Illinois Classical Studies
13 A Gleaming Ray: Blessed Afterlife in the Mysteries FREDERICK E. BRENK Recently, looking at the "mysteries" with eschatological spectacles has come in for something of a beating. Rather, stress has been on the cults' concern to satisfy the less romantic and spectacular needs of mundane life. The devil's advocate will now attempt to demonstrate that behind apparently innocent iconography may lie preoccupations about a blessed afterlife. The Egyptians anticipated Plato in arriving at the true purpose of eros, the vision of the Form of the Beautiful. At least that appears to be Plutarch's opinion in his Erotikos, the dialogue on love. Fine, faint effluvia (djioppoai) of the truth lie scattered about in Egyptian mythology, but it takes a keen nose to track them down (762a). The Egyptians have three Eros's, Pandemos (earthly), Ouranios (Heavenly), and a third Eros which is the Sun (Helios). As the solar radiance gives nourishment, light, and growth to all things, so the gleaming ray and warmth of love nourish and enlighten the soul (764c). Plutarch apparently is speaking of the archaic Egyptian religion and not of the Hellenistic and Roman mysteries of Isis. Still, it is difficult to believe that, like a recent scholar, he did not keep glancing over his shoulder at more contemporary religion.' The reference in the Erotikos to Egyptian mythology might be Plutarch's blowing his own horn for On Isis and Osiris. The treatise was intended to serve the needs of a friend, Klea, a devotee of the Isiac mysteries, who supposedly wanted "background information." Thespiai and the nearby Valley of the Muses, the setting for the Erotikos, had a long tradition of Isism, dating apparently from the refoundation of the festival of the Muses (Mouseia) by Ptolemaios IV Philopator and Arsinoe III.^ ' At least that is the criticism of W.
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