DOCSLIB.ORG

British Fencing Achievement Awards - Sabre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
British Fencing Achievement Awards - Sabre British Fencing Achievement Awards - Sabre Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Demonstrate: (with coach or Demonstrate: (with coach or Demonstrate: (with coach or Demonstrate: (with coach or Demonstrate: (with coach or Demonstrate: (with coach or partner) partner) partner) partner) partner) partner) While following your 1. The grip While following your While following your While following your partner's steps forward and While following your 2. The salute partner's steps forward and partner's steps forward and partner's steps forward and backward: partner's steps forward and 3. The on guard - guard of backward: backward: backward: 1. Maintain correct distance backward: tierce and quarte 1. Maintain correct lunging 1. Maintain hitting distance and 1. Maintain correct distance and choose the moment to step 1. Maintain correct distance 4. Steps forward and backward distance make successive cuts to, head, and when your partner pauses, forward with a direct feint to and choose the moment to 5. Cuts to head, flank, and 2. Maintain correct distance, flank. chest, and arm using attack to arm with a lunge deceive your partner's parry; make a step forward chest cut to head, flank, and chest various combinations 2. Maintain correct distance continue the attack with a lunge preparation then: 6. Direct attack with lunge to without a lunge 2. Maintain correct distance and as your partner makes a 2. Choose the moment to begin - If your partner's arm head, flank, and chest 3. Maintain correct distance and each time your partner balestra preparation then balestra steps preparation; as straightens with the point in 7. Parries of tierce, quarte, and and, each time your partner pauses do a simple attack with attacks with lunge, stop-cut to your partner moves away and line, beat attack direct with quinte with a direct riposte pauses, cut to head, flank, and a step-lunge arm with a step back parries, attack into the opening lunge 8. Make your opponent’s attack chest with a lunge 3. Step-lunge with a simple 3. Maintain correct distance line with a lunge - If your partner fails to react, fall short and hit with a direct 4. Each time your partner attack, if your opponent parries and as your partner pauses, 3. Maintain correct distance attack with a compound action attack attacks with a lunge to head, hit into the opening line attack with a step-lunge. If your and step forward with a small with a step-lunge flank or chest, parry tierce, partner attempts to parry hit feint as a preparation of attack 2. Choose the moment to Describe: quarte, or quinte with a direct From a stationary position into an opening line - If your partner parries, attack attack with a lunge to draw 1. How to use your sabre safely riposte 4. Cuts to arm into the opening line with a your partner's parry-riposte 2. How to fence safely 5. Each time your partner 5. Beat attack From a stationary position: lunge then parry and counter-riposte 3. The target area attacks with a lunge or step- 6. Indirect riposte following 4. Beat attack on the -If your partner steps back, 3. Maintain distance and when 4. The principles of fencing with lunge make them fall short and parries of tierce, quarte, and opponent’s preparation or attack with a step lunge your partner attacks, parry and the sabre and right of way hit them with a lunge quinte attack -If your partner attacks, parry- make a compound riposte 5. Fencing etiquette 7. Parries of tierce, quarte and 5. Compound attacks with one riposte From a stationary position: quinte with a first counter- feint 4. Maintain correct distance From a stationary position: 6. Direct and indirect hits with riposte 6. Parries of prime and and make a compound attack 6. Compound attacks with the the point 8. Attacks to head, flank, and seconde with a step lunge to deceive a point 7. Successive cuts to head, chest with step-lunge and 7. Beats in the low lines beat 7. Indirect and compound flank, chest, and arm using balestra-lunge 5. Maintain correct distance derobements with the point various combinations Describe: and, if your partner makes a 8. Successive parries with a 8. Indirect cuts to head, flank Describe: 1. Scoring on a pool sheet; first long attack, make them fall step back and chest 1. 'Priority of attack" and second indicators short. Hit them with either an 2. Indirect actions - give three 2. Rules regarding:- immediate direct attack or a Describe: Describe: examples - Turning long attack, depending on their 1. Use of "line" and 1. Courteous and respectful 3. Duties of referee - Hard hitting and dangerous recovery. derobements behaviour and the fencer’s 4. Rules regarding the fencing 2. Counter-offensive actions “Pledge of Honour" (cf. t.84) boundaries of the piste - Crossing the feet From a Stationary Position: 3. Change of tempo and using 2. Parts of the sabre 3. Black card offences 6. Through cuts to chest and this in a fight 3. Dimensions of the piste flank 7. Compound ripostes and Demonstrate: counter-ripostes 1. Referee a fight to 5 hits 8. Ripostes and counter- correctly using hand signals ripostes with balestra steps and lunge Describe: 1. Second-intention actions 2. Simple and compound actions 3. Use of preparations 4. Electric sabre recording apparatus 5. Fencer's electrical equipment 6. Testing the equipment before the start of a fight .
Load more

Recommended publications
  • The Cavé in French Swordsmanship Patrick T
    COLUMBIACLASSICALFENCING.COM The Cavé in French Swordsmanship Patrick T. Morgan Introduction French fencing masters wrote about the cavé (pronounced cahv-ay) as a distinct fencing action. In French, caver means to cave in or collapse. The cavé thus described how a fencer would change or position his wrist or body to create a sharp angle—“caving in” from, say, a straightened position— for a specific fencing purpose, whether offensive or defensive. Sensibly, then, the cavé is sometimes referred to as angulation today. But that term doesn’t always cover all the ways the French writers used the cavé. This is because, as explained below, you can also cavé by using no angulation. Three General Ways to Cavé For the French, there were three ways to cavé. From the on-guard position, you could cavé (1) at the hips or (2) with your rear leg. You could also (3) cavé the wrist of your sword arm, which itself was possible in three different ways. These methods were variously defensive or offensive. Importantly, these were not recommendations so much as taxonomy: as we’ll see, some of these ways of “cavé-ing” could get you killed. 1. The Cavé at the Hips Danet discussed the “cavation” of the body in the second volume of L’Art des Armes. The cavé of the hips is one of two types of esquive—that is, a movement or displacement of the fencer’s target area to evade a thrust—that Danet identified. As Danet described it, the cavé at the hips occurs by “lowering the shoulders and completely straightening the right knee” (en baissant les épaules, & dépliant tout-à- fait le genou droit).
    [Show full text]
  • SUCCESSFUL DEFENDING CHAMPIONS Al MORALES U.S
    SUCCESSFUL DEFENDING CHAMPIONS Al MORALES PAUL PESTHY U.S. Sabre Champion U.S. Epee Champion POSITION OPENS FOR PRO olume 19 Number 1 fENCING DEMONSTRATIONS Welcome to the 1967-1968 fencing season of the AHA. We eagerly look forward to a John R. West, general manager of National ;1 IJl f 11 lCIl 11 f El1CJl10 bonner fencing year culminating in the 1968 School Assemblies Agency, has announced Official Organ of the Amateur Fencers League of Americo Olympics scheduled for October in Mexico that his organization is seeking a fencing Management City. couple to put on demonstrations of the sort 'vV. L. Osborn, Publisher J. R. de Capriles, Editor on a year-around basis, starting in September P.O. Box 144 41 Fish Hawk Drive, Oak Hill, In the post year, your Notional Officers 1968. Terre Haute, Ind. Middletown, New Jersey 201-671-5872 have concentrated on publicizing the sport Feature Editors: Miguel de Copriles, Claribel Sounders and Rolph Goldstein. of fencing and encouraging participa­ The team, which could be either a married Assistant Editor: William J. Latzko tion primarily at the student level as it couple or two men, would sign up for one Advertising Office: 5 Great Oak Lone, Pleasantville, N.Y. is from these ranks that future champions or more tours to demonstrate fencing at Telephone: 867-9191 will emerge. Promotional brochures have schools and colleges throughout the U. S. National School Assemblies has been in busin­ Policy Board been developed and made available to any­ N. Lewis, Chairman; J. R. de Capriles, W. J. Latzko, body interested in fencing.
    [Show full text]
  • The Seven Sabre Guards for a Right Handed Fencer
    The Seven Sabre Guards for a Right handed fencer. st “Prime” 1 Guard or Parry (Hand in Pronation “Quinte” 5th Guard or parry (Hand in Pronation) “Seconde” 2nd Guard or Parry (Hand in Pronation) “Sixte” 6th Guard or Parry (Hand in half Supination) “Tierce” 3rd Guard or Parry (Hand in Pronation) th “Offensive Defensive position” 7 Guard of Parry (Hand in half Pronation) Supination: Means knuckles of the sword hand pointing down. Half Pronation: Means knuckles pointing towards the sword arm side of the body with the thumb on top of the sword handle. Pronation: Means knuckles of the sword hand pointing th “Quarte” 4 Guard or Parry (hand in Half Pronation) upwards. Copyright © 2000 M.J. Dennis Below is a diagram showing where the Six fencing positions for Sabre are assuming the fencer is right handed (sword arm indicated) the Target has been Quartered to show the High and Low line Guards (note the offensive/defensive position is an adaptation of tierce and quarte). Sixte: (Supinated) To protect the head Head Quinte: (Pronation) To protect the head Cheek Cheek High Outside High Inside Tierce: (½ Pronation) to Prime: (Pronation) to protect the sword arm, protect the inside chest, and chest, and cheek. belly. Seconde: (Pronation) Fencers to protect the belly and Quarte: (½ Pronation) To Sword-arm flank protect chest and cheek Flank Low Outside Low Inside Belly The Sabre target is everything above the waist. This includes the arms, hands and head. Copyright © 2000 M.J. Dennis Fencing Lines. Fencing lines can cause a great deal of confusion, so for ease I shall divide them into four separate categories.
    [Show full text]
  • AUDATIA Armour Expansion Pack Rulebook
    deck and place it next to the Character’s Action deck. Half-Sword Strikes can only be played from the ap- Audatia 5. Take the Armour Accoutrement card and place it to propriate Half-Sword Poste. the area where you will place your Virtues. Armour Expansion Half-Sword Stretto Remedies can only be played if the 6. Go to Setup Process (See Audatia Duel Deck Rules player has first: Armour developed into the full knightly suit of plate steel in the late 1300s and Sheet). early 1400s; right when Fiore dei Liberi was writing Il Fior di Battaglia. Thanks to metallurgical developments in Milan in the 1380s, it became possible to make • Parried with a Half-Sword Parry, tempered steel plates that were both tough, and hard. Fiore’s Art naturally Using the Armour • has gone into Half-Sword grip after Parrying, or includes a lot of material on Armoured combat. When wearing armour, you • has gone into Half-Sword grip after after being Parried. trade some speed and a little mobility for a lot of protection. But armour is You can discard Half-Sword Action cards as if they vulnerable to some specific attacks. These rules are based on Fiore’s work on were normal Action cards, including to the Salute. armoured combat and also model the increase in protection and fatigue. Half-Sword Stretto Counter-Remedies can be used as normal Stretto Counter-Remedies and vice versa. When in Armour, whenever you would be hit by an To add the Armour Expansion Pack to Audatia, you Attack and therefore lose the game, your opponent need two Audatia Duel Decks, and for a fair fight, instead takes a random card from your hand to be two Armour Expansion Packs.
    [Show full text]
  • Fencing - Overview Fencing Is a Game in Which Is Played Between Two Fencers
    COMPILED BY : - GAUTAM SINGH STUDY MATERIAL – SPORTS 0 7830294949 Fencing - Overview Fencing is a game in which is played between two fencers. Both the fencers use swords to attack the opponent and to defend self. There are some rules and regulations which the players have to follow while attacking or defending. Three different groups of weapons are used in fencing and each weapon has its own set of rules and regulations. Most of the fencers select one so as to specialise in using any one of these weapons. This is a sword exerting game where two fencers try to touch each other with the tip of their sword. The main objective of this game is to touch the other player and score enough points required to win the game before the opposite player scores points. There are different approved target zones based on the weapon used and players have to touch those target zones to score points. A Brief History of Fencing Fencing was initiated in the 12th century though the oldest surviving manual on swordsmanship dates around 1300. In ancient days in Rome and Egypt, fencing was quite popular and was an essential part of life in the form of swordsmanship. In the middle age, i.e. around 1400, the use of armours was introduced in order to make the game more defensive and interesting. THANKS FOR READING – VISIT OUR WEBSITE www.educatererindia.com COMPILED BY : - GAUTAM SINGH STUDY MATERIAL – SPORTS 0 7830294949 Spain was the first one to practice fencing. Several books related to fencing have been written by Spanish authors.
    [Show full text]
  • Fencing Club By-Laws: Ranking System
    Fencing Club By-Laws: Ranking System Ranks are marked by colored bands beneath the shoulder patch. Testing occurs on individual occasions as determined by the Head Instructor. Members wishing to test can do so only if the Head Instructor offers to perform the testing. If a member wishes for a testing, the candidate cannot bring the request to the Head Instructor's attention, but must instead convince a member in good standing of at least the rank he/she wishes to test for (and at least the 2nd rank) to act as a sponsor on his/her behalf. This sponsor is also responsible for making sure the candidate is adequately prepared for the rank testing. When the testing occurs, all actions requiring 2 people will be performed by the candidate and her/his sponsor. The Head Instructor (the tester) will direct the actions and observe so as to score the candidate. The candidate should not be penalized for mistakes made by the sponsor; instead, the Head Instructor should ask them to repeat the action. Each rank confers upon the fencer a set of permissions to accompany their new rank. First Rank – Yellow Band - Beginning Foil Requirements: A) Length of attendance: Minimum attendance time before testing: 15 practices, with discretion for those with previous experience B) Candidate should have participated in at least two assaults previously with instructors. The Testing: The purpose of the 1st rank testing is for the candidate to demonstrate the knowledge and ability needed to fence safely with the foil in a bout. A) Candidate must demonstrate the following skills/techniques: Notice, all techniques should be done from a proper guard, attacks should be done with a properly executed lunge, etc.
    [Show full text]
  • Introduction to Rapier
    INTRODUCTION TO RAPIER Based on the teachings of Ridolfo Capo Ferro, in his treatise first published in 1610. A WORKBOOK By Nick Thomas Instructor and co-founder of the © 2016 Academy of Historical Fencing Version 1 Introduction The rapier is the iconic sword of the renaissance, but it is often misunderstood due to poor representation in popular culture. The reality of the rapier is that it was a brutal and efficient killer. So much so that in Britain it was often considered a bullies or murderers weapon. Because to use a rapier against a person is to attempt to kill them, and not just defend oneself. A result of the heavy emphasis on point work and the horrendous internal damage that such thrust work inflicts. Rapier teachings were first brought to Britain in the 1570’s, and soon became the dominant weapon for civilian wear. Of course many weapons that were not so different were also used in the military, featuring the same guards and slightly lighter and broader blades. The rapier was very commonly used with offhand weapons, and Capo Ferro covers a range of them. However for this work book, we will focus on single sword, which is the foundation of the system. This class is brought to you by the Academy of Historical Fencing (UK) www.historicalfencing.co.uk If you have any questions about the class or fencing practice in general, feel free to contact us – [email protected] Overview of the weapon The First thing to accept as someone who already studies one form or another of European swordsmanship, is that you should not treat the rapier as something alien to you.
    [Show full text]
  • Glossary of Terms, 2016 (PDF Version)
    The Society of American Fight Directors GLOSSARY OF TERMS (revised as of 3/19/16) It is important to note that the terms listed below may not correspond to the proper definitions of the actions as they are applied to historical or modern fencing, swordplay, boxing or wrestling. These terms are theatrical in nature, not tactical, describing the action as it is executed in the performance environment. General Use Terms Active Hand: The non-weapon bearing hand used to block, check, lock, parry, strike, or trap the opposing weapon or parts of a partner’s body. Attacker (also called Aggressor): The actor/combatant who initiates the offensive action or attack. Center Line: An imaginary line that bisects the body. Horizontal Center Line (also called Mid Line): The imaginary line that bisects the body horizontally at waist level delineating High Line and Low Line. Vertical Center Line: The imaginary line that bisects the body vertically through the center delineating Inside Line and Outside Line. Cue: a physical action or event that is a signal for someone to do something. Cue-Reaction-Action: A basic stage combat principle/process used to achieve a safe and dramatically effective sequence of events Distance (also called Measure, Fighting Measure, and/or Fencing Measure): The proper measure between two or more combatants to safely execute any particular technique in stage combat. En Garde: The basic physical "ready" position of a combatant. Eye Contact: A look to one’s partner to assure mutual awareness and readiness to perform the techniques. Fighting Measure/Fencing Measure): see Distance Hand Positions: Pronation: The palm is turned down.
    [Show full text]
  • Visualization of Technical and Tactical Characteristics in Fencing
    Visualization of Technical and Tactical Characteristics in Fencing Mingdong Zhang, Li Chen, Xiaoru Yuan, Renpei Huang, Shuang Liu, and Junhai Yong Fig. 1. Men’s Sabre Individual Golden Match of 2017 World Fencing Championship in FencingVis. (A) Phrase List View shows the tactical usage of the fencers in each phrase. (B) Tactic Flow Graph View shows the statistics of the tactic usage in the whole bout. (C) Piste View shows the animation of the selected phrase. (D) Bout View shows the changing of the scores and the duration of each phrase. (E) Control Pannel provides set of controls to support interactive exploration. Abstract— Fencing is a sport that relies heavily on the use of tactics. However, most existing methods for analyzing fencing data are based on statistical models in which hidden patterns are difficult to discover. Unlike sequential games, such as tennis and table tennis, fencing is a type of simultaneous game. Thus, the existing methods on the sports visualization do not operate well for fencing matches. In this study, we cooperated with experts to analyze the technical and tactical characteristics of fencing competitions. To meet the requirements of the fencing experts, we designed and implemented FencingVis, an interactive visualization system for fencing competition data. The action sequences in the bout are first visualized by modified bar charts to reveal the actions of footworks and bladeworks of both fencers. Then an interactive technique is provided for exploring the patterns of behavior of fencers. The different combinations of tactical behavior patterns are further mapped to the graph model and visualized by a tactical flow graph.
    [Show full text]
  • Lacaze Sword and Dagger Ken Mondschein Ph.D., Prévôt D’Escrime
    Lacaze Sword and Dagger Ken Mondschein Ph.D., Prévôt d’Escrime In the early 20th century, the French fencing master Albert Lacaze and his associate Georges Dubois developed a unique method of “two-handed fencing” inspired by both Renaissance rapier and classical French methodology. More importantly, they applied a very effective pedagogy to sword and dagger training. This article is based on a class I gave at the Known World Academy of the Rapier in November 2012. It is designed to give an introduction to a fast, fun, and furious school of sword and dagger fighting that not only gives an excellent method for training in Renaissance styles, but also happens to be a living tradition. I will be following up with a full translation of Lacaze and Dubois’ manual. Note that I am assuming at least a basic familiarity with classical or modern fencing, particularly standard French terminology. (Note that, as far as two-handed fencing is concerned, we can speak of “outside” the dagger or sword, as well as “inside,” which is between the two.) A description—and videos!—of Lacaze and Dubois’ work can be seen here: http://freelanceacademypress.wordpress.com/2012/03/28/georges-dubois-the-forgotten- master-of-ancient-fencing-lescrime-ancienne/ Footwork The following are the footwork actions we’ll be using. Practice them as you would any other footwork: • On guard: One can go on guard in sixth (as is demonstrated in the book and video) or in third (as the system was development after Hungarian sabre-style cuts were introduced to the system).
    [Show full text]
  • The Cavé in French Swordsmanship Copy
    COLUMBIACLASSICALFENCING.COM French Fencing Sources on Using the Unarmed Hand to Parry or Oppose an Incoming Blade Patrick T. Morgan Introduction Early in western fencing’s history, the nonsword hand played an important role. And, as usual, Italian masters led the way. For instance, Achille Marozzo’s 1536 Opera Nova instructed readers as to how to hold a sword and a buckler. For a multitude of pictures from Marozzo’s work, click here. Camillo Agrippa also discussed extensively the rapier and dagger. His 1553 Treatise on the Science of Arms also addressed not only fighting with a shield but also hafted weapons. To see pictures from Agrippa’s treatise, click here. Increasingly, though, later writers focused on the sword and dagger. For instance, in 1606, Nicoletto Giganti wrote about using the rapier and dagger. But he also taught how to fence with a rapier alone, using the left hand to deflect or control the opponent’s sword arm. But what about the Italians’ Gallic neighbors? Following the Italian example, French authors eventually began writing their own fencing treatises. However, they started off doing things a little differently. 1 copyright 2015 Patrick T. Morgan [email protected] COLUMBIACLASSICALFENCING.COM The Early French Writers The earliest French writers tended to dispense with both shield and dagger, relying upon the “l’épée seule.” Henri Sainct-Didier (1573) set the early example for the French in using the off hand, excluding any use of weapons in the nonsword hand and instead relegating it to disarms. Sainct-Didier’s Disarm 2 copyright 2015 Patrick T.
    [Show full text]
  • Parries Powerpoint
    Parries Definition The parry is the defensive action made with the weapon to prevent an offensive action arriving. USA Fencing Rules, t.9.2 Names of Parries • Position • Type of motion Positions 1. Prime 2. Seconde 3. Tierce 4. Quarte 5. Quinte 6. Sixte 7. Septime 8. Octave Lines Symmetry • Four positions in inside line • 1, 4, 5, 7 Symmetry • Four positions in outside line • 2, 3, 6, 8 Symmetry • Four positions in high line • 1, 3, 4, 6 Symmetry • Four positions in low line • 2, 5, 7, 8 Symmetry • Four positions in supination (palm up) • 4, 7, 6, 8 Symmetry • Four positions in pronation (palm down) • 1, 2, 5, 3 Motions • Lateral • Circular (or Counter) • Semi-Circular • Diagonal • Yielding • Tac-au-Tac (or Beat) • Barrage (dam) Examples of Nomenclature • Motion: Lateral Parry Position: Quarte • Motion: Counter Parry Position: Sixte • Motion: Semi-Circular Parry Position: Octave Common to All Parries 1. Use the strong part of your blade against the weak part of your opponent’s blade 2. Parry at the correct time 1. Rule of “thumb (foot?)”: parry when the front foot moves in your opponent’s lunge 3. Followed by a riposte (an offensive action) 1. Use the strong part of your blade against the weak part of your opponent’s blade • Uses leverage • Doesn’t require strength 2. Parry at the correct time • If you parry too soon, your opponent will see the parry and attempt to go around it • If you parry too late, you get hit! • Therefore, parry at the last possible moment that you can execute the parry successfully • Rule of “thumb (foot?)”: parry when the front foot moves in your opponent’s lunge.
    [Show full text]