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The Quest Motif in Snyder's the Back Country
LUCI MARÍA COLLIN LA VALLÉ* ? . • THE QUEST MOTIF IN SNYDER'S THE BACK COUNTRY Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentração em Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federal ' do Paraná, para a obtenção do grau de Mestre em Letras. Orientador: Profa. Dra. Sigrid Rénaux CURITIBA 1994 f. ] there are some things we have lost, and we should try perhaps to regain them, because I am not sure that in the kind of world in which we are living and with the kind of scientific thinking we are bound to follow, we can regain these things exactly as if they had never been lost; but we can try to become aware of their existence and their importance. C. Lévi-Strauss ii ACKNOWLEDGMENTS First of all, I would like to acknowledge my American friends Eleanor and Karl Wettlaufer who encouraged my research sending me several books not available here. I am extremely grateful to my sister Mareia, who patiently arranged all the print-outs from the first version to the completion of this work. Thanks are also due to CAPES, for the scholarship which facilitated the development of my studies. Finally, acknowledgment is also given to Dr. Sigrid Rénaux, for her generous commentaries and hëlpful suggestions supervising my research. iii CONTENTS ABSTRACT vi RESUMO vi i OUTLINE OF SNYDER'S LIFE viii 1 INTRODUCTION 01 1.1 Critical Review 04 1.2 Cultural Influences on Snyder's Poetry 12 1.2.1 The Counter cultural Ethos 13 1.2.2 American Writers 20 1.2.3 The Amerindian Tradi tion 33 1.2.4 Oriental Cultures 38 1.3 Conclusion 45 2 INTO THE BACK COUNTRY 56 2.1 Far West 58 2.2 Far East 73 2 .3 Kail 84 2.4 Back 96 3 THE QUEST MOTIF IN THE BACK COUNTRY 110 3.1 The Mythical Approach 110 3.1.1 Literature and Myth 110 3 .1. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Ursula O'farrell
native and a poet of the Central Coast, I have long Further Reading URSULA O’FARREll since abandoned Jeffers as a model of either personal Melba Berry Bennett, The Stone Mason of Tor House: The Life and Works of Robinson Jeffers or poetic conduct. His inhumanism (which is really Charles Bukowski, Selected Letters Volume 4: 1987–1994 Paradise Revisted, 2012 more like antihumanism) wielded as an ideological T. S. Eliot, The Waste Land and Other Poems oil on canvas, 20 x 16 in. bludgeon diminishes much of his writing, just as William Everson, Archetype West: The Pacific Coast as a Rich’s genderism and Pablo Neruda’s communism Literary Region often compromise their imaginations with canned Lawrence Ferlinghetti, A Coney Island of the Mind political formulas, rhetorical evidence of righteous- Dana Gioia, Can Poetry Matter? Essays on Poetry and ness but tedious and redundant as art. Yet Jeffers, as American Culture Pound called Whitman (and like the insufferable Homer, The Iliad, translated by Richmond Lattimore Pound himself), is “a pigheaded father” who despite Randall Jarrell, Poetry and the Age his faults has much to teach. I’ve learned from him Robinson Jeffers, The Beginning and the End to ignore current trends and hold to my own vision __________, Not Man Apart of what must be written; to trust my own voice (as __________, Rock and Hawk, edited by Robert Hass Duncan advised) and to take seriously the truth of my __________, Selected Poems own experience; to attend to the reality of the physical __________, The Selected Poetry of Robinson Jeffers world and attempt to embody it in my writing; to have __________, The Women at Point Sur and Other Poems no patience with vanity and ego (including mine) and James Karman, Robinson Jeffers: Poet of California Stanley Kunitz, A Kind of Order, A Kind of Folly: Essays and to beware of poetic presumptuousness and frivolous- Interviews ness alike. -
Gary Snyder's Eco-Buddhist Deconstruction of "Self" and "Nature"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Emptiness of "The Wild"| Gary Snyder's eco-Buddhist deconstruction of "self" and "nature" David J. Kerber The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Kerber, David J., "Emptiness of "The Wild"| Gary Snyder's eco-Buddhist deconstruction of "self" and "nature"" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 2217. https://scholarworks.umt.edu/etd/2217 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. î ■i Maureen and Mike MANSFIELD LIBRARY The University of JVIONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. * * Please check "Yes" or "No" and provide signature * * Yes, I grant permission _____ No, I do not grant permission _____ Author's Signature Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. THE EMPTINESS OF “THE WILD”: GARY SNYDER’S ECO-BUDDHIST DECONSTRUCTION OF “SELF” AND “NATURE” By David J. Kerber B.S. Willamette University, 1999 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana May 2002 Approved by: irperson: Dean, Graduate School: S - ZZ-02.____ Date UMI Number: EP35489 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Senses of Place in the Poetry of Gary Snyder and Derek Walcott
RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT A thesis presented to the faculty of the Graduate School of Western Carolina University in partial fulfillment of the requirements for the degree of Master of Arts in English. By Jason T. Hertz Director: Dr. Laura Wright Associate Professor of English English Department Committee Members: Dr. Catherine Carter, English Prof. Deidre Elliott, English May 2011 ACKNOWLEDGEMENTS I would like to thank my committee members and director for their assistance and encouragement. I am especially grateful to Professor Laura Wright for being a wise and reliable adviser. I also extend sincere thanks to the following people, without whom this thesis would not have been possible: Mom and Dad, Tristan and Rikki, Michael, and Miranda. I offer my warmest regards and thanks to my extended family for their continued love and support. Above all, I thank my grandmother Lorraine. TABLE OF CONTENTS Abstract . 4 Introduction: Recasting the Castaway as an Island Re-Inhabitant . 6 Chapter One: Regarding Wave and Suwanose-Jima . 18 Chapter Two: O-Mer-Os, Singing the Sea‘s Quiet Culture . 37 Chapter Three: Snyder‘s and Walcott‘s Bioregional Muse . 56 Conclusion . 78 Works Cited . 83 ABSTRACT RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT Jason T. Hertz, M.A. Western Carolina University (May 2011) Director: Dr. Laura Wright Building on the castaway narratives in both Gary Snyder‘s and Derek Walcott‘s poetry, I use Yann Martel‘s novel Life of Pi as a contemporary analogue for reading Snyder‘s Pacific journeys, in Regarding Wave and Turtle Island, and the quests of Omeros’ fisherman protagonist, Achille. -
The History and Philosophy of the Postwar American Counterculture
The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness By Ed D’Angelo Copyright © Ed D’Angelo 2019 A much shortened version of this paper appeared as “Anarchism and the Beats” in The Philosophy of the Beats, edited by Sharin Elkholy and published by University Press of Kentucky in 2012. 1 The postwar American counterculture was established by a small circle of so- called “beat” poets located primarily in New York and San Francisco in the late 1940s and 1950s. Were it not for the beats of the early postwar years there would have been no “hippies” in the 1960s. And in spite of the apparent differences between the hippies and the “punks,” were it not for the hippies and the beats, there would have been no punks in the 1970s or 80s, either. The beats not only anticipated nearly every aspect of hippy culture in the late 1940s and 1950s, but many of those who led the hippy movement in the 1960s such as Gary Snyder and Allen Ginsberg were themselves beat poets. By the 1970s Allen Ginsberg could be found with such icons of the early punk movement as Patty Smith and the Clash. The beat poet William Burroughs was a punk before there were “punks,” and was much loved by punks when there were. The beat poets, therefore, helped shape the culture of generations of Americans who grew up in the postwar years. But rarely if ever has the philosophy of the postwar American counterculture been seriously studied by philosophers. -
Imprint: Oregon 1935
Imprint:Oregon 1°A S Fall-Spring 1978-1979 °M z-i William Everson Waldport: an Interview with William Everson Introduction During World War II the problem of what to do with conscientious objectors who refused to engage in certain types of moreor less war-related work was resolved by the establishment of so-called ConscientiousObjectors Camps, more formallyCivilian Public Service Camps. They were sponsored by the "peace churches,"the Brethren, Mennonite and American Friends Service Committee. By 1945 there were more than 110 such camps and sub-camps throughout the United States. The origins and pur- poses of these camps are well described in the interview which follows. There were three such camps in Oregon: No. 21 (Cascade Locks) opened Dec. 5, 1941: No.56 (Waldport) opened Oct. 24, 1942: No.59 (Elkton) opened Nov.?, 1942. All were engaged in forest maintenance directed by the U. S. Forest Service or by the Oregon and California Revested Lands Administration, Such work consisted of tree planting, blister rust control, fire fighting and trail building, a continuation, essenti- ally, of work done formerly by the receniiy defunct Civilian Conservation Corps. In the usual manner of all such camps, the CO camps produced house organs, usual- ly weekly or monthly mimeographed newspapers. These papers were sponsoredand encouraged by the camp administration itself. winch regarded them as a harmless and even useful outlet for expression. There were, however, some exceptions tothis expec- tation. Among Oregon camps, for example, there wasa proliferation of camp newspapers out of Elkton. This may be partially explainedbythe fact that Elkton was operated as aheadquarters camp and sent contingentsto sub-camps located as far south as Kiam. -
Sustainable Poetry: Four American Ecopoets
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 5-6-1999 Sustainable Poetry: Four American Ecopoets Leonard M. Scigaj Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Scigaj, Leonard M., "Sustainable Poetry: Four American Ecopoets" (1999). Literature in English, North America. 2. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/2 Sustainable Poetry This page intentionally left blank Sustainable Poetry Four American Ecopoets LEONARD M. SCIGA] THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1999 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 99 00 01 02 03 5 4 3 2 1 Libraty of Congress Cataloging-in-Publication Data Scigaj, Leonard M. Sustainable poetty ; four American ecopoets / Leonard M. Scigaj. p. em. -
The Counter Culture in American Environmental History Jean
Cercles 22 (2012) NEW BEGINNING: THE COUNTER CULTURE IN AMERICAN ENVIRONMENTAL HISTORY JEAN-DANIEL COLLOMB Université Jean Moulin, Lyon Although it appears to have petered out in the early 1970s, the counter culture of the previous decade modified many aspects of American life beyond recognition. As a matter of fact, there is a wealth of evidence to suggest that its transformative effects are still being felt in American society today. The ideas nurtured by the counter culture have deeply affected the institution of the family, the education system, and the definition of gender roles, to name only the most frequently debated cases. It should come as no surprise, therefore, that American environmentalism was no exception. Indeed, the American environmental movement as it has unfolded since the 1970s bears little resemblance to its earlier version. Up until the 1960s, American environmentalism had been dominated by small-sized, rather exclusive and conservative organizations, like the Sierra Club, whose main focus had been wilderness preservation. By contrast, contemporary American environmentalism has now turned into a mass movement whose membership ranges from old-style nature lovers to radical anti-capitalist activists. Contemporary environmentalists now concern themselves not Just with wilderness preservation but also with quality-of-life issues, the effects of high consumption and of the so-called American way of life, and pollution. Such a shift in style and obJectives begs several important questions: in what way did the counter culture of the 1960s reshape and redefine American environmentalism? More important still, why were the ideas advocated by the counter-culturists so easily integrated into the environmental agenda? Put differently, one may wonder whether the rapprochement between counter-cultural thinking and environmental activism was inevitable. -
Alexander Literary Firsts & Poetry Rare Books
CATALOGUE THIRTY-TWO Mark Alexander Alexander Rare Books 234 Camp Street ALEXANDER LITERARY FIRSTS Barre, VT 05641 Office: (802) 476-0838 & POETRY RARE BOOKS Cell: (802) 522-0257 [email protected] All items are US, UK or CN First Editions & First Printings unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days.; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards via electronic invoice (Paypal) accepted. Net so days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (generally via Priority Mail) & Canada; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for cover scans or photos of most items. We encourage you to visit for the latest acquisitions. ------------- Due to ever increasing inventory, we will be increasing the frequency of electronic catalogues. If you receive our printed catalogues we encourage you to sign up for our electronic catalogues, also. We will continue to mail print catalogues four CATALOGUE THIRTY-TWO times a year. Electronic catalogues will include recently acquired Summer 2013 items as well as sales. Catalogue 32 5. Adam, Helen. Third Eye Shining. [San Francisco]: Intersection, 1980. First edition thus. Illustrated broadside with a poem by Adam. Designed and printed by Arion Press on Arches. Artwork by 1. A. C. D. (ed.); THE 11. Boulder, CO: Summer 1972. First edition. Adam tipped onto the broadside. One of 100 numbered and signed Stapled mimeograph magazine with a cover illustration by Charles diJulio. copies, this copy not numbered (presumably hors commerce), Printed on rectos only. -
Roger Dunsmore Came to the University of Montana in 1963 As a Freshman Composition Instructor in the English Department
January 30 Introduction to the Series Roger Dunsmore Bio: Roger Dunsmore came to the University of Montana in 1963 as a freshman composition instructor in the English Department. In 1964 he also began to teach half- time in the Humanities Program. He taught his first course in American Indian Literature, Indian Autobiographies, in 1969. In 1971 he was an originating member of the faculty group that formed the Round River Experiment in Environmental Education (1971- 74) and has taught in UM’s Wilderness and Civilization Program since 1976. He received his MFA in Creative Writing (poetry) in 1971 and his first volume of poetry.On The Road To Sleeping ChildHotsprings was published that same year. (Revised edition, 1977.) Lazslo Toth, a documentary poem on the smashing of Michelangelo’s Pieta was published in 1979. His second full length volume of poems,Bloodhouse, 1987, was selected by the Yellowstone Art Center, Billings, MX for their Regional Writer’s Project.. The title poem of his chapbook.The Sharp-Shinned Hawk, 1987, was nominated by the Koyukon writer, Mary TallMountain for a Pushcat Prize. He retired from full-time teaching after twenty-five years, in 1988, but continues at UM under a one- third time retiree option. During the 1988-89 academic year he was Humanities Scholar in Residence for the Arizona Humanities Council, training teachers at a large Indian high school on the Navajo Reservation. A chapbook of his reading at the International Wildlife Film Festival, The Bear Remembers, was published in 1990. Spring semester, 1991, (and again in the fall semester, 1997) he taught modern American Literature as UM’s Exchange Fellow with Shanghai International Studies University in mainland China. -
Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 94720 No. 6l May 197s Dr. and Mrs. David Prescott Barrows, with their children, Anna, Ella, Tom, and Betty, at Manila, ig And it is the story of "along the way" that '111 Along the Way comprises this substantial transcript, a gift from her children in honor of Mrs. Hagar's You Have Fun!" seventy-fifth birthday. In her perceptive introduction to Ella Bar From a childhood spent for the most part rows Hagar's Continuing Memoirs: Family, in the Philippines where her father, David Community, University, Marion Sproul Prescott Barrows, served as General Super Goodin notes that the last sentence of this intendent of Education, Ella Barrows came interview, recently completed by Bancroft's to Berkeley in 1910, attended McKinley Regional Oral History Office, ends with the School and Berkeley High School, and en phrase: "all along the way you have fun!" tered the University with its Class of 1919. [1] Life in the small college town in those halcy Annual Meeting: June 1st Bancroft's Contemporary on days before the first World War is vividly recalled, and contrasted with the changes The twenty-eighth Annual Meeting of Poetry Collection brought about by the war and by her father's The Friends of The Bancroft Library will be appointment to the presidency of the Uni held in Wheeler Auditorium on Sunday IN THE SUMMER OF 1965 the University of versity in December, 1919. From her job as afternoon, June 1st, at 2:30 p.m.