The Theory Currently Known As M
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TASI Lectures on String Compactification, Model Building
CERN-PH-TH/2005-205 IFT-UAM/CSIC-05-044 TASI lectures on String Compactification, Model Building, and Fluxes Angel M. Uranga TH Unit, CERN, CH-1211 Geneve 23, Switzerland Instituto de F´ısica Te´orica, C-XVI Universidad Aut´onoma de Madrid Cantoblanco, 28049 Madrid, Spain angel.uranga@cern,ch We review the construction of chiral four-dimensional compactifications of string the- ory with different systems of D-branes, including type IIA intersecting D6-branes and type IIB magnetised D-branes. Such models lead to four-dimensional theories with non-abelian gauge interactions and charged chiral fermions. We discuss the application of these techniques to building of models with spectrum as close as possible to the Stan- dard Model, and review their main phenomenological properties. We finally describe how to implement the tecniques to construct these models in flux compactifications, leading to models with realistic gauge sectors, moduli stabilization and supersymmetry breaking soft terms. Lecture 1. Model building in IIA: Intersecting brane worlds 1 Introduction String theory has the remarkable property that it provides a description of gauge and gravitational interactions in a unified framework consistently at the quantum level. It is this general feature (beyond other beautiful properties of particular string models) that makes this theory interesting as a possible candidate to unify our description of the different particles and interactions in Nature. Now if string theory is indeed realized in Nature, it should be able to lead not just to `gauge interactions' in general, but rather to gauge sectors as rich and intricate as the gauge theory we know as the Standard Model of Particle Physics. -
Œa-DSM SERVICE DE PHYSIQUE THEORIQUE
FR0108562 CEA-SPHT-RA-l 998-2000 SERVICE DE PHYSIQUE THÉORIQUE RAPPORT D'ACTIVITE JUIN 1998 - MAI 2000 œa-DSM SERVICE DE PHYSIQUE THEORIQUE RAPPORT D'ACTIVITE JUIN 1998 - MAI 2000 PHYSIQUE THEORIQUE CEA/DSM Centre d'Etudes de Saclay F-91191 Gîf-sur-Yvette Cedex Tel: +33 (0)1 6908 7385 - Fax: +33 (0)1 6908 8120 URL: http://www-spht.cea.fr Cover : Time evolution of a two-dimensional Ising system at zero temperature. Coarsening can be observed in the bottom row snapshots (time 400 and 1000). Corresponding time-averaged magnetizations of each spin are represented on the top row in a color code varying continuously from blue to red; black dots identify persistent spins (which have never nipped). GENERAL CONTENTS INTRODUCTION (written in French) 1 QUANTUM FIELD THEORY AND MATHEMATICAL PHYSICS 5 NUCLEAR PHYSICS, PARTICLE PHYSICS AND ASTROPHYSICS ... 21 STATISTICAL PHYSICS AND CONDENSED MATTER 43 LIST OF PUBLICATIONS 69 LIST OF REFERENCES 93 APPENDICES (written in French) 95 PLEASE BE AWARE THAT ALL OF THE MISSING PAGES IN THIS DOCUMENT WERE ORIGINALLY BLANK INTRODUCTION Le rapport d'activité du Service de Physique Théorique est établi tous les deux ans. Celui- ci résume l'activité scientifique du SPhT durant la période juin 1998-mai 2000, et servira de document de base pour l'évaluation du laboratoire qui aura lieu à l'automne 2000. Pour la première fois la partie scientifique de ce rapport est écrite en anglais. Il y a plusieurs raisons à cela. D'une part un nombre important de collègues étrangers, pas tous francophones, participent à notre conseil scientifique extérieur (CSE). -
Exploring Cosmic Strings: Observable Effects and Cosmological Constraints
EXPLORING COSMIC STRINGS: OBSERVABLE EFFECTS AND COSMOLOGICAL CONSTRAINTS A dissertation submitted by Eray Sabancilar In partial fulfilment of the requirements for the degree of Doctor of Philosophy in Physics TUFTS UNIVERSITY May 2011 ADVISOR: Prof. Alexander Vilenkin To my parents Afife and Erdal, and to the memory of my grandmother Fadime ii Abstract Observation of cosmic (super)strings can serve as a useful hint to understand the fundamental theories of physics, such as grand unified theories (GUTs) and/or superstring theory. In this regard, I present new mechanisms to pro- duce particles from cosmic (super)strings, and discuss their cosmological and observational effects in this dissertation. The first chapter is devoted to a review of the standard cosmology, cosmic (super)strings and cosmic rays. The second chapter discusses the cosmological effects of moduli. Moduli are relatively light, weakly coupled scalar fields, predicted in supersymmetric particle theories including string theory. They can be emitted from cosmic (super)string loops in the early universe. Abundance of such moduli is con- strained by diffuse gamma ray background, dark matter, and primordial ele- ment abundances. These constraints put an upper bound on the string tension 28 as strong as Gµ . 10− for a wide range of modulus mass m. If the modulus coupling constant is stronger than gravitational strength, modulus radiation can be the dominant energy loss mechanism for the loops. Furthermore, mod- ulus lifetimes become shorter for stronger coupling. Hence, the constraints on string tension Gµ and modulus mass m are significantly relaxed for strongly coupled moduli predicted in superstring theory. Thermal production of these particles and their possible effects are also considered. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some
GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some of them want to use you Some of them want to get used by you Some of them want to abuse you Some of them want to be abused - Eurythmics Some years from this exact moment... 1 INT. TRAIN - DAY 1 DARKNESS - NOW The beautiful CHIMING SOUNDS OF SPACE TRAVEL through the COSMOS... DOTS OF LIGHT whiz past our face. They could be stars at lightspeed, or... SUBWAY LIGHTS FLICKER ON - in a flash we see PALE, SULLEN FACES, riding into a bleak future, and hear the INDUSTRIAL CLATTER. It's dark, claustrophobic, obscure... the rhythmic beat of track and wheel-clicks engulf us. The lights flicker back on and hold as we see a half dozen SOLDIERS in BROWN CAMO, steel- eyed, prepared for whatever may be at the end of the TUNNEL. ZERO IN on TWO: KABLE, 30-something, roughneck... focused, determined; eyes burning with internalized emotion... ... and SANDRA, late 20s, undeniably hot but tough as hell - both are in shackles & cuffs, being roughly transported through underground tunnels, knocked and shoved around. Uniformed GUARDS roam the train, looking pissed off - their swagger seems to mask FEAR. KABLE is meditating, or exhausted - hard to tell. The GIRL makes eye contact w/ him. SANDRA Sandra. KABLE says nothing, just stares at her, stoic. SANDRA (cont'd) My name is Sandra. GUARD Shut the fuck up. Because he can, the GUARD takes a swing at KABLE'S head with a BILLY CLUB... CRACK! (CONTINUED) 2. WHITE KABLE SCRIPT - 9/19/2007 1 CONTINUED: 1 KABLE'S skull snaps back into the window. -
Takemi Sosa Magnus Lindberg — Musical Gesture and Dramaturgy
Magnus Lindberg —Musical Gesture and Dramaturgy ACTA SEMIOTICA FENNICA Editor Eero Tarasti Associate Editors Paul Forsell Richard Littlefield Editorial Board Pertti Ahonen Jacques Fontanille André Helbo Pirjo Kukkonen Altti Kuusamo Ilkka Niiniluoto Pekka Pesonen Hannu Riikonen Vilmos Voigt Editorial Board (AMS) Márta Grabócz Robert S. Hatten Jean-Marie Jacono Dario Martinelli Costin Miereanu Gino Stefani Ivanka Stoianova TAKEMI SOSA Magnus Lindberg — Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych Acta Semiotica Fennica LIII Approaches to Musical Semiotics 26 Academy of Cultural Heritages, Helsinki Semiotic Society of Finland, Helsinki 2018 E-mail orders [email protected] www.culturalacademy.fi https://suomensemiotiikanseura.wordpress.com Layout: Paul Forsell Cover: Harumari Sosa © 2018 Takemi Sosa All rights reserved Printed in Estonia by Dipri OÜ ISBN 978-951-51-4187-3 (nid.) ISBN 978-951-51-4188-0 (PDF) ISSN 1235-497X Acta Semiotica Fennica LIII ISSN 1458-4921 Approaches to Musical Semiotics 26 Department of Philosophy and Art Studies Faculty of Arts University of Helsinki Finland Takemi Sosa Magnus Lindberg — Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych Doctoral Dissertation Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki (the main building), in auditorium XII on 04 May 2018 at 12 o’clock noon. For my Sachiko, Asune and Harunari 7 Abstract The Finnish composer Magnus Lindberg (b. 1958) is one of the leading figures in the field of contemporary classical music. Curiously, despite the fascinating characteristics of Lindberg’s works and the several interesting subjects his mu- sic brings up, his works have not been widely researched. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
You Inc: the Art of Selling Yourself
You, Inc. The Art of Selling Yourself HARRY BECKWITH CHRISTINE CLIFFORD BECKWITH Copyright © 2007 ISBN-13: 978-0-446-57821-9 To Adrian Stump Acknowledgments Done at last, done at last, thank God Almighty, we are done at last! We are thankful to so many for the chance to do this, and their help: Our children—speaking of inspiration—Tim, Harry, Will, Brooks, Cole, and Cooper. You bless us beyond words. We hope this book helps you. To our extended family, including sister Pam Haros and brother-in-law Nick Haros, brothers Greg and James Meyer, Neda Weldele, stepmother Stephanie Meyer, John, Bette, and Bill Clifford, Alice Beckwith, Jim and Becky Powell, and David and Cindy Beckwith for surrounding us with love and support. To Cliff Greene and Sue Crolick, who started this train in motion; David Potter, Ron Rebholz, William Clebsch, Clifford Rowe, David Kennedy, and Paul Robinson, Harry's great professors; Stephanie Prem and Cathy and Jim Phillips; and John McPhee, E. B. White, Kurt Vonnegut Jr., and Theodor Geisel. To Pat Miles, Pat and Kathy Lewis, Margie Sborov, Dr. Buck Brown, Larry Gatlin, Ruth Ann Marshall, Bill Coore, Arnold Palmer, Bob Brown and Bill Bartels, Dr. Burton Schwartz, Dr. Tae Kim, Dr. Margit L. Bretzke, Gerald McCullagh, and Jack Lindstrom. Thanks Ty Votaw and Bill Passolt. This book is inconceivable without the continued talent and patience of the people of Warner Books, who continue to prove that parts of New York are as warm as any town in the South: Rick Wolff, of course, Sharon Krassney for what seems like forever, the splendid duo of Giorgetta Bell McRee and Bernadette Evangeliste, and Jason Pinter and Dan Ambrosio. -
La Multipercusión. Un Enfoque Interpretativo De Las Primeras Propuestas De La Música Española (1964-1976)
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA TESIS DOCTORAL La multipercusión. Un enfoque interpretativo de las primeras propuestas de la música española (1964-1976) MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR José Baldomero Llorens Esteve Directora Belén Pérez Castillo Madrid © José Baldomero Llorens Esteve, 2019 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA Departamento de Musicología Programa Oficial de Doctorado en Musicología La multipercusión. Un enfoque interpretativo de las primeras propuestas de la música española (1964-1976) TESIS DOCTORAL José Baldomero Llorens Esteve Directora: Dra. Belén Pérez Castillo Madrid, septiembre de 2019 DECLARACIÓN DE AUTORÍA Y ORIGINALIDAD DE LA TESIS PRESENTADA PARA OBTENER EL TÍTULO DE DOCTOR D./Dña.________________________________________________________________,Jose Baldomero Llorens Esteve estudiante en el Programa de Doctorado _____________________________________,Musicología de la Facultad de _____________________________Geografía e Historia de la Universidad Complutense de Madrid, como autor/a de la tesis presentada para la obtención del título de Doctor y titulada: La multipercusión. Un enfoque interpretativo de las primeras propuestas de la música española (1964-1976) y dirigida por: María Belén Pérez Castillo DECLARO QUE: La tesis es una obra original que no infringe los derechos de propiedad intelectual ni los derechos de propiedad industrial u otros, de acuerdo con el ordenamiento jurídico vigente, en particular, la Ley de Propiedad Intelectual (R.D. legislativo 1/1996, de 12 de abril, por el que se aprueba el texto refundido de la Ley de Propiedad Intelectual, modificado por la Ley 2/2019, de 1 de marzo, regularizando, aclarando y armonizando las disposiciones legales vigentes sobre la materia), en particular, las disposiciones referidas al derecho de cita.