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Don Segundo Sombra
RICARDO GÜIRALDES Don Segundo Sombra ESPASA -CALPE, S. A. BILBAO MADRID BARCELONA Ríos Roías, 24 * Cortes, 579 19 3 0 ES PROPIEDAD DE LA Municipalidad de Buenos Aires Don Segundo Sombra OBRAS DEL AUTOR CUENTOS DE MUERTE Y DE SANGRE-1915 EL CENCERRO DE CRISTAL - 1915. RAUCHO - 1917 ROSAURA - 1922 (Edición fuera de comercio). XAIMACA - 1923. RICARDO GÜIRALDES Don Segundo Sombra ESPASA-CALPE, S. A. BILBAO MADRID BARCELONA Ríos Rosas, 24 * Cortes, 579 19 3 0 ES PROPIEDAD Madrid, 1930 Published in Spain 'i M-'i.rs ESPASA-CAI.l’E, P. A., Ríos Rosa?, a4. — MADRII DEDICATORIA A Vd. Don Segundo. A la memoria de los finados: Don Rufino Galván, Don Nicasio Cano y Don José Hernández. A mis amigos domadores y reseros: Don Victor Taboada, Ramón Cisneros, Pedro Brandan, Ciríaco Díaz, Dolores Juárez, Pedro Falcón, Gregorio López, Esteban Pereyra, Pablo Ojeda, Victori no Nogueira y Mariano Ortega. A los paisanos de mis pagos. A los que no conozco y están en el alma de este libro. Al gaucho que llevo en mi, sacramen te, como la custodia lleva la hostia. R. G. DON SEGUNDO SOMBRA I En las afueras del pueblo, a unas diez cua dras de la plaza céntrica, el puente viejo tien de su arco sobre el rio, uniendo las quintas al campo tranquilo. Aquel día, como de costumbre, había yo venido a esconderme bajo la sombra fresca de la piedra, a fin de pescar algunos bagresi- tos, que luego cambiaría al pulpero de «La Blanqueada» por golosinas, cigarrillos o unos centavos. Mi humor no era el de siempre; sentíame hosco, huraño, y no había querido avisar a mis habituales compañeros de huelga y baño, porque prefería no sonreír a nadie ni repetir las chuscadas de uso. -
FOR IMMEDIATE RELEASE CONTACT: Dafina Mcmillan July 25, 2011 [email protected] 212-609-5955
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan July 25, 2011 [email protected] 212-609-5955 New from TCG Books: Oh, Wild West! by Culture Clash NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of Oh, Wild West!, Culture Clash’s new trio of plays that rewrites California’s past. For more than twenty-five years, this award-winning trio – Richard Montoya, Ric Salinas and Herbert Siguenza – has been storming the nation’s stages with their unique blend of hilarious comedy and shrewdly observed social satire, becoming the most prominent Chicano/Latino performance troupe in the U.S. This latest anthology includes a preface by Richard Montoya and introduction by Tony Taccone, as well as an interview with Culture Clash by John Glore. “This brilliant team of writer/performers offers artful, intelligent work that deserves the rap attention of large and diverse audiences.” – Backstage West In Oh, Wild West!, Culture Clash interweaves pop culture with their home state’s local history. Chavez Ravine covers the land grab that uprooted an entire community to build Dodger Stadium; Water & Power focuses on the assimilation of Chicanos and their rise to political influence and Zorro in Hell! reimagines early California through the eyes of the original masked man. “Sharp, cutting and on the edge” (Los Angeles Times), Culture Clash applies its signature irreverent comic style to an exploration of the American obsession with Westward Expansion that rings particularly true today. As Salinas states, “These plays have a specific voice of race and culture that will engage dialogue because of the continual shift of landscape of this subject…Our plays want to engage the reader by examining our historical past –not always accurate in history books– in order to know where our collective Latino pulse is today.” “Fans of Culture Clash’s Chicano-inflected, spoken-word-erupting performance art needn’t worry that they’ve lost sight of their significant gifts. -
Instituto Costarricense De Electricidad and Subsidiaries
CONSOLIDATED FINANCIAL STATEMENTS Instituto Costarricense de Electricidad and Subsidiaries ICE GROUP ICE CNFL RACSA CRICSA Cable Visión June 2017 Financial Management 2 3 4 55 6 INSTITUTO COSTARRICENSE DE ELECTRICIDAD AND SUBSIDIARIES Notes to the Consolidated Financial Statements (In millions of colones) June 30, 2017 Note 1. Reporting Entity Instituto Costarricense de Electricidad (Costa Rican Electricity Institute) and Subsidiaries (hereinafter “ICE Group”) is an autonomous Costa Rican entity organized under the laws of the Republic of Costa Rica, through Executive Order No. 449 of April 8, 1949 and Law No. 3226 of October 28, 1963. The address of its registered office and main domicile is Sabana Norte, Distrito Mata Redonda, San José, Costa Rica. ICE Group is a group of government-owned entities, including the Instituto Costarricense de Electricidad (ICE, parent company and ultimate controlling entity) and its subsidiaries, Compañía Nacional de Fuerza y Luz, S.A. (C.N.F.L.), Radiográfica Costarricense, S.A. (RACSA), Compañía Radiográfica Internationals Costarricense, S.A. (CRICSA), and Cable Visión de Costa S.A. (CVCRSA), all of them organized under the laws of the Republic of Costa Rica. Other entities, which are not operational as of December 31, 2016, are wholly owned by ICE. ICE’s main activity consists of developing electric power-producing sources existing in the country, as well as the supply of electricity, with the exclusive right to generate, transmit, and distribute electricity in Costa Rica, except for a small number of authorized private companies, municipal entities, and rural cooperatives. Also, ICE Group holds a concession to develop and promote telecom services in Costa Rica, rendering a wide array of telecom services to individuals, households, and companies. -
The Psalms Psalm 19 Sequence • Finding the Psalms
!1 of 6! SCHOOL OF THE WORD www.tarsus.ie The Psalms Psalm 19 Sequence • Finding the Psalms • Numbering the Psalms • Patterns in the Psalter • Enjoying a Psalm • Making links: OT and NT • Back to the Psalm • Use in the lectionary Finding the Psalms • In the Bible, between Job and Proverbs • There are 150 Psalms, in five “collections” • Each collection has a conventional closure / ending • Psalm 1 - a great opening • Psalm 150 - a resounding conclusion Numbering the Psalms Hebrew Numbering Greek and Latin Numbering 1-8 1-8 9-10 9 11-113 10-112 114-115 113 116 114-115 117-146 116-145 147 146-147 148-150 148-150 Most Bibles Liturgical Numbering Patterns in the Psalter • The Davidic Psalms (3–41, 51–71) • The Asaph Psalms (50, 73–83) • The Psalms of the Sons of Korah (42, 44–49, 84–85, 87–88) • The Psalms of Ascents (120–134) • The Hallel Psalms (113–118, 146–150) • The ‘YHWH is King’ Psalms (47, 93, 96–99) • Currently, five “books”, each ending with a doxology • Pss 1-41 (41:13); 42-72 (72:18-19); 73-89 (89:52); 90-106 (106:48); 107-150 (150) Ps 41:13 Blessed be the Lord, the God of Israel, from everlasting to everlasting. Amen and Amen. Ps 72:18 Blessed be the Lord, the God of Israel, who alone does wondrous things. 19 Blessed be his glorious name forever; !2 of 6! may his glory fill the whole earth. Amen and Amen. Ps 89:52 Blessed be the Lord forever. -
Islām and Genesis 17
religions Article Islam¯ and Genesis 17: A Study in Scriptural Intertextuality Khaleel Mohammed Department of Religious Studies, San Diego State University, San Diego, CA 92182-6062, USA; [email protected] Received: 25 August 2018; Accepted: 17 September 2018; Published: 28 September 2018 Abstract: Abraham Geiger’s 1833 essay launched a particular genre of research that posits foreign etymology for many terms in the Qur’an.¯ Whereas some work has been erudite, others have posited far-fetched concepts to the point where at least one author opines that Aramaic was the original language of the Qur’an.¯ Muslim exegetes have compounded the problem by seeking to interpret the Qur’an¯ on its own, without reference to other Abrahamic scriptures. I argue that Muhammad’s audience understood him clearly since he was using terms that had become part of the Arabic language long before his time. I examine three terms: islam,¯ iman,¯ and d¯ın, showing that the meaning of these words in the Qur’an¯ can be deciphered by reliance on context of usage and intertextuality. To this end, I refer to several verses of the Qur’an¯ as well as of the Hebrew Bible and Talmudic literature. A proper understanding of these words allows us to see Q3:19 and Q5:3 as pluralistic instead of the particularistic interpretation that most exegetes proffer. Keywords: Islam; Iman; Din; Qur’an;¯ Aramaic; Hebrew; Hebrew Bible; Talmud; Onkelos Abraham Geiger’s 1833 essay Was hat Muhammad aus dem Judenthume aufgenommen postulated that the Qur’an¯ was largely unoriginal: Muhammad had compiled it using at least 14 terms from the Hebrew Bible and rabbinic literature, in addition to several other Jewish concepts (Geiger 1970, p. -
The Origin of the Word Amen: Ancient Knowledge the Bible Has Never Told
Ghana Journal of Linguistics 9.1: 72-96 (2020) ______________________________________________________________________________ http://dx.doi.org/10.4314/gjl.v9i1.4 EDITORIAL BOOK CRITIQUE: THE ORIGIN OF THE WORD AMEN: ANCIENT KNOWLEDGE THE BIBLE HAS NEVER TOLD Ọbádélé Bakari Kambon Editor-in-Chief Abstract: The Origin of the Word Amen: Ancient Knowledge the Bible has Never Told is a book that promises to pique the interest of any reader interested in classical Kmt ‘Black Nation/Land of the Blacks’, mdw nTr ‘Hieroglyphs,’ the Akan language, and historical-linguistic connections between the three. Specifically, the book promises to deliver information about how the word imn ‘Amen,’ as attested in classical Kmt ‘Black Nation/Land of the Blacks,’ persists in the contemporary Akan language. While under a steady hand this should be a simple enough thesis to substantiate, unfortunately, the authors’ obvious lack of grounding in historical linguistics, their lack of knowledge of mdw nTr ‘Hieroglyphs’ as well as their lack of understanding the morphology (word structure) of the Akan language all mar the analyses presented in the book. Keywords: Amen, Heru Narmer, historical linguistics, folk etymology Osei, O. K., Issa, J., & Faraji, S. (2020). The Origin of the Word Amen: Ancient Knowledge the Bible has Never Told. Long Beach, CA: Amen-Ra Theological Seminary Press. 1. Introduction In The Origin of the Word Amen: Ancient Knowledge the Bible has Never Told, what should be an open-and-shut case is saddled with a plethora of spurious look-alikes and folk etymologies prompted by attempts to analyze one language with another without actually having studying the language to be analyzed itself. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Mojada: a Medea in Los Angeles by Luis Alfaro Directed by Juliette Carrillo
PRESENTS Mojada: A Medea in Los Angeles by Luis Alfaro Directed by Juliette Carrillo November 4 - November 26, 2017 On the U.S. Bank Main Stage Artistic Director | Chris Coleman Mojada: A Medea in Los Angeles by Luis Alfaro Directed by Juliette Carrillo Scenic & Costume Lighting Designer Composer & Sound Designer Lonnie Rafael Alcaraz Designer Christopher Acebo David Molina Video Designer Dramaturg Voice & Text Director Kaitlyn Pietras Tiffany Ana López Michelle Lopez-Rios Fight Director Stage Manager Rehearsal Assistant U. Jonathan Toppo* D. Christian Bolender* Stage Manager Mary Meagan Smith* Production Assistant Repertory Producer Casting Director Katie Nguyen Mica Cole Joy Dickson This production of Mojada: A Medea in Los Angeles was originally produced at Oregon Shakespeare Festival, Bill Rauch, Artistic Director, Cynthia Rider, Executive Director. The world premiere of Mojada was produced by Victory Gardens Theater, Chicago, IL, Chay Yew, Artistic Director, Chris Mannelli, Managing Director. Bruja, a first adaptation of Medea, was commissioned, developed and received its world premiere by Magic Theatre, San Francisco, CA, Loretta Greco, Producing Artistic Director. Performed without intermission. Videotaping or other photo or audio recording is strictly prohibited. THE CAST Sabina Zuniga Varela* Medea Lakin Valdez* Jason VIVIS* Tita Nancy Rodriguez* Josefina Vilma Silva* Armida Jahnangel Jimenez Acan Ken Yoshikawa Soldier *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. A LETTER FROM THE ARTISTIC DIRECTOR A shrine to Hygeia, goddess of good health, was situated just outside the theater of Epidaurus in Greece. I think the Athenians were on to something with that juxtaposition. Each year, citizens came together for an annual ritual of sharing stories on the hillside. -
EDDIE MARTINEZ Born: 1977, Groton Naval Base, Groton, CT Lives And
EDDIE MARTINEZ Born: 1977, Groton Naval Base, Groton, CT Lives and works in Brooklyn, NY SELECTED SOLO EXHIBITIONS 2021 Green Thumb, Blum & Poe, Los Angeles, CA Inside Thoughts, Mitchell-Innes & Nash, New York, NY New Paintings 2, Loyal Gallery, Stockholm 2019 Eddie Martinez: Open Feast, Yuz Museum, Shanghai, China Eddie Martinez: Fast Eddie, Museum of Contemporary Art, Detroit, MI EMHK19, Perrotin, Hong Kong, China 2018 White Outs, The Bronx Museum, New York, NY Blockhead Stacks, Perrotin, Hong Kong, China Love Letters and Yard Work, Mitchell-Innes & Nash, New York, NY 2017 Studio Wall, The Drawing Center, New York, NY Ants at a Picknic, Davis Museum at Wellesley College, Wellesley, MA Cowboy Town, Timothy Taylor, London 2016 Stop the world and let me off, Sorry We’re Closed, Brussels Salmon Eye, Mitchell-Innes & Nash, New York, NY 2014 Island I, Timothy Taylor Gallery, London Nomader, Kohn Gallery, Los Angeles, CA Neanderthal Jeans, Half Gallery, New York, NY 2013 Beginner Mind, Bill Brady KC, Kansas City, MO Matador, The Journal Gallery, New York, NY 2012 Studio Drawings, Half Gallery, New York, NY 2011 Seeker, Peres Projects, Berlin New York Electric, Patricia Low Contemporary, Geneva Eddie Martinez – Drawings, 2005-2011, Schwarz Contemporary, Berlin 2010 The Feast, presented by ZieherSmith, Art Positions, Art Basel Miami Beach, FL Buffet State Of Mind, Sorry We're Closed, Brussels Eddie Martinez, ZieherSmith, New York, NY 2009 News and Updates, Galerie Mikael Andersen, Copenhagen Eddie Martinez, Seomi & Tuus, Seoul 2008 Some Drawings, -
LA GACETA N° 112 De La Fecha 16 05 2020
La Uruca, San José, Costa Rica, sábado 16 de mayo del 2020 AÑO CXLII Nº 112 100 páginas Pág 2 La Gaceta Nº 112 — Sábado 16 de mayo del 2020 como marca de fábrica y servicios en clase 12 CONTENIDO internacional, para proteger y distinguir lo siguiente: en clase 12: Automóviles; Chasis de automóvil; Pág Mecanismos de propulsión para vehículos terrestres; Vehículos de N° locomoción por tierra, aire, agua o ferrocarril; Neumáticos para ruedas de vehículos; Equipo antirrobo para vehículo; Vehículos DOCUMENTOS VARIOS........................................ 2 eléctricos; Frenos para vehículos; Cajas de cambios para vehículos terrestres; Motocicletas. Fecha: 03 de marzo de 2020. Presentada CONTRATACIÓN ADMINISTRATIVA .............. 32 el: 25 de febrero de 2020. San José. Se cita a terceros interesados en defender sus derechos para hacerlos valer ante este Registro, REGLAMENTOS ................................................... 33 dentro de los dos meses siguientes, contados a partir de la INSTITUCIONES DESCENTRALIZADAS ....... 37 primera publicación de este edicto. 03 de marzo de 2020. A efectos de publicación, téngase en cuenta lo dispuesto en el AVISOS .................................................................... 45 artículo 85 de la Ley 7978. Esta solicitud se rige por el art. 28 de la Ley de Marcas Comerciales y Otros Signos Distintivos que NOTIFICACIONES ............................................... 49 indica “Cuando la marca consista en una etiqueta y otro signo compuesto por un conjunto de elementos, la protección no se extenderá -
Get Kindle < 2006 Plays (Book Guide)
TWVSBHYQTN7F eBook 2006 plays (Book Guide) 2006 plays (Book Guide) Filesize: 7.65 MB Reviews It in a of my personal favorite ebook. It is probably the most awesome publication i have read through. You wont really feel monotony at anytime of the time (that's what catalogs are for regarding in the event you check with me). (Juliet Kertzmann) DISCLAIMER | DMCA SUYTVIQF9NQS ^ Kindle ^ 2006 plays (Book Guide) 2006 PLAYS (BOOK GUIDE) Reference Series Books LLC Jan 2013, 2013. Taschenbuch. Book Condition: Neu. 246x187x10 mm. Neuware - Source: Wikipedia. Commentary (plays not included). Pages: 35. Chapters: The 39 Steps, God of Carnage, Madea Goes to Jail, If I Were You, Rock 'n' Roll, Black Watch, The Seafarer, In Extremis, Three Days of Rain, Rabbit Hole, Frost/Nixon, (I Am) Nobody's Lunch, To Quote the Bard, Zero Hour, The Dead Guy, The Pool, The Flying Spaghetti Monster Holiday Pageant, Love and Money, Indrapura, Brick Up The Mersey Tunnels, What's Done in the Dark, The Little Dog Laughed, Drunk Enough to Say I Love You , To W.H., Speech and Debate, Meeting Joe Strummer, The Sunset Limited, Giant Green Lizard! The Musical, Tryst, Prime Resident, Don Juan in Soho, Terre Haute, The Cut, Opus, In Gabriel's Kitchen, There's No Place Like a Home, The Peach Season, The Pocket Orchestra, Pete and Dud: Come Again, Arborophilia, Zorro in Hell, Pumpgirl, The Emperor of Sydney, The Early Bird, Some Men, Manigma, The Death of Little Ibsen, The Scene, A bolt from the blue, Mitzi's Abortion, Indian Blood, Pen, Argonautika, Matkalla Porkkalaan, Fundamentalisti, Nuoruustanssi, Sorsastaja, Ulrike Maria Stuart, Über Tiere. -
Games of Truth in Chile´S University Entrance Exam Involving the Controversy Around the Occupation of the Palestine Territory by Israel
SEÇÃO: ARTIGOS Jogos de verdade no vestibular chileno na polêmica pela ocupação do território palestino por Israel María Paulina Castro Torres1 Resumo Com interesse em aprofundar a compreensão das provas estandardizadas de admissão universitária e com o objetivo de discutir as relações entre o vestibular e o currículo chileno, propomo-nos, neste artigo, a analisar uma polêmica suscitada por uma pergunta de história, geografia e ciências sociais que circulou na mídia digital do país no ano 2015. Com esse escopo, a partir da análise discursiva de Maingueneau, Grillo e Possenti, sustentaremos um diálogo teórico entre Bakhtin, Bourdieu e Foucault. Desse modo, focaremos nos comentários desenvolvidos por internautas em torno da verdade ou da falsidade de uma questão desse vestibular, a qual se refere à ocupação do território da Palestina por Israel. Além disso, para melhor apresentarmos nossa perspectiva analítica, tomaremos, da mesma disciplina da prova do ano 2012, o gabarito comentado de uma questão que faz referência à resistência indígena do povo mapuche à colonização dos espanhóis. Assim, a partir desse corpus, procederemos à descrição e à comparação das regras de formação discursiva desenvolvidas no que consideraremos um campo de possibilidades estratégicas que permite interesses irreconciliáveis. Afinal, não apenas discutiremos as relações de pressão e de legitimação entre as perguntas desse exame de admissão e o currículo chileno por competências, mas também trataremos da constituição dos candidatos como efeitos de poder e de saber, isto é, a constituição dos candidatos tidos então como competentes ou incompetentes no acesso à universidade. Palavras chave Vestibular chileno – Currículo – Discurso. 1- Universidade Estadual de Campinas, Campinas, SP, Brasil.