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'Pinkoes Traitors'
‘PINKOES AND TRAITORS’ The BBC and the nation, 1974–1987 JEAN SEATON PROFILE BOOKS First published in Great Britain in !#$% by Pro&le Books Ltd ' Holford Yard Bevin Way London ()$* +,- www.pro lebooks.com Copyright © Jean Seaton !#$% The right of Jean Seaton to be identi&ed as the author of this work has been asserted in accordance with the Copyright Designs and Patents Act $++/. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN +4/ $ /566/ 545 6 eISBN +4/ $ /546% +$6 ' All reasonable e7orts have been made to obtain copyright permissions where required. Any omissions and errors of attribution are unintentional and will, if noti&ed in writing to the publisher, be corrected in future printings. Text design by [email protected] Typeset in Dante by MacGuru Ltd [email protected] Printed and bound in Britain by Clays, Bungay, Su7olk The paper this book is printed on is certi&ed by the © $++6 Forest Stewardship Council A.C. (FSC). It is ancient-forest friendly. The printer holds FSC chain of custody SGS-COC-!#6$ CONTENTS List of illustrations ix Timeline xvi Introduction $ " Mrs Thatcher and the BBC: the Conservative Athene $5 -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
City Research Online
Keeble, R. (1996). The Gulf War myth: a study of the press coverage of the 1991 Gulf conflict. (Unpublished Doctoral thesis, City University London) City Research Online Original citation: Keeble, R. (1996). The Gulf War myth: a study of the press coverage of the 1991 Gulf conflict. (Unpublished Doctoral thesis, City University London) Permanent City Research Online URL: http://openaccess.city.ac.uk/7932/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. The Gulf war myth A study of the press coverage of the 1991 Gulf conflict by Richard Keeble PhD in Journalism May 1996; Department of Journalism, City University, London CONTENTS Abstract ix Acknowledgements x Introduction xi-iii A.1 The war problematic xi -
Bibliography
Bibliography Aitken, Robin (2013) Can We Trust the BBC? (London: Bloomsbury). Althusser, Louis (1984 [1970]) ‘Ideology and Ideological State Apparatuses (Notes towards an Investigation)’, trans. Ben Brewster, in Essays on Ideology (London: Verso). Amnesty International (2 June 2005) ‘Press Release’ http:// www.amnesty.org.uk/press-releases/uk-amnesty- launches-appeal-calling-judges-boycott-sham-inquiries. Arts and Humanities Research Council (2013) ‘The Human World: The Arts and Humanities in Our Times’ http://www.ahrc.ac.uk/News-and-Events/News/ Documents/AHRC-Strategy-2013-18.pdf. Arts Council England (2013) Great Art and Culture for Everyone: 10 Year Strategic Framework, 2010–2010, 2nd Edition Revised (Manchester: Arts Council England). Ashcraft, Richard (1987) Locke’s Two Treatises of Government (Boston: Unwin Hyman). Barnett, Anthony et al. (1988) ‘The Original Charter 88’ http://www.unlockdemocracy.org.uk/pages/ the-original-charter-88. Barratt-Brown, Michael ‘The Controllers’ Universities and Left Review 5, Autumn 1958, 53–61, Universities and Left Review 6, Spring 1959, 38–41, Universities and Left Review 7, Autumn 1959, 43–49. Barrett, David and Andy Bloxham (3 October 2010) ‘MPs’ Expenses: The Timeline’The Telegraphhttp://www. telegraph.co.uk/news/newstopics/mps-expenses/5335266/ MPs-expenses-the-timeline.html. DOI: 10.1057/9781137351340.0010 Bibliography Baucom, Ian (1999) Out of Place: Englishness, Empire, and the Locations of Identity (Princeton NJ: Princeton University Press). BBC ‘Guidelines: Editorial Values’ http://www.bbc.co.uk/ editorialguidelines/page/guidelines-editorial-values-editorial- values. BBC ‘Guidelines: Impartiality – Controversial Subjects’ http://www.bbc. co.uk/editorialguidelines/page/guidelines-impartiality-controversial- subjects/. BBC News (29 December 2006) ‘UK Settles WWII Debts to Allies’ http://news.bbc.co.uk/1/hi/6215847.stm. -
Download Report
ANNUAL REPORT 2014-15 ANNUAL REPORT ’14-’15 02 PREFACE 04 THE YEAR IN REVIEW 10 FELLOWSHIP PROGRAMME 26 RESEARCH AND PUBLICATIONS 48 EVENTS 58 ABOUT US Opposite: The sun sets in the historical city of Palmyra, Syria. REUTERS/Nour Fourat 2 TIM GARDAM CHAIR OF THE STEERING COMMITTEE REUTERS INSTITUTE ANNUAL REPORT ’14-’15 REPORT ANNUAL REUTERS INSTITUTE THE REUTERS INSTITUTE FOR THE STUDY OF JOURNALISM HAS IN THE PAST DECADE BECOME ONE OF THE MOST SUCCESSFUL PUBLIC POLICY RESEARCH CENTRES IN OXFORD UNIVERSITY. The impact of its analysis, with a convening power that brings together working journalists, editors, media executives and academics from across the globe, shape the questions that dominate journalism - its practice, its business models, ethics and the relationship with governments and civic societies. We were established to be internationally comparative in our vision and this focus has given RISJ its distinct identity. In the past year we have substantially increased our investment in research and have appointed a full time Director of Research, Dr Rasmus Kleis Nielsen. Our publications have addressed some of the most salient issues in journalism, including the contentious relationship between journalism and the PR industry, the reporting of the European Union and the challenging, much discussed lecture by Professor Emily Bell of Columbia University on the edgy relationship between Silicon Valley and journalism. Our global perspective is underpinned by the close relationship between the Thomson Reuters Foundation and Oxford University. We are immensely indebted to the generosity of the Foundation and its CEO, Monique Villa. The Foundation has backed the Institute since its beginnings, and has sustained the Reuters Journalist Fellowship Programme in Oxford for over thirty years. -
Media and Power
Media and Power Media and Power addresses three key questions about the relationship between media and society. How much power do the media have? Who really controls the media? What is the relationship between media and power in society? In this major new book, James Curran reviews the different answers which have been given, before advancing original interpretations in a series of ground- breaking essays. The book also provides a guided tour of major debates in media studies. What part did the media play in the making of modern society? How did ‘new media’ change society in the past? Will radical media research recover from its mid-life crisis? What are the limitations of the US-based model of ‘communications research’? Is globalization disempowering national electorates or bringing into being a new, progressive global politics? Is public service television the dying product of the nation in an age of globalization? What can be learned from the ‘third way’ tradition of European media policy? Curran’s response to these questions provides both a clear introduction to media research and an innovative analysis of media power, and is written by one of the field’s leading scholars. James Curran is Professor of Communications at Goldsmiths College, University of London. He is the editor or author of fourteen books about media, including Power Without Responsibility: The Press and Broadcasting in Britain (with Jean Seaton, 6th edition, 2002), and Mass Media and Society (edited with Michael Gurevitch, 3rd edition, 2000). COMMUNICATION AND SOCIETY -
Comparative Readings of the Lebanese Media System
Comparative Readings of the Lebanese Media System Dissertation zur Erlangung des akademischen Grades einer Doktorin der Philosophie (Dr. Phil.) der Philosophischen Fakultät der Universität Erfurt vorgelegt von Sarah El Richani aus Choueifat (Libanon) Erfurt, 2014 urn:nbn:de:gbv:547-201600105 Erstes Gutachten: Prof. Dr. Kai Hafez (Universität Erfurt) Zweites Gutachten: Prof. Jean Seaton (Universität von Westminster, London, Großbritannien) Eingereicht: 5. November 2014 Datum der Promotion: 8. April 2015 Summary The focus of this dissertation is on the Lebanese media system and the extent this system can be subsumed under one of the three ideal types put forth by Daniel Hallin and Paolo Mancini in their seminal work Comparing Media Systems. This endeavour uses the Hallin and Mancini framework as a scholarly springboard in an effort to take their sets of variables and models beyond the established democracies of Europe and North America. This research responds to a recurring call for comparative work and particularly for the application of the Hallin and Mancini framework on other non-Western media systems. By critically applying their framework to the Lebanese media system, this thesis assesses the complex dimensions developed by the two scholars. These include: the development of media markets, political parallelism, the degree of development of journalistic professionalism and the degree and nature of state intervention. Hallin and Mancini acknowledge that restricting themselves to the western world was a limitation. They also suggest that their work should serve as an inspiration for a process of re-modelling by adapting and reconfiguring their framework and their three ideal types to a given context. -
This Book Is Available from the British Library
The War Correspondent The War Correspondent Fully updated second edition Greg McLaughlin First published 2002 Fully updated second edition first published 2016 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © Greg McLaughlin 2002, 2016 The right of Greg McLaughlin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 3319 9 Hardback ISBN 978 0 7453 3318 2 Paperback ISBN 978 1 7837 1758 3 PDF eBook ISBN 978 1 7837 1760 6 Kindle eBook ISBN 978 1 7837 1759 0 EPUB eBook This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. Typeset by Stanford DTP Services, Northampton, England Simultaneously printed in the European Union and United States of America To Sue with love Contents Acknowledgements ix Abbreviations x 1 Introduction 1 PART I: THE WAR CORRESPONDENT IN HISTORICAL PERSPECTIVE 2 The War Correspondent: Risk, Motivation and Tradition 9 3 Journalism, Objectivity and War 33 4 From Luckless Tribe to Wireless Tribe: The Impact of Media Technologies on War Reporting 63 PART II: THE WAR CORRESPONDENT AND THE MILITARY 5 Getting to Know Each Other: From Crimea to Vietnam 93 6 Learning and Forgetting: From the Falklands to the -
Introduction
Introduction At the conclusion of John le Carré’s novel Tinker Tailor Soldier Spy (1974), the charismatic traitor at the heart of British intelligence articulates one of the key themes of le Carré’s work, declaring his belief that ‘secret services were the only real measure of a nation’s political health, the only real expression of its subconscious’.1 When five years later the novel was adapted for television by the British Broadcasting Corporation (BBC), this metaphor would acquire an additional layer. Asked by director John Irvin how the interior spaces of the intelligence service should be depicted on-screen, le Carré was said to have replied that ‘the dusty offices, the corridors, the elderly office furniture and even the anxiously cranking lifts of MI5 felt like, looked like and had some of the same kinds of people – as the BBC.’2 In fact, this point of comparison was neither unique nor histori- cally specific. Twenty-three years later writer David Wolstencroft was devising the format for a new original BBC spy series which depicted the activities of a counter-terror section within the British Security Service (MI5). In a later Radio Times interview he admitted to the impossibility of gaining access to the real MI5 as part of his research for Spooks (BBC 1, 2002–11), but noted that ‘having been in the BBC quite a lot, I wondered whether it wasn’t quite a good model.’3 Yet the BBC of the 2000s that Wolstencroft used as his inspiration was a very different place to that described by le Carré in the late 1970s. -
BEHIND the WIRELESS a History of Early Women at the BBC
BEHIND THE WIRELESS A History of Early Women at the BBC KATE MURPHY Behind the Wireless Kate Murphy Behind the Wireless A History of Early Women at the BBC Kate Murphy Bournemouth University Poole , United Kingdom ISBN 978-1-137-49171-8 (hardback) ISBN 978-1-137-49172-5 (paperback) ISBN 978-1-137-49173-2 (eBook) DOI 10.1057/978-1-137-49173-2 Library of Congress Control Number: 2016936509 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Design and Patents Act 1988. This work is subject to copyright. All rights are reserved solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the pub- lisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Women and Journalism
EXTRACT WOMEN AND JOURNALISM SUZANNE FRANKS REUTERS INSTITUTE forthe STUDY of JOURNALISM Published by I.B.Tauris & Co. Ltd in association with the Reuters Institute for the Study of Journalism, University of Oxford 00_WomenJournalism_Prelims_i-viii.indd 3 26/07/2013 11:55 EXTRACT About the Book In many countries, the majority of high-profile journalists and editors remain male. Although there have been considerable changes in the prospects for women working in the media in the past few decades, women are still noticeably in the minority in the top journalistic roles, despite making up the majority of journalism students. In this book, Suzanne Franks looks at the key issues surrounding female journalists – from on- screen sexism and ageism to the dangers facing female foreign correspondents reporting from war zones. She also analyses the way that the changing digital media have presented both challenges and opportunities for women working in journalism and considers this in an international perspective. In doing so, this book provides an overview of the ongoing imbalances faced by women in the media and looks at the key issues hindering gender equality in journalism. ‘There is a lot of chatter about the under-representation of women in British newsrooms, but Suzanne Franks gives us the facts and figures. It makes for alarming reading.’ Lindsey Hilsum, International Editor, Channel 4 News About the Author Suzanne Franks is Professor of Journalism at City University London. She was formerly Director of Research at the Centre for Journalism, University of Kent, and a news and current affairs producer for the BBC, working on Newsnight, the Money Programme and Panorama. -
Power Without Responsibility: the Press, Broadcasting, and New
Power Without Responsibility Power Without Responsibility is a classic introduction to the history, sociology, theory and politics of the media in Britain. Hailed by the Times Higher as the ‘seminal media text’, and translated into Arabic, Chinese and other foreign languages, it is an essential guide for media students and critical media consumers alike. The new edition has been substantially revised to bring it right up-to-date with developments in the media industry, new media technologies and changes in the political and academic debates surrounding the media. In this new edition, the authors consider: the impact of the internet the failure of interactive TV media and Britishness new media and global understanding journalism in crisis BBC and broadcasting at the beginning of the twenty-first century. Assessing the media at a time of profound change, the authors set out the democratic choices for media reform. James Curran is Professor of Communications at Goldsmiths, University of London. Jean Seaton is Professor of Media History at the University of Westminster and director of the Orwell Prize for political writing and journalism. Praise for previous editions . the best guide to the British Media. Nick Cohen, New Statesman Many students and young people in and around the British media will make Power Without Responsibility into a new orthodoxy. Jeremy Tunstall, Encounter Excellent new study of the press and broadcasting. Tribune A classic text. Stage and Television Today An invaluable general textbook for the specialist student of communications as well as a guide into a complex area for social scientists. Teaching Politics Curran and Seaton’s writing, scholarly but not academicist, manages that rare and difficult task of rendering complex information and different theoretical approaches in a style open to teachers and post-16 students alike.