Spartanburg Woman Receives 22-Year Prison Sentence for Violent Car Chase

Total Page：16

File Type：pdf, Size：1020Kb

FOR IMMEDIATE RELEASE November 21, 2019 SPARTANBURG WOMAN RECEIVES 22-YEAR PRISON SENTENCE FOR VIOLENT CAR CHASE A Spartanburg woman received a 22-year prison sentence today for her role in a high-speed car chase where an AK-47 style rifle was used to shoot at the pursuing sheriff’s deputies. Jodi Lea Stapleton, 36, pleaded guilty to 3 counts of attempted murder and an unrelated breach of trust, drug and unlawful neglect of a child charges. On July 18, 2018, deputies attempted a traffic stop on the car Stapleton was driving on Highway 29 near Old Converse Road. Deputies attempted the traffic stop with hopes of arresting Stapleton and her passenger, both of whom were wanted. Stapleton failed to stop for the blue lights and led deputies on a pursuit on Old Converse Road. The passenger opened the sunroof of Stapleton’s car and used AK-47 style rifle to fire multiple rounds at the pursuing deputies. The passenger jumped out of the fleeing vehicle after Stapleton turned on Mount Pleasant Road. Stapleton abandoned the car a short distance later and ran to a nearby residence where she was found hiding under covers in a bedroom. The passenger was also taken into custody nearby. Multiple 7.62 rounds were recovered on the route of the pursuit. The rifle was also recovered, along with the empty magazine. Multiple sheriff’s office vehicles as well as businesses and homes of innocent citizens were damaged during the pursuit. Stapleton’s prior criminal dated back to 2007 with multiple convictions for drug and traffic offenses. Attempted murder and drug charges are still pending against Stapleton’s passenger, Jurrell Thompson, 34, of Spartanburg. Thompson is detained in the Spartanburg County jail with no bond. For more information, contact Murray Glenn at 809-4892 or [email protected]. ###.

Copy Link

Recommended publications

'Racing Is Life. Anything Before Or After Is Just Waiting.'
Steve McQueen’s 1963 Ferrari 250 GT Berlinetta Lusso recently went under the hammer at Christie’s in Monterey, offering another reminder of a man whose motoring exploits mirrored some of his most famous onscreen performances. Christopher Kanal pays tribute to a legendary car driven by a screen icon. Thegetaway n 16 August 2007, Steve McQueen’s 1963 Ferrari 250 GT Berlinetta McQueen was also an avid racing enthusiast, performing many of his Lusso went under the hammer at Christies. This remarkable car was own stunts, and at one time considered becoming a professional racing Obought by an anonymous owner, who placed his bid by phone, for driver. Two weeks after breaking an ankle in one bike race, he and co-driver a cool $2.31 million – nearly twice the estimated pre-sale price. The auction Peter Revson raced a Porsche 908/02 in the 12 Hours of Sebring, winning drew 800 people to the Monterey Jet Center in California and attracted their engine class and finishing second to Mario Andretti’s Ferrari by a spirited bidding according to Christie’s Rik Pike. margin of just 23 seconds. So begins another chapter in the life of one of McQueen’s favourite cars, which he drove for nearly a decade. McQueen’s Lusso inspires an almost fetish- like fascination, created from a potent blend of McQueen mythology and an ‘racing IS LIFE. insatiable desire for limited-edition 12-cylinder Ferraris. McQueen is dead 27 years but his iconic status has never been more assured. The Lusso is widely ANYTHING BEFORE acknowledged as Ferrari’s greatest aesthetic and engineering achievement.
[Show full text]
"Police Chase" Daily Update ⋅ April 3, 2017
www.PursuitForChange.org Police Pursuit archives from April 2017 "police chase" Daily update ⋅ April 3, 2017 NEWS Update : Police chase in Alburgh ends in a serious crash. WCAX Police say they had tried to stop the driver for speeding. They say the pursuit ended when the car rolled into a telephone pole on Alburgh Springs ... Flag as irrelevant Fatal Police Chase Comes to Closure KARK NORTHEAST, Ark.-- The case of a fatal police chase is finally coming to a close after two people involved pleaded guilty. Back in October officials say ... Flag as irrelevant 2 in custody after brief police chase in KCMO KSHB KANSAS CITY, Mo. - Two people are in custody after a police chase in Clay County Missouri. Clay County Sheriff's deputy attempted to pull the ... Clay County sheriff's deputies arrest two after pursuit ends in KC - Kansas City Star Police cruiser struck in chase that leads to arrest of two people at I-435 & Gregory - fox4kc.com Full Coverage www.PursuitForChange.org Police Pursuit archives from April 2017 Flag as irrelevant Police chase man carrying assault rifle through Paterson streets NJ.com PATERSON -- A city man was charged with multiple offenses after police chased him through city streets and found him in possession of a loaded rifle ... Police: Man threatened family member with assault weapon - Merced Sun-Star Full Coverage Flag as irrelevant Tyngsboro pharmacy robbery leads to police chase Boston Herald Tyngsboro cops are turning to the public for help after two men allegedly robbed a pharmacy before leading officers on a car chase into New ..
[Show full text]
Two Years Ago, Found Was Steve Mcqueen's Iconic 1968 Ford Mustang GT
Two years ago, found was Steve McQueen's iconic 1968 Ford Mustang GT. Only traces of its original highland green paint job remained as it had sat unnoticed in a backyard in Mexico for years. Collectors had been searching for it for decades. Of course, this is not just any old '68 Stang. This was one of the original cars used in the classic Steve McQueen film "Bullitt," a film that defined "cool" for a generation of Americans. McQueen was Hollywood's "King of Cool" for a reason. In his role as the detective Frank Bullitt, he literally flies his car through the streets of San Francisco in what is regarded by many as the greatest car chase scene in cinematic history. Steve McQueen was not cool because he drove the Bullitt car. The Bullitt car was cool because Steve McQueen drove it. At the time, Steve McQueen was the number-one movie star in the world, and he is still used as a point of reference for masculinity and "coolness" to this day. He was (and is) the definition of an American icon. Yet, until late in his life he struggled to find meaning in life, and he suffered because of it. It might have been because he was born into a home of an alcoholic mother and a father that left him early in life, but eventually he found himself on the wrong side of the law more than once. He was arrested several times as a teen and sent to truancy homes for rebellious kids. He served in the Marine Corps, where he demonstrated both valor and rebellion.
[Show full text]
The Image of Police Officer As Emerging from Road Movies and Road Lingo
ZESZYTY NAUKOWE UNIWERSYTETU RZESZOWSKIEGO SERIA FILOLOGICZNA ZESZYT 51/2008 STUDIA ANGLICA RESOVIENSIA 5 Grzegorz A. KLEPARSKI, Magorzata MARTYNUSKA THE IMAGE OF POLICE OFFICER AS EMERGING FROM ROAD MOVIES AND ROAD LINGO Road movies: The roots of the genre American society holds many things to be dear – indeed one might say that, becoming to such a heterogenous notion these notions are equally varied. However, one might define a number of values which are commonly held to be of great importance to America as a whole, such as mobility, independence, fairness, individualism, freedom, determination and courage. These values are best encapsulated in the film genre known as ‘road movies’, through which Hollywood has sought to celebrate the very nature of Americanness. The purpose set to the pages that follow is to outline the concept of freedom as the guiding force of the characters in the road movies and – in particular – the role and the concept of POLICE OFFICER who either turns out to be a constraint on freedom or – on rare occasions – its facilitator. The second part of the paper concerns the trucker language, and – more specifically – the picture of the POLICE OFFICER in the language of CB radio. In particular, we shall analyse the linguistic mechanisms involved in shaping the concept discussed; that is the working of the devices of zoosemy and metonymy. From the very outset, it can be observed that right from the very origins of settlement in the New World, the first Americans were always connected – in some way – with the road and the concept of travelling.1 The early settlers were pioneers wandering westwards; crossing wide stretches of land, constantly on the move in search of a place to live.
[Show full text]
Pursuits Liability in Law Enforcement Operations Presented by Public Agency Training Council
Pursuits Liability in Law Enforcement Operations Presented By Public Agency Training Council FBI Law Enforcement Bulletin “Perhaps the most compelling, ongoing, and logical reason for law enforcement’s continued interest in high-speed vehicle pursuits has been its concern in balancing the values of crime control and offender apprehension with ensuring the safety of all parties who potentially might be involved – police officers, suspects, victims, bystanders, and the community” This balancing test has formed the cornerstone of pursuit policies, training, and practice for the past several decades. Police Pursuits Police Pursuits provide some frightening statistics: - The majority of police pursuits involve a stop for a traffic violation - On average one person dies every day as a result of a police pursuit - Innocent third parties, constituted 42% of persons killed or injured in police pursuits - 1 out of every 100 high-speed pursuits = fatality Officer Goals - To apprehend and arrest the suspect - When Officer initiates an enforcement stop, the suspect if he flees, initiates a pursuit - Officer must now respond with a balanced and reasonable approach, while the suspect has no rules - Officer must take into account personal capabilities, environmental conditions, - risks created by suspects driving/ bystanders Risk/ Benefit Analysis Ultimately the Officer must balance the goals of law enforcement (Necessity of continuing the pursuit, capturing the suspect) with the public’s overall safety Officer Response to Suspect’s Refusal to Stop The need “To Win” via making the arrest can be influenced by the adrenaline rush – which may negatively impact an officer’s vision, hearing, motor skills, and decision making.
[Show full text]
2019 Mustang Bullitt
PREVIEW 2019 MUSTANG BULLITT Is Back! Taking a sneak peek at the 2019 Mustang reveals a legendary model rejoining the lineup — the Mustang BULLITT.(1) For many Mustang enthusiasts, there’s nothing quite like it … even getting a chance to look at and daydream over a car like this is nothing short of pure pleasure. The Mustang BULLITT Legend Start with a Great Performer Steve McQueen’s epic car chase in the 1968 The 2019 Mustang BULLITT is built off the impressive Mustang GT Premium movie “Bullitt” made his dark green fastback model. Significant features that were new for 2018 include: the most famous Mustang in Hollywood. Some movie buffs still consider that scene to Performance Styling Available be one of the greatest movie car chases ever. • More powerful 5.0L Ti-VCT • Updated exterior Technology Mustang BULLITT limited editions have V8 with Port Fuel Direct from the A-pillar Features Injection (PFDI) been built previously in 2001 and 2008-09. forward • 12-inch LCD digital They have traditionally featured upgraded • Active Valve Performance • Restyled seating instrument cluster suspensions, intakes and exhausts, brakes Exhaust System surfaces with with MyColor® and unique wheels … as well as the trademark • Revised chassis designed to new patterns • Heated steering Dark Highland Green exterior color. improve ride and handling and colors wheel 6 | February/March | 2018 ® Copyright 2018, Ford Motor Company | Rights are granted to dealership personnel to download the contents of this web page in electronic or paper form. All other rights are reserved, including the rights to create derivative works and/or other web pages.
[Show full text]
Car Chase As an “Attraction”: Comparison Between Point-Of-View Shots in Bullitt and the French Connection
Title Car Chase as an “Attraction”: Comparison between Point-of-View Shots in Bullitt and The French Connection Author(s) Hasegawa, Koichi Citation Journal of the Graduate School of Letters, 3, 69-75 Issue Date 2008-03 Doc URL http://hdl.handle.net/2115/32412 Type bulletin (article) File Information HASEGAWA.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Journal of the Graduate School of Letters,Hokkaido University Vol.3;pp.69-75,March 2008 69 Car Chase as an “Attraction”: Comparison between Point-of-View Shots in Bullitt and The French Connection Koichi HASEGAWA Abstract:Many Hollywood blockbusters have been recreated as popular theme park attractions. What is the similarity between action films and these attractions? It is that they directly address the audience/participants, implying that both action cinema and attractions set out to provide them with bodily thrills. This viewpoint was first presented in a seminal essay,“The Cinema of Attractions,”written by film historian Tom Gunning;it characterizes early films as emblematic of a type of cinema that showcases spectacles as sheer entertainment rather than one that tells a story. In this sense,action cinema that aims to address the audience directly may be referred to thrilling action films and the rise of such films is a notable phenomenon in present-day Holl- ywood. Car chase scenes are one of the keys to interpreting this phenomenon because almost a ll action films incorporate them as a strong draw. Hollywood’s contemporary enthusiasm for car chases began in the late 1960’s,when two car chase movies―Bullitt and The French Connection ―released a few years apart became smash hits.
[Show full text]
Teen Police Car Chase
FOURTH AMENDMENT: TEEN POLICE CAR CHASE The media glamorizes high-speed police chases as dangerous but exciting. However, this case asks where the responsibility lies in a chase that ends with 19-year-old Victor Harris becoming a quadriplegic in a wheelchair. This activity explores unreasonable seizure during a high-speed chase by examining the Supreme Court case Scott v. Harris, 550 U.S. ___ (2007). Participants will answer the question: Did law enforcement violate the Fourth Amendment’s protection against unreasonable seizure during a high-speed chase that ended with a car crash that left the 19-year-old driver paralyzed? About these Resources Analyze the facts and case summary for Scott v. Harris. Build arguments for both sides, starting with these talking points. Use critical thinking skills and share reflections on the discussion questions. How to Use These Resources This activity is a modified Oxford style debate. 1. To get started, have participants read the Scott v. Harris facts and case summary. 2. Assign student attorneys to the issues listed in the talking points. They are suggested points– not a script– for the debate. Student attorneys are encouraged to add their own arguments. 3. All other students are jurors who deliberate (and may refer to these talking points) during the open floor debate. They debate among themselves in the large group or smaller groups and come to a verdict after the attorneys present closing arguments. FACTS AND CASE SUMMARY: SCOTT V. HARRIS Scott v. Harris, 550 U.S. ___ (2007) Law enforcement did not violate the Fourth Amendment’s protection against an unreasonable seizure during a high-speed chase that ended with a car crash that left the 19-year-old driver paralyzed.
[Show full text]
Villanueva V. State of California -No QI for Cops
1055 East Colorado Boulevard, Suite 320 Pasadena, California 91106 Tel (626) 683-5600 Fax (626) 683-5656 DEFENDING THOSE WHO PROTECT OTHERS parking lot. One of the participating cars was a Chevrolet Silverado pickup truck occupied by Villanueva v. State Villanueva and Orozco. After witnessing the of California Silverado perform an illegal maneuver, the officers entered the parking lot, intending to February February No. 19-55225 make a traffic stop. The officers started following United States Court of Appeals for the Ninth the Silverado as it exited the parking lot and Circuit drove away. Villanueva sped away, at speeds of Filed January 28, 2021 202 50-70 mph on surface streets, running at least 1 three red lights. The officers followed at a No Qualified Immunity for distance, intermittently using their sirens through Officers Shooting at Slow- intersections. After several minutes, Villanueva turned onto a dead-end street. The officers Moving Vehicle followed, where they saw the stopped Silverado. The officers stopped, exited their vehicle, took Nature of the Action cover behind the open doors and drew their firearms. At the same time, Villanueva This case involves an appeal of the denial of attempted to reverse out of the street, using a qualified immunity for the use of deadly force three-point turn. After completing his turn, against individuals inside a slow-moving vehicle Villanueva, whose vehicle was now facing the following a high-speed chase. A 42 U.S.C. officers, started driving forward. The officers, §1983 action was brought alleging the officers who were approximately 15’ to 20’ away, started used excessive force when they shot and killed firing.
[Show full text]
Genre/Form Terms for Library and Archival Materials (LCGFT)
Library of Congress Genre/Form Terms for Library and Archival Materials LCGFT Moving Image Genre-Form Terms Updated through August 17, 2015 (List 8) Compiled by Scott M. Dutkiewicz, Cataloger, Metadata and Monographic Resources Team, Clemson University Libraries, [email protected]. Available at the OLAC website: http://olacinc.org/drupal/capc_files/GenreFormHeadingsList.pdf or in Classification Web, Genre/Form headings. Source: Cataloging Policy and Support Office, Summary of Decisions, Editorial Meeting Number 35- (August 29, 2007- present) Instruction sheet H 1913: http://www.loc.gov/catdir/cpso/h1913.pdf “Frequently asked questions about LC genre/form headings”: http://www.loc.gov/catdir/cpso/genre_form_faq.pdf A guide that provides scope notes for all the terms is available at: https://clemson.box.com/s/ncbj8ebo19i0zxhyujfob0l07dfyc1v7 Be aware that character and franchise genre/form terms were cancelled. See the PSD paper http://www.loc.gov/catdir/cpso/character_franchise_disposition_112211.pdf. Be aware that specific sports films and television terms were cancelled in List 6 (June 18, 2012). The instruction [Not Subd Geog] may not appear after each term. Genre/form terms do not subdivide geographically. If so, use coding to indicate local application. Changes in this issue New terms: Conspiracy films; Punk films; Kammerspiel films New scope: None New references to: Rock films; Western films Cancelled terms: none Genre-Form Terms 3-D films [Not Subd Geog] [gf2011026096] 455 UF Stereoscopic films 455 UF Three-dimensional films Abstract films [Not Subd Geog] [gf2011026004] 680 This heading is used as a genre/form heading for nonrepresentational films that avoid narrative and instead convey impressions and emotions by way of color, rhythm and movement.
[Show full text]
How Will I Be Judged by a Court of Law If Someone Sues Me for Using Excessive Force?” That Is a Fair Question from a Law Enforcement Officer
Part I: Introduction “How will I be judged by a court of law if someone sues me for using excessive force?” That is a fair question from a law enforcement officer. This chapter focuses on the legal aspects for using force in the course of effecting an arrest, investigatory stop, or other seizure of a free citizen. The leading case on use of force is the 1989 Supreme Court decision in Graham v. Connor.1 The Court held, “…that all claims that law enforcement officers have used excessive force – deadly or not – in the course of an arrest, investigatory stop, or other seizure of a free citizen should be analyzed under the Fourth Amendment and its objective reasonableness standard…” A seizure occurs when a law enforcement officer terminates a free citizen’s movement by a means intentionally applied. Traffic stops, investigative detentions, and arrests are all Fourth Amendment seizures. To seize someone, an officer may yell “Stop!” The officer may use handcuffs, a baton, or firearm to make him stop. A seizure must be objectively reasonable – meaning reasonable in its inception, the degree of force used, and its duration. This chapter focuses on the degree of force an officer may use. The Fourth Amendment chapter discusses when, and for how long someone can be seized; but they all go to the overall question – was the seizure reasonable? Mr. Graham was a diabetic. He felt the onset of an insulin reaction on day, called his friend Berry, and asked for a ride to a convenience store. Graham hoped to buy some orange juice.
[Show full text]
Dynamic Meaning Construction in Action Films (Specifically in the Last James Bond Trilogy)1
Dynamic meaning construction in action films (specifically in the last James BonD trilogy)1 by Wolfgang Wildgen in action films and, more specifically, the James Bond films, motion, pursuit and bodily conflicts are central features. as a consequence, the kinematic and dynamic aspects of the films' sign construction are foregrounded. The spatial situation must be well chosen and constructed for a proper background. This makes these films a perfect object for dynamic semiotics, which, in contrast to structural semiotics, is focused on spatial configurations, motion, and interaction in space and time.i f dif- ferent agents move in a chase and use different means of transport, complicated sce- narios arise in which acceleration and deceleration, parallel moves, and interaction with the surrounding space (buildings, streets, neutral participants, natural forces) gain prominence; in some of the situations, a chaotic outcome is threatening; also, the rhythms of action, acceleration/deceleration, chaos and its control account for a large part of the suspense. in addition, the dominating action scenes in the James Bond films (and other action films) are embedded into an encompassing evaluative framework, based on ethical values (rescuing the nation or humanity; loyalty and trust; etc.). finally, the control of motion and action is an evolutionarily fixed trait and has a neural correlate in the 'mirror cells' of the primate brain and its capacity for dynamic emulation. 1. Introduction The history of film is essentially linked to the earlier technique of photography, which may even remind us of remarks by aristotle with regard to the ''camera obscura'' and the fleeting imprint of lu- minosity on a wall or a sheet of paper.
[Show full text]