DREW HEITZLER
Born in Charleston, SC, 1972
Education
Skowhegan School of Painting and Sculpture, Skowhegan, ME, 2002 MFA, City University of New York, Hunter College, NY, 2000 University College London, Slade School, London, UK, 1999 BA, Fordham University, College at Lincoln Center, NY, 1993
Lives and works in Los Angeles, CA
One-Person Exhibitions
2016 Parapet Real Humans, St. Louis, MO
2015 Pacific Palisades, Blum & Poe, Los Angeles, CA
2014 Paradies Amerika, Marlborough Chelsea, New York, NY Museum of Contemporary Art, Tucson, AZ HD/A&T, Green Gallery, Oak Park, IL Study for Paradies Amerika (City of Quartz), Hammer Museum, Los Angeles, CA
2013 Drew Heitzler: Comic Books, Inverted Stamps, Paranoid Literature, Marlborough Chelsea, New York, NY Frame Rate: Drew Heitzler, LAND, Hollywood Roosevelt Hotel, Los Angeles, CA Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-ordered, Combined, Sometimes More, Sometimes Less), C.Nichols Project, Venice, CA
2012 Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-ordered, Combined, Sometimes More, Sometimes Less) and Observations on a Bowl of Fruit - Bananas, The Standard, Hollywood, CA, organized by Art Production Fund for Sailors, Mermaids, Mystics. for Kustomizers, Grinders, Fender-men. for Fools, Addicts, Woodworkers and Hustlers. (Doubled) and Punch Film (Larry's Last Party), The Standard, Los Angeles, CA, organized by Art Production Fund Spiral Jetty/Crystal Voyager/Region Centrale (Bottleged, Re-ordered, Combined, Sometimes More, Sometimes Less), Green Gallery, Milwaukee, WI
2011 Spiral Jetty/Crystal Voyager/Region Centrale (Bottleged, Re-ordered, Combined, Sometimes More, Sometimes Less), Blum & Poe, Los Angeles, CA Three Films, An Essay, A Television Show (Bootlegged, Re-ordered, Combined, Sometimes More, Sometimes Less), Renwick Gallery, New York, NY Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-Ordered, Combined), Nichols Beach House, Los Angeles, CA
2010 The World is Yours, Locust Projects, Miami, FL American Werewolf, Frieze Frame, Renwick Gallery at Frieze Art Fair, London, United Kingdom
2009 for Sailors, Mermaids, Mystics. for Kustomizers, Grinders, Fender-men. for Fools, Addicts, Woodworkers and Hustlers (Doubled), Blum & Poe, Los Angeles, CA Untitled (Baldwin Hills), LA> 2008 In Practice, Sculpture Center, Long Island City, NY LHaNT, Angstrom Projects, Dallas, TX Punch Pictures, Redling Fine Art, Los Angeles, CA 2007 rongWrong, Wrong Gallery at LA> 2006 Subway Sessions, PS1. Contemporary Arts Center, Queens, NY Les Films de Drew Heitzler, Circuit, Laussane, Switzerland 2003 Subway Sessions, Lichtspiel, Bern, Switzerland 2002 Subway Sessions, Anthology Film Archives, New York, NY Group Exhibitions 2018 Palo Santo, Ratio 3, San Francisco, CA 2017 Steven Parrino: Dancing on Graves, The Power Station, Dallas, TX 2016 After Effect, Ballroom Marfa, Marfa, TX 2015 I Saw the Earth Like a Broken Egg, Christian Berst Art Brut, New York, NY Brunch Over Troubled Water, Plutschow Gallery, Zürich, Switzerland 2014 Broadway Morey Boogie, Broadway Malls, New York, NY, presented by Marlborough Chelsea, New York, NY The Noveau Festival (with Amy Granat), Centre George Pompidou, Paris, France T.S.O.Y.W. (with Amy Granat), Centre Pompidou, Paris, France 2013 California Landscape into Abstraction: Works from the Orange County Museum of Art, Orange County Museum of Art, Newport Beach, CA Pizza Time!, Marlborough, New York, NY Café Paradiso (with Amy Granat), curated by Annette Hans, Arthur Boskamp-Stiflung M.1, Hohenlockstedt, Germany 10 Years, Wallspace, New York, NY Drive-In, curated by Sarvia Jasso, Blum & Poe, Los Angeles, CA White House, curated by Vincent Szarek, Galerie Clemens Gunzer, Zurich, Switzerland Pizza Time, curated by Vera Neykov, Marlborough Broome Street, New York, NY Exposition de Groupe, curated by Olivier Mosset, French Embassy to the United States, New York, NY Collaborations, curated by Olivier Mosset, Centre Cultural Suisse, Paris, France 2012 It Ain’t Fair, organized by OHWOW, Miami Beach, FL Eagles, Marlborough Gallery, Madrid, Spain A Balea Negra, Museo de Arte Contemporáneo de Vigo, Spain Hell Raisers, Galerie Lange + Pult, Zurich, Switzerland Hell Raisers, curated by Olivier Mosset, Galerie Les Filles Du Calvaire, Paris, France Ball of Artists, Graystone Mansion, Los Angeles, CA Venice Beach Biennial, Venice, CA (curated by Ali Subotnik) Spiral Jetty/Crystal Voyager/Region Centrale (Bootlegged, Re-Ordered, Combined, Sometimes More, Sometimes Less) and Observations on a Bowl of Fruit – Bananas (with Amy Granat), The Standard, Hollywood, CA organized by Art Production Fund WAX Magazine Launch Party, The Wooly, New York City, New York Sunday @ 4, curated by Joey Kotting, Todd Madigan Gallery, California State University, Bakersfield, CA Universal, Dreams & Anthems (with Sam Sharit), Basel Miami Art Video, selected by David Gryn, Miami, FL Moveable Facture (with Amy Granat), VIVO Media Arts Centre, Vancouver, Canada Leaving the Museum (with Amy Granat), Kunsthalle Zurich, Zurich, Switzerland 2011 Disorder, Todd Madigan Gallery, Cal State University Bakersfield, CA Over the City and Through the Woods, Statler Waldorf Gallery, Los Angeles, CA Greater LA, 2nd floor of 483 Broadway, New York, NY (curated by Benjamin Godsill) From the Recent Past: New Acquisitions, Museum of Contemporary Art, Los Angeles, CA The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT (curated by Jill Dawsey) TSOYW (with Amy Granat), Tivoli Theatre, St. Louis, MO Kaleidoscope Arena, curated by Joanna Fiduccia, MACRO, Rome, Italy Make Skateboards, I-20 Gallery, New York, NY, traveled to White Flag Projects, St. Louis, MO Jacob Kassay Selects (with Flora Wiegmann), Film Screening, Institute of Contemporary Art, London, United Kingdom Mods Vs Rockers, curated by Vincent Szarek, Off White, Brooklyn, NY The Smithson Effect (with Amy Granat), curated by Jill Dawsey, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT 2010 2010 California Biennial, curated by Sarah Bancroft, Orange County Museum of Art, Newport Beach, CA Observations on a bowl of fruit (Mango)– BANANA’S, Galerie Vidal Cuglietta, Brussels, Belgium Second Story, Pepin Moore, Los Angeles, CA Out of Focus, Galeria Pelaires SL, Palma de Mallorca, Spain Bidoun Video, curated by Aram Moshayedi, Art Dubai, Madinat Jumeirah, United Arab Emirates The Secret Knows, curated by Shamin Momin, LAND, Austin, TX California Dreaming, curated by Fred Hoffman, PortugalArte10, Lisbon, Portugal The Fall (Still) Knows, curated by Shamin Momin, LAND at LAB, Los Angeles, CA Frame Rate, curated by Shamim Momin, LAND at Lindblade Lounge, Los Angeles, CA Invisible Publics, video section curated by Aram Moshayedi, Townhouse Gallery, Cairo, Egypt The Artist as Collector, curated by Olivier Mosset, Museum of Contemporary Art, Tuscan, AZ; traveled to Museum Alex Mylona, Greece; Cermodern, Ancara, Turkey Art Video, curated by Laurie Firstenberg, Art Basel Miami, Miami, FL Observations on a bowl of fruit bananas (with Amy Granat), Galerie VidalCuglietta, Brussels, Belgium Made in Tuscon, Born in Tuscon, Live in Tuscon (with Amy Granat), curated by Anne-Marie Russel, Museum of Contemporary Art, Tuscon, AZ 2009 Amy Granat, Drew Heitzler, Olivier Mosset, The Suburban, Oak Park, IL Put On, Circus Gallery, Los Angeles, CA 1999, China Art Objects at Cottage Home, Los Angeles, CA Eighth Veil, Eighth Veil, Los Angeles, CA Fantastic Voyage, curated by Craig Baldwin, Other Cinema, San Francisco, CA Strip Stripe, curated by Amy Granat, Emily Harvey Foundation, New York, NY Popcorn at Potluck: Michel Auder & Drew Heitzler, Country Club, Los Angeles, CA Portrait de l’Artiste en Motorcycliste, Magasin, Grenoble, France, traveled to Musée des Beaux-Arts, Chaux-de-Fonds, Switzerland Pruesspress @ Ritter/Zamet, Ritter/Zamet, Berlin, Germany Invasion of Sound (with Amy Granat), curated by Agnieszka Morawinska and Francois Quintin, Zacheta National Gallery of Art, Warsaw, Poland Born To Be Wild (with Amy Granat), curated by Konrad Bitterli, Kunstmuseum, St. Gallen, Switzerland There is No(w) Romanticism (with Amy Granat), Galerie Les Filles du Calvaire, Bruxelles, Belgium Goodbye 20th Century (with Amy Granat), Toronto Images Festival, York Quay Gallery, Toronto, Canada 2008 Boofthle, Pauline, Los Angeles, CA. New York Underground Film Festival, Anthology Film Archives, New York, NY Bendover/Hangover, Cinema Zero at White Flag Projects, St. Louis, MO Preusspress @ Rental, Rental Gallery, New York, NY Please Stay Out, We’re Open, Redling Fine Art, Los Angeles, CA “How To…” and “Film Noir” with Intermission, curated by Andrew Berardini, Chinatown L.A., Los Angeles, CA Champion Zero, curated by Flora Wiegmann, Rental Gallery, New York, NY Fall Collection, Kreiling &, Los Angeles, CA “Ein Abend zu Zweit”—Die Mandrake Bar im Fluc, Fluc, Vienna, Austria 2008 Whitney Biennial (with Amy Granat), curated by Shamim Momin and Henriette Huldisch, Whitney Museum of American Art, New York, NY T.S.O.Y.W. (with Amy Granat), doArt Gallery, Beijing, China Los Angeles Confidential (with Amy Granat), curated by Allyson Spellacy and Sandra Patron, Parc Saint Léger–Centre d’Art Contemporain, Pouges-les-Eaux, France Sturm und Drang (with Amy Granat), Galerie Kamm, Berlin, Germany Black Noise (with Flora Wiegmann), CNEAI, Paris, France 2007 88:88, curated by Renaud Proch, The Project, New York, NY No Jerks, curated by Matt Chambers, Rental Gallery, New York, NY Orchids for Orchard, curated by Amy Granat, Cinema Zero at Orchard, New York, NY From Here to the Ocean, curated by Daniel Baumann, (New) Forde, L'Usine, Geneva, Switzerland Trabant #2, Cinema Zero at Austellungsraum Klingental, Basel, Switzerland Etceteras of the Carrerond, curated by Amy Granat, Cinema Zero at Collective Unconscious, New York, NY The Trans-Aestheticization of Daily Life, curated by Peter Zellner, Sweeney Art Gallery, University of California, Riverside, CA Carte Blanche, Elizabeth Dee Gallery, New York, NY Amy Granat, Drew Heitzler, Olivier Mosset, Wallspace, New York, NY Deer and Beer, curated by Ann Craven, Mandrake, Los Angeles, CA Black Noise (with Flora Wiegmann), Mamco, Geneva, Switzerland Black Box/White Cube (with Flora Wiegmann), Sandroni Rey, Los Angles, CA World’s Largest Walkie Talkie Network (with Flora Wiegmann), LA> 2006 CarreRond, curated by Amy Granat, Cinema Zero at Centre Culturel Suisse, Paris, France From Here to the Ocean, curated by Daniel Baumann, Presented by the Swiss Institute, Monkeytown, Brooklyn, NY Group Hallucinations (or) The Object So Perceived, curated by Amy Granat, Cinema Zero at Maison de Culture, Bourges, France Lovely Shanghai Music, Zendai Museum of Modern Art, Shanghai, China; Kunstverein Hannover, Hannover, Germany; Embassy of Lower Saxony, Berlin, Germany dancevideovideodance (with Flora Wiegmann), Monkeytyown, Brooklyn, NY 2005 Sugartown, Elizabeth Dee Gallery, New York, NY Visual Noise, curated by Margo Victor, The Happy Lion, Los Angeles, CA 2004 On A Wave, curated by Reed Anderson, Jessica Murray Projects, Brooklyn, NY Tuesday Is Gone, curated by Daniel Baumann, Karvasla, Tbilisi, Georgia Aux Frontieres du Degree Zero, curated by Olivier Mosset, Space102 and Spacejunk Gallery, Grenoble, France Surf Culture: The Art History of Surfing, curated by Carlos McCormick, Milk Studios, New York, NY 2003 Water, Water, curated by Lilly Wei, Rotunda Gallery, Brooklyn, NY The Reconstruction, Exit Art, New York, NY 5th Annual Video Marathon, Art in General, New York, NY Yellow Pages Project, curated by John Armleder and Team 404, Turm Gallery, Helmstedt, Germany Socialism, A Love Letter, Fia Backström Project, Brooklyn, NY On The Line, d.u.m.b.o. Arts Center, Brooklyn, NY 2002 Subway Sessions, Anthology Film Archives, New York, NY Looking In, curated by Trevor Schoonmaker, Lower Manhattan Cultural Council, New York, NY Superlounge, video section curated by Daniel Baumann, Kunsthaus Baselland, Basel, Switzerland Lectures, Symposia, and Seminars 2014 Golden State, Museum of Contemporary Art, Tucson, AZ 2011 Site/Non-site: The Intersection of Surfing and Art Making in Experimental Film, SASIC 9, Scripps Institute of Oceanography, La Jolla, CA In and Out of Context (with Amanda Curreri, Katie Grinnan, Michael Parker, and Zachary Royer Scholz), Art Los Angeles Contemporary, Los Angeles, CA Visiting Artist Lecture, Yale University, New Haven, CT Visiting Artist Lecture, California State University, Bakersfield, CA 2010 Visiting Artist Lecture (with Flora Wiegmann), California Institute of the Arts, Valencia, CA Visiting Artist Lecture, Otis College of Art and Design, Los Angeles, CA 2009 The De-Centered Practice (with Tyler Coburn, Michelle Grabner, Ethan Greenbaum, Shana Lutker, Dushko Petrovich, and Sara Greenberger Rafferty), CAA Conference, Los Angeles, CA 2008 Visiting Artist Lecture, New York University, New York City, NY Visiting Artist Lecture, Art Center College of Design, Pasadena, CA Seminars with Artists (with Amy Granat and Olivier Mosset), Whitney Museum of Art, New York City, NY 2007 Visiting Artist Lecture (with Flora Wiegmann), Concordia University, Seward, NE Visiting Artist Lecture, Yale University, New Haven, CT Visiting Artist Lecture (with Justin Beal), Southern California Institute of Architecture, Los Angeles, CA I’m Not An Alcoholic: A Short History of Artist Run Bars, Carte Blanche, Elizabeth Dee Gallery, New York, NY 2006 Visiting Artist Lecture, University of California, Los Angeles, Los Angeles, CA Visiting Artist Lecture, California Institute of the Arts, Valencia, CA Film and Video Screenings 2014 California Medley (A Piano Concerto Performed by Gumby: Arnold Schoenberg, Piano Piece #1, Opus 23/George Antheil, The Airplane/Hans Eisler, Klavierstucke, Opus 3/Ornette Coleman, Lonely Woman/Alice Coltrane, Altruvista/John Cage, Metamorphosis III/LaMonte Young, Study Number 2/Horace Tapscott, Piano Solo 1991/Brian Wilson, Surfs Up/Frank Zappa, The Little House I Used To Live In/Flying Burrito Brothers, Dark End of the Street/Captain Beefheart, Evening Bell/Neil Young, Cinnamon Girl/The Doors, Crystal Ship/Steely Dan, Babylon Sisters/Black Flag, Screw the Law/Easy-E, Boyz In Da Hood/Megadeth, Tornado of Souls/Slayer, Seasons in the Abyss/Eliot Smith, Lost ‘n Found/Brian Jonestown Massacre, That Girl Suicide/G-Unit, G’d Up/Beck, MTV Makes Me Want to Smoke Crack/Earl Sweatshirt, Looper) (collaboration with Jay Israelson), 2014 appropriated video, 45 minutes, color with sound Paradies Amerika (My Demon Brother/Lucifer Rising/Invocation of the Pleasuredome/Rabbit Moon/Slip It In/Carrie/Computer Networks, The Heralds of Research Sharing/A Communications Primer/The Information Machine/Firebee II, Part of Your Real World/Beach Party/Muscle Beach Party/Bikini Beach/Don’t Make Waves/Man In Space/Man and the Moon/Man to Mars/Eyes in Space/Our Friend the Atom/Mathmagicland/The Wonderful World of Color/The Indian Tomb/Doktor Faustus/Galileo/Samson and Delilah), 2014, appropriated video, 5-Channels, 45 minutes, color with sound Easy Ride (collaboration with Thomas McDonell), 2014, appropriated video, 15 minutes, color with sound Eames Bird, appropriated video transferred to 16mm film, 2014, 2 minutes, color Study for Paradies Amerika (City of Quartz), 2014, appropriated jpegs and video, 2 minutes 18 seconds 2013 When The Levee Breaks, 2013, appropriated video transferred to 16mm film, 2 min 45 sec, color with sound Los Angeles Music Part I, 2013, appropriated video, 33 min 42 sec, color with sound (edited into California Medley) 2012 Zero (collaboration with Sam Sharit), 2012, digital video transferred to 16mm film, 2 min 33 sec loop, color with sound Ned’s Chair, 2012, appropriated video, 17 min 47 sec loop, black & white Schoenberg in Brentwood, 2012, appropriated video and assemblage, 2 min 26 sec, color with sound 2011 Spiral Jetty Crystal Voyager Region Centrale (Bootlegged, Re-Ordered, Combined, Sometimes More, Sometimes Less), 2011, appropriated video, 3-channel projection, 40 Minutes, color with sound John From Cincinnati (Bootlegged, Re-ordered, Less), 2011, appropriated video, 69 min, color with sound 2010 The World Is Yours #1, 2010, appropriated video, 10 sec infinite loop, black and white The World Is Yours #2, 2010, appropriated video, 1 min 45 sec loop, black and white with sound The World Is Yours #3, 2010, appropriated video, 20 sec infinite loop, black and white with sound 24 Minute Werewolf, 2010, appropriated video, 24 min, color The World Is Yours (Doubled and Slowed Two Ways), 2010, appropriated video, 2 min 59 sec loop, black and white with sound Observations On a Bowl of Fruit (collaboration with Amy Granat), 2010, 16mm film transferred to digital video, 2 channels, 13 min 13 sec loop, color and black and white with sound 2009 Lilith (for Fools, Addicts, Woodworkers and Hustlers), 2009, appropriated video, 11 min 51 sec loop, black & white with sound for Sailors, Mermaids, Mystics. for Kustomizers, Grinders, Fender-men. for Fools, Addicts, Woodworkers and Hustlers. (Doubled). 2009, appropriated video, 3-channel projection, 43 min infinite loop, black & white with sound for Rats, Pigeons, Canaries, 2009, appropriated video, 2 independent projections, 1 min 48 sec infinite loop (projection 1), 2 min (projection 2), black & white with sound 2008 T.S.O.Y.W (collaboration with Amy Granat), 2008, 16mm film transferred to digital video. 3hr 18 min 21 sec, dual screen projection, color with sound. Punch Film (Larry’s Last Party), 2008, 16mm and super-8 film transferred to digital video, 2 min 10 sec infinite loop, black & white and color Wild Ride (for Kustomizers, Grinders, Fender-men), 2008, appropriated video, 7 min 10 sec infinite loop, black & white with sound 2007 (Untitled) Ladera Heights, 2007, 16mm film transferred to digital video, 27 sec infinite loop, black & white and color Untitled (In 1972…), 2007, appropriated video, 42 sec. loop, color Whale Song, Looking Back at Looking Back at Looking Back (Even If He’s a Lazy Man), 2007, appropriated video, 3 min 56 sec infinite loop, color with sound Night Tide (for Sailors, Mermaids, Mystics), 2007, appropriated video, 17 min 2 sec infinite loop, black & white with sound 2006 Black Box/White Cube (collaboration with Flora Wiegmann), 2006, 16mm film transferred to digital video. 5 min 37 sec infinite loop, dual screen projection, color with sound 2004 Dreamhole, 2004, super-8 film transferred to digital video, 2 min. infinite loop, color Forming, 2004, super-8 film transferred to digital video, 56 sec infinite loop, black & white with sound American Asphalt, 2004, super-8 film transferred to digital video, 2 min 18 sec infinite loop, black and white with sound Crystal Land, 2004, digital video and super-8 film transferred to digital video, 8 min 39 sec infinite loop, color and black & white with sound 2003 artworker, 2003, super-8 film transferred to digital video, 8 min. 15 sec., color with sound Memory Is A Motherfucker, 2003, super-8 film transferred to digital video, 5 min 52 sec, color with sound, (LOST) 2002 Subway Sessions, 2002, super-8 film transferred to digital video, 26 min 30 sec, color with sound Curatorial Projects 2016 Teen Choice, C. Nichols Project, Los Angeles, CA 2014 Golden State, Museum of Contemporary Art, Tucson, AZ 2013 Beer Show, Green Gallery, Milwaukee, WI Endless Bummer II: Still Bummin’, Marlborough Chelsea, New York, NY 2012 GHOST TOWN (benefit for Venice Family Clinic), L&M Arts, Venice Beach, CA (with Vera Neykov, Liz Hull, Heather Harmon, Angela Robins) 2011-2013 Triple A (with Justin Beal, Drew Heitzler, and Flora Wiegmann), La Cienega Boulevard, Los Angeles, CA 2010 Endless Bummer: Surf Elsewhere, Blum & Poe, Los Angeles, CA Animal Style, The New Warrior, Pepin Moore, Los Angeles, CA 2006 Bring The War Home, Elizabeth Dee Gallery, New York, NY and QED/Angstrom Gallery, Los Angeles, CA. 2005 The Distance Between Here and The Ocean, Wishing Well Cine Club at The Mountain, Los Angeles, CA 2003 – 2005 Champion Fine Art, Brooklyn, NY and Los Angeles, CA On-going Mandrake (with Justin Beal, Drew Heitzler, and Flora Wiegmann), Los Angeles, CA BIBLIOGRAPHY Catalogues 2013 Cameron, Dan. California Landscape into Abstraction: Works from the Orange County Museum of Art. Newport Beach, CA: Orange County Museum of Art, 2013. 2012 Alsoudani, Ahmed and Max Levai. Eagles. Madrid: Marlborough, 2012. 2011 Bancroft, Sarah C. 2010 California Biennial. Newport Beach, CA: Orange County Museum of Art, 2011. Firstenberg, Laurie. 5 Year Anniversary Book. Los Angeles, CA: LA> 2010 Kimm, Ronni and Jesse Aron Green. Dispatches and Directions: On Artist-Run Organizations in Los Angeles: An Art2102 Project. Los Angeles, CA: Art2102 of Los Angeles, 2010. 2009 Born To Be Wild: Homage to Steven Parrino. Nürnberg: Verlag für Moderne Kunst, 2009. Morawinska, Agnieszka. Invasion of Sound: Music and the Visual Arts. Warszawa: Zacheta Narodowa Galeria Sztuki, 2009. Grabner, Michelle, Brad Killam, and Jason Pickleman. Can I Come Over to Your House? Manawa, WI: Poor Farm Press, 2009. 2008 Smith, Josh and Achim Hochdörfer. Josh Smith: Hidden Darts Reader. Cologne: Walther Konig, 2008. Huldisch, Henriette, and Shamim Momin. 2008 Biennial Exhibition. New York: Whitney Museum of American Art, 2008. Heitzler, Drew, and Flora Wiegmann. Champion Zero. Los Angeles: Champion Fine Art, 2008. 2007 Mir, Aleksandra. LA: A Geography of Modern Art. New York: Printed Matter Inc., 2007. Heitzler, Drew. Leisure: An Art Journal: Issue #0. Los Angeles: 2nd Cannons Publications, 2007. Articles and Reviews 2016 Arnold, Willis Ryder. "Artist's Show Tackles St. Louis, LA, and a Book Too 'Obscene' to Be Given an Award." Stlpublicradio.org, March 18, 2016. Tumlir, Jan. "Epic Paranoia: Drew Heitzler's Case Study of Los Angeles." X-TRA Contemporary Art Quarterly 18, no. 3 (Spring 2016): 80-99. 2015 "Drew Heitzler: Pacific Palisades." Angeleno, July 6, 2015. Schad, Ed. “Drew Heitzler: Pacific Palisades.” ArtReview 7, vol. 167 (October 2015): 140. Slocum, Amy Marie. “Drew Heitzler: Your Propaganda is an All-Inclusive Lifestyle.” Flaunt, no. 143, The Califuk Issue (2015): 168-169. Stevens, Anise. "A.L. Steiner, Anthony Burdin, and Drew Heitzler at Blum & Poe." ÆQAI, August 5, 2015. Stevens, Anise. "Art in LA: Recommendations for July 2015." Life in LA (blog). July 2, 2015. Wagley, Catherine. "Drew Heitzler: Pacific Palisades." LA Weekly, July 8, 2015. 2014 Heitzler, Drew. “Amy Yao.” Secrecy, Wax Magazine, no. 6, Fall/Winter 2014. Reagan, Kevin C. "Magical Deceit of California Interpreted by Modern Artists." Daily Wildcat, November 30, 2014. Regan, Margaret. “California Dreaming.” Tuscon Weekly (Tuscon, AZ), November 27, 2014. 2013 "25 Questions with Artist and 'Endless Bummer' Curator Drew Heitzler." Blouinartinfo.com, June 4, 2013. “Drew Heitzler: Comic Books, Inverted Stamps, Paranoid Literature.” Flavorpill, May 06, 2013. “Drew Heitzler: Comic Books, Inverted Stamps, Paranoid Literature.” ArtDaily, May 11, 2013. “Drew Heitzler: Paradies Amerika.” Nowness, October 18, 2014. Fredrickson, Lori. “Inherent Vice 2.0: A Group Show Bums Us Out (in a Good Way).” Modern Painters (May 2013): 32. Lopiccolo, Emory. “Drew Heitzler: Paradies Amerika.” Whitewall, September 17, 2014. Koll, Juri. "How Artists (and Gallerists) Survive, Part 6: They Go Surfing." Huffington Post, December 23, 2013. Heitzler, Drew. “Nice Guys Don’t Work in Hollywood and Beg, Borrow, and Steal.” The Art Book Review, December 2013. Ryzik, Melena. “The Median is the Message.” New York Times, September 11, 2014. Zhong, Fan. “Art Now.” W Magazine, September 4, 2014. 2012 “Artists Clown Around in LA Mansion.” Phaidon.com, January 2012. Cash, Stephanie. “LA Artists Take Over Historic Greystone Mansion.” Art in America, January 12, 2012. Heitzler, Drew. “Curtis Harrington: Cinema on the Edge.” Art Book Review, August 28, 2012. Drohojowska-Philip, Hunter. “Biennial Goes to the Boardwalk.” KCRW, July 12, 2012. Feldman, Jonathan. “Drew Heitzler’s Crystal Voyage.” Dialogues, WAX Magazine, No. 1, Spring/Summer 2012. Finkel, Jori. “PST: Performance and Public Art Festival a Visual Feast.” Los Angeles Times, January 18, 2012. Hoetger, M. “Cyprien Gaillard Mural for Triple A.” Art Observed, February 15, 2012. Hostetler, Sue. “What to Expect at Art Basel Miami.” Los Angeles Confidential, November 1, 2012. Simmons, Andrew. “10 Best Neighborhood Bars.” LA Weekly, February 16, 2012. Simmons, Andrew. “Best Hipster Bar That Isn’t in Echo Park or Silver Lake.” LA Weekly, 2012. “Site/Non-Site: The Intersection of Surfing and Art-making in Experimental Film.” Possible Press 2, no. 3, (November 2011). Tuck, Geoff. “On the Rocks (by Nathan Danilowicz).” Notes on Looking, April 30, 2012. Yablonsky, Linda. “Board Walk.” Artforum.com, July 7, 2012. 2011 Baum, Gary. “The Scene Makers.” Angeleno (Los Angeles, CA), April 2011. Heitzler, Drew. “Before & After: Artist Drew Heitzler Reflects on the Cyclical Nature of Creation Against the Backdrop of Sun and Smog.” V Magazine, no. 72 (Fall 2011): 41. Heitzler, Drew. “Site/Non-Site: The Intersection of Surfing and Art-making in Experimental Film.” Centerfold 2, no. 3 (November 2011): VI. Heinrich, Will. “The Center Cannot Hold.” New York Observer, May 24, 2011. Knight, Christopher. “It’s A Trek Worth Exploring.” Los Angeles Times, January 7, 2011. Maloney, Patricia and Wagley, Catherine. “In and Out of Context.” Art Practical, February 2011. Martens, Anne. “Drew Heitzler: Blum & Poe, Los Angeles.” Flash Art 44, no. 280 (October 2011): 109. Nelson, Steffie. “Everyone Into the Pool.” T Magazine, November 11, 2011. Neykov, Vera. “Drew Heitzler Screens a Summer Playlist.” Art in America, March 10, 2011. Rosenberg, Karen. “Drew Heitzler.” New York Times, June 30, 2011. Schmidt, Jason. “Work in Progress.” V Magazine, Fall 2011. Smith, Roberta. “A Bit of Hollywood, Minus the Tinsel,” New York Times, May 31, 2011. Wagley, Catherine. “Can I Have Your Autograph Peter Voulkos?” LA Weekly, September 23 – 29, 2011. Wagley, Catherine. “Julia Roberts on the Side of a Muffler Shop.” LA Weekly, October 19, 2011. Wolf, Kate. “’Greater LA’ in New York.” ArtSlant, June 20, 2011. 2010 Azria, Lubov. “The Style World’s Art Buyers on Their Whitney Acquisitions.” Style.com, June 8, 2010. Barton, Dave. “Biennialus Interuptus at OCMA.” OC Weekly, November 18, 2010. Berardini, Andrew. “Drew Heitzler.” Frieze, no. 130 (April 2010): 123-124. Chang, Richard. “Framed by Accessibility.” Orange County Register, October 24, 2010. DeBruxelles, Juliette. “Les gens qu’il faut voir (et pourquoi).” Elle Belgique, November 2010. Dubois, Colette. “Amy Granat and Drew Heitzler/Cheryl Donegan.” Neykov, Vera. “Raise the Bar: Dave Muller at The Mandrake.” Interview.com, December 9, 2010. O’Neill-Butler, Lauren. “Oslo Editions.” Artforum.com, November 4, 2010. Peipon, Corrina. “Urban Crude: Touring the Oil Fields of Los Angeles with Drew Heitzler and the Center for Land Use Interpretation.” East of Borneo, October 10, 2010. Pulimood, Steve. “Amy Granat.” Art in America, June 4, 2010. Schoenkopf, Rebecca. “A Beautiful Mind.” Riviera, December 2010. Steverlynck, Sam. “L’Art Contemporain au Bord du Canal.” Agenda, November 25, 2010. Tuck, Geoff. “Notes on Looking.” ForYourArt, August 19, 2010. Wagley, Catherine. “Interview with Drew Heitzler.” Daily Serving, January 25, 2010. Walsh, Daniella. “Sober Pairs with Send-Ups in Biennial Exhibit.” Laguna Beach Independent, November 11, 2010. 2009 Berardini, Andrew. “Collector Call.” Artforum.com, October 10, 2009. Berardini, Andrew. “Roamin’ Holiday.” Artforum.com, December 24, 2009. Davies, Dean Mayo. “Hedi Slimane: LA Art.” Ponystep, March 10, 2009. Dubois, Colette. “Conceptuel & Romantisme.” 2008 Ammirati, Domenick. “Whitney Biennial 2008 at the Whitney Museum of American Art.” Afterall, May 24, 2008. Anastos, Lisa. “Dear Daily!” Fashion Week Daily, December 8, 2008. Bentley, Kyle. “Burrs and Bees.” Artforum.com, January 16, 2008. Berwick, Carly. “The Facebook Biennial.” New York Magazine, March 10, 2008. Blasberg, Derek. “Erin Wasson’s Biennial Pick.” Style.com, March 10, 2008. Cotter, Holland. “Art’s Economic Indicator.” New York Times, March 17, 2008. Finkel, Jori. “The Land Grab.” Art and Auction, February 26, 2008. Gartenfeld, Alex. “All In The Family.” Paper Magazine, March 4, 2008. Gray, Emma. “Top Ten Shows in Los Angeles.” Saatchi Gallery online, May 2008. Haber, John. “Undo It Yourself.” Haberarts.com, March 2008. Haithman, Diane. “The Economic Picture Isn’t Pretty for the Arts.” Los Angeles Times, November 2008. Knight, Christopher. “Faces to Watch 2009.” Los Angeles Times, December 28, 2008. McDermon, Daniel. “All the Sad Young Motorcycle Men.” New York Times, April 25, 2008. O’Brien, Titus. “Drew Heitzler.” Art Lies, 2008. Pes, Javier. “Drew Heitzler: Tree of a Kind.” Art Newspaper, December 4, 2008. Ray, Grant. “Whitney Biennial Shows Bike Film That Doesn’t Suck.” Hell For Leather, April 22, 2008. Schambelan, Elizabeth. “Whitney Biennial.” Artforum 46, no. 10 (Summer 2008): 426-428. Schjeldahl, Peter. “Lessness.” New Yorker, March 17, 2008. Schöny, Roland. “Whitney Biennial.” Artmagazine, March 18, 2008. Taylor, Kate. “Contemporary Art and Animal Heads.” New York Sun, February 28, 2008. Terranova, Charissa N. “L.A.’s Ironies,” Dallas Morning News, March 13, 2008. Volk, Gregory. “Spring in Dystopia.” Art in America, May 2008. Weiss, Jeffrey. “On the Road.” Artforum 47, no. 1 (September 2008): 131-132. 2007 Berardini, Andrew. “Mark Hagan.” Artforum.com, October 2007. Berardini, Andrew. “Painting The Town.” Artforum.com, March 21, 2007. Brown, Janelle. “Art and Food Turn a Nowhere Into a Somewhere.” New York Times, January 28, 2007. Frank, Peter. “Discontinuity Studies.” LA Weekly, March 21, 2007. Immediato, Linda. “Take a Load Off.” LA Weekly, January 26, 2007. Kraus, Chris. “Gilles Deleuze in der Mandrake Bar Los Angeles.” Spike, December 2007. Kuipers, Dean. “Art of the New.” Los Angeles Times, March 8, 2007. Lee, Carol. “Culver City.” Paper, February 2007. Scott, Andrea. “88:88.” New Yorker, August 13, 2007. 2006 Berardini, Andrew. “ABCDeleuze.” Paper Monument, November 2006. Berardini, Andrew. “Intoxicating Atmosphere.” Artforum.com, August 18, 2006. Brooks, Amra. “Must See Art.” LA Weekly, July 28, 2006. Chambers, Matt. “Drew Heitzler Cool Dude City.” TRUDI, November 13, 2006. Chaplin, Julia. “Culver City Art Crawl.” Elle, November 2006. Cotter, Holland. “Last Chance: Where the Focus is Sharp But the Categories Blurry.” New York Times, August 16, 2006. Diaconescu, Sorina. “Mandrake Hypnotizes Culver City Art Crowd.” Los Angeles Times, November 23, 2006. Firstenberg, Lauri. “The Backroom.” Frieze, no 96 (January-February 2006) Grosz, David. “Haunted by Ghosts, and by the Art World.” New York Sun, August 3, 2006. Hainley, Bruce. “Artquake.” New York Times, October 1, 2006. Keegan, Matt. “Top Ten.” Artforum 44, no. 6 (February 2006): 98. Kerr, Merrily. “Bring The War Home.” Art On Paper, November/December, 2006. Knight, Christopher. “Disconcerting World Views.” Los Angeles Times, July 21, 2006. Kushner, Rachel. “On The Ground Los Angeles.” Artforum, December 2006. Lee, Chris. “Putting the “Art” in Party.” Los Angeles Times, December 21, 2006. Pollack, Barbara. “Bring the War Home.” Time Out New York, no. 566, August 3-9, 2006. Pym, William. “Independents’ Day.” Artforum.com, July 7, 2006. Savannah, Gae. “Drew Heitzler.” Flash Art 39, no. 250 (October 2006): 54. Schambelan, Elizabeth. “Best of 2006.” Artforum, December 2006. Scott, Andrea. “The best (and worst) of 2006.” Time Out (New York), December 28, 2006. 2005 Bluhm, Erik. “The Distance Between Here and the Ocean.” ArtUS, no. 10 (October-November 2005): 13. Holte, Michael Ned. “Carter Mull.” Artforum.com, September 2005. Yablonsky, Linda. “Naked or Rude.” Artforum.com, June 2005. 2004 Chamberlain, Colby. “Subway Sessions an oral history of surfing in far rockaway.” PS1 Newspaper, Summer 2006. Cotter, Holland. “Sampling Brooklyn, Keeper of Eclectic Flames.” New York Times, January 23, 2004. Cau, Francois. “America America.” Le Petit Bulletin, March 2004. Koether, Jutta. “Ich Will Eine Stadtkünstlerin Sein.” Texte Zur Kunst, June 2004. Pollack, Maika. “#13: Pictures With People.” Flash Art, October 2004. 2003 Conner, Jill. “Nice and Wet.” Artnet.com, June 11, 2003. Haber, John. “Plurals.” Haberarts.com, May 4, 2003. Powhida, William. “Artseen, Exit Biennial: The Reconstruction.” Brooklyn Rail, June 2003. 2002 Wilson, Michael. “Subway Sessions.” Frieze, no. 66 (April 2002): 104. 2001 Phillips, Richard. “Top Ten.” Artforum 40, no. 3 (November 2001): 63. Museum and Public Collections Deutsche Bank Collection, Frankfurt, Germany Museum of Contemporary Art, Los Angeles, CA Orange County Museum of Art, Newport, CA Whitney Museum of American Art, New York, NY