cahors cath (rest.), 46 224n.63; Périgueux, St Front (rest.), 46 192, 198, 224n.64 Abbey, Edwin (painter), 34 208 Abbott, John I (stuccoist), 41 49 Abbott, John II (stuccoist): ‘The Sources of John Abbott’s Pattern Book’ (Bath), 41 49-66* Abdallah, Emir of Transjordan, 43 289 Abell, Thornton (architect), 33 173 Abercorn, 8th Earl of (of Duddingston), 29 181; Lady (of Cavendish Sq, London), 37 72 Abercrombie, Sir Patrick (town planner & teacher), 24 104-5, 30 156, 34 209, 46 284, 286-8; professor of town planning, Univ. -
The Mylne Family [Microform] : Master Masons, Architects, Engineers, Their Professional Career, 1481-1876
THE MYLNE FAMILY. MASTER MASONS, ARCHITECTS, ENGINEERS THEIR PROFESSIONAL CAREER 1481-1876. PRINTED FOR PRIVATE CIRCULATION BY ROBERT W. MYLNE, C.E., F.R.S., F.S.A., F.G.S., F.S.A Scot PEL, INST. BRIT. ARCH LONDON 187 JOHN MYLNE, MASTER MASON ANDMASTER OF THE LODGE OF SCONE. {area 1640—45.) Jfyotn an original drawing in tliepossession of W. F. Watson, Esq., Edinburgh. C%*l*\ fA^ CONTENTS. PREFACE. " REPRINT FROM ARTICLEIN DICTIONARYOF ARCHITECTURE.^' 1876. REGISTER 07 ABMB—LTONOFFICE—SCOTLAND,1672. BEPBIKT FBOH '-' HISTOBT OF THKLODGE OF EDINBURGH," 1873. CONTRACT BT THE MASTER MASONS OF THE LODGE OF SCONE AND PERTH, 1658. APPENDIX. EXTRACTS FROM THE BURGH BOOKS OF DUNDEE, 1567—1604. CONTRACT WITH GEORGE THOMSON AND JOHN MTLNE, MASONS, TO MAKE ADDITIONS TO LORD BANNTAYNE'S HOUSE AT NEWTTLE. NEAR DUNDEE, 1589. — EXTRACTS FROM THE BURGH BOOKS OF EDINBURGH, 1616 17. CONTRACT BETWIXT JOHN MTLNE,AND LORD SCONE TO BUILD A CHURCH AT FALKLAND,1620. EXTRACTS FROM THE BURGH BOOKS OF DUNDEE AND ABERDEEN, 1622—27. EXTRACT FROM THE CHAMBEBLAIn'b ACCOUNTS OF THE EABL OF PERTH, 1629. GRANT TOJOHN MTLNEOF THE OFFICE OF PRINCIPAL MASTER MASON TO THEKING,1631. EXTRACTS FBOM THE BUBGH BOOKS OF KIBCALDT AND DUNDEE, 1643—51. GRANT TO JOHN MTLNE, TOUNGER, KING'S PRINCIPAL MASTER MASON> OF THE OFFICE OF CAPTAIN AND MASTER OF PIONEERS AND PRINCIPAL MASTER GUNNER OF ALLSCOTLAND,1646. CONTRACT WITHJOHN MTLNEAND GEORGE 2ND EABL 09 PANMUBE TO BUILDPANMURE HOUSE, ADJACENT TO THE ANCIENT MANSION AT BOWBCHIN, NEAR DUNDEE, 1666. BOTAL WARRANT CONCERNING THE FINISHING OF THE PALACE OF HOLTROOD, 21 FEBRUARY,1676. -
PLANNING, HERITAGE and ACCESS STATEMENT-Reva
PLANNING, HERITAGE & ACCESS STATEMENT LAND TO REAR OF 28 AMWELL STREET, LONDON EC1 (ALSO KNOWN AS NEW RIVER HEAD) th Rev A – 28 April 2014 The Regeneration Practice 1 Huguenot Place Heneage Street London E1 5LN www.regeneration.co.uk CONTENTS 1.0 INTRODUCTION 2.0 SITE CONTEXT 2.1 History 2.2 Location 2.3 Local Context 2.4 Townscape Setting 2.5 Land Use 2.6 Public Transport accessibility 2.7 Planning Policy Context 3.0 SITE ANALYSIS: 3.1 Historical Significance 3.2 Statutory Listing and Conservation Area Status 3.3 Constraints 3.4 Opportunities 4.0 DESIGN PRINCIPLES ADOPTED: 4.1 Land Use 4.2 Bulk and Massing 4.3 Access 4.4 Conservation Philosophy 2 5.0 THE PROPOSALS: 5.1 The Design Process 5.2 Design Evolution 5.3 Analysis of Options 5.4 Repairs 5.5 Sustainability 91 6.0 ACCESS STATEMENT: 6.1 Purpose of the Access Statement 6.2 Methodology 6.3 Design Standards 6.4 Project Description 6.5 Access context and Site Constraints 6.6 Car Parking 6.7 Pedestrian Access 6.8 Refuse Storage Access 6.9 Hard Landscape Design 6.10 Building Approach 6.11 Studios, Café , Heritage Display and Education Areas Design 7.0 CONCLUSIONS APPENDICES: A: Option Plans extracted from the Options Study 3 1.0 INTRODUCTION This Planning, Heritage and Access Statement has been prepared on behalf of Heritage of London Trust Operations Limited (HOLTOPS) to support planning and Listed Building applications for the repair and refurbishment of the Engine House, Boiler Houses, Coal Store and Wind Pump Base on the New River Head site, bringing them into public and community use to accommodate; a) a heritage-education area that presents the site’s significance and principle stories, and runs education programmes for schools and the community, b) office space for charities, and c) community and meeting room facilities and a cafe. -
Obituary. Charles Greaves, 1816-1883
CHARLESGREAVES. 355 OBITUL4RYNOTICES. CHARLES GREAVES was born at Amwell, in Hertfordshire, on the 19th of October, 1816. He wasthe eldest son of Charles Greaves,formerly of St.Paul’s Churchyard, London, and Char- lotteMylne, daughter of RobertMylne theeminent architect, who designed old Blackfriars Bridge, and for nearly fifty years held the post of architect and surveyor to St. Paul’s Cathedral, aswell as being Resident Engineer to the NewRiver Water- works for the same period. Nr. Greaves’s early years were spent on Dartmoor, thence he went to the school of the well-known Dr. Mapat Cheam, in 1824.Remaining there for about two years, he returned to his family, who had removed to Devonport, andthere he entered the Classical andMathematical School, that llad recently come under the rule of his father’s cousin, the Rev. Henry Addington Greaves. Ilis career at school was not markedby any specialbrilliancy, butrather by steady perse- verance and unflagging industry. When only thirteen years of age, young Greaves’s father died very suddenly, and the boy, the eldest of a family of six children, at once grasped the idea that hisfirst duty was to be a stay andcomfort to his widowed mother, andfor upwards of thirty years,notwithstanding the cares and anxieties of a busy, active life, he was unremitting in hisattention and considerationfor her. He wasarticled to Mr. J. M. Rendel, Past-President Inst. C.E., at Plymouth, on the 2nd of September, 1831. Thelate Mr. Nathaniel Beardmore, M. Inst. C.E., and Sir John Coode, M. Inst. C.E., who had been schoolfellows with Greaves,were also fellow-pupils with him. -
The New River Path – a Walk Linking Hertford with Islington
The New River Path – a walk linking Hertford with Islington The Route The New River is neither new nor a river. It is a water supply aqueduct, completed in 1613, to bring drinking water from Hertfordshire to North London. Since 1992, Thames Water has worked with local people and partners to create a 45 km [28 mile] long-distance footpath that follows the course of the New River, linking the inner city to the open countryside. The route follows, wherever possible, the historic water channel, as well as some straightened and piped sections between the New River’s starting point near Hertford to its original end in Islington. The route is waymarked throughout its length and all signs display the NR Path logo. Hertfordshire Section: 22 km (14 miles) The Path starts at New Gauge, Hertford, and traverses a variety of attractive landscapes ranging from the expansive Lee Valley corridor to more enclosed sections through Hoddesdon and parts of Broxbourne, before bridging over the M25 near Theobald’s Park; this section takes 6-8 hours to walk. London Section: 18 km (11 miles) From the M25 the River flows through a series of ever changing scenes, ranging from the enclosed built-up urban corridor to sections of a more open character. This route section ends at the ‘Castle’, Stoke Newington, and takes 5-7 hours to walk. Heritage Section: 5 km (3 miles) Beyond the ‘Castle’, the Path runs through open spaces and on-street to New River Head. The route follows the historic, but now truncated. New River course although some sections of the original water channel are still evident; it takes 1-2 hours to complete. -
'“This Knotty Business:” the Making of Robert
DISCOVERING DALMATIA: DALMATIA IN TRAVELOGUES, IMAGES, AND PHOTOGRAPHS Edited by Katrina O’Loughlin, Ana Šverko, and Elke Katharina Wittich THE INSTITUTE OF ART HISTORY ZAGREB 2019 . ____GTD DD prijelom IIIIII FINAL.indd 3 17/11/2019 19:25 ACKNOWLEDGMENTS 8 Irena Kraševac 198 Views of Dalmatian Cities Ana Šverko 12 and Architectural Monuments PREFACE: for the Publication The Austro- A Collage of Fragments Hungarian Monarchy in Words and Pictures – Volume Dalmatia Elke Katharina Wittich 22 On Towns and People: Sanja Žaja Vrbica 226 Traditions of Describing Archduke Ludwig Salvator von and Depicting Dalmatia Habsburg’s Travel Writing and South-Eastern Europe from the Region of Dubrovnik from the Sixteenth to the Eighteenth Century Hrvoje Gržina 250 Nineteenth Century Dalmatia Jean-Pierre Caillet 70 Inverted in the Camera: A French Humanist’s First Photographic Glass Plate Impressions of Istria and Negatives by Franz Thiard Dalmatia: The Account of de Laforest a Voyage by Jacob Spon, 1678 Dragan Damjanović 278 Colin Thom 90 Politics, Photography and “This Knotty Business:” Architecture: The University The making of Robert Adam’s of Vienna’s First Study Trip Ruins of the Palace of the (Erste Wiener Universitätsreise) Emperor Diocletian (1764), and Monuments on the revealed in the Adam brothers’ Eastern Adriatic Coast Grand Tour correspondence Katrina O’Loughlin, Ana Šverko 308 Cvijeta Pavlović 116 Gertrude Bell’s Spring Correctio descriptionis: in Dalmatia, 1910 Lovrić vs. Fortis Joško Belamarić, Ljerka Dulibić 354 Magdalena Polczynska 140 -
California State University, Northridge Giovanni
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE GIOVANNI BATTISTA PIRANESI AND THE ROMANTIC RUIN IN FRENCH LITHOGRAPHY A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Cynthia Lee Kimble January 1984 The Thesis of Cynthia Lee Kimble is approved: Birgitta Lindros Wohl, Ph.D. Kenon Breaze~le, Ph.D. California State University, Northridge ii I would like to extend my gratitude to the members of my committee, especially to Louise Lewis for her enthusiasm and understanding, and to Dr. Birgitta Wohl, for her friendship and guidance. I also want to express my appreciation to my family, for their loyal support and encouragement throughout the duration of this project. Last, but not least, I would like to say a special "thank you" to my typist, Ann Witkower, for her expertise in preparing the final draft of this thesis. iii TABLE OF CONTENTS Page Acknowledgments . .iii List of Plates •• . • • v Abstract. • • • • • •• xvii Introduction. • • 1 Chapter 1: The Forerunners of the Romantic Ruin in Print • • • • • . 4 Chapter 2: Piranesi and the Ruins of Rome. • 37 Chapter 3: Voyages pittoresques et romantiques dans l'ancienne France and Piranesi •••••• 91 Conclusion. • • • • • 0 • • • • • • • • • • • • .155 Bibliography. • 1 61 Appendices. • • • • • •••••• • 1 73 A Selected List of Piranesi's Works B Volumes of Voyages pittoresgues et romantigues dans l'ancienne France Plates. • • • • • 1 76 iv LIST OF PLATES Plate Page 1 • Fra Francesco Colonna. The Polyandrion, woodcut. Hypnerotomachia Polifili, 1499. Cooper Union Museum, New York. Source: Paul Zucker. Fascination of Decay: Ruins, Relic, Symbol, Ornament. Ridgewood, N.J.: Gregg Press, 1968, p. -
ST CECILIA's HALL Niddry Street, Edinburgh Conservation Plan
ST CECILIA’S HALL Niddry Street, Edinburgh Conservation Plan Simpson & Brown Architects December 2009 Front cover: Oval Concert Hall Cupula. University of Edinburgh. ST CECILIA’S HALL: CONSERVATION PLAN DRAFT CONTENTS Contents Page 1.0 Executive Summary 3 2.0 Introduction 8 2.1 Objectives of a Conservation Plan 8 2.2 Study Area 8 2.3 Designations 12 2.3.1 Listed Buildings 2.3.2 Conservation Area 2.3.3 World Heritage Site 2.3.4 Other Designations 2.4 Limitations 14 2.5 Structure of the Report 15 2.6 Project Team 15 2.7 Acknowledgements 15 2.8 Archives and Collections 16 2.9 Definitions 16 3.0 Understanding St Cecilia’s Hall 19 3.1 Introduction 19 3.2 General History 19 3.2.1 The Changing Face of Edinburgh in the 18th Century 3.2.2 18th Century Concert Halls in Europe 3.2.3 Robert Mylne, 1733-1811 3.3 Historical Development of St Cecilia’s Hall 27 3.3.1 Previous Building(s) on the Site 3.3.2 Phase One – 1760 to 1767 3.3.3 Phase Two – 1768 to 1776 3.3.4 Phase Three – 1786 to 1801 3.3.5 Phase Four – 1801 to 1844 3.3.6 Phase Five – 1844 to c.1890 3.3.7 Phase Six – 1890 to 1933 3.3.8 Phase Seven – 1933 to 1959 3.3.9 Phase Eight – 1959 to Today 3.4 Collections Held at St Cecilia’s Hall 49 3.4.1 The Edinburgh University Collection of Historic Musical Instruments 3.4.2 The Raymond Russell Collection 3.4.3 The Rodger Mirrey Collection 3.4.4 The Anne Macauley Collection 3.4.5 Other notable historic keyboard instrument collections in the UK 4.0 Statement of Significance 52 5.0 Conservation Issues 56 5.1 Introduction 56 5.2 Statutory & Non-Statutory -
Planning, Heritage & Access Statement
PLANNING, HERITAGE & ACCESS STATEMENT LAND TO REAR OF 28 AMWELL STREET, LONDON EC1 (ALSO KNOWN AS NEW RIVER HEAD) (Revision A) The Regeneration Practice 1 Huguenot Place Heneage Street London E1 5LN www.regeneration.co.uk CONTENTS 1.0 INTRODUCTION 2.0 SITE CONTEXT 2.1 History 2.2 Location 2.3 Local Context 2.4 Townscape Setting 2.5 Land Use 2.6 Public Transport accessibility 2.7 Planning Policy Context 3.0 SITE ANALYSIS: 3.1 Historical Significance 3.2 Statutory Listing and Conservation Area Status 3.3 Constraints 3.4 Opportunities 4.0 DESIGN PRINCIPLES ADOPTED: 4.1 Land Use 4.2 Bulk and Massing 4.3 Access 4.4 Conservation Philosophy 2 5.0 THE PROPOSALS: 5.1 The Design Process 5.2 Design Evolution 5.3 Analysis of Options 5.4 Repairs 5.5 Sustainability 91 6.0 ACCESS STATEMENT: 6.1 Purpose of the Access Statement 6.2 Methodology 6.3 Design Standards 6.4 Project Description 6.5 Access context and Site Constraints 6.6 Car Parking 6.7 Pedestrian Access 6.8 Refuse Storage Access 6.9 Hard Landscape Design 6.10 Building Approach 6.11 Studios, Café , Heritage Display and Education Areas Design 7.0 CONCLUSIONS APPENDICES: A: Option Plans extracted from the Options Study 3 1.0 INTRODUCTION This Planning, Heritage and Access Statement has been prepared on behalf of Heritage of London Trust Operations Limited (HOLTOPS) to support planning and Listed Building applications for the repair and refurbishment of the Engine House, Boiler Houses, Coal Store and Wind Pump Base on the New River Head site, bringing them into public and community use to accommodate; a) a heritage-education area that presents the site’s significance and principle stories, and runs education programmes for schools and the community, b) office space for charities, and c) community and meeting room facilities and a cafe. -
Robert Adam's Revolution in Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Robert Adam's Revolution In Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Hausberg, Miranda Jane Routh, "Robert Adam's Revolution In Architecture" (2019). Publicly Accessible Penn Dissertations. 3339. https://repository.upenn.edu/edissertations/3339 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3339 For more information, please contact [email protected]. Robert Adam's Revolution In Architecture Abstract ABSTRACT ROBERT ADAM’S REVOLUTION IN ARCHITECTURE Robert Adam (1728-92) was a revolutionary artist and, unusually, he possessed the insight and bravado to self-identify as one publicly. In the first fascicle of his three-volume Works in Architecture of Robert and James Adam (published in installments between 1773 and 1822), he proclaimed that he had started a “revolution” in the art of architecture. Adam’s “revolution” was expansive: it comprised the introduction of avant-garde, light, and elegant architectural decoration; mastery in the design of picturesque and scenographic interiors; and a revision of Renaissance traditions, including the relegation of architectural orders, the rejection of most Palladian forms, and the embrace of the concept of taste as a foundation of architecture.