The Jews in Italy: Their Contribution to the Development and Difusion of Jewish Heritage

Total Page:16

File Type:pdf, Size:1020Kb

The Jews in Italy: Their Contribution to the Development and Difusion of Jewish Heritage Yaron Harel, Mauro Perani, eds. The Jews in Italy: Their Contribution to the Development and Difusion of Jewish Heritage. Brookline: Academic Studies Press, 2019. 444 pp. $129.00, cloth, ISBN 978-1-64469-026-0. Reviewed by Howard Adelman (Queen's University) Published on H-Judaic (June, 2020) Commissioned by Barbara Krawcowicz (Jagiellonian University) This collection of articles presents the pro‐ and early on had a presence in the south of the ceedings of a conference on the Jews of Italy held peninsula, where, according to Yaron Silverstein, it in 2011 at Bologna University, in conjunction with flourished under the influence of Jewish traditions Bar Ilan University and the Italian Association for from Palestine and Babylonia. There it would con‐ the Study of Judaism. Most of the twenty-two arti‐ tinue to be impacted by Arab, Spanish, and French cles represent new voices in the study of Italian culture. Jewry from Italy and Israel. The articles and their The Italian Jewish communities in the north notes provide a good opportunity to survey the re‐ developed in the course of the fifteenth and six‐ cent scholarship on Italian Jewry, despite the fact teenth centuries after the forced conversions, in‐ —or maybe due to the fact—that several of the ar‐ quisition, and expulsions of the Jews of the Iberian ticles are very technical and present untranslated peninsula and Spanish foreign holdings, including passages and terms. Although the articles do not territories in the south of the Italian peninsula, es‐ reflect consistency in editing and translation, indi‐ pecially Naples. Italian Jewry continued to expand vidually and collectively they provide valuable in‐ after the expulsions and exoduses of Jews from formation and analysis about the current state of French territories, the northern Tzorfatim, and the research of Italian Jewry in particular and in the southern Provencalim, as described by Shimon context of Jewish studies in general. Schwarzfuchs, and from the Germanic lands, the The main title of this book, The Jews in Italy, Ashkenazim, whose diet and family structures are immediately raises two significant questions presented by Zahava Weishouse. about Jewish history in Italy that are more than se‐ The life of Abraham de Balmes (1440-1523), as mantic: What are “Jews,” and what is “Italy?” Tak‐ described by Dror ben-Ariè is an example of the en in reverse order, the answer to the question of migrations of Jews in Italy: his family was from what is Italy involves many independent and Spain, he was born in southern Italy, studied in semi-dependent, cooperating and conflicting polit‐ Naples, and moved to northern Italy, where he died ical, cultural, and linguistic entities occupying in Venice. In the northern and central communi‐ what might better be called the Italian peninsula, ties, such as those of Venice, Florence, the Papal which, after 1861, was unified as the Kingdom of States, Mantua, Milan, Modena, and Ferrara, as Italy. Following Miriam Ben Zeev’s article, Jewish well as so many small towns and even villages, life in the Italian peninsula began in Roman times during the Renaissance and Baroque periods Ital‐ H-Net Reviews ian Jewish culture made, in the words of the subti‐ and Christians. He studied philosophy and tle of the book, a “Contribution to the Develop‐ medicine at the university in Naples, served as the ment and Diffusion of Jewish Heritage.” Despite personal physician to a cardinal, lectured at the the rivalries between the individual city states and university in Padua, maintained relations with duchies, the balance among these entities was fur‐ Christian humanists, translated philosophical ther disrupted as Italy became the battlefield for works from Latin to Hebrew, and, influenced by forces outside the peninsula, including France, trends in the study of Latin grammar, wrote a Spain/Holy Roman Empire, and Turks. Neverthe‐ bilingual Hebrew-Latin grammar of Hebrew. less, a sense of Italianness, Italianità, emerged and Michael Ryzhik’s study of the Hebrew transla‐ became the framework for Italian culture and Ital‐ tion of Giordano Ruffo’s equine medical treatise il‐ ian Jewish culture. lustrates some of the same trends. Although the The second question raised by the title of the translation is anonymous, factors point to a south‐ book concerns the words “Jews” and “Jewish.” This ern Italian origin, probably from the fifteenth cen‐ is a historical question and not a halakhic one. tury. Some of the illustrative features of the work Several of the authors inadvertently raised the that highlight the range of cultural influences on question by referring to “normative” (pp. 38, 44, the translator are that at times the Hebrew reflects 287),“Orthodox Judaism” (p. 164), “halakhah” (p. Arabic influence and includes Italian words, and 221), “halakhic” (p. 292), “uniform code binding on sometimes the translator will start to write a word all Jewish communities” (p. 301), and other expres‐ in Latin, delete it, and put in a Hebrew word. Ora sions of universally prescribed behaviors and be‐ (Rodrigue) Schwarzwald’s study of Ladino transla‐ liefs for all Jews. Nevertheless, the book does deal tions of traditional Hebrew texts raises other ques‐ with crypto-Jews and kabbalists, which highlights tions of cross-cultural influences on Italian Jewry. some of the range of Jewish life in Italy. The Ladino translations, however, present a para‐ Furthermore, a monolithic Jewish culture, sep‐ dox. While other translations into Judeo-Italian arated by the ghetto walls, did not exist, despite show the influence of outside cultures on Jewish one author’s description of ritual as something vernacular translations, the Ladino texts, although that, “deepened the religious consciousness and es‐ originally based on the openness of Spanish Jews tablished the foundation of a Jewish society that to the surrounding language, in Italy they repre‐ could withstand the antisemitic pressures that sented a closure for some Jews to both traditional were waiting at the walls outside the ghetto” (p. Hebrew texts and to the local Judeo-Italian di‐ 164). One of the most obvious aspects of Italian alects. The theme of Italian influences on Jewish Jewish culture presented in this book that defies culture is further demonstrated in Carmela the division between Jews and others is the lan‐ Saranga’s essay on Jossipon and the Book of Jash‐ guages that Jews used. A significant measure of the er; both anonymous works probably originated in interaction between Jewish and Italian culture is southern Italy during the Middle Ages. While these the various Judeo-Italian calques, words, and books present reworked biblical tales and Jewish phrases brought in from other languages, and the historiography, they also integrate material from eventual adoption of Italian in Jewish life. These Italian history, including from Plutarch and Livy, phenomena undermine the notion of a lack of thereby highlighting the influence of other cultures communication and cultural exchange between in Italy on Jews. In his very useful summary of Jewish and non-Jewish culture. Kabbalah in Italy, Moshe Hallamish, however, avoids the question of the sources of sixteenth-cen‐ The life of Abraham de Balmes further illus‐ tury Cordoverian and Lurianic Kabbalah in Safed. trates the blurring of boundaries between Jews Were these new trends brought to Safed by Iberian 2 H-Net Reviews refugees or was there something unique to Safed In addition to most of the philosophical and that influenced the development of Kabbalah kabbalistic articles, Yoel Shiloh wrote an impor‐ there, perhaps Sufism, a subject that has received tant article for understanding family dynamics by much attention from scholars lately? Similarly, following the paper trail of marriage negotiations. Yaniv Goldberg’s essay on dybbuk exorcisms strug‐ Having just published a book on the subject, I read gles with the question of external influence or in‐ this piece with great interest. The main argument ternal developments in Jewish culture, particularly is spot-on: the writing of the marriage contract, the in aspects of Kabbalah. In his survey of possession ketubah, was preceded by private financial negoti‐ (dybbuk, ibbur, impregnation; gilgul, transmigra‐ ations recorded in ancillary Hebrew or Italian tion of souls) in Jewish life, he struggles whether to documents, which were not always mentioned in consider such beliefs and exorcisms as part of a the ketubot, which were not always standard, and tradition going back to the ancient world, me‐ which were not always preserved. In my own dieval Iberia, and the Ottoman Empire, despite be‐ study, I found that ketubot documents obscure ing banned by the church, or to explain them as an more than they reveal often in order to mask the essentially Jewish phenomenon among sixteenth- social status and financial contributions of the century Safed kabbalists, although ultimately the families to protect the honor of all involved. essay concludes by placing the belief in possession The modern period brought changes to Italian and exorcism in the context of the shared culture Jewry, but not like the denominations that of Jews and Catholics in eighteenth-century Italy. emerged in western Europe and the United States, The issue of Jewish influence on Catholic cul‐ and many long-standing aspects of traditional ture is presented by Maria Portmann in her study Italian Jewish life remained intact. Alessandro of depictions of Jesus’ circumcision in paintings by Grazi presents Freemasonry, however exclusion‐ Giovanni Bellini (1430-1516), Andrea Mantegna ary at its inception and fragmented as it devel‐ (1431-1506), and Titian (1488-1576). The question is, oped, as an agent of enlightenment and democra‐ if Catholics were, at least in legislation of 1368, for‐ cy that enabled some change for Jews, as it had in bidden from attending Jewish feasts, how did they other countries, despite continued legal restric‐ know about circumcision rites? Vernacular Jewish tions on Jews imposed by governments and social ritual guides, like Leon Modena’s Riti, were only limitations maintained among the populace.
Recommended publications
  • The Bulletin the Bulletin
    The Bulletin The Bulletin Summer 2019 [email protected] Vol 20, Issue 2 www.merrickjc.org Winter 2020 [email protected] Vol 21, Issue 4 www.merrickjc.org Page 1 A Chanukah Message Light the Night II: The Return of the Guinness Record I’ll never forget the night when over one thousand of us gathered, each with our own Menorah, ready for the MJC to establish the Guin- ness Record for Most Menorot Lit in the same place at the same time. It was a glorious evening- one which filled us with enormous pride. We left the MJC that night feeling that we had celebrated Chanukah in a way that people all across our country would notice. And they did! The story of our triumph that night was told and retold in the media. How exciting it was to relive that thrill this past Sunday when so many of us joined together on Zoom to light our Menorot. Yes- we set the record once again! This will be a record for the ages. May we be together in person next year, feeling the uplift that is experienced whenever we gather as a community. Throughout Chanukah we’ll each light the Menorah and doing so will connect ourselves and our families spiritually with the great miracles which occurred in the time of the Maccabees. Especially this year, the light of the Menorah inspires us with the memory that even in the darkest of times our people did not succumb to despair. When we see how the Chanukah lights up our homes we understand the enduring meaning of this holiday which has served as a reminder for over 2000 years the great se- cret of Jewish existence has been the faith of our people that the worst moments were but a prelude to a better tomorrow.
    [Show full text]
  • Gilgul/Reincarnation in Sefer Habahir, Zohar and Lurianic Kabbalah
    GILGUL/REINCARNATION IN SEFER HABAHIR, ZOHAR AND LURIANIC KABBALAH 1. GILGUL IN THE EVENING SHEMA PRAYER: Master of the Universe, I herby forgive anyone who angered or antagonized me or who sinned against me - whether against my body, my property, my honor or against anything anything of mine; whether he did so accidentally , willfully, carelessly, or purposely, whether through speech, deed, thought or notion, whether in this transmigration or another בגלגול זה בין גלגול אחר- transmigration GILGUL IN SEFER HA-BAHIR, Provence, c. 1170 CE: 2. BIBLICAL PROOF TEXT R. Meir said: What is the meaning of the verse “The Lord shall reign forever, your God, O Zion, from generation to generation?” [Ps. 146:10] What [does it mean] “from generation to generation”? R. Papias said: It is written, “A generation goes, and a generation comes” ([Ecc.1:4). And R. Akiba said: [The meaning of “A generation goes and a generation comes” is that] it has already come. (Sefer Ha-Bahir, 121) 3. PARABLE OF A KING To what is this similar? To a fable about a king who owned slaves, and he dressed them with embroidered silk garments according to his best ability. They disarranged them. He expelled them and drove his presence from them, and stripped them of his garments, and they went away. The king then took the garments, washed them thoroughly until there was no soiled spot left on them and placed them to be readily used. Then the king bought other slaves and dressed them with these garments. But he did not know whether or not these slaves were good.
    [Show full text]
  • Polish Demons, Yiddish Demonology
    Title: Polish Demons, Yiddish Demonology: Kawalerowicz’s Mother Joan of the Angels and The Dybbuk Author: Natalia Vesselova, University of Ottawa In an obituary published in The Independent, John Riley quotes one of the last interviews given by Jerzy Kawalerowicz, where he declares pointedly: “I do not think it possible to find in my work the influence of any school or director.” His films contradict this unpersuasive statement. In my presentation I am going to reveal and analyze the influence exerted on Kawalerowicz’s Mother Joan of the Angels (Matka Joanna od Aniołów, 1961) by Michał Waszyński’s Yiddish-Polish film classic The Dybbuk (Der Dibuk, 1937). In Kawalerowicz’s film, a priest comes to a rabbi (both roles played by the same actor) in search of an answer to the mystery of demons possessing the Ursulines in the local nunnery. The rabbi refuses any revelation, saying that he cannot summarize in a few words the knowledge gained by generations of his forefathers, and admits having no clear explanation of demonic nature. What he tells the priest, though, is the story of his own unsuccessful exorcism of a girl possessed by the spirit of her dead lover. This is an exact reproduction of The Dybbuk’s plot, so that the rabbi himself can be viewed as a character imported from the Jewish film. In addition to the parable of love as diabolical possession, Kawalerowicz borrows from the earlier film’s symbols (the white bridal garments), narrative elements (opening one’s soul to evil spirits voluntarily), and visual effects (chiaroscuro and camera technique).
    [Show full text]
  • Doikayt Jewish Inspiration
    Jewish Inspirations for Worldbuilding and Adventuring By Randy Lubin of Diegetic Games Written for Doikayt, an anthology of Jewish storytellingg ames Jewish history, folklore, religion, and mythology can provide wonderful inspiration that you can incorporate into your roleplaying games. The following are adventure hooks, scenarios, minigames, and historical background that you can weave into your sessions or incorporate into a new game that you design. This chapter is far from comprehensive – Jewish culture and tradition is incredibly broad and diverse and we can only exploreasmallportionofithere.Mygoalistogiveyoua sampling from different parts of Jewish traditions and perhaps inspire further research. This guide is written with the intended audience of Jewish players and game designers, and for games where the protagonists are Jewish. If you are not Jewish, tread carefully and avoid using stereotypes during play. European Jews in the Middle Ages Many storytelling games are set in Local leaders would often use Jews as fantastic versions of Europe in the Middle scapegoats for any number of local Ages (roughly 5th-15th century) but they problems including natural disasters and often lack Jewish influence or perspective. the bubonic plague. This would often lead If you’re running a game or building a to pogroms and massacres by their world that’s inspired by the Middle Ages, neighbors. Such antisemitism could peak here are some significant aspects of the with official expulsion of Jews from the Jewish experience that you may want to land, as happened in England (1290), include. France (1394), and Spain (1492). Much of Jewish life in that time was Despite waves of persecution, European shaped by the attitudes and policies of Jews were able to benefit from several local leaders.
    [Show full text]
  • Ashkenaz This Time from East to West Naomi Seidman
    Reading “Queer” Ashkenaz This Time from East to West Naomi Seidman The rise of feminist criticism and then postcolonial and queer studies had an immediate and productive impact on Jewish studies, producing an explosion of new insights and a host of fresh readings. If these new readings had a broad range, encompassing the Talmud as easily as they did American Jewish cinema, they also had a strong center, clustering most persistently around the couch in Freud’s Viennese study (see Gilman 1991, 1993; Pellegrini 1997a; Boyarin 1997; Geller 2007). It’s not hard to understand the magnetism of that attraction. In fin-de-siècle Vienna, the broadest currents of sociological and historical-political transformation met the deepest recesses of psychosexual subjectivity. With Freud, queer theorists working in Jewish studies found a range of flexible methodological tools, a paradigmatic case study, and a clear path through the charged intersection of secularization and sexuality. From this vantage point, Jewish modernization, Europeanization, and embourgeoisement emerged as an encounter between radically asymmetrical gender orders and sexual systems: on the one hand stood the traditional Ashkenazic structure, with roots in Rabbinic-Talmudic culture and rich embodiment among the Eastern European Jewish masses; on the other hand appeared the bourgeois European sex- ual system, with roots in Greco-Roman, Christian, and heroic-chivalric cultural formations, in which modernizing Jews aspired to participate. The Jewish romance with Europe was notori- ously unreciprocated: In the judgment of the dominant European culture into which Jews were (imperfectly) integrating — a perspective thoroughly internalized by aspiring Jewish citizens of Europe — Jewish men were unmanly cowards and effete hysterics, while Jewish women were hypersexual, coarse and unfeminine.
    [Show full text]
  • Ghosts in Latin American Jewish Literature
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature Charlotte Gartenberg The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2767 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HAUNTED STORIES, HAUNTED SELVES GHOSTS IN LATIN AMERICAN JEWISH LITERATURE by Charlotte H. Gartenberg Graduate Center, City University of New York A dissertation submitted to the Graduate Faculty in Latin American, Latino and Iberian Cultures in partial fulfilment of the requirements of the degree of Doctor of Philosophy, The City University of New York. 2018 © 2018 CHARLOTTE H. GARTENBERG All rights reserved ii Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature by Charlotte H. Gartenberg This manuscript has been read and accepted by the Graduate Faculty in Latin American, Latino and Iberian Cultures in satisfaction of the dissertation requirement for the degree in Doctor of Philosophy ______________________ ____________________________________ Date Magdalena Perkowska Chair of Examining Committee ______________________ ____________________________________ Date Fernando DeGiovanni Executive Officer Supervisory Committee: Magdalena Perkowska Silvia Dapia Fernando DeGiovanni Alejandro Meter THE CITY UNIVERSITY OF NEW YORK iii Abstract Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature by Charlotte H. Gartenberg Advisor: Magdalena Perkowska This study approaches haunting in Latin American Jewish Literature from the 1990s through the 2010s as it appears in works by and featuring the descendants of Jewish immigrants.
    [Show full text]
  • The Jews: Their Origins, in America, in Connecticut. a Curriculum Guide
    DOCUMENT RESUME ED 217 108 UD 022 286 AUTHOR Klitz, Sally Innis TITLE The Jews: Their Origins, in America, in Connecticut. A Curriculum Guide. The Peoples of Connecticut Multicultural Ethnic Heritage Series No. 3. Second Edition. INSTITUTION Connecticut Univ., Storrs. Thut (I.N.) World Education Center. SPONS AGENCY Aetna Life and Casualty, Hartford, Conn.; Office of Education (DREW), Washington, D.C. REPORT NO ISBN-0-918158-08 PUB DATE 80 NOTE 153p.; Original publication costs supported in part by the Hartford Jewish Federation and the Connecticut State Department of Education. Not available in paper copy due to institution's restrictions. For a related document, see ED 160 487._ AVAILABLE FRO), 'lliversity of Connecticut, The I.N. Thut World Education Center, Box U-32, Storrs, CT 06268 ($4.00 plus $0.80 postage). EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Acculturation; *Cultural Background; European History; Immigrants; Instructional Materials; *Jews; *Judaism; *Political Influences; *Religious Cultural Groups; Secondary Education; *Sociocultural Patterns; United States History IDENTIFIERS Connecticut ABSTRACT This curriculum guide explores the Jewish ethnic and religious community in the United States generally, and specifically in Connecticut. Intended as a resource tool for studying the Jewish cultural heritage and traditions, the material may be used among Jews and non-Jews. The guide is divided into three parts. Part one is a detailed account of Jewish religious and political history. Part two contains information on the history of Jewish immigration to the United States; the assimilation of Jews into American society; the impact of Jewish culture and religion in American history; and the development of the Jewish cultural community within a pluralistic society.
    [Show full text]
  • A DYBBUK’S JOURNEY a Directorial Process of Tony Kushner’S “A Dybbuk”
    A DYBBUK’S JOURNEY A Directorial Process of Tony Kushner’s “A Dybbuk” by DAVID SHERMAN BFA, University of Alberta, 1982 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS in THE FACULTY OF GRADUATE STUDIES THEATRE AND FILM THE UNIVERSITY OF BRITISH COLUMBIA Vancouver July 2008 ©David Sherman 2008 ABSTRACT The following is a document outlining the process of directing a production of the stage play A Dybbuk as part of Theatre at UBC’s 2007/2008 season. My main objective in directing this piece of work was to explore the idea of theatre as a subject of memory and remembrance, of exploring how our knowledge of the past, present and future influence the way a work of theatre is presented and perceived, and of how history plays a role in how a work of theatre is transformed through the visions of other artists. The process included a lengthy research period in which I examined the origins of the original S. Asnky script of The Dybbuk , comparing it to other later translations and adaptations, including the adaptation by Tony Kushner which was used for this production. The life of the playwright and the world of the play, historically and culturally were also researched. This investigation is outlined in Chapter One. This is followed by a detailed Directorial Analysis of the script which is outlined in Chapter Two. A journal chronicling the entire process spanning April of 2007 to March of 2008, including reflections on my research discoveries, inspirations from a variety of sources, and the trials and tribulations of both pre-production and rehearsals are outlined in Chapter Three.
    [Show full text]
  • Motifs of the Transmigration of Souls and Dybbuk in Jewish Culture and Their Contemporary Implementation in the Works by Yona Wollach
    DOI: 10.11649/a.2016.004 Anna Piątek – a graduate of Psychology and the Hebrew Studies at the University of Warsaw, and a PhD student at the Faculty of Oriental Studies of the University of Warsaw. Her scientific fields of interest are focused around the contemporary Hebrew literature, with particular nr 7/2016 r. regard to the religious motifs (Jewish and Christian). She is preparing her doctoral dissertation concerning an image of Judas and his relation- ship with Jesus in the Hebrew literature of the 20th and 21st centuries. e-mail: [email protected] Anna Piątek Motifs of the transmigration of souls and dybbuk in Jewish culture and their contemporary implementation in the works by Yona Wollach n Jewish culture, both in the religious tradition and in the sphere of rituals, the question of the soul and spirit plays a very important role. In Jewish mysticism the most important Iconcepts related to the spirit are the dybbuk and the transmigration of souls. In this article first I would like to present these two terms and then show the artistic reference to them in the works of the contemporary Israeli poet Yona Wollach1. The concepts of dybbuk and metempsychosis in Jewish culture The term of dybbuk (Heb. dibuk – adhere, cling) describes the phenomenon of seizure of a living person's body, who already has his or her own soul, by the spirit of the previously deceased person who knows no peace (Borzymińska & Żebrowski, 2003, p. 354). Thus in the body of a person occupied by the dybbuk there are two souls, and each of them has its own biog- 1 The transcription of Hebrew words in this article is based on the simplified system of notation of Hebrew signs using the Latin alphabet which allows an English reader to pronounce them in the manner most similar to the contemporary Hebrew language in Israel.
    [Show full text]
  • With Letters of Light: Studies in the Dead Sea Scrolls, Early Jewish
    With Letters of Light rwa lç twytwab Ekstasis Religious Experience from Antiquity to the Middle Ages General Editor John R. Levison Editorial Board David Aune · Jan Bremmer · John Collins · Dyan Elliott Amy Hollywood · Sarah Iles Johnston · Gabor Klaniczay Paulo Nogueira · Christopher Rowland · Elliot R. Wolfson Volume 2 De Gruyter With Letters of Light rwa lç twytwab Studies in the Dead Sea Scrolls, Early Jewish Apocalypticism, Magic, and Mysticism in Honor of Rachel Elior rwayla ljr Edited by Daphna V. Arbel and Andrei A. Orlov De Gruyter ISBN 978-3-11-022201-2 e-ISBN 978-3-11-022202-9 ISSN 1865-8792 Library of Congress Cataloging-in-Publication Data With letters of light : studies in the Dead Sea scrolls, early Jewish apocalypti- cism, magic and mysticism / Andrei A. Orlov, Daphna V. Arbel. p. cm. - (Ekstasis, religious experience from antiquity to the Middle Ages;v.2) Includes bibliographical references and index. Summary: “This volume offers valuable insights into a wide range of scho- larly achievements in the study of the Dead Sea Scrolls, Jewish apocalypti- cism, magic, and mysticism from the Second Temple period to the later rabbinic and Hekhalot developments. The majority of articles included in the volume deal with Jewish and Christian apocalyptic and mystical texts constituting the core of experiential dimension of these religious traditions” - ECIP summary. ISBN 978-3-11-022201-2 (hardcover 23 x 15,5 : alk. paper) 1. Dead Sea scrolls. 2. Apocalyptic literature - History and criticism. 3. Jewish magic. 4. Mysticism - Judaism. 5. Messianism. 6. Bible. O.T. - Criticism, interpretation, etc. 7. Rabbinical literature - History and criticism.
    [Show full text]
  • A Serious Man Written & Directed by Joel and Ethan Coen 2009 (100’)
    A Serious Man Written & directed by Joel and Ethan Coen 2009 (100’) Larry Gopnik, a physics professor, lives in Minnesota with his family and he is a serious man. So why does his wife want to leave him for his best friend? Why are his kids such a mystery to him? Why is someone trying to make him lose his job? Why won’t his brother get off his sofa? Why is his life suddenly going so wrong? Maybe his rabbi can help him find some answers in this darkly funny film. “A Serious Man”... has a way of creeping into the spirit. It's not an easy movie to shake off, even days later, even if you want to. San Francisco Chronicle Dark, dry and masterfully restrained, “A Serious Man” is plotted with the peculiarities of life Chicago Tribune Admirers of the Coens will rejoice in their best film for a long while.... It's also their most personal film, and their most Jewish. The Independent Vocabulary and Phrases Dybbuk: In Jewish folklore a dybbuk is a spirit (usually bad spirit) which is believed to be the soul of a dead person. The dybbuk then attaches itself to a living person. A dybbuk doesn't eat. Mitzvah: Mitzvah is a word used in Judaism to refer to the 620 commandments of the faith. Bar Mitzvah: According to Jewish law this is the age (12 for girls, 13 for boys) when children become responsible for their actions. Bar Mitzvah also refers to the ceremony that occurs at this time. Rabbi: In Judaism, a rabbi is a religious teacher.
    [Show full text]
  • The Dybbuk a GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT
    The Dybbuk A GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT Teachers’ Guide This guide accompanies resources that can be found at: http://teachgreatjewishbooks.org/resource-kits/dybbuk. Introduction Ansky's The Dybbuk is arguably the most iconic play of the entire canon of Jewish dramatic literature. S. Ansky (pseudonym of Shloyme Zaynvl Rapoport, 1863-1920) was a Russian-Jewish ethnographer and playwright whose signature work The Dybbuk played a seminal role in shaping modern Yiddish and Hebrew theater. This kit presents resources to help teachers teach about the play, its production history, and its significance, as a means of introducing students to a classic work of Jewish theater. Subjects Eastern Europe, Folklore, Performance, Theater, Yiddish Reading and Background: Golda Werman's fine translation of Ansky's play, The Dybbuk, or: Between Two Worlds: A Dramatic Legend in Four Acts, may be found in S. Ansky: The Dybbuk and Other Writings (2002). This book is part of the New Yiddish Library series, a joint venture of the Fund for the Translation of Jewish Literature and the Yiddish Book Center. The YIVO Encyclopedia has a brief biography of Ansky with an overview of his work, as well as an article on The Dybbuk. The 1937 black-and-white film Der dibuk (The Dybbuk), in Yiddish with English subtitles, is available for purchase from the National Center for Jewish Film. The NCJF has also prepared a study guide on the film and its history. Debra Caplan’s “The Sun Never Sets on the Vilna Troupe,” published in the Yiddish Book Center's magazine Pakn Treger, offers an introduction to the Vilna Troupe, the first company to produce The Dybbuk.
    [Show full text]