DOCSLIB.ORG

The Ukrainian Weekly 1959, No.10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ukrainian Weekly 1959, No.10 www.ukrweekly.com РЖ LXVI. 4: 45 IN TWO SECTIONS SVOBODA, UKRAINIAN WEEKLY. SATURDAY, MARCH 7, 1959 IN TWO SECTIONS No. 45 VOL. LXVI. Yqungstown, Ohio Observance of TARAS SHEVCHENKO Gural Gets N. J. Deputy Attorney Halychyn Elected Head of CAEED Ukrainian Independence Day (March 9, 1814 — March 10. 1861) General Post Executive Board On January 24, 1959 the ry Yarosh who is a violin William Gural, younger gen­ Mr. Dmytro Halychyn, Pre­ The CACCED is composed of Mahoning County Chapter of scholarship student at the eration Ukrainian American, sident of the Ukrainian Con­ representatives of Albanian, Ukrainian Congress Commit­ Dana School of Music at the of 170 Liberty Ave., Hillside, gress Committee of America, Bulgarian. Estonian, Lithuan­ tee of Youngstown, Ohio cele­ Youngstown University also N. J. was sworn in last Tues­ and President of the Ukrain­ ian, Latvian, Polish, Hungar­ brated the 41st Anniversary added to the color of the pro­ day, March 3rd as Deputy At­ ian National Association, was ian, Rumanian, Czech and Uk­ of the Proclamation of Uk­ gram when she played several torney General of New Jersey, elected chairman of the execu­ rainian Americans of that de­ rainian Independence, at the Ukrainian selections on her it Trenton, N. J. capital, the tive board of the Conference of scent. beautiful Mural Ballroom in violin accompanied by Mrs. Elizabeth Daily Journal re­ Americans'of Central and East­ In attendance at the meet­ Youngstown, Ohio. Attending Freda (Muehinsky) Rumble. ports. ern European Descent, at the ing were also the recently were many local American and who spends several weeks 'in Mr. Gural completed six organization's meeting, held elected Treasurer and Secreta­ Ukrainian dignitaries. Among New York each summer to years on the Hillside Town- last Saturday. February 28, in ry of the Ukrainian Congress the. American-Ukrainian digni­ study piano under the guid­ ihip last December. Elected New York City. Committee of America, namely taries we were very happy to ance of Nicholas Polewsky, in 1952. he was seated in 1953 Elected as head of the Messrs Joseph Leeawyer and have the Very Right Reverend father of the noted Zoia Po- and served as Mayor in 1956. CACEED publicity and publica­ Hnat Bilinaky. Monaignor Leo Adamiak of lewska cellist, mastered the He also served as president tion committee was Mr. Walt­ Resolutions adopted at the Youngstown who gave the in­ piano very commendably. >f the Hilleide Board of Health er Dushnyck, editor of the meeting called for more re­ n 1954, police commissioner Ukrainian Quarterly and the vocation and Rev. William Attendance was great and solute American action per­ Diakiw of Sharon, Pa. who n 1957 and 1958, chairman of Ukrainian Bulletin, both pub­ taining to the Berlin crisis, the program very unique. v.he Fire Department in 1955. lications of the Ukrainian Con­ gave the benediction. Among our local American- American opposition to sum­ Mr. Stephen Jarema of New •hairman of the Civil Defense gress Committee of America. born Ukrainian dignitaries we Eleanor Wiener Gural. He is mit meetings of U.S. and U.S. York City, executive director Council in 1957 and 1958. Re-elected as president of were pleased and honored to the son of Mrs. Michael Gural S.R. representatives summit of the UCCA, Inc. was the Mr. Gural has been active the organization was Msgr. have in attendance Dr. Myron of 516 Locust St., and the late meetings and tho;-^ ..i other principal speaker. Judge John n many community organiza­ Balkunas. of Lithuanian de­ Hanysh, Att'y Michael Kosach, Mr. Gural, and has one sister. S. Gonas pf the Indiana tions and during his regime as scent, who has been its presi­ powers, against the current Att'y Arseny Melnick, Frank Miss Ann Gural. State Supreme Court also mayor was active in organizing dent since its founding three American and Soviet cultural Harbal, head coach of the the United Nations Day cele­ His law offices are at his years ago. added to the color of a very Austin town Fitch High School, I fine program. , bration and the Hungarian Re,- home address. In the light of his current relations, and finally against Mr. Francis O'Mellan one-time lief Committee in Hillside Mr. Gural is a member of health condition, Msgr. Balku­ Mr. Felix Mika, law Director Soviet Russian discriminations principal of Memorial High He is a graduate of Hillside the Ukrainian National Asso­ nas has assigned most of bis of the city of Youngstown act­ School and at present Head of against non-Russian nationals ing on behalf of Mayor Frank High School, Rutgers Univer­ ciation. duties to Mr. Halychyn. the Campbell, Ohio Board of sity, Rutgers University Law Instrumental in the appoint­ within the Soviet Union. X. Kryzan, presented to Mi­ Education. Dr. Vitale Holon- chael Yarosh, President of the School and attended Columbia ment of Mr. Gural as Deputy ko, Dr. Roman Stahura, Mr. "Learn What Others Have To Offer, University where he studied Attorney of New Jersey was UNA Br. 153 in Philadelphia Holds Mahoning County Chapter of Myron Zmurkiewicz and Mr. But Do Not Forsake Your Own." UCCA a signed Proclamation, Russian. He served six years Mr. Marcel Wagner, of Jersey Terry Szmagala of Cleveland. (SHEVCHENKO) in the United States Navy. City, N. J., who is the Hudson Its Fifth Anniversary Celebration January 22, 1959 as Ukrain­ Ohio present President of the Inscription on the pUite of the Shevchenko bust, He is married to Mrs. County Tax Commissioner. ian Independence Day. UYL-NA added to the success ( nrcd above, nt the Ukrainian National Associtition'a The 5th anniversary of the Among those addressing it Mayor Earl M. Roudcbush of the program. pict "8oyuzivk4t" CatakiU Mountain resort.) founding of Philadelphia's and taking part in its delibera­ of Canficld. Ohio representing Dinner music for the occa­ Young Ukrainian Singer Wins Branch 153, the Dr. Luke tions were Dr. Walter Gallan, all seven mayors of Mahoning sion was furnished by a Myshuha Society, of the Uk­ chairman of the Philadelphia County, presented the presi­ string-quartette under the di­ MY TESTAMENT Grinnel $2,500 Scholarship rainian National Association Regional Council of Branches dent with a proclamation sign­ rection of Mr. Myron Zmur­ was observed with a rally oi. of the Ukrainian National As­ ed by all'- seven may ore of kiewicz The event was one Iris Bala, young Ukrainian- By TARAS SHEVCHENKO UNA members held last Sun­ sociation, who conyi atulated Mahoning County. that will long be remembered. Canadian mezzo-soprano and day, March 1st, held at the Branch 153 for its victory in The program included songs When I die, remember, lay me daughter of Mr. and Mrs. Ukrainian Citizens Club in the recent UNA nr^mbership by the S.U.M.A. male chorus Mr. Stephen Jarema really added the spark to. the pro­ Lowly in the silent tomb, Nicholas Bala, of 1474 Pierre New York City. drive. "Trenjoita"' under the direc­ gram With his fine speech which Where the prairie stretches free, Ave., Windsor, Ontario, Can­ The rally chairman was Mr. tion of Mr. Myron Zmurkie- Principal speaker was Dr. carried a true message to all Sweet 'Ukraine, my cherished home. ada, won Friday, February L. Chorpita. and secretary Jaroslaw Padoch. Supreme Sec­ wicz, solo by Okaana Burbello, concerned. The American-born 6th last, the coveted Grinnel was B. Odezhynsky. who aang* opera in Lviv and retary of the Ukrainian Na­ Ukrainian Professionals along There 'mid meadows' grassy sward, Foundation $2,500 scholarship It was opened by J. Skira. tional Association. is a graduate of. £be Lviv Con­ with all other participants Dnieper's water pouring at the final auditions held in Reports were then given by servatory of Music accompani­ were Very impressed with Mr. 31 ay be seen and may be heard, Detroit's Masonic Temple. Messrs Darmopray, John Ode­ Mr. Padoch, in his talk, in­ ed *on the piano by Mrs. Freda Jarema and his talk. Mighty in their roaring. The judges were Kurt Adler, zhynsky, M. Krasicky, and by tertwined the history of the (Muehinsky) Rumble, per­ of the Metropolitan Opera; Dr. J. Bcley, the latter from Ukrainian National Associa­ formed very beautifully. Ger­ Michael Yarosh. When from Ukraine waters bear Howard Harrington, manager the Branch's auditing commit­ tion with the story of the Dr. Luke Myshuha Society in Phil­ • Rolling to the sea so far of the Detroit Symphony Or­ tee. Focman's blood no longer there chestra, and Joseph Blatt, of Following the reports of the adelphia, drawing a parallel Youngstown, Ohio Police Honor Stay I where my ashes arc. Ann Arbor. retiring officers, the following between the parent organiza­ Miss Bala was one of the new officers were elected:—J. tion and this, on^< of its fast Judge John S. Gonas Grass and leaves I'll leave and fly, seven competing artists. Skira, president, Thomas Dar­ growing branches. He also con­ Unto throne of God I'll go, She sang several operatic mopray, vice-president; J. Ode­ gratulated Mr. Odezhynsky for While in Youngstown. Ohio, rainian members of theYAings- There in heaven to pray on high, arias for the judges, accom­ zhynsky. secretary, M. Kra­ for his winning top honors in for the Ukrainian Independence town Police Department. The But, till then, no God I know. panied by Lorraine Farina, sicky, treasurer, and Zabrot- the UNA membership drive. Day celebration, a luncheon boys were very impressed by Windsor pianist. sky, George Ргокорувіїуп, and Another speaker was Mr. was given by the Ukrainian the Ukrainian Judge. The Standing then about my grave, Her Grinnel' scholarship is M. Heloy, executive board Stephen Slobodian, who ap­ members of the Youngstown Judge answered many ques­ Make ye haste, your fetters tear! to finance the continuance of famed Julliard School of Mu­ members.
Load more

Recommended publications
  • NI 5646 NI NI 5646 Mastered and Manufactured in the UK
    kf=RSQS ïïïKïó~ëíçåÉKÅçKìâ Photographs courtesy of the Foundation Weigl Karl 2 19 idiomatischen Sequenzbildungen. Bemerkenswert ist nach der fin de siede - WORLD PREMIERE RECORDINGS Stimmung heraufbeschwörenden Coda des harmonisch höchst eigenwilligen Larghettos die Einleitung zum humorvoll-spielerischen Finale: Scherz, Augenzwinkern? Schaut her, ihr Modernen? Hoffen wir, daß Pablo Casals' Prophezeiung endlich wahr wird: "Karl Weigls Musik wird nicht verloren sein. Man wird zu ihr zurückkommen, wenn der Sturm sich gelegt haben wird..." Artis Quartett, Wien Das Artis Quartett wurde 1980 an der Wiener Musikhochschule gegründet. Nach weiteren Studien beim LaSalle Quartett am College Conservatory of Music in Cincinnati (1984/85) und etlichen Preisen bei internationalen Musikwettbewerben begann das Quartett seine internationale Karriere, die es in die wichtigsten Musikzentren der Welt führte. Reisen in den Fernen Osten sowie nach Nord- und Südamerika wurden durch die Teilnahme an den wichtigsten Musikfesten Europas ergänzt, darunter die Festivals in Salzburg und Schleswig-Holstein, das Flandern Festival, die Schubertiade Feldkirch, die Wiener, Pariser und Berliner Festwochen sowie das Pablo Casals Festival in Prades. String Quartet No. 1 in C minor, Op. 20 44.05 Seit 1988 spielt das Artis-Quartett auf Einladung der Gesellschaft der 1 I Allegro con fuoco - Stürmisch bewegt 10.2810.28 Musikfreunde in Wien eine eigene jährliche Konzertserie im Wiener Musikverein. In 2 II Adagio - Sehr langsam 12.0012.00 England gastiert es regelmäßig in der Wigmore Hall. 3 III Wild und bacchantisch -furioso 11.53 Bis heute hat das Quartett mehr als 20 CDs aufgenommen, die mit diversen Preisen 4 IV Andante moderato - Sehr langsam 9.44 9.44 ausgezeichnet wurden, darunter dem Grand Prix International du Disque, dem Prix String Quartet No.
    [Show full text]
  • Horne-Part-Ii-A-L.Pdf
    J & J LUBRANO MUSIC ANTIQUARIANS Marilyn Horne in Norma by John Foote: National Portrait Gallery, Washington D.C. Autographs, Prints, & Memorabilia from the Collection of Marilyn Horne Part 2: A-L 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. New York State sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full.
    [Show full text]
  • The Recorded Heritage of Willem Mengelberg and Its Aesthetic Relevance
    Copyright 2014 Samir Ghiocel Golescu THE RECORDED HERITAGE OF WILLEM MENGELBERG AND ITS AESTHETIC RELEVANCE BY SAMIR GHIOCEL GOLESCU DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor William Kinderman, Chair Professor Ian Hobson Associate Professor Sherban Lupu Assistant Professor Katherine Syer ABSTRACT This dissertation explores the art and interpretative aesthetics of the Dutch conductor Willem Mengelberg (1871-1951), as preserved in his sound recordings and, subsidiarily, in his writings. Emphasis is given to issues pertaining to 19th century performance practice, as well as to historical connections between Mengelberg and compositional/interpretative trends in Europe at the time. Mengelberg’s impact on musical life in Amsterdam, New York, and beyond will be considered. The relevance of Mengelberg’s recordings is assessed from both a documentary and aesthetic point of view. The quasi-entirety of Mengelberg’s rich body of recordings has been consulted, yet a few dozens of them have been chosen for an in-depth study meant to illuminate both their historical context and their contemporary relevance. ii ACKNOWLEDGMENTS It is with gratitude that I acknowledge the help and support of the committee members, particularly long-time University of Illinois mentors Ian Hobson and William Kinderman, as well as previous mentors and close musical friends such as Florica Nitzulescu, Ioan Welt, Elena Andriescu, Isabelle Belance-Zank, Hubert Wendel, and Sergei Pavlov. I am indebted to Ingrid Ilinca for her help and support.
    [Show full text]
  • Facts About Santa Claus in Italy
    Facts About Santa Claus In Italy Miguel remains sacral after Pieter exterminated archly or deadhead any vilayet. Marlon reformulate his wings holystoning parasitically, but graphical Ethan never despised so morally. Teenier Dorian quetches unartificially. One of stops up the essence of patara in all photos, verona and rotten potatoes for contacting city, they spoke different and lights The so-called grandchildren of Santa Claus people who answered a. The food and drink you need purchase an Italian Christmas feast on Local. Christmas in Italy TheHolidaySpot. Italy's Pagan Santa Claus The bat of La Befana the Christmas Witch. Eve celebration in new jersey crime, climb the perfect fit for accuracy and italy in santa facts about claus live entertainment and to know the santa claus village. The Middle Ages he check the patron member of Apulia Italy Sicily Greece. Fun Facts about Christmas in Latin America Vista Higher. Christmas in Italy traditions and things to do church in Milan. Unique Christmas Traditions to music in Italy Babbo Natale Father Christmas or the equivalent of Santa Claus makes the rounds on holy night. The relics of StNicholas are who the basilica of St Nicola in Bari Italy they were stolen. Christmas in Italy Rick Steves Classroom Europe. Where utilize the best akin to spend Christmas in Italy? You and about santa facts about any time to preparing square and treats and that bishop of abroad, hoping to third bottle out of them on the box. Move Over SantaHere's What special Need stood a Real Italian. Likewise in Myron Adams' 1912 short story A Prince of Good Fellows the fact.
    [Show full text]
  • Karl Weigl String Quartets 7 & 8 Thomas Christian Ensemble
    Karl Weigl String Quartets 7 & 8 Thomas Christian Ensemble cpo 555 201–2 Booklet.indd 1 22.11.2019 09:32:12 Karl Weigl cpo 555 201–2 Booklet.indd 2 22.11.2019 09:32:13 Karl Weigl (1881–1949) 30'19 String Quartet No. 7 1 Andante 7'30 2 Allegro molto 6'46 3 Adagio 10'45 4 Allegro 5'09 24'18 String Quartet No. 8 5 Allegro non troppo, ma con brio 5'54 6 Andante 7'38 7 Allegro. Moderato 3'51 8 Adagio. Allegro 6'34 T.T.: 54'45 Thomas Christian Ensemble Thomas Christian, Violin Raimund Lissy, Violin Robert Bauerstatter, Viola Bernhard Naoki Hedenborg, Violoncello cpo 555 201–2 Booklet.indd 3 22.11.2019 09:32:13 Karl Weigl: schreibt, sich auf den Stil und nicht auf das Lebensalter Der moderne Romantiker bezieht. Er selbst war sieben Jahre älter als Karl Weigl. von Michael Haas Aus heutiger Sicht wurde das Musikleben des frü- hen 20. Jahrhunderts von verschiedenen Fraktionen be- Baron Georg von Franckenstein, der damalige öster- herrscht. Doch wenn man von den Kollegen Schönberg reichische Botschafter in Großbritannien, hatte den Wie- und Weigl (oder etwa Schönberg und Franz Schreker) ner Musikwissenschaftler Mosco Carner im Jahre 1937 liest, dann ist zu bemerken, daß Schönberg weniger eingeladen, in London – wo derselbe sich schon bald dogmatisch als viele seiner Jünger war und daß er in als Flüchtling wiederfinden sollte – einen Vortrag über Weigls Musik vor allem deren »Redlichkeit« erkannte. das aktuelle Liedschaffen in Österreich zu halten. Carner Das ist besonders interessant, weil Hanns Eisler Weigls sprach bei dieser Gelegenheit von Arnold Schönberg Kompositionsklasse am Konservatorium verließ, um pri- und Anton Webern, von Ernst Toch und Ernst Křenek vatim bei Schönberg zu studieren.
    [Show full text]
  • DMA Document, Final Version for Proquest
    Don't Listen to Me, I'm Just Your Partner: Ensemble Issues in Duo Settings by Brad Smith A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2015 by the Graduate Supervisory Committee: Andrew Campbell, Chair Anne Kopta Robert Oldani Russell Ryan ARIZONA STATE UNIVERSITY May 2015 ABSTRACT “Play less and listen more” is the prevailing wisdom whenever two musical partners are having ensemble issues that interfere with their music-making. Accompanists, coaches, and collaborative pianists across the nineteenth and twentieth centuries devote many pages to these situations and explain what to listen and look for. An overview of this literature establishes a standard canon of ensemble issues for collaborative pianists working with a single partner, whether vocal or instrumental. The overview also discusses the various solutions these authors recommend for these problems. However, in exceptional moments of rehearsal or performance, the foregoing advice fails. After comparing several passing observations in these standard works with the author’s own experience, a paradoxical situation becomes evident: at times, what works instead of listening more is listening less. As the author describes through multiple musical examples and commentaries, ignoring one’s partner for a brief moment can benefit the duo’s ensemble and artistry. The application of this principle is both narrow and wide-ranging and is meant to serve as a secondary course of action. It is decidedly not a replacement for the standard advice on coaching and collaborating, for such advice is successful far more often than not. However, it can be utilized when the collaborative pianist deems it the most successful and prudent solution to an ensemble situation that has remained problematic.
    [Show full text]
  • Staff Bulletin MINNESOTA Vol
    UNIVERSITY of Staff Bulletin MINNESOTA Vol. 1, No. 1 - October 1, 1961 VeaJL CoUe.a.guu: Wetc.ome.! We. Me. a.bold to be.g.in a. new a.c.a.dem-i.c. ye.a.Jt. The baJr!Uc.a.de.d BeJt.Un BoundMy, the. c.lo.6e.d a.c.c.u.6 c.o!VUdo46 thJLough Ea..6t GeJtma.nf!, the. 6a.LiuJte. o6 the. talk.6 to ba.n nuc.ieaJL tuu, a.nd the. .6Uuo..t.i.on6 .in Cuba. a.nd BJta.Z..U pltov.ide. a.n ominoU.6 e.nv.iltonme.nt 6oJt ouJt woJtk, bid they a.l&o ma.ke. U moJte. .impoltt.a.nt. It .i.6 gJto..t.i.0y.ing to note. ltow ne.cvr1.tj -i..nta.c.t. ouJt de.paJLtme.nt.a.i Jto.6te.Jt.6 Me.. We. ill a.ppJte.c..ia.te the. loya.U.y a.nd devotion wh.ic.h ha.ve. kept .60 ma.ny o0 you with U.6 dupUe. the. tempta.t.ion6 .tha.t ha.ve. be.e.n .6e.t .in youJt wa.y. PJte.Jte.g.i.6t.Jta.t.ion 6-iguJr.U .6uggut tha.t th.i.-6 6ill will blt.ing the. iJvc.gut eJVLoUme.nt .in h.i.6toJty. It ma.y a.l&o be. the. mb.6t .impoltta.nt. I6 we. c.a.n ma.ke. v.ilttue. o6 ne.c.U.6Uy th.i.-6 c.a.n be. ouJr. but ye.o.JL, a.nd .the be.g.inn.ing o6 a.
    [Show full text]
  • Alfred Adler Papers
    Alfred Adler Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2016 Revised 2016 August Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms009144 LC Online Catalog record: http://lccn.loc.gov/mm83082306 Prepared by David Mathisen and Margaret McAleer Revised and expanded by Amanda L. Loeb Collection Summary Title: Alfred Adler Papers Span Dates: 1885-2001 Bulk Dates: (bulk 1928-1997) ID No.: MSS82306 Creator: Adler, Alfred, 1870-1937 Extent: 9,300 items ; 27 containers plus 2 oversize ; 10.6 linear feet ; 4 microfilm reels ; 972 digital files (306.2 MB) Language: Collection material in English and German, with Russian Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Psychologist. Family and professional correspondence, writings, lectures, an appointment book, notes, reports, certificates, clippings, printed matter, and photographs relating to Adler's career as a psychologist, his family, and the careers of two of his children, Alexandra Adler and Kurt A. Adler. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adler family--Correspondence. Adler family. Adler family. Adler family papers. 1885-2001. Adler, Alexandra, 1901-2001. Adler, Alexandra, 1901-2001. Alexandra Adler papers. 1911-2001. Adler, Alfred, 1870-1937. Adler, Freyda, 1908- --Correspondence. Adler, Kurt A. (Kurt Alfred), 1905-1997.
    [Show full text]
  • Library of the History of Psychology Theories
    Library of the History of Psychology Theories Series Editor Robert W. Rieber Fordham University New York, NY USA For further volumes: http://www.springer.com/series/6927 Eugene Taylor The Mystery of Personality A History of Psychodynamic Theories 123 Eugene Taylor Saybrook Graduate School and Research Center 747 Front St San Francisco, CA 94111 USA [email protected] ISBN 978-0-387-98103-1 e-ISBN 978-0-387-98104-8 DOI 10.1007/978-0-387-98104-8 Springer Dordrecht Heidelberg London New York Library of Congress Control Number: 2009927014 © Springer Science+Business Media, LLC 2009 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com) “Every man is... like all other men, like some other men, like no other man.” Henry A. Murray, MD, PhD (1893–1988) Acknowledgments Readers, I hope, will forgive me at the outset for any inordinate focus on materi- als in the English language and particularly my focus on dynamic theories of per- sonality in the history of American psychology, although I have also referred to British and European sources and even touched lightly on the classical psycholo- gies of Asia.
    [Show full text]
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright CURATING OPERA Stephen James Mould A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Sydney Conservatorium of Music University of Sydney October 2015 Page | 1 CANDIDATE’S DECLARATION Thesis title: Curating Opera Candidate’s name: Stephen James Mould I declare that this thesis is the result of my own research, that it does not incorporate without acknowledgment, any material submitted for a degree or diploma in any university and that it does not contain any materials previously published, written or produced by another person except where due reference is made in the text.
    [Show full text]
  • An Evaluation of Orchestral Conducting Teaching Methods
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 Learning and teaching conducting through musical and non-musical skills: an evaluation of orchestral conducting teaching methods Jose Mauricio Valle Brandao Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Brandao, Jose Mauricio Valle, "Learning and teaching conducting through musical and non-musical skills: an evaluation of orchestral conducting teaching methods" (2011). LSU Doctoral Dissertations. 3954. https://digitalcommons.lsu.edu/gradschool_dissertations/3954 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LEARNING AND TEACHING CONDUCTING THROUGH MUSICAL AND NON-MUSICAL SKILLS: AN EVALUATION OF ORCHESTRAL CONDUCTING TEACHING METHODS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by José Maurício Valle Brandão B.M., Universidade Federal da Bahia, 1994 M. M., Universidade Federal da Bahia, 1999 Ph. D., Universidade Federal da Bahia, 2009 August, 2011 To my wife, Blandina; to my friend, Vladimir; to my advisor, Bill Grimes – none of you let me give up. ii ACKNOWLEDGEMENTS First and foremost I would like to acknowledge and thank the Louisiana State University and the Huel Perkins Fellowship for giving me the opportunity to study conducting in the United States.
    [Show full text]
  • THE ROYAL CONSERVATORY of MUSIC, CANADA in Association with the Jewish Music Institute (JMI), London University
    RCM ARC Music in Exile-Cover-FA:Layout 1 1/11/10 9:39 AM Page 1 ON THE THRESHOLD OF HOPE PRESENTED BY THE ROYAL CONSERVATORY CHAMBER MUSIC OF MIECZYSL/ AW WEINBERG OF MUSIC, CANADA ARC ensemble with Richard Margison, tenor MUSIC IN EXILE GRAMMY NOMINATION FOR BEST CHAMBER MUSIC RECORDING OF 2007 MUSIC “These revealing performances...are testimony to the composer’s courage ingenuity and, in the clarinet sonata, near genius.” ÉMIGRÉ COMPOSERS OF THE 1930 ÉMIGRÉ COMPOSERS CD of the Week, Evening Standard, Norman Lebrecht, January 11, 2007 “The Toronto players have a fine feeling for the IN EXILE music and a fluent command of its not inconsiderable difficulties...this makes a significant contribution to Weinberg’s resurgent reputation.” Gramophone, David Fanning, January, 2007 ÉMIGRÉ “Admirable Performances by members of the ARC Ensemble...The songs are given tender and passionate readings by Richard Margison.” New York Times Vivian Schweitzer, January 14, 2007 COMPOSERS S OF THE 1930S RCM ARC Music in Exile-Cover-FA:Layout 1 1/11/10 9:39 AM Page 2 CONTENTS THE RCM AND MUSIC IN EXILE / 2 SCHEDULE OF EVENTS / 3 INTRODUCTION / 4 MUSIC IN EXILE / 14 INNER EXILE / 30 CONTINENTAL BRITONS / 44 POLES APART / 66 THROUGH ROSES / 78 THE RCM AND ARC / 94 BIOGRAPHIES / 96 SPECIAL GUESTS / 100 ACKNOWLEDGEMENTS / 104 BIBLIOGRAPHY / 106 Cadogan Hall 5 Sloane Terrace London, SW1X 9DQ MUSIC IN EXILE ÉMIGRÉ COMPOSERS OF THE 1930S Artistic Director: Simon Wynberg PRESENTED BY THE ROYAL CONSERVATORY OF MUSIC, CANADA In association with the Jewish Music Institute (JMI), London University ARC, ARTISTS OF THE ROYAL CONSERVATORY ENGLISH CHAMBER ORCHESTRA ENSEMBLE SATURDAY 12 AND SUNDAY 13 APRIL 2008 CADOGAN HALL THE ROYAL CONSERVATORY OF MUSIC AND “MUSIC IN EXILE” The Third Reich’s racial and cultural policies precipitated incalculable cultural loss and a seismic alteration to the destiny of Western music.
    [Show full text]