1290 Ramesses II 1308-1242 LM IIIB 1300 1310 Sety I
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Canaan Or Gaza?
Journal of Ancient Egyptian Interconnections Pa-Canaan in the Egyptian New Kingdom: Canaan or Gaza? Michael G. Hasel Institute of Archaeology, Southern Adventist University A&564%'6 e identification of the geographical name “Canaan” continues to be widely debated in the scholarly literature. Cuneiform sources om Mari, Amarna, Ugarit, Aššur, and Hattusha have been discussed, as have Egyptian sources. Renewed excavations in North Sinai along the “Ways of Horus” have, along with recent scholarly reconstructions, refocused attention on the toponyms leading toward and culminating in the arrival to Canaan. is has led to two interpretations of the Egyptian name Pa-Canaan: it is either identified as the territory of Canaan or the city of Gaza. is article offers a renewed analysis of the terms Canaan, Pa-Canaan, and Canaanite in key documents of the New Kingdom, with limited attention to parallels of other geographical names, including Kharu, Retenu, and Djahy. It is suggested that the name Pa-Canaan in Egyptian New Kingdom sources consistently refers to the larger geographical territory occupied by the Egyptians in Asia. y the 1960s, a general consensus had emerged regarding of Canaan varied: that it was a territory in Asia, that its bound - the extent of the land of Canaan, its boundaries and aries were fluid, and that it also referred to Gaza itself. 11 He Bgeographical area. 1 The primary sources for the recon - concludes, “No wonder that Lemche’s review of the evidence struction of this area include: (1) the Mari letters, (2) the uncovered so many difficulties and finally led him to conclude Amarna letters, (3) Ugaritic texts, (4) texts from Aššur and that Canaan was a vague term.” 12 Hattusha, and (5) Egyptian texts and reliefs. -
Ancient Egyptian Chronology.Pdf
Ancient Egyptian Chronology HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-THREE Ancient Egyptian Chronology Edited by Erik Hornung, Rolf Krauss, and David A. Warburton BRILL LEIDEN • BOSTON 2006 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient Egyptian chronology / edited by Erik Hornung, Rolf Krauss, and David A. Warburton; with the assistance of Marianne Eaton-Krauss. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 83) Includes bibliographical references and index. ISBN-13: 978-90-04-11385-5 ISBN-10: 90-04-11385-1 1. Egypt—History—To 332 B.C.—Chronology. 2. Chronology, Egyptian. 3. Egypt—Antiquities. I. Hornung, Erik. II. Krauss, Rolf. III. Warburton, David. IV. Eaton-Krauss, Marianne. DT83.A6564 2006 932.002'02—dc22 2006049915 ISSN 0169-9423 ISBN-10 90 04 11385 1 ISBN-13 978 90 04 11385 5 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Reading G Uide
1 Reading Guide Introduction Pharaonic Lives (most items are on map on page 10) Bodies of Water Major Regions Royal Cities Gulf of Suez Faiyum Oasis Akhetaten Sea The Levant Alexandria Nile River Libya Avaris Nile cataracts* Lower Egypt Giza Nile Delta Nubia Herakleopolis Magna Red Sea Palestine Hierakonpolis Punt Kerma *Cataracts shown as lines Sinai Memphis across Nile River Syria Sais Upper Egypt Tanis Thebes 2 Chapter 1 Pharaonic Kingship: Evolution & Ideology Myths Time Periods Significant Artifacts Predynastic Origins of Kingship: Naqada Naqada I The Narmer Palette Period Naqada II The Scorpion Macehead Writing History of Maqada III Pharaohs Old Kingdom Significant Buildings Ideology & Insignia of Middle Kingdom Kingship New Kingdom Tombs at Abydos King’s Divinity Mythology Royal Insignia Royal Names & Titles The Book of the Heavenly Atef Crown The Birth Name Cow Blue Crown (Khepresh) The Golden Horus Name The Contending of Horus Diadem (Seshed) The Horus Name & Seth Double Crown (Pa- The Nesu-Bity Name Death & Resurrection of Sekhemty) The Two Ladies Name Osiris Nemes Headdress Red Crown (Desheret) Hem Deities White Crown (Hedjet) Per-aa (The Great House) The Son of Re Horus Bull’s tail Isis Crook Osiris False beard Maat Flail Nut Rearing cobra (uraeus) Re Seth Vocabulary Divine Forces demi-god heka (divine magic) Good God (netjer netjer) hu (divine utterance) Great God (netjer aa) isfet (chaos) ka-spirit (divine energy) maat (divine order) Other Topics Ramesses II making sia (Divine knowledge) an offering to Ra Kings’ power -
Queens Egypt
| OF QUEENS | EGYPT A new National Geographic exhibition in Washington, D.C., shines a light on the lives (and afterlives) of the royal women of ancient Egypt. From the founding queen of the New Kingdom, Ahmose-Nefertari, to Cleopatra VII, Egypt’s last queen and pharaoh—a span of more than 1,400 years. Martina Minas-Nerpel from Swansea University tells us that “while the king was the unquestioned political and religious figurehead of Egypt, queens had a complex role with more power than is usually recognized. Wife and mother, the Egyptian queen also had divine status, serving as the earthly embodiment of Hathor and thus ‘a regenerative medium for the king in his role as representative of the sun god on earth’ (Silke Roth, 2009).” Now, let’s have a closer look at some of the fabulous artefacts from Queens of Egypt. REPLICA BUST OF NEFERTITI, CA. A.D. 1913–1932. ORIGINAL: 18TH DYNASTY, REIGN OF AKHENATEN, CA. 1353–1336 B.C. RIJKSMUSEUM VAN OUHEDEN, LEIDEN, NETHERLANDS. CAT. F 1932/5.1. PHOTO BY MARK THIESSEN/ NATIONAL GEOGRAPHIC. QUEENS OF EGYPT EXHIBITION ORGANIZED BY POINTE-À-CAL- LIÈRE, MONTRÉAL ARCHAEOLOGY AND HISTORY COMPLEX AND MUSEO EGIZIO, TURIN, IN PARTNERSHIP WITH THE NATIONAL GEOGRAPHIC SOCIETY. SHOWING AT THE NATIONAL GEO- GRAPHIC MUSEUM, WASHINGTON, D.C., THROUGH TO 2 SEPT 2019. One of the most famous pieces of Egyptian art ever discovered. This replica bust of Nefertiti was produced soon after the original was discovered in 1912. The distinctive, flat-topped blue crown is unique to Nefer- titi, allowing us to identify the face. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
A Social and Religious Analysis of New Kingdom Votive Stelae from Asyut
UNIVERSITY OF CALIFORNIA Los Angeles Display and Devotion: A Social and Religious Analysis of New Kingdom Votive Stelae from Asyut A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Languages and Cultures by Eric Ryan Wells 2014 © Copyright by Eric Ryan Wells ABSTRACT OF THE DISSERTATION Display and Devotion: A Social and Religious Analysis of New Kingdom Votive Stelae from Asyut by Eric Ryan Wells Doctor of Philosophy in Near Eastern Languages and Cultures University of California, Los Angeles, 2014 Professor Jacco Dieleman, Chair This dissertation is a case study and analysis of provincial religious decorum at New Kingdom Asyut. Decorum was a social force that restricted and defined the ways in which individuals could engage in material displays of identity and religious practice. Four-hundred and ninety-four votive stelae were examined in an attempt to identify trends and patters on self- display and religious practice. Each iconographic and textual element depicted on the stelae was treated as a variable which was entered into a database and statistically analyzed to search for trends of self-display. The analysis of the stelae revealed the presence of multiple social groups at Asyut. By examining the forms of capital displayed, it was possible to identify these social groups and reconstruct the social hierarchy of the site. This analysis demonstrated how the religious system was largely appropriated by elite men as a stage to engage in individual competitive displays of identity and capital as a means of reinforcing their profession and position in society and the II patronage structure. -
History Nov 14 Early NK.Pdf
What are themes of the early 18th Dynasty? What should we look for when approaching reigns? How are kings and kingship defined in the early 18th Dynasty? What is the military position of Egypt in the early 18th Dynasty? Luxor How are the gods accommodated in Temple the early 18th Dynasty? Karnak Temple Hatshepsut’s mortuary temple What is the relationship at Deir el-Bahri between kingship and divinity in the early 18th Dynasty? What roles do royal women play in the early 18th Dynasty? Themes for studying 18th Dynasty: Kingship: builder, warrior, connected to divine Military: creation and maitenance of empire Religion: temples as major recipients of both the building impulse and the loot of war; become part and parcel of the refinement of the definition of kingship Royal women: individual women, offices held by women Non-royal part of the equation: government and the relations between bureaucrats and royalty; religious role of private individuals Genealogy of the early 18th Dynasty 17th Dynasty (Second Intermediate Period) 18th Dynasty (New Kingdom) = Red indicates people who ruled as kings Royal women in Ahmose’s reign: The ancestors Burial of Ahhotep by Stela for Tetisheri erected by Ahmose (her son) Ahmose (her grandson) at Abydos Ahmose-Nefertari, wife of Ahmose First “God’s Wife of Amun” More from Ahmose son of Abana from the reign of Ahmose “Now when his majesty had slain the nomads of Asia, he sailed south to Khent-hen-nefer, to destroy the Nubian Bowmen. His majesty made a great slaughter among them, and I brought spoil from there: two living men and three hands. -
A Transnational Feminist Study on the Woman's Historical Novel By
University of Alberta Writing Back Through Our Mothers: A Transnational Feminist Study on the Woman’s Historical Novel by Tegan Zimmerman A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature ©Tegan Zimmerman Fall 2013 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. For my grandmother and my mother … ABSTRACT This transnational feminist study on the contemporary woman’s historical novel (post 1970) argues that the genre’s central theme and focus is the maternal. Analyzing the maternal, disclosed through a myriad of genealogies, voices, and figures, reveals that the historical novel is a feminist means for challenging historical erasures, silences, normative sexuality, political exclusion, divisions of labour, and so on within a historical-literary context. The novels surveyed in this work speak from the margins and spaces of silence within history and the genre. As much as the works contest masculinist master narratives, they also create and envision new genealogies. -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
Last Chance – Webinar – Hatshepsut 1 October 2020
MMA 29.3.3 MMA 29.3.3 F 1928/9.2 Leiden Oudheden Rijksmuseum van JE 53113 Cairo Last Chance – Webinar – Hatshepsut 1 October 2020 Dr Susanne Binder susanne.binder@ mq.edu.au Head of statue of Hatshepsut Frontispiece Catherine H. Roehrig, Hatshepsut from Queen to Pharaoh, New York: Metropolitan Museum of Art, 2005. When thinking about the difference between art and life, consider this ... examples of royal portraiture 1 2 3 Hatshesut as pharaoh – can you put these statues into chronological order? MMA 29.3.3 + Rijksmuseum van Oudheden Leiden F 1928/9.2 (cat. no. 95) | MMA 29.3.2 (cat. no.96) |striding statue: MMA 28.3.18 (cat. no. 94) Checklist – primary sources – primary data line up your facts personality Hatshepsut title “from queen to pharaoh” free download https://www.metmuseum.org/art/metpublications/Hat shepsut_From_Queen_to_Pharaoh Checklist – primary sources – primary data line up your facts personality Hatshepsut when ? family: parents marriage – children important life events “from queen to pharaoh” building program developments in politics /society international relations: Egypt and its neighbours Who is who? contemporaries /society burial place human remains free download https://www.metmuseum.org/art/metpublications/Hat shepsut_From_Queen_to_Pharaoh New Kingdom 1550 BCE Family Thutmosis I circa 1504-1492 BCE Hatshepsut circa 1473-1458 BCE father – mother Tuthmosis I Ahmose MMA 29.3.2 From the reliefs of Deir el Bahari Queen Ahmose water colour facsimile : Deir el Bahari Howard Carter Brooklyn 57.76.2 Roehrig, Hatshepsut from -
A Contemporary of King Amenhotep II at Karnak
CENTRE FRANCO-ÉGYPTIEN D’ÉTUDE DES TEMPLES DE KARNAK LOUQSOR (ÉGYPTE) USR 3172 du Cnrs Extrait des Cahiers de Karnak 5, 1975. Avec l’aimable autorisation de l’Institut Français d’Archéologie Orientale (Ifao). Courtesy of Institut Français d’Archéologie Orientale (Ifao). A CONTEMPORAR y OF KING AMENHOTEP II AT KARNAK B.V. BOTHMER When an ancient Egyptian head is found at Karnak, the event seems to be as little newsworthy as when another Old Kingdom mastaba is uncovered at Saqqara. But when the newly discovered head is nearly intact and of unusual quality, it deserves to be promptly made known. The present note, in anticipation of a longer study, is intended merely to introduce the head to those interested in the art of ancient Egypt (1). The head was found in 1972 in the doorway of the north gate of the First Court at Karnak, about 1.20 m. below ground level (pl. XXXIX-XL, A-C). The sculpture, in crystal-speckled gray granite, represents a man with a wide, striated wig and a fairly long plain beard which is preserved intact for its entire length, inc1uding the fini shed underside. The face is idealizing, ageless, and with its c1ear and open features represents the best of which is c1assical in Egyptian art. The face is carved in three planes, a central portion consisting of nose and mouth and part of the eyes, and two sides encompassing most of the cheeks, the outer parts of the eyes and the summarily modeled ears. One is not much aware of this angular arrangement of the features until one studies the eye and realizes that it is really carved in two planes, with the result that the profile view reveals an unusually large portion of the eyeball. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig