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WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
Creativity and Innovation in the Reign of Hatshepsut
iii OccasiOnal prOceedings Of the theban wOrkshOp creativity and innovation in the reign of hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 The OrienTal insTiTuTe OF The universiTy OF ChiCaGO iv The Oriental Institute, Chicago © 2014 by The university of Chicago. all rights reserved. Published 2014. Printed in the united states of america. series editors Leslie Schramer and Thomas G. Urban with the assistance of Rebecca Cain Series Editors’ Acknowledgment Brian Keenan assisted in the production of this volume. Cover Illustration The god amun in bed with Queen ahmes, conceiving the future hatshepsut. Traced by Pía rodríguez Frade (based on Édouard naville, The Temple of Deir el Bahari Printed by through Four Colour Imports, by Lifetouch, Loves Park, Illinois USA The paper used in this publication meets the minimum requirements of american national standard for information services — Permanence of Paper v table of contents Preface. José M. Galán, Spanish National Research Council, Madrid ........................................... vii list of abbreviations .............................................................................. xiii Bibliography..................................................................................... xv papers frOm the theban wOrkshOp, 2010 1. innovation at the Dawn of the new Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of innovation and Their application -
1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose Died When He Was 12
1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose died when he was 12 and Amenhotep was advised by his mother in the early years of his reign • Inherited a reign of great peace and prosperity from his father; had to maintain rather than expand or improve • Married to his Great Royal Wife Tiye by the second year of his reign • Promoted his eldest daughter, Sitamun, to Great Royal Wife • Entered into numerous of marriages with foreign princesses to ensure stable diplomatic relations These scarabs were issues throughout the Empire and boast about his hunting prowess. They promote the stereotypical image of the pharaoh as a great hunter, emphasising his strength and virility. Not always based in fact, but rather an artistic convention which symbolised the king’s fitness to rule and his triumph over the forces of L: Wild bull-hunt commemorative scarab chaos. R: Lion hunt commemorative scarab Building programs • Unprecedented, massive and ostentatious • Overseer or All the King’s Works, Amenhotep, son of Hapu, is behind most of it • Honoured the gods with building projects, but the nature and size of his projects may indicate that he was using the country’s resources to glorify himself Large and impressive. Contains relief showing Amun’s role in the divine birth and coronation of Amenhotep III. Temple of Amun at Luxor Pylons at Karnak Built a new pylon after demolishing the shrines and monuments of earlier pharaohs and using that rubble to fill his pylon. Lengthy inscription praises himself and Amen, and lists the gifts he had given to the temple. -
The Stela of the Viceroy Usersatet (Boston MFA 25.632), His Shrine at Qasr Ibrim, and the Festival of Nubian Tribute Under Amenhotep II
The Stela of the Viceroy Usersatet (Boston MFA 25.632), his Shrine at Qasr Ibrim, and the Festival of Nubian Tribute under Amenhotep II John Coleman Darnell Yale University N SPITE OF the surviving epigraphic and archaeological evidence concerning the Egyptian administration of Nubia during the New Kingdom, the personal aspects of colonial rule I are at best shadows behind the more prosaic evidence of prosopography and titles, architectural history and burial practices, that force etic analysis to march ahead of emic understanding of Egyptian and Nubian interactions.1 When any archaeological or epigraphic light shines on personal relationships within the administration, at least suggesting, if not revealing, the attitudes of various members of the colonial administration, and hinting at interactions between social strata in Nubia and Egypt, those who would understand Egyptian and Nubian culture may be expected to show interest. The stela of the Viceroy Usersatet from Semna,2 recording Amenhotep II’s personal transcription of his own royal decree to Usersatet, offering advice regarding interactions of Egyptians and Nubians within the viceregal administration, indeed casts some light on the interactions of king, viceroy, and Nubian members of the Egyptian bureaucracy in the south [fig. 1]. The seeming obscurity of the king’s advice, and the lack of transparency regarding the situation about which Amenhotep II offers that advice, have resulted in considerable modern attention to the text, but a certain looseness of interpretation has bedeviled many examinations of the inscription. Defining exactly what the Usersatet stela illuminates has proved to be elusive. Several Egyptological discussions of the inscription have fostered florid descriptions of the personality and character of Amenhotep II, in spite of the remaining uncertainties in properly 1 So S.T. -
The Focus of This Chapter Is the Terms That Were Used Throughout the New Kingdom for the Royal Structures Used by the Sovereign in His Daily Life
The Pennsylvania State University The Graduate School College of Art and Architecture Ceremonial and Economical Life in the Royal Palace of New Kingdom, Egypt A Dissertation in Art History by Reham Aly Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 The dissertation of Reham Aly was reviewed and approved* by the following: Elizabeth Walters Dissertation Advisor Chair of Committee Associate Professor of Art History Brian Curran Professor of Art History Madhuri Desai Associate Professor of Art History/Asian Art Donald Redford Professor of Classics and Mediterranean Studies Craig Zabel Associate Professor of Art History Head, Department of Art History *Signatures are on file in the Graduate School. ii Abstract It is significant that in the New kingdom, the last and greatest Empire Age of Ancient Egypt, the architecture and illustration of the Royal Palace provide new insight into royal life and vast wealth aggrandized the ruler and honored some members of his family and court. In this study, I have investigated three terms used for royal structures associated with king since the Old kingdom including Cḥ, stp-s3, and pr-nsw and defined their meaning and use during the New Kingdom. Although these three terms were in general used as designations of the “Royal Palace,” each one has specific reference to a particular type of royal structure with its own structure and purpose. This study concentrated in detail context and significance on these terms as they use during this period. Evidences were drawn from a variety of texts including commemorative autobiographical, narrative, and religious texts, besides pictured scenes from tombs, temples, etc. -
Rate the Pharaohs
Rate the Pharaohs Menes (ruled 3407 BC – 3346 BC) (Mee-nees) Ancient tradition credits Menes with having united Upper and Lower Egypt into in a single kingdom and becoming the first pharaoh of unified Egypt. According to Manetho (an Egyptian historian who live in around 300 BCE), Menes reigned for 62 years. Menes built the city of Memphis. King Menes built Memphis on the Nile's flood plain. In order to have it on the flood plain and still avoid the water overflow, he constructed a gigantic dam that would redirect the annual floods from the Nile. Menes established worship of the gods in his new city, as well as manners and styles of decoration and sophisticated tastes. He taught the residents of Memphis to cover their tables and couches with beautiful cloths. These dramatic changes to life seemed almost as if they were a gift of the gods. Of course, not all Egyptians could live this way as they were poor and could not afford the expensive tastes of Menes. Menes built the temple of Ptah, who was considered the potter and craftsman of the gods. It was believed that Ptah dreamt creation through his heart, and when he spoke it, the world came into being. Having Upper and Lower Egypt united and further establishing its culture, King Menes and his subjects accumulated surpluses of food. This no doubt, had a huge influence upon the advancement of technology and government that continued for approximately 1,000 years. The trade of food throughout the Mediterranean brought yet more wealth to Memphis. -
1290 Ramesses II 1308-1242 LM IIIB 1300 1310 Sety I
1290 Ramesses II 1308-1242 LM IIIB 1300 1310 Sety I 1319-1308 -- 1320 Ramesses I 1321-1319 Late 1330 Ulu Burun wreck 1327 1340 Horemheb 1351-1321 14C Amarna c.1350 1350 Aya 1355-1351 LM IIIA2 1360 Tutankhamun 1364-1355 1370 Semenkhare 1365-1364 1380 Akhenaten 1382-1365 Ugarit quake c.1370 --- - - - - 1390 Early - - 1400 Amenhotep Ill 1411-1382 Sellopoulo T.4 1410 - - - - - -- 1420 Thutmose IV 1421-1411 LM IIIA1 - - - - -- - 1430 14C MUM 1448 +-43 1440 Amenhotep II 1452-1421 14C Israel1450-30 ---- 1450 ------------------------ LM IB/LM II 14C Rhodes c.1450 1460 Mochlos LM IB --- 1470 Thutmose Ill 1504-1450 LMIB M yrtos-Pyrgos 1480 - ---- - - - - 1490 Final 1500 Hatshepsut 1500-1483 Mature Thera VDL 1500 - - - - - - - 1510 Thutmose II 1517-1504 1520 Thutmose I 1525-1517 1530 LMIA 1540 Amenhotep I 1546-1525 1550 1560 Ahmose 1572-1546 1570 Early 1580 Kamose 1575-1572 MM IIIB ? Thera SDL 1590 Table 1. 154 ]. ALEXANDER MACGILLIVRAY Thera, Hatshepsut, and the Keftiu: crisis and response in Egypt and the Aegean in the mid-second millennium BC J Alexander MacGillivray Introduction the twentieth century,6 and still preferred by The Oxford Encyclopedia rf Ancient Egypt.7 But, major Nearly half a century ago, R. W "Squire" Hutch changes in historical dating were suggested after inson wrote in his synthesis Prehistoric Crete: Libby earned the Nobel Prize in Chemistry for The Late Minoan IA period ... was the time when his discovery of radiocarbon dating in 1960. The Queen Hatshepsut ruled Egypt and developed radiocarbon revolution that Libby incited added peaceful trade with her neighbours. -
Manetho and the History of Egypt Autor(Es)
Manetho and the History of Egypt Autor(es): Araújo, Luís Manuel de Edições Afrontamento; CITCEM - Centro de Investigação Transdisciplinar «Cultura, Espaço e Memória»; Centro de Estudos Publicado por: Clássicos e Humanísticos; Alexandria University; Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/36178 DOI: DOI:http://dx.doi.org/10.14195/978-989-26-0966-9_13 Accessed : 6-Oct-2021 19:01:23 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. pombalina.uc.pt digitalis.uc.pt Alexandria endures in our imagination as the first model of cultural interaction – of cosmopolitanism, to use both classical and contemporary terminology – and as the cultural and intellectual capital of the ancient world. -
First Vatican Coffin Conference
FIRST VATICAN COFFIN CONFERENCE ABSTRACTS FIRST VATICAN COFFIN CONFERENCE 19-22 JUNE 2013 VATICAN COFFIN PROJECT Reparto Antichità Egizie e del Vicino Oriente Laboratorio di Diagnostica per la Conservazione ed il Restauro Scientific secretary Mario Cappozzo, Egyptian Dept. Musei Vaticani [email protected] Organization Event Dept. and Web-Dept. Musei Vaticani Progetto grafico e impaginazione Giulia Angelini [email protected] Referenze fotografiche Foto © Musei Vaticani Stampa Tipografia Vaticana © Governatoriato SCV - Direzione dei Musei Vaticani Città del Vaticano www.museivaticani.va Massachusetts Chapter THANKS TO Patrons of the Arts in the Vatican Museums The Vatican Museums, in collaboration with the Musée du Louvre and the Rijksmuseum van Oudheden in Leiden, is organising this First Vatican Coffin Conference. It is the very first edition of a series of conferences planned by the Vatican Coffin Project. Set up in 2008 by the Department of Egyptian Antiquities of the Vatican, launched and developed by Alessia Amenta, in collaboration with the Diagnostic Laboratory for Conservation and Restoration of the Vatican Museums, directed by Ulderico Santamaria, this Project was joined in 2011 by the Rijksmuseum van Oudheden in Leiden and in 2012 by the Musée du Louvre in Paris. Serving Egyptology, the Vatican Coffin Project has the advantage of engaging in the most exhaustive material study of a large corpus, coherent although dispersed in various European collections. Beginning with those coffins belonging to our respective collections, the purpose of our collaborative research is to carry out a special revision of TIP coffins using the most sophisticated scientific technology and according to a joint protocol. We decided to cooperate in this Project as we became aware of the importance and significance of the joint forces of our three museums as institutional collaboration has turned to be indispensable. -
Royal Images in Private Tombs at Thebes in the Early Ramesside Period
ROYAL IMAGES IN PRIVATE TOMBS AT THEBES IN THE EARLY RAMESSIDE PERIOD by GABRIELLE HEFFERNAN A thesis submitted to The University of Birmingham for the degree of Master of Philosophy Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Cultural memory is a relatively new area of study within Egyptology. It is, however, a key issue in the understanding of how society functioned. Important work has been done by scholars such as Assmann on the subject and this study hopes to build on that by taking the case of depictions of kings in Theban tombs, and discussing what they may tell us about the role of the king in the lives of the people. This study will focus on three types of scene; the king as a part of everyday life, the king as a historical figure, and the king as a 'divine' being. This will allow a more detailed study of how the king, and kingship, was understood by people who were not members of the royal court, or holders of high office. -
Amenhotep I Calcite Chapel
Amenhotep I Calcite Chapel Originally built by Amenhotep I - 1525 BCE to 1504 BCE Modified by Hatshepsut - 1479 BCE to 1458 BCE Destroyed by: Thutmose III - 1479 BCE to 1425 BCE Other works initiated by Amenhotep I: Middle Kingdom Court, Amenhotep I Limestone Chapel Other works initiated by Hatshepsut: Obelisks of Festival Hall West Pair, Palace of Ma’at, 8th Pylon, Obelisks at Contra Temple, Obelisks of Wadjet Hall, Wad- jet Hall, Red Chapel, Pylon and Festival Court of Thutmose II Other works destroyed by Thutmose III: Red Chapel Other shrines: Amenhotep II Shrine, Contra Temple, Osiris Catacombs, Osiris Coptite, Osiris Heqa-Djet, Palace of Ma’at, Central Bark Shrine, Ramesses II Eastern Temple, Ramesses III Temple, Red Chapel, Sety II Shrine, Taharqo Kiosk, Thutmose III Shrine, White Chapel, Edifice of Amenhotep II, Chapel of Hakoris, Amenhotep I Limestone Chapel, Station of the King and Corridor Introduction The chapel of Amenhotep I was a roofed rectangular structure made of large blocks of calcite with access doors on its short sides. The interior relief scenes are the oldest surviving depictions of the sacred bark of the statue of the god Amun-Ra of Karnak. Each of the chapel’s exterior sides were decorated with a single scene related to temple festivals. The chapel has been reconstructed in modern times in the “open air museum” at Karnak. Measurements: The chapel is 3.6m across, 6.75m deep, and 4.5m high. Phase: Amenhotep I Amenhotep I built the chapel as a ritual space to house the bark of Amun-Ra. Wooden doors on the shrine’s short ends could be closed to protect the sanctity of the god. -
THE REVOLUTIONARY ROLE of the SUN in the RELIEFS and STATUARY of AMENHOTEP III by W
oi.uchicago.edu THE ORIENTAL INSTITUTE & NOTES NO. 151 FALL 1996 @THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO THE REVOLUTIONARY ROLE OF THE SUN IN THE RELIEFS AND STATUARY OF AMENHOTEP III By W. Raymond Johnson, Assistant Director, Epigraphic Survey One of the wonderful fringe benefits of working for the Epi and he and his wife Deborah, an epigrapher as well as Chicago graphic Survey in Luxor is the valuable opportunity it affords to House librarian, are conducting an exciting survey of the ancient pursue personal research projects during off-hours. Since the bulk desert roads leading to western Thebes on their weekends and of Egypt's antiquities remain unpublished, there is an enormous off-hours, independent of their thesis work. It is difficult not to amount of material that is crying out to be worked on, and be get involved in such projects; living and working in what is es cause much of it is increasingly threatened by the depredations sentially the largest open-air museum of Egyptian art and of nature and human activity, one comes to feel an obligation to architecture in the whole world, we are constantly exposed to record as much as one can. While in Luxor working on Epi unpublished material that is simply too interesting to ignore. graphic Survey publication projects, Chicago House Egyptologists traditionally have been encouraged to utilize the unpublished resources of the Luxor area for dissertation topics THE ART OF AMENHOTEP III and personal research. I wrote my own doctoral thesis on a frag My own personal research during my years with the Epigraphic mentary battle scene of Tutankhamun from his dismantled Survey has largely focused on the shifting artistic programs of mortuary temple, pieces of which I had noted in the Luxor the last kings of the Eighteenth Dynasty, particularly Amenhotep Temple blockyards while gathering inscribed fragments of his III (1391-1353 Be), but also his successors Akhenaten, Colonnade Hall for the Epigraphic Survey.