The Mysteries of Isis and Osiris
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Cult of Isis
Interpreting Early Hellenistic Religion PAPERS AND MONOGRAPHS OF THE FINNISH INSTITUTE AT ATHENS VOL. III Petra Pakkanen INTERPRETING EARL Y HELLENISTIC RELIGION A Study Based on the Mystery Cult of Demeter and the Cult of Isis HELSINKI 1996 © Petra Pakkanen and Suomen Ateenan-instituutin saatiO (Foundation of the Finnish Institute at Athens) 1996 ISSN 1237-2684 ISBN 951-95295-4-3 Printed in Greece by D. Layias - E. Souvatzidakis S.A., Athens 1996 Cover: Portrait of a priest of Isis (middle of the 2nd to middle of the 1st cent. BC). American School of Classical Studies at Athens: Agora Excavations. Inv. no. S333. Photograph Craig Mauzy. Sale: Bookstore Tiedekirja, Kirkkokatu 14, FIN-00170 Helsinki, Finland Contents Acknowledgements I. Introduction 1. Problems 1 2. Cults Studied 2 3. Geographical Confines 3 4. Sources and an Evaluation of Sources 5 11. Methodology 1. Methodological Approach to the History of Religions 13 2. Discussion of Tenninology 19 3. Method for Studying Religious and Social Change 20 Ill. The Cults of Demeter and Isis in Early Hellenistic Athens - Changes in Religion 1. General Overview of the Religious Situation in Athens During the Early Hellenistic Period: Typology of Religious Cults 23 2. Cult of Demeter: Eleusinian Great Mysteries 29 3. Cult of Isis 47 Table 1 64 IV. Problem of the Mysteries 1. Definition of the Tenn 'Mysteries' 65 2. Aspects of the Mysteries 68 3. Mysteries in Athens During the Early Hellenistic Period and a Comparison to Those of Rome in the Third Century AD 71 4. Emergence of the Mysteries ofIsis in Greece 78 Table 2 83 V. -
Celtic Egyptians: Isis Priests of the Lineage of Scota
Celtic Egyptians: Isis Priests of the Lineage of Scota Samuel Liddell MacGregor Mathers – the primary creative genius behind the famous British occult group, the Hermetic Order of the Golden Dawn – and his wife Moina Mathers established a mystery religion of Isis in fin-de-siècle Paris. Lawrence Durdin-Robertson, his wife Pamela, and his sister Olivia created the Fellowship of Isis in Ireland in the early 1970s. Although separated by over half a century, and not directly associated with each other, both groups have several characteristics in common. Each combined their worship of an ancient Egyptian goddess with an interest in the Celtic Revival; both claimed that their priestly lineages derived directly from the Egyptian queen Scota, mythical foundress of Ireland and Scotland; and both groups used dramatic ritual and theatrical events as avenues for the promulgation of their Isis cults. The Parisian Isis movement and the Fellowship of Isis were (and are) historically-inaccurate syncretic constructions that utilised the tradition of an Egyptian origin of the peoples of Scotland and Ireland to legitimise their founders’ claims of lineal descent from an ancient Egyptian priesthood. To explore this contention, this chapter begins with brief overviews of Isis in antiquity, her later appeal for Enlightenment Freemasons, and her subsequent adoption by the Hermetic Order of the Golden Dawn. It then explores the Parisian cult of Isis, its relationship to the Celtic Revival, the myth of the Egyptian queen Scota, and examines the establishment of the Fellowship of Isis. The Parisian mysteries of Isis and the Fellowship of Isis have largely been overlooked by critical scholarship to date; the use of the medieval myth of Scota by the founders of these groups has hitherto been left unexplored. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Serpent Myths of Ancient Egypt
In compliance with c urrent co ri h law Corne l Universit py g t , l y Library produced this replacement volum e on paper that meets the AN SI Standard 23948- 1992 to replace the irreparably deterio rated original . THE S erpent mg g B EING MONUMENTS IN THE BRITISH AND CONTINENTAL MUSE UMS , O R BY . R. O PE W Q , R HON . SEC. SO C. BIB . A CHE OLOG Y. BI RCH E N ORMANR rks b D r. Voth N otes and Rema y S , M. RE NOUF, M. L J , Bei a, Pa er rea bef re the Vic oria s i u e ng p d o t In t t t . or Philoso ical Socie of G a Bri ai 8 Ade hi Terrace S rand . ph ty re t t n, . lp . t ’ t h ( Hi h t e D iscussion. ) THE W HO LE IL LUST RATED WIT H 129 E NG RAVING S . LON D ON H D W I CK E 192 PI CCAD LLY. RO BE RT AR , , I - tio and Re roductio are reserved (The righls of Transla n p n . ) S rine of the reat eit Armi n-Ra wit the o esses Mersok ar and Eile i h g d y , h g dd thy a in t he form n k s on eit er side o f the o or Abo e are the so ar of s a e h d . v l disk and the usua o r i in uraei Le e e . -
Mystery Cult of Isis the Rites, Liturgy, and Mythology Surrounding the Deity
The Mystery Cult of Isis The rites, liturgy, and mythology surrounding the deity This paper will address the mystery cult of Isis and examine its spread from Egypt into the polytheistic Greco Roman world. I will investigate her historical beginnings and trace her diverse popularity as she metamorphosed from her original Egyptian attributes into assuming the characteristics of the local goddess of love, motherhood and magic. Her mythology is important to understand as the trials and tribulations she underwent form the basis of her religious appeal to a huge number of worshippers. Her rites and mysteries also offered adherents access to esoteric knowledge and wisdom regarding death and renewal. The cult of Isis became one of the most popular mystery religions of the Hellenized Roman era. Let us look at her story. In tracing Isis back through history there is evidence of her existence for many thousands of years before the time of Christ. Forrest1 writes of the inscription on one of the great pylons at her temple in Philae, an island in the River Nile, which says of Isis ³«the one who was in the beginning; the one who first came into existence RQ HDUWK´ Other epithets that attest to her ancient nature include ³*UHDWJRGGHVVH[LVWLQJIURPWKHEHJLQQLQJ´³*UHDW2QHZKRLQLWLDWHG H[LVWHQFH´ DQG ³*UHDW 2QH ZKR LV IURP WKH EHJLQQLQJ´ Forrest2 refers to the work of Archeologist Marija Gimbutas who has researched the Egyptian Neolithic deity goddesses back to 6,500 BCE and has identified a prototype of the Bird of Prey Goddess which she conjectures developed into Isis. The Bird of Prey Goddess was symbolised by the vulture, the owl and other birds RISUH\DQGFDUULRQHDWHUV DV WKHVHELUGVZRXOGµWHQGWR WKHGHDG¶HDWLQJFRUSVHV 7KH connection is also made to these birds of prey in relation to their keen eyesight, used to hunt and FDWFKSUH\DVZHOODVWKHLUORIW\SHUVSHFWLYHZKLFKLVµDOO-seeiQJ¶ According to Gimbutas3 the Bird of Prey Goddess is associated with the characteristics of not only death and dismemberment, but also the attributes of regeneration. -
St. Paul and the Mystery-Religions. III. the Character
60 ST. PAUL AND THE MYSTERY-RELIGIONS Himself, and so calls it out as a conviction. That He does above all else in Jesus Christ. By Him we can truly believe, because in Him God's infinite love and patience are so manifest, that only our manifold self-delusions can hinder us from trusting in them. In that way a.lone the question of faith becomes a moral question. Directly it is no more a moral question than an intellectual. It no more depends on moral endeavour than on intellectual demonstration. But it is a moral question in the far deeper and more searching sense, that its only requisite is moral sincerity, just as it is an intellectual question in the deeper sense of utter loyalty to the whole truth. JOHN OMAN. ST. PAUL AND THE MYSTERY-RELIGIONS. III. THE CHARACTER AND INFLUENCE OF THE MYSTERY- RELIGIONS. WE know far less about the actual ritual and doctrines of the Mystery-Religions in the Graeco-Roman world than we do of their wide diffusion and potent influence. This is not surprising, for, on the one hand, their votaries were strictly enjoined to keep silent on their most sacred ex periences, and, on the other, stem critics of Paganism like the early Christian Fathers must inevitably have been biassed in their casual representations of the facts. The literary remains of these communities are very scanty. Some mystic formulae, a few hymns and prayers, some . narratives of initiations and allied ceremonial practically exhaust the list. To supplement them, there are vague allusions and isolated fragments of information which may be pieced together from Hellenistic and early Christian writers. -
Contents Isis Magic ©2013 Preview
COPYRIGHTED MATERIAL CONTENTS Preface to the 2013 Abiegnus House Edition xvii PART I 1 The Great Goddess 3 The Meaning of the Worship of Goddess Today · Why Isis? · The Question of Personification of Deity · The Many and the One · Isis as a Living Goddess 2 Existing from the Beginning 13 The One Goddess · The Hellenized Isis Myth · The Egyptian Isis Myth · In the Beginning Was Isis · The Bird of Prey Goddess · Isis Regeneratrix · She Who Is Upon Her Throne · The Great Goddess Throne 3 Mother Full of Beauty 31 Motherhood in Egypt · Egyptian Great Mother Goddesses · Isis as Great Mother · Isis as Cow Goddess · Isis, Mother of Pharaoh, Mother of the Dead · Harsiese—Horus, the Son of Isis · The Pregnancy of Isis · The Sufferings of Isis · Isis as Protective Mother · Mother of the Gods · The Great Mother and Wholeness 4 Great of Magic 55 Magic in Egypt · Magic Among the Hellenes · The Magic of the Name · Isis and the Name of Re · Everyday Magic · Magic and the COPYRIGHTED MATERIAL COPYRIGHTED MATERIAL 2 ISIS MAGIC Magicians · More Tales of the Magic of Isis · The Healing Magic of Isis · Magia Hiera · Goddess of Magic 5 Lady of Green Plants 83 The Lady of the Fertile Field · Isis as Grain Goddess · Isis- Thermouthis · The Serpent Goddess & Agathe Tyche · Isis & Demeter · Osiris as Grain God · The Waters of Life 6 Goddess of Women 123 Women in Ancient Egypt · Women in Ancient Greece · Women in the Hellenistic World · Women in Rome & the Empire · Women in the Rest of the Isiac World · Lady of Marriage and Childbirth · Isis & the Birth Goddesses -
Mostafa Elshamy © 2015 All Rights Reserved
Ancient Egypt: The Primal Age of Divine Revelation Volume I: Genesis Revised Edition A Research by: Mostafa Elshamy © 2015 All Rights Reserved Library of Congress United States Copyright Office Registration Number TXu 1-932-870 Author: Mostafa Elshamy Copyright Claimant and Certification: Mostafa Elshamy This volume, coinciding with momentous happenings in Egypt, is dedicated to: Al-Sisi: Horus of Truth and Lord of the Two Lands and The Egyptians who are writing an unprecedented chapter in the modern history of humanity Table of Contents Introduction ………………………………………………………………………. i-ii Chapter I Our Knowledge of the Ancient Egyptian Thoughts of the Spiritual Constituents of Man ……………………………………… 1 Chapter II The Doctrine of the Spirit …………………………………………. 16 - Texts embracing the Breath of Life ………………………………. 16 - Texts comprising Breathing Nostrils ……………………………… 18 - Texts substantiating Lifetime ……………………………………… 19 - The Breath of life: as a Metaphor ……………………………….. 20 - A Long-term Perplexity …………………………………………… 25 - The Tripartite Nature of Human ………………………………….. 27 - The Genuine Book of Genesis of Man …………………………..... 28 - Neith: the Holy Spirit ……………………………………………… 29 - Seshat and the Shen ……………………………………………….. 37 - The Egyptian Conception of "Sahu" ……………………………… 43 - Isolating the hieroglyph of Spirit ………………………………..... 49 Chapter III The Doctrine of the Soul ……………………………………………. 50 - The Louvre Palette ………………………………………………… 54 - The Oxford Palette ………………………………………………… 57 - The Hunters Palette ………………………………………………... 58 - The Battlefield Palette ……………………………………………. -
The Religion of Egypt.*
THE RELIGION OF EGYPT.* BY FRANZ CUMONT. WE know more about the relig-ion of the early Egyptians than about any other ancient rehgion. Its development can be its sacred texts, traced back three or four thousand years ; we can read mythical narratives, hymns, rituals, and the Book of the Dead in the original, and we can ascertain its various ideas as to the nature of the divine powers and of future life. A great number of monu- ments have preserved for our inspection the pictures of divinities and representations of liturgic scenes, while numerous inscriptions and papyri enlighten us in regard to the sacerdotal organization of the principal temples. It would seem that the enormous quantity of documents of all kinds that have been deciphered in the course of nearly an entire century should have dispelled every uncertainty about the creed of ancient Egypt, and should have furnished exact information with regard to the sources and original character of the worship which the Greeks and the Romans borrowed from the sub- jects of the Ptolemies. And yet, this is not the case. While of the four great Oriental religions which were transplanted into the Occident, the religion of Isis and Serapis is the one whose relation to the ancient belief of the mother country we can establish with greatest accuracy, we know very little of its first form and of its nature before the im- perial period, when it was held in high esteem. One fact, however, appears to be certain. The Egyptian wor- ship that spread over the Greco-Roman world came from the Sera- peum founded at Alexandria by Ptolemy Soter, somewhat in the manner of Judaism that emanated from the temple of Jerusalem. -
Illinois Classical Studies
13 A Gleaming Ray: Blessed Afterlife in the Mysteries FREDERICK E. BRENK Recently, looking at the "mysteries" with eschatological spectacles has come in for something of a beating. Rather, stress has been on the cults' concern to satisfy the less romantic and spectacular needs of mundane life. The devil's advocate will now attempt to demonstrate that behind apparently innocent iconography may lie preoccupations about a blessed afterlife. The Egyptians anticipated Plato in arriving at the true purpose of eros, the vision of the Form of the Beautiful. At least that appears to be Plutarch's opinion in his Erotikos, the dialogue on love. Fine, faint effluvia (djioppoai) of the truth lie scattered about in Egyptian mythology, but it takes a keen nose to track them down (762a). The Egyptians have three Eros's, Pandemos (earthly), Ouranios (Heavenly), and a third Eros which is the Sun (Helios). As the solar radiance gives nourishment, light, and growth to all things, so the gleaming ray and warmth of love nourish and enlighten the soul (764c). Plutarch apparently is speaking of the archaic Egyptian religion and not of the Hellenistic and Roman mysteries of Isis. Still, it is difficult to believe that, like a recent scholar, he did not keep glancing over his shoulder at more contemporary religion.' The reference in the Erotikos to Egyptian mythology might be Plutarch's blowing his own horn for On Isis and Osiris. The treatise was intended to serve the needs of a friend, Klea, a devotee of the Isiac mysteries, who supposedly wanted "background information." Thespiai and the nearby Valley of the Muses, the setting for the Erotikos, had a long tradition of Isism, dating apparently from the refoundation of the festival of the Muses (Mouseia) by Ptolemaios IV Philopator and Arsinoe III.^ ' At least that is the criticism of W. -
Oracular Sessions and the Installations of Priests and Officials at the Opet Festival
Oracular Sessions and the Installations of Priests and Officials at the Opet Festival Oracular Sessions and the Installations of Priests and Officials at the Opet Festival Masashi FUKAYA* The Opet Festival is known for its juridical function relating to the oracles of Amun. There are only three texts unequivocally relevant to its oracular sessions, dated to the Nineteenth Dynasty and later. However, other evidence can be associated with this celebration, based on the dates of events. This paper consists of two parts, each re-examining the known evidence and presenting new one. The new sources examined here are mostly related to the installations of high-ranking individuals, such as the high-priests of Amun, the divine wives, and viziers. Unlike juridical oracular sessions, the dates of their ceremonial appointments are rather peripheral in nature, taking place in proximity either to the beginning or the end of the festival. This may hint at the legal assumption of priestly titles prior to religious events and subsequent approval by the god in ceremonial settings, or reward ceremonies when those individuals received special favours from the king for their devotion to him after particular festivals. The author also notes that the accessions of kings were probably modeled on the same pattern in view that some rulers celebrated an accession anniversary at the Opet Festival in their first regnal year when they went on a tour all over Egypt to proclaim their new authority. Keywords: Opet Festival, oracle, decree, installation, appointment Introduction Clear evidence attesting Egyptian oracular rituals is known only from the New Kingdom onwards.1 We have no more than four examples from the Eighteenth Dynasty, all of which pertain to decision-makings on state affairs made by Amun at Thebes.2 Two of them are dated – II Peret 30 and III Peret 2. -
The Rites in the Mysteries of Dionysus the Birth of the Drama
BRITT-MARI NÄSSTRÖM The Rites in the Mysteries of Dionysus The Birth of the Drama The Greek drama can be apprehended as an extended ritual, originating in the ceremonies of the Dionysus cult. In particular, tragedy derived its ori- gin from the sacrifice of goats and the hymns which were sung on that occasion. Tragedia means "song of the male goat" and these hymns later developed into choruses and eventually into tragedy, in the sense of a sol- emn and purifying drama. The presence of the god Dionysus is evident in the history and devel- opment of the Greek drama at the beginning of the fifth century B.C. and its sudden decline 150 years later. Its rise seems to correspond with the Greek polis, where questions of justice and divine law in conflict with the individual were obviously a matter of discussion and where the drama had individual and collective catharsis (purifying) in mind. In this respect Dionysus characterized the essence of the drama, by cross- ing and transgressing the border between the divine and the human world. When the gods interacted with men in the Homeric epics, they did so for their own selfish reasons, but in the classical drama they reflect and judge the activity of men. The drama thus reflects a change of paradigm from the world of myth to an ethical dialogue between men's world and the will of heaven. Dionysus was the god of intoxication and ecstasy and his followers were called maenads, from the Greek word mania, "madness". He was able to inspire his subjects with what was called enthusiasm, a word that still survives in a much milder sense.