Dynamic Meaning Construction in Action Films (Specifically in the Last James Bond Trilogy)1
Dynamic meaning construction in action films (specifically in the last James BonD trilogy)1 by Wolfgang Wildgen in action films and, more specifically, the James Bond films, motion, pursuit and bodily conflicts are central features. as a consequence, the kinematic and dynamic aspects of the films' sign construction are foregrounded. The spatial situation must be well chosen and constructed for a proper background. This makes these films a perfect object for dynamic semiotics, which, in contrast to structural semiotics, is focused on spatial configurations, motion, and interaction in space and time.i f dif- ferent agents move in a chase and use different means of transport, complicated sce- narios arise in which acceleration and deceleration, parallel moves, and interaction with the surrounding space (buildings, streets, neutral participants, natural forces) gain prominence; in some of the situations, a chaotic outcome is threatening; also, the rhythms of action, acceleration/deceleration, chaos and its control account for a large part of the suspense. in addition, the dominating action scenes in the James Bond films (and other action films) are embedded into an encompassing evaluative framework, based on ethical values (rescuing the nation or humanity; loyalty and trust; etc.). finally, the control of motion and action is an evolutionarily fixed trait and has a neural correlate in the 'mirror cells' of the primate brain and its capacity for dynamic emulation. 1. Introduction The history of film is essentially linked to the earlier technique of photography, which may even remind us of remarks by aristotle with regard to the ''camera obscura'' and the fleeting imprint of lu- minosity on a wall or a sheet of paper.
[Show full text]