Viktor Schreckengost & 20 Century Design
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The Sculpture Center 1834 East 123Rd Street Cleveland, Ohio 44106-1910
THE SCULPTURE CENTER 1834 EAST 123RD STREET CLEVELAND, OHIO 44106-1910 November 15, 2004 Contact: Deirdre Lauer, Director of Exhibitions & Public Programs 216-229-6527 Significant Sculpture Presented in Private Collections Exhibition The Sculpture Center presents Private Collections, December 17, 2004 – January 21, 2005, a rare opportunity to view an exciting display of impressive sculpture culled from Cleveland’s most significant private collections, that includes works by internationally recognized sculptors, members of The Cleveland School and significant local artists. Many of these works have never been publicly exhibited before. The Sculpture Center, best known for its exhibitions of emerging artists, offers Private Collections to place the work of emerging artists in context with an informed look at what are considered more traditional forms. Private Collections will prompt discussion of what makes a lasting artistic impression and what led certain artists to success in their careers. Generous private collectors have loaned two- and three-dimensional works by sculptors with international reputations such as Isamu Noguchi, Claes Oldenburg, Arnaldo Pomodoro and Mark di Suvero, among others, as well as pieces by venerated Cleveland artists such as Viktor Schreckengost, William McVey, Edris Eckhardt and David E. Davis. Collectors have also loaned valuable works by local artists David Deming, Robert Thurmer, Terry Durst, Bruce Biro and Andrew Chakalis. The exhibition will open December 17, 2004 and run through January 21, 2005. The opening night reception will take place December 17 from 5:30 pm – 8:30 pm and will feature a gallery talk by the curator, noted art historian Professor Edward J. Olszewski. The cost for this special reception is $15 per person or $25 per couple. -
Annual Report 2005°2006
"OOVBM3FQPSU ° #PBSEPG5SVTUFFT Roger Hertog, Chair 4FOJPS4UBGG Richard Gilder, Co-Chair, Louise Mirrer Laura Smith Executive Committee President and Chief Executive Officer Senior Vice President for Institutional Nancy Newcomb, Co-Chair, Stephanie Benjamin Advancement and Strategic Initiatives Executive Committee Executive Vice President and Janine Jaquet Chief Operating Officer Vice President for Development and Louise Mirrer, President and CEO Linda S. Ferber Executive Director of the Chairman’s Vice President and Council William Beekman Director of the Museum Andrew Buonpastore Judith Roth Berkowitz Jean W. Ashton Vice President for Operations David Blight Vice President and Director Richard Shein Ric Burns of the Library Chief Financial Officer James Chanos Laura Washington Roy Eddey Craig Cogut Vice President for Communications Director of Museum Administration Elizabeth B. Dater Barbara Knowles Debs 8MJJER]7XYHMSW8VYQTIX'VIITIVWLEHISRQSWEMG 'SZIV9RMHIRXMJMIHTLSXSKVETLIV'EIWEV%7PEZI Joseph A. DiMenna FEWIG+MJXSJ(V)KSR2IYWXEHX (EKYIVVISX]TI'SPPIGXMSRSJXLI2I[=SVO Charles E. Dorkey, III 2 ,MWXSVMGEP7SGMIX]0MFVEV] Henry Louis Gates, Jr. Richard Gelfond Kenneth T. Jackson Joan C. Jakobson David R. Jones Patricia Klingenstein Sidney Lapidus Lewis E. Lehrman Alan Levenstein Glen S. Lewy Tarky Lombardi, Jr. Sarah E. Nash Russell Pennoyer Charles M. Royce Thomas A. Saunders, III Pam B. Schafler Benno C. Schmidt, Jr. Bernard Schwartz Emanuel Stern Ernest Tollerson Sue Ann Weinberg Byron R. Wien Hope Brock Winthrop )POPSBSZ5SVTUFFT Patricia Altschul Leila Hadley Luce 'SPNUIF$P$IBJST Christine Quinn and Betsy Gotbaum, undisputed “first ladies” of New York City government, at our Strawberry Luncheon this year. Lynn Sherr, award-winning correspondent for ABC’s 20/20, spoke eloquently on the origins and significance of the song America the Beautiful and the backgrounds of its authors. -
February 5, 2002 - JANUARY 5, 2003
february 5, 2002 - JANUARY 5, 2003 WINTER PARK, FLORIDA American Terra Cotta and Ceramic lines, exotic and extremely ornamental Art Nouveau refers to a style that developed in the last Company [Teco] (1895 - 1921) forms with whiplash and tendril two decades of the 19th century. It waned quickly and Pottery in Terra Cotta, Illinois. designs, sometimes dusted with gilt. Founder William Day Gates (1852- virtually disappeared by World War I. During its peak at 1935), a lawyer, won two gold medals Ashbee, Charles Robert (1863 – 1942) the turn of the century, Art Nouveau revolutionized the for his crystalline glaze art ware at the English architect, interior designer, decorative arts and architecture. St. Louis world’s fair in 1904. Lotus silversmith, artist craftsman, art theo- blossoms, water lilies, leaves, and plant retician, and poet. Inspired by William stalks influenced Teco’s green matte- Morris (1834-1996), Ashbee founded glazed ware, a pottery trademark for Art Nouveau is French for “new subject, they favored attractive, often the Guild and School of Handicraft ten years. Afterwards brown, buff and art.” Centers of this new art arose in sensuous images of flowers, vines, in London in 1888. The guild was so shades of red were introduced. Pottery Paris, Vienna, Munich, London, and youth, and women. successful that several London firms, pieces were always molded or carved Milan, and in short order designers In seeking liberation from the including Liberty & Co., copied and in relief. from Central Europe to the American past, the practitioners of the new art sold its versions of his designs. Ashbee Midwest adopted and adapted the ideas zealously turned away from historical published books and essays on the of the new art. -
Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 by Nancy E
Elizabeth Fowler book review of Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 by Nancy E. Owen Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003) Citation: Elizabeth Fowler, book review of “Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 by Nancy E. Owen,” Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003), http://www.19thc-artworldwide.org/autumn03/263-rookwood-and-the- industry-of-art-women-culture-and-commerce-1880-1913-by-nancy-owen. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2003 Nineteenth-Century Art Worldwide Fowler: Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 Nineteenth-Century Art Worldwide 2, no. 3 (Autumn 2003) Nancy E. Owen Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913 Athens, Ohio: Ohio University Press, 2001 335 pp.; 16 color ills.; 96 b/w ills.; bibliography, index; $49.95 (hardcover), $24.95 (paperback) ISBN 0821413376 (hardcover); 0821413384 (paperback) Nancy Owen's book, Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880–1913, is the outgrowth of the author's doctoral dissertation written under Hollis Clayson at Northwestern University in Evanston, Illinois. Owen's text is an invaluable addition to Rookwood scholarship and contributes to a better understanding of such fields as nineteenth- and early twentieth-century decorative arts, material culture, gender studies, and cultural history. As indicated in the title, the author discusses women, culture, and commerce and the complex and often contradictory relationship between them. -
Postercollectioninventory2.Pdf
CIA ARCHIVES -- POSTER COLLECTION p.1 Last updated 3/2015 Revised lists are posted only when there are significant revisions; you may wish to check with the library staff for the most up-to-date information. COLLECTION SCOPE The Institute Archives collection of CIA posters is incomplete, and most posters date from the 1960s. Flat posters are stored in the flat file, while posters in folded format are usually kept in the publications file. There is duplication between these two collections. This collection contains a new large format items that are not strictly posters. Student Independent Exhibition (S.I.E.) posters and collateral materials have been digitized and are available on Flickr as well as the Institute’s local digital image collection (ARTstor Shared shelf). For help viewing either of these digital archives, please contact the library staff. NOTES: The designation ND means “no date” indicating that there was no year printed on the item, and the library staff was unable to determine the publication year. An index of each drawer and folder is available on the following pages. * * * COLLECTION ACCESS To see a poster, please contact the library staff at least two business days in advance. The staff is not able to pull posters without prior arrangement. All posters must be viewed in the library. * * * SHELVING Unfolded posters are stored in acid free folders in the gray flat file in the store room; for the folded posters in the publications file, SEE ALSO the publications file index. CIA ARCHIVES -- POSTER COLLECTION p.2 Drawer # -
Ceramics Monthly William C
2 Ceramics Monthly William C. Hunt........................................ Editor Barbara Tipton...................... Associate Editor Robert L. Creager........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley .............. Circulation Manager Connie Belcher .... Advertising Manager Spencer L. Davis.............................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year $16, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man uscript is available upon request. Send man uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti cles are indexed in the December issue. -
American Ceramic Circle Fall Newsletter 2015 American Ceramic Circle Fall Newsletter 2015
AMERICAN Ceramic Circle FALL NEWSLETTER 2015 AMERICAN Ceramic Circle FALL NEWSLETTER 2015 OFFICERS OF THE AMERICAN CERAMIC CIRCLE 2015 Donna Corbin CONTENTS Chairman The American Ceramic Circle (ACC) was founded in 1970 as a Anne Forschler-Tarrasch ACC TRIP TO MEXICO 5 non-profit educational organization committed to the study and President appreciation of ceramics. Its purpose is to promote scholarship Adrienne Spinozzi GRANT AWARDS 6 Vice President and research in the history, use, and preservation of ceramics of Margaret Zimmermann GRANTS AND SCHOLARSHIPS 7 Secretary all kinds, periods, and origins. The current active membership of approximately five hundred is composed of museum professionals, M. L. Coolidge PUBLICATIONS 8 Treasurer collectors, institutions, and a limited number of dealers in ceramics. Suzanne Findlen Hood CERAMIC NOTES AND RESEARCH 9 Member interest is focused on post-Medieval pottery and porcelain Administrator Anne Forschler-Tarrasch EXHIBITIONS 14 of Europe, Asian ceramics of all periods, and ceramics made, used, Symposium Chair or owned in North America. Elizabeth Williams MUSEUM INSTALLATIONS 27 Grants Chair The ACC is chartered in the State of Maine as a 501 (c) 3 Corporation and is governed by a volunteer Board of Trustees. Dorothy Cobb CONFERENCES, SYMPOSIA, AND LECTURES 30 Development Chair Amanda Lange ANNOUNCEMENTS 32 Journal Editor David Conradsen, Adrienne Spinozzi NEW ACQUISITIONS 33 Newsletter Editors Shirley Mueller PRIVATE COLLECTIONS 36 Book Award Chair Angelika Kuettner UPCOMING FAIRS AND AUCTIONS 38 Website Coordinator Barbara McRitchie Archivist Thank you for all your contributions to this edition of the Newsletter. Cover Image: One of a pair of sample plates, Dutch (Delft), ca. -
AMERICAN Ceramic Circle
AMERICAN Ceramic Circle SPRING NEWSLETTER 2016 The American Ceramic Circle (ACC) was founded in 1970 as a non-profit educational organization committed to the study and appreciation of ceramics. Its purpose is to promote scholarship and research in the history, use, and preservation of ceramics of all kinds, periods, and origins. The current active membership of approximately five hundred is composed of museum professionals, collectors, institutions, and a limited number of dealers in ceramics. Member interest is focused on post-Medieval pottery and porcelain of Europe, Asian ceramics of all periods, and ceramics made, used, or owned in North America. The ACC is chartered in the State of Maine as a 501 (c) 3 Corporation and is governed by a volunteer Board of Trustees. Thank you for all your contributions to this edition of the Newsletter. A special thanks to Beth Wees who provided additional editorial assistance. Please continue to send any news you would like to share with the ACC membership to David Conradsen, [email protected] and Adrienne Spinozzi, [email protected] AMERICAN Ceramic Circle SPRING NEWSLETTER 2016 2016 OFFICERS Donna Corbin Chairman Anne Forschler-Tarrasch CONTENTS President Adrienne Spinozzi LETTER FROM THE PRESIDENT 4 Vice President Margaret Zimmermann 2016 ANNUAL SYMPOSIUM 5 Secretary M. L. Coolidge GRANTS AND SCHOLARSHIPS 6 Treasurer Suzanne Findlen Hood BOOK AWARD 7 Administrator Anne Forschler-Tarrasch CERAMIC NOTES AND RESEARCH 8 Symposium Chair Elizabeth Williams EXHIBITIONS AND INSTALLATION S 12 Grants Chair Dorothy Cobb CONFERENCES, SYMPOSIA, AND LECTURES 20 Development Chair Barbara Veith ANNOUNCEMENTS 23 Events Chair Vanessa Sigalas NEW ACQUISITIONS 28 Journal Editor David Conradsen, Adrienne Spinozzi UPCOMING AUCTIONS AND FAIRS 35 Newsletter Editors Amy Dehan ANNUAL MEETING MINUTES 36 Book Award Chair Angelika Kuettner NEW MEMBERS AND 2015 CONTRIBUTORS 37 Website Coordinator Barbara McRitchie Archivist John Austin, Alice Cooney Cover Image: Detail, Pair of Covered Jars, ca. -
A Finding Aid to the Viktor Schreckengost Papers, 1933-1995, in the Archives of American Art
A Finding Aid to the Viktor Schreckengost Papers, 1933-1995, in the Archives of American Art Jayna M. Josefson 2018/10/05 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Viktor Schreckengost papers, 1933-1995................................................. 4 Viktor Schreckengost papers AAA.schrvikt Collection Overview Repository: Archives of American Art Title: Viktor Schreckengost papers Identifier: AAA.schrvikt Date: 1933-1995 Creator: Schreckengost, Viktor, 1906- Extent: 0.7 Linear feet Language: English . Summary: The scattered -
2006/2007 Annual Report in Celebration of the 70Th Anniversary of the Museum
2006 / 2007 Annual Report Celebrating the Past, Envisioning the Future Mission Statement The Mint Museum is a unique gathering place for people to experience art [OYV\NOZPNUPÄJHU[HUK]HYPLKJVSSLJ[PVUZLUNHNPUNL_OPIP[PVUZHUKPUUV]H[P]L LK\JH[PVUHSWYVNYHTZ Artistic Vision At The Mint Museum, we believe that art creates a unique experience which can positively transform peoples’ lives and that this experience must be physically and intellectually accessible to our entire community. Our passion for art is conveyed through stimulating scholarship, creative presentation, innovative educational programs and our collection. ;OL4PU[4\ZL\TJVSSLJ[Z^VYRZVM[OLOPNOLZ[X\HSP[`HUKTLYP[YLÅLJ[PUN[OLKP]LYZP[`VM artistic endeavor. We will celebrate and augment the display of our permanent collection with ZPNUPÄJHU[[YH]LSPUNL_OPIP[PVUZHUKJVSSHIVYH[PVUZ^P[OV[OLYPUZ[P[\[PVUZ>L^PSSLUOHUJL our strengths in Ceramics, Historic Costume and Art of the Ancient Americas to demonstrate our leadership in these areas. We will aggressively build important collections of American Art, Contemporary Art and Contemporary Craft. Through these efforts, we will tell the story of humanity’s collective artistic aspirations to our local, regional and national audiences. We recognize that the ownership of artworks is an obligation; one of stewardship for future generations. We acknowledge our responsibility to contribute dialogue through research, publications and exhibitions to continue our role as leaders in the visual arts. At The Mint Museum, we are committed to using our talents and resources to inspire our public’s curiosity and to nurture their aesthetic appreciation and critical awareness. Artistic Focus The Mint Museum’s artistic focus is American Art, Art of the Ancient Americas, Ceramics, Contemporary Art, Contemporary Craft and Historic Costume. -
2011–2012 Annual Report
2011–2012 ANNUAL REPORT THE BIRMINGHAM MUSEUM OF ART // JULY 1 · 2011–JUNE 30 · 2012 2011–2012 ANNUAL REPORT THE BIRMINGHAM MUSEUM OF ART // JULY 1 · 2011–JUNE 30 · 2012 CONTENTS THE YEAR IN REVIEW 5 EXHIBITIONS 9 Ralph D. Cook – Chairman of the Board EDUCATION AND PUBLIC PROGRAMS 17 Gail C. Andrews – The R. Hugh Daniel Director EVENTS 25 Editor – Rebecca Dobrinski Design – James Williams SUPPORT GROUPS 31 Photographer – Sean Pathasema STAFF 36 MISSION To provide an unparalleled cultural and educational experience to a diverse community by collecting, presenting, interpreting, and preserving works of art of the highest quality. FINANCIAL REPORT 39 Birmingham Museum of Art ACQUISITIONS 43 2000 Rev. Abraham Woods Jr. Blvd. Birmingham, AL 35203 COLLECTION LOANS 52 Phone: 205.254.2565 www.artsbma.org BOARD OF TRUSTEES 54 [COVER] Jar, 16th century, Collection of the Art Fund, Inc. at the Birmingham Museum of Art; Purchase with funds provided by the Estate of William M. Spencer III AFI289.2010 MEMBERSHIP AND SUPPORT 57 THE YEAR IN REVIEW t is a pleasure to share highlights from our immeasurably by the remarkable bequest of I 2011–12 fiscal year. First, we are delighted long-time trustee, William M. Spencer III. Our to announce that the Museum’s overall collection, along with those at the MFA Boston attendance last year jumped by an astonishing and Metropolitan Museum of Art, is ranked as 24 percent. While attendance is only one metric one of the top three collections of Vietnamese by which we gauge interest and enthusiasm Ceramics in North America. The show and for our programs, it is extremely validating catalogue, published by the University of as we continue to grow and explore new ways Washington Press, received generous national to engage our audience. -
Lawrences Auctioneers of Crewkerne
Lawrences Auctioneers of Crewkerne The Linen Yard South Street Two Day Fine Art Sale - Jewellery, Ceramics, Pictures, Crewkerne Furniture, Clocks & Carpets Somerset TA18 8AB United Kingdom Started 17 Oct 2013 10:00 BST Lot Description A LARGE BROWN LEATHER JEWELLERY CASE 36cm. wide, 18cm. deep. Condition reports are available via the ‘View Complete 1000 Catalogue’ link at www.lawrences.co.uk LITERATURE: SEVEN JEWELLERY REFERENCE BOOKS including Art Nouveau Jewellery by Vivienne Becker, Faberge by G. von 1001 Habsburg-Lothringen and A.von Solodkoff, The Art of Rene Lalique by Patricia Bayer and Mark Waller, Artists` Jewellery, Pre- Raphaelite to Arts and Crafts by Charlotte Gere and Geoffr ...[more] A JEWELLERY BOX CONTAINING VARIOUS ITEMS OF JEWELLERY including a shell cameo brooch and ring, a butterfly wing 1002 pendant and a silver open faced pocket watch and chain. Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk A QUANTITY OF JEWELLERY including a pair of 18ct. gold cufflinks, a sapphire, diamond and pearl brooch, an opal and diamond 1003 three stone ring, a pearl and gold horseshoe stick pin, a pearl and 9ct. gold horseshoe bar brooch, and various other items. Condition reports are available via the  ...[more] A QUANTITY OF JEWELLERY including a micromosaic pendant, an enamel and silver bracelet by David Anderson, a silver gilt and 1004 enamel bracelet, a scarab stick pin, a gold brooch set with three small rubies and various other items. Condition reports are available via the ‘View Complete Cat ...[more] A QUANTITY OF JEWELLERY including a butterfly wing and silver dragonfly brooch, and various other items.