Saint Thomas Aquinas High School Year’S Collection
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45Th Cluster Reunion June 16-19, 2016 Class Tent: Alumni Gym Lawn West
Class of 1971 – 45th Cluster Reunion June 16-19, 2016 Class Tent: Alumni Gym Lawn West ($) Separate charge not included in class reunion fee Green denotes College-sponsored activities Blue denotes clustered events with ’70s and ’72s TUESDAY AND WEDNESDAY, JUNE 14 AND 15 Mt. Moosilauke Ravine Lodge Overnight Stay ($) This optional Dartmouth Outing Club event includes hiking, meals, and overnight lodging. Registration required: (603) 764-5858 Wednesday, June 15 6-9 p.m. Reunion and Executive Committee Gathering: Etna home of Kathy Rines ‘71a and Ben Shore. Early reunion arrivals are also invited to join the class reunion and Executive Committee for beverages and heavy appetizers. Please confirm attendance to [email protected] by June 9, 2016. THURSDAY, JUNE 16 REGISTRATION OPEN FROM 1–9 P.M. IN CLASS TENT 7-8 a.m. Get the Engines Running! Meet at the Hanover Inn Lobby Easy 2-3 mile run through Pine Park, led by Peter Pratt ’71. 12:15–5:30 p.m. Golf Outing ($) Hanover Country Club 12:30 p.m. shotgun start. To reserve your first-come, first-served spot, please confirm participation with Barry Brink at [email protected]. Per person fee is $65 including cart. We ask that you make direct payment to Hanover Country Club prior to your match. 2:30–5 p.m. Open Tennis Topliff Tennis Courts, Alumni Gym 2:30-4:00 p.m. Mink Brook Trail Hike Meet at the Hanover Inn Led by Tom Oxman ’71. 4:30-5:30 p.m. Pilates Alumni Gym, Studio TBC Led by Lisa Lider. -
David Aronoff Partner
David Aronoff Partner [email protected] Los Angeles, CA Tel: 310.228.2916 Fax: 310.556.9828 A seasoned entertainment and media law attorney, David has more than 30 years of experience handling a variety of complex matters, including breach of contract, copyright, trademark, right of publicity, accounting and defamation claims. David regularly represents and advises a variety of business entities, including motion picture and television studios, production companies, broadcasters, Internet websites and podcasters, video game companies, music companies and advertising agencies in their business and marketing decisions and disputes involving: • Copyrights • Trademarks • Right of publicity • Unfair competition • Trade secrets • False advertising • Contracts/accounting/finance He has handled numerous infringement and idea submission claims concerning popular entertainment works and hit movies such as “The Last Samurai,” “Along Came Polly,” “Reality Bites,” “There’s Something About Mary” and “The Mask of Zorro.” Among his recent cases, David conducted a two-week bench trial concerning the financing and distribution of the videogame “Def Jam Rapstar,” defended the in-development spy-thriller project “Section 6” against claims that it infringed the copyrights in the character James Bond, and represented keyboardist-songwriter Jonathan Cain of the rock group “Journey” in acrimonious trademark litigation between the band’s members concerning the ownership and control of the “Journey” band name and trademarks. Representative Matters • Guity v. Romeo Santos/Sony Music, 2019 WL 6619217 (S.D.N.Y. 2019) (won MTD resulting in dismissal of copyright infringement claims against Romeo Santos’ hit song “Eres Mia” on the grounds that defendants’ song, as a matter of law, was not substantially similar to plaintiff’s allegedly infringed song of the same title). -
November 3, 2011
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-3-2011 Kenyon Collegian - November 3, 2011 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 3, 2011" (2011). The Kenyon Collegian. 226. https://digital.kenyon.edu/collegian/226 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Thursday, November 3rd>WT]UM+@@@1@6W___SMVaWVKWTTMOQIVKWUXIOM[ Kenyonthe Collegian Serving Gambier, Ohio Since 1856 +IVLQLI\M;]XXWZ\[ A Presidential Reunion Religion in Schools MADELEINE THOMPSON ting their Christian values into their lessons despite the risk of Six Mount Vernon Board another expensive lawsuit like of Education candidates will Freshwater’s, which has now contest three seats in the local cost the schools almost $2 mil- election on Tuesday, Nov. 8. lion. !e candidates, Margie Ben- “As it stands today, with the nett (incumbent), Je"rey Cline, separation of church and state, Marie Curry, Cheryl Feasel, the law is that you can’t preach Jolene Goetzman (incumbent) religion from the classroom,” and Stephen Kelly, are all non- Cline said. “With that law, as partisan, but some of their cam- bogus as I think it is, we have paign promises -
Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style
University of Windsor Scholarship at UWindsor Major Papers Theses, Dissertations, and Major Papers June 2018 Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style Dustin Jones University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Museum Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Public History Commons, and the United States History Commons Recommended Citation Jones, Dustin, "Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style" (2018). Major Papers. 43. https://scholar.uwindsor.ca/major-papers/43 This Major Research Paper is brought to you for free and open access by the Theses, Dissertations, and Major Papers at Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of History in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2018 © 2018 Dustin Jones Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones APPROVED BY: ______________________________________________ N. Atkin Department of History ______________________________________________ M. Wright, Advisor Department of History May 17th, 2018 DECLARATION OF ORIGINALITY I hereby certify that I am the sole author of this thesis and that no part of this thesis has been published or submitted for publication. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Clue Book, Its Quality, Mer Ship Combat Tactics
' . STRATEGIC SIMULATIO- . .,,. INC ~ : !fil!ll'"' + __...... ·. ~+ ·. • •• . + .+· : : :,__......+ • + . ·+· .. • . .·~ •••• .. :+ ii~iil-=·+~..~-~· ~·~- 2 ~ . CREDITS n TABLE Of CONTENTS Written by Introduction ... ............... .... ... ... ..... ........... ... .. .. ..... ...... .. .... ... .. ... ......... ... 1 Dave Shelley, Rhonda Gilbert. Gettinq Help ... ............ .......... .... ... .. ............ ... .... .. .. ....... .... ..... ... ....... ..... 1 Ken Humphries & Ken Eklund Cast of Characters ... .... ........... .... ........ ........ ............. ... .... ................... 2 Space ... .. ........ ..... ... .. ....... ..... ....... ... .. ....... ... ... .......................... .. ... ....... ...4 Art. Graphic Design and Deslltop Publishing The Story .... .......... .. ............. .. ................................ ...... .... .. ..... ...... ... ..... 5 S~lls ... ............................ ..... .... ................... ...... ............ .. .... ... .... .. .. .. .. .... 7 Loms SAEKOW DESIGN: Peter Gascoyne Maps ....... .. ....... .... ........ ....... .. ........ ....... .. ... ................... ..... .. ..... .. ... ....... .. .8 A. Chicaqorq ... ....... .. ............... .. ........... ..... ..... ........ .... ... ........ .... .... ...9 Printing Salvation .................. ... .. ......... ..... ... .... ........... .. .. .... ..... ........... .... .. .... 10 B. Spyship ... ... ..................................... ............ .. ..... .... ..................... 11 A&a Printers and Lithographers -
Popular Culture Association - Pulp Studies Area
H-Announce Popular Culture Association - Pulp Studies Area Announcement published by Jason Ray Carney on Wednesday, September 23, 2020 Type: Conference Date: June 6, 2021 Location: United States Subject Fields: American History / Studies, Cultural History / Studies, Humanities, Literature, Popular Culture Studies POPULAR CULTURE ASSOCIATON -- PULP STUDIES AREA Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold at a price the working classes could afford, though they were popular with all classes. The earlier magazines, such asAll-Story , were general fiction magazines, though later they diversified and helped solidify many of the genres we are familiar with today, including western, detective, science fiction, fantasy, horror, romance, and sports fiction. The first pulp, Argosy, began life as the children’s magazine, The Golden Argosy, dated December 2nd, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, November of 1971. Despite the limited historical range of the pulpwood magazine form, the “pulp aesthetic” continues to influence popular culture today. With this in mind, we are calling for presentations for the National PCA/ACA Conference that discuss the pulps and their legacy. Magazines: Weird Tales, Amazing Stories, Wonder Stories, Fight Stories, All-Story, Argosy, Thrilling Wonder Stories, Spicy Detective, Ranch Romances and Adventures, Oriental Stories/Magic Carpet Magazine, Love Story, Flying Aces, Black Mask, and Unknown, to name a few. Editors and Owners: Street and Smith (Argosy), Farnsworth Wright (Weird Tales), Hugo Gernsback (Amazing Stories), Mencken and Nathan (Black Mask), John Campbell (Astounding). -
American Square Dance Vol. 35, No. 2
AMERICAN 54u9E9JAI(91p1:1NCE 0) 00 So LRAORUDT AFARM S 1980 CALENDAR 78 SQUARE DANCE RESC) " 30 ONE-WEEK PROGRAMS PRESENTS April 6-1? 1980 April 13-19. 1980 April 20-26, 1980 Ph.D. for Newer Dancers PROGRAM TO BE ANNOUNCED Ph.D. for New Dancers ED NEWTON, Fla. CHUCK DURANT, Fla. EB for newer dancers MS: For newer dancers April 27-May 3. 1980 May 4-10, 1980 May 11-17. 1980 SINGIN' SAM MITCHELL, Fla. BIRDIE MESICK, Mich. Ph, D. with Contra Sessions The RANDS, Fla. The EBERHARTS, Ohio OS WALT COLE, Ut. +2 MS: For newer dancers May 18-24. 1980 May 25-31. 1980 June 1-7, 1980 Ph. D. for Newer Dancers ED FRAIDENBURG, Mich. ED FOOTE, Pa. PAUL GREER, Fla. RIP RISKEY. Mich. ROGER TURNER, Ala. MS: For newer dancers Rounds: The Fraidenburgs +2 ADVANCED to C-1 June 8-14, 1980 June 15-21. 1980 June 22-28, 1980 TO BE ANNOUNCED ROGER CHAPMAN, Fla. Ph. D. for Newer Dancers The LOVELACES, FIa. +1 GORDON BLAUM, Fla. MM June 29-July 5. 1980 July 6-12, 1980 July 13-19. 1980 TONY OXENDINE, S.C. ED FOOTE, Pa. MIKE LITZENBERGER, La. The EBERHARTS, Ohio ROGER TURNER, Ala. C-1 The LUGENBUHLS, La. +1 +1 CHALLENGE WEEK July 20-26. 1980 July 27-Aug. 2. 1980 August 3-9. 1980 BILL PETERSON, Mich. CHUCK DURANT, FIa. GORDON BLAUM, Fla. The LEHNERTS, Ohio The BEATTIES, Fla. +2 The BEATTIES, Fla. +1 CALLERS COLLEGE, August 1046 Co-sponsored by American Square- August 17-21, 1980 August 24-30, 1980 dance Magazine: Stan Burdick, ART SPRINGER, Fla. -
President's Column the Nebulas Have a Cold Confluence Parsec Picnic Tarzan Meets Superman! More Tarzan! Brief Bios Bernard
President’s Column The Nebulas Have a Cold Confluence Parsec Picnic Tarzan Meets Superman! More Tarzan! Brief Bios Bernard Herrmann Part 2 A Newbie At The Nebbies. Parsec Meeting Schedule President’s Column and so help me The Crypt of Terror and The Vault of Horror. Spa Fon! I was time-slipped to the front porch of my childhood Carver Street home, a stack of luscious comic books piled high, my behind on gray painted concrete, sneakers on the stoop, a hot humid day. (Yes, my mother absolutely threw a fortune away.) As I and my doppelgänger read and viewed, I knew that this encounter with comic books was the missing dimension for which I had been yearning. I continue to read and am mighty partial, not to the superhero books, but to the graphic editions that draw from and create true science fiction. Mystery In Space, Weird Science, Weird Fantasy, Journey Into the Unknown, Planet Comics, Tales of Suspense, Out of this World, Unknown Worlds, the Buck Rogers.Flash Gordon and Brick Bradford newspaper comic strips, even in the name of all that has crumbled, Magnus Robot Fighter. The incomplete list does not even begin to contemplate any modern comic book attempts at SF. People ask me, “How do you find time to read?”As if that was a legitimate question. I answer, “How is it that you can’t find the time? Are you standing in a supermarket line, eating breakfast, waiting for the movie to begin, riding on the bus, sitting in your backyard, taking the dog for a stroll, mowing the lawn?” I do get a few peculiar looks while intent on the EC work of Wally Wood, Johnie Craig and Al Feldstein as I peddle the hamster running machine at the gym. -
2News Summer 05 Catalog
A Life in DAN Comic Art Written by John Coates SPIEGLE with Dan Spiegle All characters shown TM & © their respective owners. CONTENTS 4 Acknowledgements 5 Introduction 6 Foreword - Mark Evanier 10 Chapter One: The Early Years 16 Chapter Two: Hopalong Cassidy 1949-1955 24 Chapter Three: Western Publishing (a.k.a. Dell, Gold Key, and Whitman) 1956 - 1983 44 Chapter Four: DC, Eclipse, & Indy Publishers 1980s - 1990s 58 Chapter Five: 2000s to Present 64 Chapter Six: Watercolors 68 Chapter Seven: Process of Drawing 72 Chapter Eight: Growing up with a comic artist father 76 Chapter Nine: Partners in Art & Life - Dan and Marie’s write-ups of one another 80 Chapter Ten: Dan Gheno’s 1972 interview with Dan Spiegle 86 Comic Index 102 Afterword - Sergio Aragonés FOREWORD BY MARK EVANIER This is my Foreword for this reading and informed me—like it just seen his new movie. His reply splendid book about Dan Spiegle. was the most natural thing in the was along the lines of, “Who the So naturally, I’m going to start it world—“That’s one of my dad’s hell cares?” and “Leave me alone.” out by writing about Jerry Lewis. movies. My dad starred in that.” For some reason, this did not In July of 1959 when I was nine, I pointed to the photo of Jerry bother me or cause me to stop my parents took me to the Paradise Lewis on the cover and said, “Your going to Jerry Lewis movies. I guess Theater, which was located on dad is Jerry Lewis?” The kid said I just figured I had said the wrong Sepulveda Boulevard not far from yes. -
George Tuska
[Mr. Crime & hoodlum TM & © 2011; C Roy 1 Buck Rogers & Wilma TM & © 2011 The Dille Family Trust; other heroes TM & © 2011 Marvel Characters, Inc.] o m 8 2 i 6 T c 5 h s 8 o F 2 m a 7 7 a n 6 s z 3 i ’ n R 5 e e 0 a 1 l G e o r g e P L G U S T S W O : E M A U D N E O O N L S C E A O R I T K T S M E ! G I C L A L S E ? I n $ N J 7 a t 2 o h n 0 . e u . 1 9 9 a 1 U r 9 y 5 S A Vol. 3, No. 99 / January 2011 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll WITH Jerry G. Bails (founder) NOW Ronn Foss, Biljo White 16 PAGES Mike Friedrich R! Proofreader OF COLO Rob Smentek Cover Artist George Tuska (with various inkers) Cover Colorist Tom Ziuko Contents With Special Thanks to: Heidi Amash Paul Handler Writer/Editorial: Sometimes Nice Guys Finish First . 2 Henry Andrews Heritage Comics Tony Arena Chris Khalaf An Artist for All Seasons . 3 David Armstrong Robin Kirby The late great George Tuska, saluted and celebrated anew by R. Dewey Cassell. Bob Bailey Denis Kitchen Mike W. Barr Tommy Kohlmaier “I Was Contemptuous, Basically, of the Comics” . -
April-June 2017 a NOTE from the DIRECTOR
ADVEN TURES IN ART & HISTO RY April-June 2017 A NOTE FROM THE DIRECTOR Friends, Spring at The MATT means exhibition If you’re feeling inspired by the Peanuts gang, openings! This May we are thrilled to host I invite you to get your art on by checking out Heartbreak in Peanuts on loan from the Charles the new Studio Art Workshops (pg. 13) M. Shultz Museum and Research Center. I our Director of Education, Heather performed the role of Charlie Brown in my Whitehouse has planned. For everyone from high school’s spring musical so this comic budding artist to experienced pro, these legend has a special place in my heart. In workshops provide an opportunity to create fact, this weekly cartoon spans multiple artwork while having fun and honing skills. generations of fans and offers our visitors an opportunity to reconnect with the beloved Waterbury is what inspires me! You Peanuts characters from their childhood, and may have noticed I end my letters with will offer young children an introduction to #IBelieveInWaterbury. We have launched a these great American icons. call to artists (pg. 7) to invite them to share what inspires them about the Brass City. This exhibition also resonates with The September 2017 exhibit and collateral Waterbury's history. Did you know that The programming will feature works submitted Eastern Color Printing Company, which was by artists from across the State working owned by the Republican-American, produced in all media—including visual arts, sound what is considered by many to be the first art, spoken word, theatre, dance, music American comic book!! Famous Funnies, No.