The Daily Egyptian, October 20, 1978

Total Page:16

File Type:pdf, Size:1020Kb

The Daily Egyptian, October 20, 1978 Southern Illinois University Carbondale OpenSIUC October 1978 Daily Egyptian 1978 10-20-1978 The aiD ly Egyptian, October 20, 1978 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_October1978 Volume 60, Issue 45 Recommended Citation , . "The aiD ly Egyptian, October 20, 1978." (Oct 1978). This Article is brought to you for free and open access by the Daily Egyptian 1978 at OpenSIUC. It has been accepted for inclusion in October 1978 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. gus 'Bode Daily 'Egyptian ,;u ..~ ••,'" bPu.... 10 bP ulltod • F"day. CXlober 20 !·ns· Vol. 60. No.• :. Southern Illinois University KIaJCfish ilia. a shrimp. O'Neal: Bakalis acts like 'demagogue' 8v)la"'P~ their n'Signations. and a large D«'wspaper ('hain show rt'ported that 60 percent of all fatal PolJ'Jeal Edie.r "When Huey Lon" appointed Thompson and O'Seal leadllll( Bakali~ accadE'flts in Illinois last vear involvE'd After U. GOY. Dave (l'Neal .."\It a commeree eommissionl'nl in LouIsiana, and his running male Dick lJurbin by a tl"t'nagers . t'ft'emonw.l ribbon to officially open he also would make U-.cm sign undated comfortable 2·to-l margin. "Ifs not that I'm S(, conct>rned with Rfov.:Mican campaign h«'adquarters in letters of n'Signalion. which he wc... 1d Also attending the ribbon·cutting the 19 yt'ar-olds going in~ the bars and C~rbondale ThursdaY. be took time to carry aroond in his pocket," O'Neal ceremonlto'S wert' most Republit'an having a drinl! .. Dunn !laid. "It's when cut i.nto Democrillic gubernatorial said. "If one of the new appointt't'S candiWite> lor county offict>, as well as they have too rrdft' drinks and gt't out on candidate MI('hat'1 8akahs "for stepped out of line, Long would submitt state R~. Ralph Dunn from Du Quoin. the roads." Iraipsilll around the state actinR like a tim resignations. Needless to say. they Dunn said he W8!' disappointed that Dunn exprt'SSed cautious optimism ck!ma~ue." usually did what he wanted." other state 1.:gi":'tors from the 58th about the bill's chances of gt>ttin~ O'Neal led off the pointed attack by O'Neal said that Baltalis would hold District have downgraded his .,bm to throogh the le,tisiature. He said that il likening Sahlis 10 thr late Louisiana Similar rontrol over th~ Illinois introduce a bill in the next IegisJative the vote goes along party hnes. it won't Gov. HUE) "Kingfi"h" Loog. who for Commerc~ Commission if all the session of the General Assembly calling have a chaoce, but added thai many many years controlled ttlilt state by commissioners were forced to resign for an increase in the legal drinking age House Democrat!' fronl Chlcag(' havt> and he got the opportunity 10 handpick to 21. shOlk1l interest il' supporting the bill. =~~"'=:~~a~ =~What new members. "They Mil criticize the propollal Dunn said he ~irst became interested O'NeaI criticized lak..w· cry that ''''''t kind of talJ worries me." he because they're affraid to express their in the tughly sensitive ~ when rDflIlbers of thr 11IincY.£ Comrneree said. "And I'm sure no cttiU1l in lUinois true feelin~ on the matlPr:' Dunn said. mP.lllbers of his staff showeti him a Commission should step down. Sakalis wants a demagogue in officfo: . "They say J"m lookilll for publicity, but resolution that the Illinois High School alllo has said on numerous ocnssaOllS AcconIing to O'Neal. howf'Ver, it I'm just c:onc:emed fUl' the safety of Principals Assncialion pa~ urging thr that the ~'OI'Ilmission bas failed to seems unlikely that Sakalis wiD make it lUinois motorists." k>gislature tI' I":tise the drinking age to represent tile interests of COIIIIWIIerS to the governor's mansion this DuM CIted a report by Combined 21. durilll hearings on utility rate increases. November. He said that r«ent polls IlI!Iuranc:e Company. which is owned by He said that many of thosE principals and Uat if elected. hi> would demand conducted by a Champaign TV station miDi_ire W. Ciel1H!'l1t Stone, which are complaining that their l~year~ students are cominll to school "soused." ':~:d ;iit~~c~:e..:a!.~~a~!~~ ".~~~.~ train station. O'Neal and the Republican . .} hopefuls drove to the Carbondale c~ Ramada Inn to partake ID mOrt' political ""!'II',~iI':,e... >'''--~~7lf.'. ...-. -.. ~...... .' ' ba~~aPt~vres werl' offert'd whIle ... ..- ,.. ~., O'Seal served up some Rt'pUblican -- hy4lf'l'boIe. ~-... -"~ .~. .' H~ said that in the pas! two yean. -.:.~ GOY. Chompson has managt'd 10 bring back about 30.000 of th<' 130.0110 private sector )cbs that wt>re lost durinl{ [)(>mocrati>an Walker's admmistrabOl! He also said that if the 11lompson­ O'Neal team wins a sc.>c:ond trrm, Ibeir top prioritil"< will be attracting business and IIIdustry to illinOIS. and Ihus further expand the jofJ markt'l hl'rt' He also promistod to I"\'tain or t'lIpaf\d important. but t>lIpt'nsivl'. social services. by orgamzmg an extensive volunteer f:rlort, and by getting a fair share of fedt-ral funds "Illinois Sl'nt SI4 billion to Washington la~t vear, but v.. e I!ot only S9 billion back Thai's only 70 cents pt'r dollar." he said The former shenrf of St rlalT ('ounty said illinoIS :s subSidiZing federal grants to southern states because tilt'\' are gt'tting about Sl.20 from \\ashlll~ion for even SI t!lev send He att: Ibtited this dis~ity to the power that is wil'lded in the US Congress by scuthern senator.; who haw SIIeryl Meb. ~ ia I'ftfta......... Iter sCadIes telapen"re reaclled the hi,... 's aDd Is expect.N Ie. 15 laken over-through senioritv-tile ..... .-.... ill rr.a., Morrill ....ry 11I ......y ....ke ,-nay. (SCaff ...... Ity 0.. Preisler) chairmanships of most Importallt sftaMalCe ., ... IDdiaa s.... er weatMr. 'I1IIe eornr'littet'S. F -Senate OKs two-president system Tne .·aculty Senate III a "prelal points base1 on rankings drme by st'Date duplication of riff'l't bt>tween the beard The concept of a single pl't'Sldent with meeting Ttiursday exprf'S!'l'd a members. The plan favonnjt a single staff and the presldE'flI's staff, but thai chancellors at t'at'h campus was preference-by a narrow ma~ln- for it prf'Sident wasn't far behind. receiving 51 the purpose of the boani staff was to rejt'Cted in .nost IIf the testimony. Taylor governance system ha\;nll prf'Slder:ts review proposals and <fe("siOflS by the said. pot.;:,. other proposa Is by the presidents'stafft Orandl addt'd that till' over each of the t:mversity's Iwo ~iderE'd Tavlor also !laid most testimnm board staff function." VPri well al:<l that campuses, one Beard of Tnt!;tet'S and no senate didn't fare as wt'll. ,~ .. plan sullgt-stt'd a motiifit'alion or reduction .if board staff. called for mamtainmll tt:.. prt'Sl'nt rt'lations t>etween the bOard staff and presidents are very good the aUlhority and expense of the b<~lrd lbat plan got the nod of approval over S)'fiem of two prt'Mdt'nts. til, Jxlllrd and staff. with a concurrt'nt incn.>ase in ttIP a system havina oue board. one a board stafr, The fourl.. prupusal However, thret' of the four pr0p0581s presented at the n.t't"ting ('ailed fur aythority of the two pN'Sidents. presidMt for the entire rniller.tity and a recommended two boards " trustee!'. "The emphasis tt'nded to be on mort' chanc.... 11or or vice presltk>nt for eadl two p'1!Sidents and t'limlnaIlOt. :;~ the elimination of the board staff Whm asked by Kleinau what would happen if dil"l'Ct eommunit'atioo and authllnlv campus... ,th tbe present board staffs board staff. be~ the two presidents and 1tJt. functions to be taiml over by thl:.­ In the ranking:; the proposal wt ch the board staff was ehminatt'd. Brandt Board of Trustees." Tavlor !laid. presadent's staff. would keep the p~'lt system got 31 replied. '"'""here would Ix- nb drastic Tavlor recomme-ded'that the st'Jlate The plans were among f(lUl' ~hi(h potnts and the proposa! which ~ould char.ge. Some of the funcllons that they do, we would have to do.. , "address 1...... @venoance sYstem clear!,' smatt" members ral\.i(M on a -'·3-2-1 split the campuses ~v ..~ 36 putnts. and unequivocally in plain:dear. simple The St'COIId heari~ on the Ilovernaoce lrotslS. awarding the higher number of Although the separah: ('ampul' plan ~ot language-no matter what cont'iusion poinls to lJle most luferred plan. The 36 points, it was considered lea... t liked structure is scheduled for Sov. 9 in Carbondale. Fifteen per.qms, mostly we arrive at. 1 am t'ORvineed that the votlllg 3Uowed for zero p01II1s for beeause it recelvP.Ci 11 vott'S of Board of TruslPe5 wants candor." Wlacc:eptable. more than ally of the from SIU-E, spoke. at the heanng UD8CffPtabie p.',.. The senate also voted to aCCt'pt a Mar Vln Kleinau. senate president, WID Tuesday in Edwardsvtlle. ~n l Taylor. Brandt aosllerE'd associate professor In EnllllSh an~ revision in the definition of a fa('ulty ~ the senate's l"a'OlTlmentiations to ~':~:arren member in the faculty operating papl'rs. th~ trustees in Novemher when another questions at 1M met'tinll abuut the former F acuity Senate president.
Recommended publications
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • 71 Ans De Festival De Cannes Karine VIGNERON
    71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • RÉALISATEURS ANNÉE PAYS Du R É E N Ou Ve Au X E N
    Droit de passage RÉALISATEURS ANNÉE PAYS TITRES des FILMS VERSION DCP DCP Durée Enfants Nouveaux Abitbol (Judith) 2013 F 103 A BAS BRUIT COUL 229 € Kontchalovsky (Andrei) 1985 USA 111 A BOUT DE COURSE (RunawAy trAin) d'A. Kontchalovsky COUL S/RES Godard (JeAn-Luc) 1960 F 87 A BOUT DE SOUFFLE NB 341 € WAng (PAtrick) 2019 USA 120 NDCP A BREAD FACTORY (A) PArt 2 - Un petit coin de parAdis COUL 231 € ThomAs (PAscAl) 2019 F 100 NDCP A CAUSE DES FILLES COUL 284 € CArpignano (Jonas) 2017 I-USA 118 A CIAMBRA COUL 284 € LAine (MArion) 2012 F 87 A COEUR OUVERT COUL 284 € Johnson (RiAn) 2019 USA 131 NDCP A COUTEAUX TIRES COUL 558 € Collectif (*) 2016 F 38 E A DEUX C'EST MIEUX ! 7 c.m; COUL animAtion 270 € JAcquot (Benoît) 2016 F-P 86 A JAMAIS de B. JAcquot COUL 299 € Collectif (*) 2017 F 90 E A LA DECOUVERTE DU MONDE COUL 227 € KormAkur (BAltAzAr) 2018 USA 98 A LA DERIVE COUL 421 € WAng (Bing) 2014 CHINE 227 A LA FOLIE COUL 371 € Lloyd (HArold) 1930 USA 80 A LA HAUTEUR NB MUET 341 € Rossi (Andrew) 2011 USA 90 A LA UNE DU NEW YORK TIMES COUL documentAire 270 € ZilbermAnn (JeAn-JAcques) 2014 F 104 A LA VIE COUL 328 € MArAis (PiA) 2012 D 95 A L'AGE D'ELLEN COUL 296 € Ford (John) 1917 USA A L'ASSAUT DU BOULEVARD NB MUET SONORISE S/RES KAzAn (EliA) 1954 USA 115 A L'EST D'EDEN COUL SCOPE 407 € BAtrA (Ritesh) 2018 GB 108 A L'HEURE DES SOUVENIRS COUL 371 € GitAi (Amos) 2017 ISR-F 84 A L'OUEST DU JOURDAIN COUL documentAire 284 € VideAu (Frédéric) 2011 F 94 A MOI SEULE COUL 274 € RAyhana (*) 2017 DZ-F 90 A MON AGE JE ME CACHE ENCORE POUR FUMER COUL 274 € PiAlAt (MAurice) 1982 F 102 A NOS AMOURS COUL 444 € FromentAl (Antoine) 2017 F 91 A NOUS DE JOUER ! COUL documentAire 227 € Bouzid (LeylA) 2015 TUN 102 A PEINE J'OUVRE LES YEUX COUL 227 € LAfosse (Joachim) 2012 B 111 A PERDRE LA RAISON COUL SCOPE 274 € JiA (Zhangke) 2013 CHINE 129 A TOUCH OF SIN COUL SCOPE 371 € BergmAn (IngmAr) 1961 S 90 A TRAVERS LE MIROIR NB 341 € De_FreitAs / Ly (Stéphane / LAdj) 2017 F 99 A VOIX HAUTE COUL 299 € SollimA (StefAno) 2011 I 112 A.C.A.B.
    [Show full text]
  • Indie Animation
    Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica 15 Il Romanista 06/11/2019 A VIDEOCITTA' C'E' VRE, L'EVENTO VIRTUALE E REALE 3 Rubrica Anica Web 9colonne.it 05/11/2019 ANIMAZIONE, UN ACCORDO STORICO TRA ITALIA E GIAPPONE 4 AGCULT.IT 05/11/2019 ANIMAZIONE, ACCORDO ITALIA-GIAPPONE DI COOPERAZIONE E 6 SVILUPPO DELLATTIVITA' PRODUTTIVA Berlinocacioepepemagazine.com 05/11/2019 MARCO MULLER, A BERLINO UN INCONTRO CON LEX DIRETTORE DI 8 VENEZIA SU COME SI ORGANIZZA UN FESTIVAL DE Borsaitaliana.it 05/11/2019 CINEMA: ANICA, ACCORDO DI COOPERAZIONE SUI CARTOON TRA 10 ITALIA E GIAPPONE Ciakmagazine.it 05/11/2019 STORICO ACCORDO FRA L'ANIMAZIONE ITALIANA E QUELLA 11 GIAPPONESE Cinecitta.com 05/11/2019 ACCORDO TRA PRODUTTORI ITALIANI E GIAPPONESI PER IL 13 CARTOON Cinemaitaliano.info 05/11/2019 ANIMAZIONE ITALIANA - ACCORDO TRA ITALIA E GIAPPONE 15 Iltempo.it 05/11/2019 "THE 48 HOUR FILM PROJECT 2019", TUTTI I VINCITORI DELLA 17 SECONDA FASE DEL CONCORSO RbCasting.com 05/11/2019 ANICA E CARTOON ITALIA, ACCORDO TRA ITALIA E GIAPPONE 20 Rubrica Cinema 44 Corriere della Sera 06/11/2019 AUTEUIL VIAGGIA NEL TEMPO: UN GIOCO TRA FINZIONE E REALTA' 21 XXXI Il Mattino 06/11/2019 INSERTO - GIFFONI E "IL MATTINO", UNA CORRISPONDENZA 23 D'AFFETTUOSI SENSI (C.Gubitosi*) 23 Il Messaggero 06/11/2019 ADDIO A OMERO ANTONUTTI, "PADRE PADRONE" CON I TAVIANI 24 (G.Satta) 27 Il Messaggero 06/11/2019 Int. a M.Castagna: "DALLA SAGA FANTASY ALL'HORROR: DOPO 26 "PETRADEMONE" VI SPAVENTERO' CON "LE BELVE"" (O.Picceni) 35 Il Tempo 06/11/2019 GIGI PROIETTI:
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • Caesar Must Die a Film by Paolo and Vittorio Taviani
    CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI Grazia Volpi presents a production with STEMAL ENTERTAINMENT / LE TALEE / LA RIBALTA - CENTRO STUDI ENRICO MARIA SALERNO and with the collaboration of CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI (Cesare deve morire / Italy 2012 / Color & B&W / 76’) International press: Richard Lormand - FilmPressPlus www.FilmPressPlus.com At the Berlin Film Festival (Feb 9-19): +49-152-3801-7733 Tel: +33-9-7044-9865 - Skype: intlpress [email protected] World sales: Catia Rossi ph. +39 06 37498244 - fax +39 06 37516222 - mob. +39 335 6049456 [email protected] EFM Stand N°146 CAESARSY NOPMUSTSIS DIE The theater in Rome’s Rebibbia Prison. A performance of Shakespeare’s Julius Caesar has just ended amidst much applause. The lights dim on the actors and they become prisoners once again as they are accompanied back to their cells. SIX MONTHS EARLIER The warden and a theater director speak to the inmates about a new project, the staging of Julius Caesar in the prison. The first step is casting. The second step is exploration of the text. Shakespeare’s universal language helps the inmates-actors to identify with their characters. The path is long and full of anxiety, hope and play. These are the feelings accompanying the inmates at night in their prison cells after each day of rehearsal. Who is Giovanni who plays Caesar? Who is Salvatore-Brutus? For which crimes have they been sentenced to prison? The film does not hide this. The wonder and pride for the play do not always free the inmates from the exasperation of being incarcerated.
    [Show full text]
  • Italian Films (Updated April 2011)
    Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni.
    [Show full text]
  • Like Someone in Love
    1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others.
    [Show full text]
  • Festa Del Cinema Di Roma
    Sidney Poitier e Paul Newman sono i protagonisti dell’immagine ufficiale della quindicesima edizione della Festa del Cinema di Roma, in una foto FESTA che celebra, oltre al glamour del grande cinema, il senso di comunione e amore interrazziale. Lo scatto, in occasione delle riprese di Paris Blues di Martin Ritt (1961), film candidato all’Oscar® per la miglior colonna sonora firmata da Duke DEL CINEMA Ellington, rappresenta un omaggio a due icone della storia del cinema. Il senso di complicità, la gioia di stare insieme, la condivisione delle esperienze, il valore della collaborazione umana e artistica sono il beat DI ROMA della Festa del Cinema 2020. Sidney Poitier and Paul Newman are the protagonists of the official poster of the 15th Rome Film Fest. This is an image that celebrates the glamour of great cinema but also a sense of communion and interracial love.The photo, taken during the shooting of Paris Blues by Martin Ritt (1961), the film est ® F nominated for the Oscar for Best Soundtrack, composed by Duke Ellington, is a tribute to two icons in the history of film. That sense of complicity, the joy of being together, the sharing of experiences, the value of human and artistic collaboration are the beat of Rome Film Fest 2020. ome Film R oma | R 15 25 10 2020 esta del Cinema di F 20 Edizione 0 2 Edition © Everett Collection Sidney Poitier e Paul Newman sono i protagonisti dell’immagine ufficiale della quindicesima edizione della Festa del Cinema di Roma, in una foto FESTA che celebra, oltre al glamour del grande cinema, il senso di comunione e amore interrazziale.
    [Show full text]
  • Early Cinema: the Brighton Conference 25
    CONTENTS Preface xxiii Introduction XXV History, Historiography, and Film History: An Advanced Introduction xxxi A Note on Format xliii PART ONE: EARLY CINEMA , 1 THE INVENTION AND EARLY YEARS OF THE CINEMA, 18 8 0 s-l 904 з THE INVENTION OF THE CINEMA 4 Preconditions fo r Motion Pictures 4 / Major Precursors o f Motion Pictures 5 / An International Process o f Invention 7 EARLY FILMMAKING AND EXHIBITION 12 The Growth o f the French Film Industry 14 / England and the “Brighton School" 17 / The United States: Competition and the Resu rgence o f Edison 19 NOTES AND QUERIES 24 Identification and Preservation o f Early Films 24 / Reviving Interest in Early Cinema: The Brighton Conference 25 REFERENCES 25 x/ CONTENTS 2 THE INTERNATIONAL EXPANSION OF THE CINEMA, 1905-1912 26 FILM PRODUCTION IN EUROPE 26 France 26 / Italy 28 / Denmark 29 / Other Countries 31 THE STRUGGLE FOR THE EXPANDING AMERICAN FILM INDUSTRY 31 The Nickelodeon Boom 31 / The Motion Picture Patents Company vs. the Independents 33 / Social Pressures and Self-Censorship 36 / The Rise o f the Feature Film 37 / The Star System 37 / The Move to Hollywood 38 FURTHER EXPLORATIONS OF FILM STYLE 39 In tertitles 40 / The Beginnings o f the Continuity System 41 / Camera Position and Acting 46 / Color 47 / Set Design and Lighting 47 / An International Style 48 NOTES AND QUERIES 49 Griffith’s Importance in the Development o f Film Style 49 REFERENCES 52 3 NATIONAL CINEMAS, HOLLYWOOD ClASSICISM , AND WORLD WAR I,19 1 3 - 1 9 1 9 53 THE AMERICAN TAKEOVER OF WORLD MARKETS 54 THE RISE OF NATIONAL
    [Show full text]