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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Trans-Sylvania
Trans-sylvania Across 51 Les ___ of Broadway 21 Place for future Lts. 1 Whack, off, or delight 55 See 19-Across 24 ___ music (do Britten’s job) 5 Bit of salt, for Stephen Pyles 58 Some eagle feathers 25 Satisfied fully 9 Rubber-stamp 61 Composer Thomas 26 Words said from one’s knees, perhaps 13 “Hi” to Lorca 62 Cub slugger 28 Just says no 14 Man, as a cruising goal 63 Scat queen Fitzgerald 29 Ornament in Cleopatra , perhaps 15 Six Feet Under box material 64 Pal from Down Under 31 Where to see Tom, Dick, or Harry 16 Gomer’s “anti” 65 Genie portrayer Barbara 32 Brief moment 17 Coldcock 66 Bedfellow 33 When to have sex 18 Barry Humphries’ Dame 67 Creature in a Star Wars sequel 35 Alice’s insect tour guide in Wonderland 19 With 55-Across, upcoming TV movie with 68 Comes out with 36 “All ___” (1984 Tomlin film) Laverne Cox 39 Be able to say, “I’m not myself”? 22 “___ little silhouetto of a man ...” Down 40 The way we word 23 Large phallus painter 1 She had her hand up Lamb Chop 45 “___ was saying ...” 27 Isle of exile in Brando’s Desiree 2 HRC’s equal sign, and others 47 Lip service? 30 Quite a bargain 3 Gertrude’s partner 49 Start of Caesar’s boast 31 Lance in a robe 4 Doodle in a musical 50 The Scarecrow’s “viscera” 34 “Don’t Cry for Me, Argentina,” e.g. 5 Gossip 52 Mary’s The Mary Tyler Moore Show girlfriend 37 Guy into bottoms? 6 Memo start 53 Film director Joseph 38 Character played by Laverne Cox 7 Sucking sound 54 Lake ballet dancers 41 Bro of Jacko 8 Painter Matisse 56 Gay Talese’s ___ the Sons 42 Pillow covers 9 Lily Tomlin’s Ernestine, for one 57 Have on too much perfume, e.g. -
Police Stage Large Dlrug Raid
PAGE TEN-B - MANCHESTER EVENING HERAU). Mam Ik-sUt . ( ■.iiii I' i i I VI- m mvi! Inside today Area MB Dear Abb>- 9R Buiinet. 2B Food IB SHOP YOUR MANCHESTER NEW CAR DEALERS Cliurrliei . 5A Obiluane. 6A Clav...... MB Opinion 4A COmirt 9B Sp«rt<i 54B In Weekend CB Convac. Oillecton' Comer, Forum ol the Art* and Televi- IPIRIESIIDtIIITi EIW TIIIDt^ iion Proftrami '7 ) C V . /■ V - 1 . Good Morning Havt A Good Day Police stage large dlrug raid Manchester Police made the three others were arrested on the policewomen in the restrooms of the served a search and seizure warrant and an on going investigation by the largest drug raid in its history Friday street, all for possession of drugs and establishment. Those who were about 7: 30 p.m., signed by Judge Police Department, Police Chief night at the Pinball Wizard, a popular some for disorderly conduct as of 10 arrested were loaded on a bus Nicholas Armanlano of the Common Robert Lannan. who was on the scene Outside today youth hang-out at 541 Main St., near p.m. About 15 more were waiting to waiting outside. Pleas C< lurt 12 Friday all night, said All key police per The establishment, which has been The rjiid was the result of many sonnel were involved in the raid, in Q ear nights and sunny days through the center. be searched. Complete body searches were a favorite hang-out of youths for on-going complaints in recent months eluding 10 detectives and about 10 FEBRUARY 11th thru FERRUARY 20th Sunday. -
Tobacco Sponsorship Is No Laughing Matter
82 Tobacco Control 1999;8:82–84 Tob Control: first published as 10.1136/tc.8.1.82 on 1 March 1999. Downloaded from AD WATCH Tobacco sponsorship is no laughing matter Despite intense eVort by tobacco control water kayaking. These activities involve groups during the past decade, legislation to competitors who succeed because of their will- control tobacco promotions in Canada has ingness to take extreme risks. Promotions for been limited in its eVectiveness. The Tobacco these events appeal to the viewer’s desire for Products Control Act (TPCA) was legislated independence because the selected activities in 1988 and although it banned tobacco prod- are all individual sports.4 The Matinée Fashion uct advertising, sponsorship remained permis- Foundation was formed in 1992 and serves as sible with limitations. The full name of the a second example. Sponsorship of fashion manufacturer was required on promotional events allows tobacco products to be associated material as opposed to a tobacco brand name. with models who are typically thin. In response, all three Canadian tobacco Promotional messages for these events may companies hastily registered their various reinforce the idea that smoking suppresses brands as separate corporate entities as the appetite and is a means of controlling body TPCA took eVect. Imperial Tobacco Ltd, weight. Other Canadian tobacco-sponsored RJR-Macdonald Inc., and Rothmans, Benson activities or events include golf and tennis & Hedges Inc. formed “shell” companies for tournaments, auto races, fireworks displays, sponsorship -
How Children Evaluate Real-Life and Television Women
D0C0!lBUT MESON!! ED 177 574 CS 205211• AUTHOR Hawkins, Robert P.; And Others TITLE How Children Evaluate Real-Life and Television Women. PUB DATE Aug 77 NOTE 21p.; Paper presented at the Annual Meeting of the' Association fcr'Education in Journalism (60th, Madison, Wisconsin, August 21-24, 1S77) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Childhood Attitudes.; Mass Media; *Sex Role; *Sex Stereotypes; *social Influences; * Television Research IDENTIFIERS *Communication Research ABSTRACT To understand hew children respand to and make use of portrayals of the sexes on television, 192 third and eighth grade students participated in a study to determine what they notice and how important these distinctions are to them. The study obtained children's same/different paired comparisons of eight concepts--me, my 'mother, an average woman, an average television woman, and four television characters (Bionic Woman, Cher,. Mary Tyler Moore, and Mrs. Walton),'and explored two models cf influence on salience scores, a television viewing and perceptions model and a sex role socialization model, using, the three comparison dimensions cf youth/vitality, reality, and competence. Fesults indicated that the ,variables of a sex-role socialization mddel are related to,children's use of these three dimensions for comparing real-life and television women and that cognitive variables cf children's own perceptions can be used in media effects studies. (AEA) How Children Evaluate Real-Life and Television Women Robert P. Hawkins, Christine Morelli, Suzanne Pingree, and Donna G. Wilson (Hawkins and Pingree are at the University of Wiscnsin -- Madison; Morelli is at Lane Community College, Eugene, Oregon, and Wilson is at the University of Colorado) How Children Evaluate Real-Life and Television Women Childrèn'are a media audience of special concern to parents, educators, and Deseárchers. -
A Senate Resolution Honoring the Life of Mary Tyler Moore. WHEREAS, Mary Tyler Moore Was Born in Brooklyn, New York, to Ge
01/31/17 REVISOR JFK/RC 17-2460 1.1 A Senate resolution 1.2 honoring the life of Mary Tyler Moore. 1.3 WHEREAS, Mary Tyler Moore was born in Brooklyn, New York, to George Tyler Moore 1.4 and his wife Marjorie Hackett, and was the oldest of three siblings; her family lived in the Flatbush 1.5 section of Brooklyn, but moved to Los Angeles when she was eight years old; and 1.6 WHEREAS, deciding at age 17 that she wanted to be a dancer, Mary's first television job 1.7 was as "Happy Hotpoint," a tiny elf dancing on Hotpoint appliances in TV commercials during the 1.8 1950s series "Ozzie and Harriet"; Mary soon began landing regular television roles on such programs 1.9 as "Richard Diamond, Private Detective," "Overland Trail," and "The Tab Hunter Show"; and 1.10 WHEREAS, in 1961, Carl Reiner cast her in the co-lead role of "The Dick Van Dyke Show," 1.11 and her memorable, witty, energetic comedic take on the character of Laura Petrie made both Mary 1.12 and her signature capri pants extremely popular internationally, and she received the first of many 1.13 Emmy awards; in 1970, Mary and her husband Grant Tinker successfully pitched a sitcom to CBS 1.14 that centered on her, and "The Mary Tyler Moore Show," a newsroom sitcom set in Minneapolis 1.15 that also featured Ed Asner, Valerie Harper, Cloris Leachman, Gavin MacLeod, and Ted Knight, 1.16 became a major hit, with a unique approach at the time that depicted the life of a single, never-married 1.17 independent career woman at work and at home; and 1.18 WHEREAS, featuring -
Pub Type Edrs Price Descriptors
DOCUMENT RESUME ED 233 705 IR 010 796' TITLE Children and Television. Hearing Before the Subcommittee on Telecommunications, Consumer Protection, and Finance of the Committee on Energy and ComMerce, House of Representatives, Ninety-Eighth Congress, First Session. Serial No. 98-3. INSTITUTION Congress of the U.S., Washington, DC. House Committee on Eneygy and Commerce. PUB DATE- 16 Mar 83 NOTE 221p.; Photographs and small print of some pages may not reproduce well. PUB TYPE --Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC09'Plus Postage. DESCRIPTORS Cable Television; *Childrens Television; Commercial Television; Educational Television; Federal Legislation; Hearings; Mass Media Effects; *ProgrAming (Broadcast); *Public Television; * Television Research; *Television Viewing; Violence IDENTIFIERS Congress 98th ABSTRACT Held, during National Children and Television Week, this hearing addressed the general topic of television and its impact on children, including specific ,children's televisionprojects and ideas for improving :children's television. Statements and testimony (when given) are presented for the following individuals and organizations: (1) John Blessington,-vice president, personnel, CBS/Broadcast Group; (2) LeVar Burton, host, Reading Rainbow; (3) Peggy Charren, president, National Action for Children's Television; (4) Bruce Christensen, president, National Association of;Public Television Stations; (5) Edward 0. Fritts, president, National Association of Broadcasters; (6) Honorable John A. Heinz, United States Senator, Pennsylvania; (7) Robert Keeshan, Captain Kangaroo; \(8) Keith W. Mielke, associate vice president for research, Children's Television Workshop; (9) Henry M. Rivera, Commissioner, , Federal Communications Commission; (10) Sharon Robinson, director, instruction and Professional Development, National Education Association; (11) Squire D. Rushnell, vice president, Long Range Planning and Children's Television, ABC; (12) John A. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Pdf, 159.78 KB
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. Carl Reiner died earlier this summer. Thorn He was 98. In a world where the word where the word “legend” can get overused, let’s be clear. Carl Reiner was a legend. He started in comedy during WWII. He performed on stage, on the radio, on TV and movies. He did it all. He was on TV at a time when TV was this weird new thing that nobody was really sure what to do with. All that’s pretty amazing. The important thing is, though, that the stuff that Carl worked on—it’s really funny, still. He created The Dick Van Dyke Show, one of the greatest TV shows of all time. He co-wrote and directed Steve Martin’s The Jerk. And, you know, his best buddy was Mel Brookes—best buddy and collaborator. The two of them hung out together pretty much every day. Carl Reiner kept working right up until the end, too. One of my favorite recent things he did was on the television show Parks and Recreation. He played Ned Jones, the president of Pawnee Seniors United. -
Directory Russo Look
PAGE EIGHT-B- MANCHESTER EVENING HERALD. Manchester. Conn.. Fri.. March 17, 1OT8 OHfetr $tor»» lor Horn M M o t For M * $1 AMot For Sth 61 Am oi For Solo 61 FRANK «na ERNfE'^ PAINT ^ E 1*88 DODGE POLARA - good f l » r 5 StMpLB, a omcESPiux running oonditioa, 2 new tSres, 3 and two new snow treads, a The weather i i f s E M A D A M - - J U 5T a FOHRPIT asking $350. 646-6248 after 4 JM sqaar* I t e i . enter of p.m. j Undeete ahcoalHkicriiiiawl Mostly sunny today with highs PfCfC T H t C O L O R F •yrtln*. Ceil MSMSl. 1972 FORD MUSTANG - in the 30s. Clear tonight with lows 1 i Good morning you tAfOuLo tyi5H I ^tomatic, power steering, in the 20s. VariaBle cloudiness »1 fflgine. Excellent conm- Sunday with highs in the 40s.- Have a nice day £ i | HAD $ tion. Asking $2W. Call 643- You PicKBO F *836, anytime. National weather map on page « 6B. i P Y O U P i c k e d r'Ltt'- □ AUTOMOTIVE 1969 CHEVROLET ImpaU - TWENTY CENTS $omethinc else. 327. V-8. 4 door Hanltop. Good i.i7 running condition. 5 ^ . 568- 1 ^ Auto* For Bala 61 7859. RUSSO 1974 HORNET HATCHBACK - 6 cylinder, standard. 58,000 OLDSMOBILE, 1970 - 4 door, miles. Asking 51650. Call 649- 98, excellent condition, all 8130, after 5:30 p.m. power, with air conditioning, Chevrolet Summary 5750. Call after 5 p.m. M3- 1973 O P E L MANTA - 4 WASHINGTON (UPI) - The Judge nixes cylinders. -
Tom Marshall's Weekly News, September 12, 2016 Actors And
Tom Marshall’s Weekly News, September 12, 2016 Actors and Actresses Depicting Famous People: The Weekly News of December 11, 2006, was entitled “Let’s Go to the Movies.” When I was young during the Golden Age of Hollywood, I loved the movies, culminating in the Club House Theater in Yorklyn, which I operated for two seasons in 1947 and 1948. From the 1930s through the ‘50s, leading stars of the screen were under contract with the big studios and often took roles not to their liking. Among the features during this period was the portrayal of American heroes in full-length films, which carried over to historical documentaries on TV. The earlier movies took liberties with actual facts, but they were popular. Big name stars were often asked to portray historical figures. Sometimes they were honored to do it; often they “had to.” Following is the list of those I can recall. Spencer Tracy: Clarence Darrow, Father Flanagan, Christopher Jones, Jimmy Doolittle, Thomas Edison, Robert Rogers. Edward Arnold: Pawnee Bill, Daniel Webster Walter Hampden: Thomas Jefferson Hal Holbrook: John Adams, Mark Twain, Abraham Lincoln Henry Fonda: Abraham Lincoln James Stewart: Glenn Miller, Charles A. Lindbergh Cary Grant: Cole Porter Don Ameche: Alexander Graham Bell, Stephen Foster James Cagney: George M. Cohan Gary Cooper: Lou Gehrig, Sergeant York Joel McCrea: Buffalo Bill Cody Louis Calhern: Buffalo Bill Cody Raymond Massey: Abraham Lincoln, John Brown Robert Walker: Jerome Kern Jose Ferrer: Sigmund Romberg Tony Curtis: Harry Houdini Charlton Heston: Andrew Jackson (twice) Van Heflin: Andrew Johnson Ronald Reagan: George Custer, George Gipp Errol Flynn: Earl of Essex, Gentleman Jim Corbett, Jeb Stuart, George Custer Howard Keel: Frank Butler Fess Parker: Swamp Fox Marion, Davy Crockett, James J. -
Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.