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There seems to be a universal rule araound these parts; when things seem to be going well, a computer crashes. CorFlu ended, everything went pretty well, then my computer crashed. All the art I gathered. All the issues I’d been working on. Every back issue of my zines, including the dining guides for various cons. Gone. All gone. Everything, gone. Not even recoverable on the drive for some reason. Something truly terrible hap- pened that must have blanked everything off the drive. I mean NOTHING is left. When I had it read, it was blank. Not there were sig- nificant sectors gone or corrupted, but there was nothin’ there! I mean nothin’. It sucks. So, this one has been delayed twice, first by prep for CorFlu, which went really well and I had such a blast that you can read about in the up-coming issue of Claims Department, and then by the crash. Is sorrow. OK, this issue is the Gordon issue. I just got another article from Taral that I’ll run next week, after I’ve hopefully put together some more art and the like, and that’ll be an- other article in the 52 Weeks project. Which one? Well, you’ll figure it out shortly. That’s a cover by Mo Starkey, by the way. She did most of the Art gathering for this one! I love it when Mo does the covers. She’s a great one, she is. And I’ll probably be over CorFlu in the next month. I’m still pooped. 52 Weeks To Film Literacy Flash Godon (1936)

Every genre has characters that a bit bigger. cade later. The first followed the comic are so tied to it that they are a part of As sometimes happens, Flash Gor- strip pretty close, though it would even- the entire fabric of the genre. In Detec- don came along after, but was a big- tually slide more and more on its own. tive fiction, it’s Sherlock Holmes, Miss ger hit. While you’d hear SF described as It was in 1936 that Marple and Hercule Poirot (OK, there ‘that crazy stuff’, Flash Gor- reached immortality on film. are a bunch of others as well). In science don, inspired by and created to com- Film serials were an important part fiction, perhaps more than any other pete with Buck Rogers, was a bigger hit of films ever since The Perils of Pauline in character set, it’s Buck Rogers and Flash and quickly moved beyond comic strips 1914, really established the serial as an Gordon. Yes, there were characters like and stories onto the big screen. It wasn’t attraction. It wasn’t the first, but it was John Carter of Mars, but those two were in feature films that Flash made his hit, or the first big splash. By the , sound the explosive characters that caught on at least not initially, but as a series of seri- serials from companies like Universal, huge. Buck Rogers appeared in the late als. Republic and Columbia were huge into and was a huge hit, initially as sto- The first serialized media appear- the serial world and you’d get a short ries and later as a . Buck Rog- ance of Flash Gordon was on Radio in subject, a serial episode and a feature ers would eventually include a film serial, 1935. It was a popular show, not one of or two in the old days. Many of the big- novels, a series and more. the huge hits of the time, but big enough gest characters in film were out of the Flash Gordon, it would seem, was that it was well-remembered even a de- world of serials. was swashbuckling and strong, though guy’s performance was highly influential he wasn’t one of the great actors at the on almost every villainous science fic- time. In fact, he would become a pretty tion performance of the next 70 years. darn good actor in the 1960s when he Merciless? Yes. Well made and acted was doing a lot of television. like a mad man. It was like John Malkov- The serial itself was a massive hit. It ich studied every move Ming made and was probably the most memorable of all based his acting style on it! the SF serials, and led to several sequels The fifth episode is often noted for and continuation serials. Flash wasn’t a scene where King Vultan of the Hawk- the first SF serial, but it was the most fa- men, corners Dale. It was noted as the mous and led to an explosion of SF serials most erotic thing that had been allowed coming out, including a Buck Rogers se- on screen since the Hayes Code came rial which really was a lot of fun. The Un- into effect. It’s mild by today’s standards, dersea Kingdom, The Creeps, or even the standards of the early 1960s, The Adventures of Captain Marvel and but then it would have been mind-bot- all came closely on the heels tling... like one’s mind was placed inside of Flash Gordon and his sequels. It was a bottle! As it was a Universal produc- a big push and one of the reasons that B-Movies hit so big in the 1950s was that the serials had been such a big hit, and as they were falling away, they moved into lower-budget features. The serial was 13 episodes and it goes over the early adventures from the strip where Dr. Zarkov flies a ship to Plan- Flash Gordon’s first serial appear- et , which is on a collision course ance was in 1936, less than two afters af- with Earth. Along with Zarkov are Flash, a ter his in the funny pag- champion polo player, and , es. Universal had secured the rights to a lovely young woman who the ruler of Flash and put it into a 13-chapter serial. Mongo, , lusts over. The star, , was an Olympic They went with the traditional Cliffhang- Gold Medalist swimmer and a huge col- er model where you’d end every epi- lege sports star at UCLA. He had played sode with the heroes in peril. When you in 1934 and was in the midst of run a different episode every week, you a major film career. Serials, with rare ex- had to do stuff like that to keep people ceptions, were the turf of lesser stars, and coming in for the shows. Crabbe was one of the bigger names To me, it’s all about Ming. The doing serials. His performance as Flash tion, and since Serials were, in many you’ll be shocked how clearly the im- restored version of the complete serial. ways, like the younger brother getting ages were listed. Flash Gordon was put on the Na- the hand-me-downs, there are a lot of How important was Flash Gordon? tional Film Registry in 1996, sixty years af- pieces from other Universal feature films, Well, not the first Science Fiction serial, ter its initial release. That’s a good sign most notably the Rocket Ships from the but certainly the biggest splash and the that it’s of the highest importance to the musical Just Imagine, and there’s a one that had the most SF elements. It history of film. To the history of science dance sequence they lifted straight from was a huge step forward for the state of fiction film, it fills the role of being one the silent picture The Midnight Sun. I im- . It led to two sequels of the most significant of all science fic- mediately recognized the pieces from at a number of rip-offs, then to a couple tion films financially, in being the real Just Imagine, but I’ve never managed of different television series (including jump-starter for a blitz of SF in film, espe- to see The Midnight Sun. one recent one which was horrible) and cially serials, and it helped establish all While there was recycling, what’s feature films. The first follow-on features of the traditions we have for space films. amazing is that the images from the pic- were just re-cut versions of the serials, Watching it, you can see the threads ture were completely influenced by the a typical practice, and there are sev- that led to future films like The Angry Red work of science fiction artists, especially eral different versions. More than one of Planet, Forbidden Planet and even in Ed Frank R. Paul. If you watch it, and then these is currently available on DVD, and Wood’s stuff. It’s one of the most impor- take a look at early Amazing covers, I believe that they are releasing a fully- tant films in the 1930s. Creatures From A Thousand Worlds by Frank Wu

I have a Ph.D. and a well-paying rerun once a week, Friday nights at 7 pm inspired the later comic char- job because of “Flash Gordon.” on the local PBS station. My super-strict acter. People at science fiction conven- Chinese parents allowed me to be ex- Even better than the guys with tions still seem surprised when I tell them cused from dinner – which was always fake beards were the fake-looking mon- that I have a Ph.D. in bacterial genetics. 7 to 7:30, exactly coinciding with CBS sters! Maybe they think of me as just an art- Evening News, first with Walter Cronkite, Moments after landing on planet ist. But if you’re going to do science fic- then with Dan Rather. But I was excused Mongo, Flash is harassed by a slurpas- tion art, it’s good to know some science. to take my dinner alone into the dark, aurus! A slurpasaurus, for those who My day job is writing patents for cancer cold basement and watch the flickering don’t know, is a real lizard – an iguana treatments (if you invent a cancer cure, old black and white “Flash Gordon” im- or monitor – with rubber horns glued I can help you get a patent on it!). This ages on a flickering old black and white onto it. A cheap, easy and cheap-look- job finances the trips to cons, plus the TV set. ing way to make monsters, rather than Guidolon project and Brianna’s “Revo- I was spell-bound. the time-consuming and difficult tech- lution 60” videogame. I always preferred the original nique of stop-motion animation. Slur- But how did I get interested in science, “Flash Gordon” serial to the later two pasaurs show up in the 1929 version of specifically biology? (wherein he went to Mars and later con- “Mysterious Island” and later in the 1940 Shows like “” and “Flash quered the universe) or the Buck Rogers “One Million B.C.”, the 1959 “Journey to Gordon”! When I was little, I wanted to serial. the Center of the Earth” and the 1961 be like Spock, knowing everything about Why? “The Lost World.” That slurpasaur taught everything. (I tried, but didn’t quite suc- One of the same reasons I love me the most important lesson about ceed, as evidenced by Bri beating me “Star Trek”: the biological diversity. monster design: Everything looks cooler at three games of “You Don’t Know In the first serial, we see all man- with more horns than strictly necessary, Jack” the other night.) ner of human variants – Lion Men. Shark which explains the excessive plumage When I was in high school, I finally Men. Monkey Men. Tree Men. And most on Guidolon’s head. got to see the original Buster Crabbe awesome of all, Hawkmen, with their ex- Later on, Flash is menaced by the “Flash Gordon” serials. They were being pansive wings and winged helmets that horrific and gigantic Gocko! This is a man in a dragon suit, with lobster claws alopod ever – until Martin Landau that Flash battles in his dungeon cell – for hands. Now, of course, a Gocko is flails against his rubber octopus in “Ed and strangles with his own chain! improbable – because lobsters come Wood”. The horrible Squirlons: Rabid flying squir- from one phylum (Arthropoda) and both Flash also duels an orangopoid rels that will bite your head off! men and dragons come from another (a gorilla with a horn on its head). It is, The Tsak with two heads! (Chordata). These are creatures so dif- again, the most exciting battle between The Magnoped: The elephant with two ferent that one has the skeleton on the a man and a gorilla suit with a horn on trunks! outside and the others have the skele- its head ever filmed – until Kirk fights the The Horn-Horse: The horse with a horn on ton inside. You have to wonder how the Mugato. its head! transitional joints work, but it’s a wonder- Besides these horrors, there are The Horn-Snake: The snake with a horn ful biological experiment. these marvels: on its head! Flash also battles the horrifying The Devourosaurus: A giant dragon- The Tigron: The with a horn on its Octosac (the giant killer octopus). It’s headed snake-like fish thing that men- head! the most impressive cinematic battle aces Flash and his friends underwater! ’s planet Mongo is between man and limp rubber ceph- The Constrictosaurus: A giant python like a crazy man’s zoo! How could a fledgling biologist not be enchanted and inspired by such bio-diversity?