Metric Capabilities of Low-Cost Digital Cameras for Close Range Surface Measurement
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Page 16 of 128 Exhibit No. Description Deposition
Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 1 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-168 7/16/2003, Technical Reference Napoli Ex. Manual [DM270] (EKCCCI007053- 132 836) PTX-169 2003, Data Sheet for TMS320DM270 Processor (AX200153-55) PTX-170 10/30/2002, DM270 Preliminary Napoli Ex. Register Manual Rev. b0.6 131 (EKCCCI001305-495) PTX-171 TI DM270 Imx Hardware Akiyama Programming Interface, Version 0.0 Ex. 312 (EKCNYII005007249-260) PTX-172 3/3/2003, DM270 Preliminary Data Ohtake Ex. Sheet Rev. b0.7C (EKCCCI008094- 123 131) PTX-173 Fact Sheet for TMS320DM270 Lacks Processor (AX200150-52) authenticity; Hearsay; Lacks foundation; Lacks relevance PTX-174 6/04, Data Sheet rev 0.5 for Hynix Ligler Ex. Lacks HY57V561620C[L]T[P] (AX200163- 13 (ITC) authenticity; 74) Hearsay; Lacks foundation; Lacks relevance PTX-175 Sharp RJ21T3AA0PT Data Sheet Hearsay; (EKCCCI017389-413) Lacks foundation; Lacks relevance PTX-176 DX7630 Thumbnail Test Lacks (AXD022568-81) authenticity; Hearsay; Lacks foundation; Lacks relevance; Inaccurate/ incomplete description PTX-177 1/11/2005, DM270 IP Chain ver. 0.7 Yoshikawa with translation (EKC001021025-31, Ex. 348 AX211033-42) PTX-178 1/26/2004, Bud Camera F/W Task Lacks foundation; Interface Capture Main <-> Image ISR Lacks relevance (DX7630) ver. 0.07 / Takeshi Domen with translation (EKCCCI002404-19, AX211607-26) Page 16 of 128 Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 2 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-179 2/17/2003, Budweiser Camera EXIF Akiyama Lacks foundation; File Access Library Spec (DX7630) Ex. -
SPECULATIONS on the MEGAPIXEL RACE OR "DO I NEED a + 32 MEGAPIXEL SENSOR?" by S.Saragosa A.K.A
SPECULATIONS ON THE MEGAPIXEL RACE OR "DO I NEED A + 32 MEGAPIXEL SENSOR?" By S.Saragosa a.k.a. tjshot Recent announcements of 24 Mpxls APS-C and rumors of 36 Mpxls full frame sensors seem to have changed the scenario for digital camera enthusiasts, triggering opposite reactions: some of us are out of the skin to get the new babies (I'm among them) while others seem to question the effectiveness of such upgrades. We had similar doubts in the past when upgrading to higher density sensors and I've read many articles on the internet stating that you don't really need more than about 20 Mpxls full frame sensor (due to lense diffraction/aberration, sensor sampling performance etc.) I hardly agree. At the level of development we have reached today a small increase of pixel pitch (effective sampling rate -> sharpness and resolution boost) in the sensor will induce a much higher (square growth law) megapixel count, thus requiring much larger in-camera buffer memory, faster data saving channels, more powerful computers etc. At the same time noise control becomes increasingly difficult (square growth law) due to higher amplification of the signal needed to achieve the same ISO rating; on the other side smaller pitch sensors seem to produce a much more even and defined noise, partly counterbalancing the degradation in quality (think about the terrible "pepper" grain in Canon EOS 5D compared to the smoother Canon EOS 7D). Many additional elements factor in, resulting in final image quality: A/D converter performance (12bit to 14bit seems to produce a very high boost in dynamic range, noise performance etc.), image processor, firmware etc. -
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner Digital cameras flashed onto the technology scene a few years ago, threatening the future of conventional photography. Employing the same elements as traditional cameras, digital cameras convert images into a series of pixels that computers can understand and display directly on-screen. These digital images transmit easily through e-mail attachments and are instantly ready to use. The quality of digital images improved drastically over the last five years. In addition, digital cameras offer the benefits of speed, flexibility, and cost savings. Digital photographs are easy to retouch and manipulate through programs such as Photoshop. Furthermore, digital images do not need to be scanned. Therefore, defects introduced by the scanning process are eliminated. Types of Digital Cameras The digital photography market offers consumers three types of cameras: low-, mid-, and high-range. Buyers of digital cameras should choose a camera depending on their specific needs and the type of job to be done. Low-end digital cameras cost around $1,000 and are equivalent to conventional point-and- shoot cameras. Their low resolution, usually about 640 ´ 480 pixels, makes them a cost-effective tool for jobs that do not require high quality, sharpness, or color accuracy. This range of cameras can produce quality prints up to 2.4 ´ 1.8 inches at 133 lpi (266 ppi), which is sufficient for small brochures, advertisements, and catalog images. The next group of digital cameras, called mid-range, cost between $5,000 and $15,000. These cameras are essentially traditional Single Lens Reflex (SLR) camera bodies. -
Openimageio 1.7 Programmer Documentation (In Progress)
OpenImageIO 1.7 Programmer Documentation (in progress) Editor: Larry Gritz [email protected] Date: 31 Mar 2016 ii The OpenImageIO source code and documentation are: Copyright (c) 2008-2016 Larry Gritz, et al. All Rights Reserved. The code that implements OpenImageIO is licensed under the BSD 3-clause (also some- times known as “new BSD” or “modified BSD”) license: Redistribution and use in source and binary forms, with or without modification, are per- mitted provided that the following conditions are met: • Redistributions of source code must retain the above copyright notice, this list of condi- tions and the following disclaimer. • Redistributions in binary form must reproduce the above copyright notice, this list of con- ditions and the following disclaimer in the documentation and/or other materials provided with the distribution. • Neither the name of the software’s owners nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIB- UTORS ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT- NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUD- ING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABIL- ITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. -
Graphicconverter 6.6
User’s Manual GraphicConverter 6.6 Programmed by Thorsten Lemke Manual by Hagen Henke Sales: Lemke Software GmbH PF 6034 D-31215 Peine Tel: +49-5171-72200 Fax:+49-5171-72201 E-mail: [email protected] In the PDF version of this manual, you can click the page numbers in the contents and index to jump to that particular page. © 2001-2009 Elbsand Publishers, Hagen Henke. All rights reserved. www.elbsand.de Sales: Lemke Software GmbH, PF 6034, D-31215 Peine www.lemkesoft.com This book including all parts is protected by copyright. It may not be reproduced in any form outside of copyright laws without permission from the author. This applies in parti- cular to photocopying, translation, copying onto microfilm and storage and processing on electronic systems. All due care was taken during the compilation of this book. However, errors cannot be completely ruled out. The author and distributors therefore accept no responsibility for any program or documentation errors or their consequences. This manual was written on a Mac using Adobe FrameMaker 6. Almost all software, hardware and other products or company names mentioned in this manual are registered trademarks and should be respected as such. The following list is not necessarily complete. Apple, the Apple logo, and Macintosh are trademarks of Apple Computer, Inc., registered in the United States and other countries. Mac and the Mac OS logo are trademarks of Apple Computer, Inc. Photo CD mark licensed from Kodak. Mercutio MDEF copyright Ramon M. Felciano 1992- 1998 Copyright for all pictures in manual and on cover: Hagen Henke except for page 95 exa- mple picture Tayfun Bayram and others from www.photocase.de; page 404 PCD example picture © AMUG Arizona Mac Users Group Inc. -
Underwater Photographyphotography a Web Magazine
UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 Nikon D100 housings Fuji S2 housing Sony F707 housing Kodak DCS Pro 14n Sperm whale Nai’a liveaboard U/w photojournalist - Jack Jackson Henry the seadragon Scilly Seals Lights & divers Easy macro British fish Underwater tripod Visions 2002 UwP 1 What links these sites? Turn to page 7 to find out... UwP 2 UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 e mail [email protected] Contents 4 Travel & events 30 Meet Henry 43 Easy macro 8 New products 14 Sperm whale by Andy & Angela Heath with Ee wan Khoo 35 Scilly Seals 47 British fish with Tony Wu 19 Nai’a liveaboard with Will & Demelza by Mark Webster Posslethwaite 54 Size matters 35 Lights & divers by Jukka Nurminen & Alex Mustard by Pete Atkinson 25 U/w photojournalist by Martin Edge Cover photo by Tony Wu 58 Visions 2002 by Jack Jackson UwP 3 Travel & events Jim Breakell Tahiti talk at Dive Show, Oct 12/13 2002 In September Jim Breakell of Scuba Safaris went on a fact finding trip to the Pacific. First off he went to Ryrutu for for a few days humpback whale watching, then a week on the inaugural trip of the Tahiti Aggressor and then on to Bora Bora (what a hard life he has!) He will be giving an illustrated talk about his trip at the Dive Show in Birmingham on October 12/13th 2002. For more information contact Scuba Safaris, PO Box 8, Edenbridge, Kent TN8 7ZS. Tel 01342 851196. www.scuba-safaris.com John Boyle video trip May 2003 INVITATION John Boyle will be hosting a video diving trip from Bali to Komodo on Kararu next year. -
Concurrently Designing a Physical Production System and an Information System in a Manufacturing Setting
Concurrently Designing a Physical Production System and an Information System in a Manufacturing Setting By James Alexander Scott Katzen B.S. Mechanical Engineering, Massachusetts Institute of Technology 1996 Submitted to the Sloan School of Management and the Department of Mechanical Engineering in partial fulfillment of the requirements for the degrees of Master of Business Administration And Master of Science in Mechanical Engineering In conjunction with the Leaders For Manufacturing (LFM) Program at the Massachusetts Institute of Technology June 2003 © Massachusetts Institute of Technology, 2003. All rights reserved. Signature of Author_____________________________________________________________________ James Alexander Scott Katzen Sloan School of Management Department of Mechanical Engineering May 9, 2003 Certified by___________________________________________________________________________ Jeremie Gallien Assistant Professor of Operations Research, Sloan School of Management Thesis Supervisor Certified by___________________________________________________________________________ David Hardt Professor of Mechanical Engineering, Department of Mechanical Engineering Thesis Supervisor Accepted by___________________________________________________________________________ Margaret Andrews Executive Director of Masters Program Sloan School of Management Accepted by___________________________________________________________________________ Ain Sonin Chairman of Graduate Committee Department of Mechanical Engineering 2 Concurrently Designing -
CODE by R.Mutt
CODE by R.Mutt dcraw.c 1. /* 2. dcraw.c -- Dave Coffin's raw photo decoder 3. Copyright 1997-2018 by Dave Coffin, dcoffin a cybercom o net 4. 5. This is a command-line ANSI C program to convert raw photos from 6. any digital camera on any computer running any operating system. 7. 8. No license is required to download and use dcraw.c. However, 9. to lawfully redistribute dcraw, you must either (a) offer, at 10. no extra charge, full source code* for all executable files 11. containing RESTRICTED functions, (b) distribute this code under 12. the GPL Version 2 or later, (c) remove all RESTRICTED functions, 13. re-implement them, or copy them from an earlier, unrestricted 14. Revision of dcraw.c, or (d) purchase a license from the author. 15. 16. The functions that process Foveon images have been RESTRICTED 17. since Revision 1.237. All other code remains free for all uses. 18. 19. *If you have not modified dcraw.c in any way, a link to my 20. homepage qualifies as "full source code". 21. 22. $Revision: 1.478 $ 23. $Date: 2018/06/01 20:36:25 $ 24. */ 25. 26. #define DCRAW_VERSION "9.28" 27. 28. #ifndef _GNU_SOURCE 29. #define _GNU_SOURCE 30. #endif 31. #define _USE_MATH_DEFINES 32. #include <ctype.h> 33. #include <errno.h> 34. #include <fcntl.h> 35. #include <float.h> 36. #include <limits.h> 37. #include <math.h> 38. #include <setjmp.h> 39. #include <stdio.h> 40. #include <stdlib.h> 41. #include <string.h> 42. #include <time.h> 43. #include <sys/types.h> 44. -
Megaplus Conversion Lenses for Digital Cameras
Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses. -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
Photographica 24/03/2020 10:00 AM GMT
Auction - Photographica 24/03/2020 10:00 AM GMT Lot Title/Description Lot Title/Description 1 Canon Cameras and Lenses, comprising a Canon EOS D30 DSLR 15 Photographic Accessories, including 3 Linhof 6½ x 9 DDS film holders, a body, a Canon EOS 600 camera, a Canon T50 camera, a Canon T70 Schneider Xenar 16.5cm f/4.5 board-mounted lens with Compur shutter, camera, a Canon AE-1 Program camera, a Canonet rangefinder other lenses, some with leaf shutters, a JVC P-100UKC 6 volts 5cm camera, an EF 75-300mm lens and an EF 90-300mm lens (a lot) approx television, untested and other items Est. 50 - 70 Est. 30 - 50 2 Nikon SLR Cameras and Bodies, comprising a Nikon D70s DSLR 16 A Tray of Sub-Miniature 'Spy' Cameras, including a Minox B camera, a camera with an AF Nikkor 28-80mm lens, a Nikon D70 DSLR body, a Minox C camera, a Yashica Atoron camera and a Minolta 16 II camera, Nikon F-301 body, a Nikkormat FTN body, a Nikon EM body, an AF all in maker's cases, together with sundry related items Nikkor 70-210mm f/4-5.6 lens, boxed and a Speedlight SB-16 (a lot) Est. 70 - 100 Est. 50 - 70 17 A Tray of Ensign Midget and Other Sub-Miniature Cameras, a Model 22 3 Pentax M SLR Cameras, comprising three Pentax ME Super cameras, a camera, three Model 33 cameras, a Model 55 camera, a box of unused ME Super body, a MG camera and an MV 1 body (a lot) Ensign Lukos E10 film dated Dec 1935, a Kiku 16 Model II and a Speedex 'Hit-type' cameras, two United Optical Merlin cameras and a Est. -
Photography Lab Cookbook
Photography Lab Cookbook Table of Contents. 1. Photo lab SOP 2. Photo lab Manuals 3. Film Processes E-6 Processing Procedure E-6 Chemical Mixing instruction Black and White Chemistry Development 4. Paper Processing Black and White Paper Development Porta-Mixer Black and White Core & Close-up Photo Distribution 5. Close-up Photography Introduction Talk with Scientist Close up photography Close up spreadsheet master Close-up request sheet 6. Silk Screening Procedure 7. Silk Screen Flyers (see separate files) Logos due T-shirts due Name on shirt Light Ink Dark Ink Iron Shirts 8. Photographic Examples (see separate files) Group Photo Tech Photo Mug Shots Cookbook– Photo Lab 1 PHOTO LAB STANDARD OPERATING PROCEDURE (SOP) PORTCALL (on coming) Onboard ship: • Find off going Marine Lab Specialist’s, Photo Lab and begin X-over. X-over • Read lab reports from previous leg. • Discuss with off going marine specialist any changes in equipment status, software or procedures. • Check supply levels in photo lab and hold refer. You are responsible for this inventory. Estimate amount of film, paper and chemistry needed for each particular type of leg. If you do not feel you have enough supplies necessary (after checking oncoming shipments), notify LO to purchase film/paper/chemistry in port. • You are responsible for knowing the status of ALL equipment in your lab by the end of the x- over. If you need additional days to complete your x-over, notify the LO ASAP so that arrangements can be made. Other: • Assist with loading/unloading freight and other tasks as directed by LO/ALO.