DOCSLIB.ORG

Volume 110, Issue 09

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 110, Issue 09 VOL. 110 | ISSUE NO.09| OCTOBER 29TH, 2019 SHARING SCARY STORIES SINCE 1910 Credit: Jolene Osztian, Photographer TIME FOR HALLOWEEN SHENAGIGANS! HOPE YOU HAVE AS MUCH FUN TODAY AS THE SPIDERS AND BATS LIVING IN YOUR HOUSE. READ WHAT BU PRESIDENT HAS TO SAY ABOUT HIS SUPERNATURAL: THE PLANS FOR OUR SCHOOL! ROAD SO FAR... VOLUNTEER OPPUTUNITY page 6 page 2 page 4 The Halloween food drive is coming We had a chance to sit down and 15 years of a show that hunts anything up soon! chat with Dr. Docherty, and hear spooky and horrifying is ending soon. what he has to say. FIND US ONLINE! | WEBSITE: THEQUILL.CA | TWITTER: @THEQUILLBU | FACEBOOK: THE QUILL | INSTAGRAM: @BUTHEQUILL Issue 09| Volume 110 NEWS 2 Interview with Dr. David Docherty. Lulu Maria de Lourdes Garcia Manzano, Assistant Editor-in-Chief n Tuesday October 22, the potential and talent to win a at Mount Royal University and 2019, The Quill had the national award. He said that he said that one of the first things he opportunityO to sit down and meet hoped to implement coaching had done had been to make sure Staff with BU’s new president. Our in- workshops where students could the administration was made up Editor-in-Chief terview took place at Forbidden be guided through the application more than just men. Equality and Kai Kayla Neiman and during this time I was able to and interviewing process of ap- diversifying with the higher ups is [email protected] listen to him talk about his time plying for an award. a big priority for him. He also said Assistant Editor-in-Chief Lulu Maria de Lourdes Garcia in Mount Royal as its university that he made sure the administra- Manzano president, and what future he saw tion had diversity regarding each General Manager from BU. I asked him how his past ad- member’s sexual orientation. He Elinor Murray ministrative experience at Mount said that diversity created more [email protected] Royal was and how it would hep opinions and thus more problems Web Content Coordinator could be solved. Emmanuel Madu Our interview began with the him with administering BU. This Social Media Coordinator basics, I asked him what his first question also lead to an answer for Kai Kayla Neiman impression of BU were and his an- another question about the reduc- Senior Advisor swer was “Clark Hall” He then fur- tion in the operating grant from As our interview came to an Donnovan Hillman ther explained that the one thing the province that BU will have to end, I could not help but ask why Copy Editor Katelyn Jones he had noticed was the structure face. This question also lead to an his hiring process had seemed to Advertising of Clark Hall and how it towered answer for another question I had drag. He said that while he was [email protected] with it’s early 1900s’s structure. for him pertaining the reduction in very excited to begin his presi- He said that at Mount Royal there the operating grant from the prov- dency at BU, he had promised his Contributors was no building like Clark Hall. ince that BU will have to face. For daughter she would be able to Tyler Clarke, Anthony Labonte, Noah Brandon University is a mixture his administration time at Mount graduate high school in Calgary. Monk, Aiden Trembath, Guolixuan of old and new buildings and its Royal he said that it had been his He believes that family is very im- Mao charm seemed to impress our new first time as a president and that of portant and that promises made president. Next, I asked him what course there were ups and downs must be kept. Therefore, he began The Quill is published weekly by The he believed BU’s strengths were, but that he was proud of what his presidency in May and because Quill, Inc., and is printed by The Kil- larney Guide in Killarney, MB. he said that he believed the size the school had accomplished. He of this, we had interim president of our university was its main said that during his presidency Dr. Steve Robinson up until April. NOTE: Editorials, letters, and strength. He said that as a small- he put greater focus on students viewpoint articles do not necessarily er university more connections obtaining a bachelor’s degree. reflect the opinion of The Quill staff, are built, and more people know By the end of his term more stu- The Quill, Inc., or the faculty, staff, or Brandon University will be administration of Brandon University. each other. He also said that as dents were choosing a four-year lucky to have Dr. David Docherty a smaller university in a smaller degree rather than a two-year as its president for the next few The Quill is a member of Canadian city he felt as though he had lost degree. Now as his presidency be- years and Brandon University wel- University Press (CUP), one of the the anonymity he possessed back gins at BU, he has experience in comes him with open arms. He is world’s largest student organizations, in Calgary. He further explained dealing with any ups and downs with a membership of over 70 student incredibly accessible, and he en- newspapers in Canada. that in a smaller city where more that a university may face. Relat- courages students to feel comfort- Advertisers wishing to buy space in of its population attended the uni- ing to the budget cut that BU will able talking to him as he believes both this newspaper and other CUP- versity, many in the street would face, he said that during his time that being the president of a univer- affiliated newspapers should contact recognize him as that university’s in Mount Royal budget cuts were sity, an essential part of his role is to our multi-market ad representative: president. made, and he got through them. get to know his students better. FREE Media He went on to say that while no- 11629 105th Avenue body liked budget cuts, they were Edmonton, AB T5H 0L9 My next question for Dr. Do- still going to be made and all you Phone: 780-421-1000 cherty was what he believed need- could do was get through them. [email protected] ed improvement. He said that the For online advertising inquiries, one thing he wanted to start im- please contact: proving was Brodie Building. No When asked about his commit- Rouge Media Group further details were given about ment to diversity, transparency, 250 The Esplanade, The Keep his plans regarding Brodie Build- personal accessibility and com- Toronto, ON M5A 1J2 Phone: 416-360-8120 ing simply that it was on the top munity building and how it will of his list to improve. Following influence his administration of BU Local advertisers can also contact this question, I asked him what he said that BU already possessed us directly: he hoped to accomplish during many of the aspects he was com- The Quill his presidential term. His answer mitted to. He said that there were 270 18th Street Brandon University came quickly. While there were a gender neutral washrooms across Brandon, MB R7A 6A9 lot of things, he hoped to accom- campus and that he was happy to Office: 204-727-9667 plish the main one was having see all the personal accessibility Fax: 204-571-0029 the first award scholar or profes- implementations at BU. He went Photo Credit: brandonu.ca sor from BU. He said he believed on to discuss how his commitment students and professors alike had to those ideals were implemented thequill.ca | Oct. 29th, 2019 NEWS 3 FEATURES Issue 09 | Volume 110 Credit: Jolene Osztian, Photographer The Haunting of Hill Side House N. Monk, an extreme philosopher “The House Isn’t Real. person is dead by do not ever seen actually leaving “haunted” and this is also You’re Dead” know that they are dead. the house or arriving. In when the other guests in It is also where the Bud- the second stage, all of the some sense turn against hat was my first dhistic deities manifest, objects are things from her Eleanor and start to reject thought when I was and because most people past life. Eleanor was at her “childish” acts and readingT Shirley Jackson’s are unfamiliar with them, the house far long ago in behaviour. It is easy to The Haunting of The Hill I will refer to Carl Jung’s her childhood, so even the see when the final stage House. From the begin- archetypes instead. In house is from her past life. begins because everyone ning, signs that the main the third stage and final The other guests arriving starts referring to Eleanor character Eleanor or Nelly stage, the person starts to is the manifestation of the as Nelly, as does the house was passing from reality to see karmic illusions and deities or the archetypes. itself. Depending on how the afterlife/reincarnation things start to take a dark The doctor is Jung’s arche- a person deals with these kept popping up. Almost turn, in which awakening type of the wise old man. karmic illusions will influ- weed-like connections to is usually reached. Notice how only the doc- ence what kind of life they another book, humanity’s tor seems to know about will be reincarnated as. forbidden book. On the way to the house, the house and its past, and Because Nelly fails to let Eleanor sees relative to that he serves as a guide go, in other words, does That book is the Ti- herself perfect houses she to the other in the story? not come to acceptance betan Book of the Dead.
Load more

Recommended publications
  • Episode 47 – “A Very Merry Supernatural Christmas”
    Episode 47 – “A Very Merry Supernatural Christmas” Release Date: December 24, 2018 Running Time: 1 hour, 11 minutes Sally: Kay. Fuck, marry, kill. Sam, Dean, Cas. Emily: Ah, fu-- (laugh) Brie: I feel like that’s easy. (laugh) Emily: That’s super easy. Sally: I just -- we gotta start the episode somehow. Emily: OK, kill Sam, obviously. Brie: Duh. Yeah, no, duh. Yeah. Emily: Yeah. Brie: Yeah. Mm. Sally: (laugh) Emily: Uh, then I guess I’d marry Cas? Brie: Yeah … Sally: Fuck Dean? Emily: Yeah. Sally: That’s where I was sitting too. Brie: Yeah. Sally: So we’re all in agreement. Brie: Yeah. Emily: I just -- Cas actually has a personality I can stand. When he actually develops a personality, which is later, I guess, in the series. Sally: Yeah. Brie: I do think, though, that, like, the emotional parts of Dean -- Emily: Yeah. Brie: If that -- if that was, like, turned on all the time. Marry. Emily: My idealized version of Dean -- Brie: Yeah. Emily: I would marry. Brie: Yeah. Yeah. Emily: But the Dean that’s actually on the show? Mm-mm. Fuckin’ leave. Sally: OK! (all laugh) Emily, singing: Have a holly, jolly Christmas … Sally: Um, earlier I was reading an article called -- Brie: Oh! Oh, yeah. Yeah. Emily: Don’t repeat it. It’s the worst. Sally: (laughing) Emily: I know we’re an explicit podcast, but this might be the line of what’s too explicit. Brie: (laugh) Sally: K, it was an article about monster erotica, and the title of the article is also a title for the book.
    [Show full text]
  • ABSTRACT the Women of Supernatural: More Than
    ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
    [Show full text]
  • Theology of Supernatural
    religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural.
    [Show full text]
  • Supernatural' Fandom As a Religion
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America.
    [Show full text]
  • “Let's Go Gank Ourselves a Paris Hilton”: a Textual Analysis
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository “Let’s Go Gank Ourselves a Paris Hilton”: A Textual Analysis of the Dialogue of Supernatural (the First 10 Years) Liorah Golomb It may seem counterintuitive to examine an audiovisual medium through its dialogue alone, but some linguists have been doing just that. Using a freeware concordance toolkit and other computer programs, I analyzed the dialogue of the first 10 seasons of the American television program Supernatural (2005-present) through several facets in an attempt to demonstrate originality, variety, and how language contributes to character individuation.1 Using fan-made transcripts, I created three main corpora for the study: the SPN Corpus, which includes all dialogue from the first 218 episodes, and the DEAN and SAM Corpora, comprised of all of the dialogue of each of the two main characters. The SUBTLEXUS corpus of American film and television dialogue was used as a reference corpus. A sampling of Supernatural episodes was also compared to that of other contemporary genre shows. Background: Why Supernatural “Supernatural has everything. Life. Death. Resurrection. Redemption. But above all, family.” (Calliope, Supernatural episode 10.05, “Fan Fiction”) To give the barest of summaries, Supernatural is an American television show about two brothers, Dean and Sam Winchester (played by Jensen Ackles and Jared Padalecki, respectively), who were raised as hunters of supernatural beings. Created by Eric Kripke, Supernatural has 1 Generally, episodes referenced in this paper are identified only by season and episode number within the season, so 5.22 refers to the twenty-second episode of the fifth season.
    [Show full text]
  • Supernatural Las Vegas Schedule of Events
    SUPERNATURAL LAS VEGAS SCHEDULE OF EVENTS WEDNESDAY MARCH 4, 2020 NOTE: Pre-registration is not a necessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days. VENDORS will be open too! PRE-REGISTRATION IS ONLY FOR FULL CONVENTION ATTENDEES WITH EITHER GOLD, SILVER, COPPER OR GA WEEKEND. NOTE: If you have solo, duo or group photo ops with Jared, Jensen, and/or Misha, please exchange your pdf for a hard ticket at the Photo Op exchange table BEFORE your photo op begins! START END EVENT LOCATION 2:00 PM 6:00 PM Vendors set-up Salsa Reg 6:00 PM 7:00 PM GOLD Pre-registration Salsa Reg 6:00 PM 8:30 PM VENDORS ROOM OPEN Salsa Reg 7:00 PM 7:10 PM SILVER Pre-registration Salsa Reg 7:10 PM 8:00 PM COPPER Pre-registration Salsa Reg 8:00 PM 8:30 PM GA WEEKEND Pre-registration plus GOLD, SILVER and COPPER Salsa Reg THURSDAY MARCH 5, 2020 *END TIMES ARE APPROXIMATE. PLEASE SHOW UP AT THE START TIME TO MAKE SURE YOU DON’T MISS ANYTHING! WE CANNOT GUARANTEE MISSED AUTOGRAPHS OR PHOTO OPS. Light Blue: Private meet & greets, Green: Autographs, Red: Theatre programming, Orange: VIP schedule, Purple: Photo ops, Dark Blue: Special Events Photo ops are on a first come, first served basis (unless you're a VIP or unless otherwise noted in the Photo op listing) Autographs for Gold/Silver are called row by row, then by those with their separate autographs, pre-purchased autographs are called first.
    [Show full text]
  • Supernatural' As a Masculine Narrative
    NO CHICK FLICK MOMENTS: 'SUPERNATURAL' AS A MASCULINE NARRATIVE April R. Boggs A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2009 Committee: Esther Clinton, Advisor Jeffrey A. Brown, Advisor ii ABSTRACT Esther Clinton, Advisor This thesis examines the CW Network series Supernatural (hereafter SPN) as a revitalized masculine text. SPN as a masculine narrative is representative of 21st century conceptions of gender. Part of why it succeeds on the CW (a network aimed at 18 to 34-year-old women) is because it does not adhere to stringent binary thinking on gender. The show has only two main characters, brothers Sam and Dean Winchester, both of whom are meant to be all- American blue collar heroes. Though they are based in this traditional masculine image what sets the brothers apart is the way SPN has updated this very image to apply to contemporary mores. The first chapter examines the brothers’ roots in traditional heroic masculinity, applying a structuralist method of analysis to determine the heroic and narrative forms being used. Axel Olrik’s Epic Laws of Folk Narrative establish the dual-hero narrative tradition from which SPN is derived. Next, I dissect each brother’s individual narrative, utilizing Jan de Vries’ classical hero pattern for Sam and my own traits of the “new American folk hero” for Dean. Continuing in my effort to link the brothers to their traditional roots, I use examples from both folk and popular culture to show the progression of the two hero types in American culture.
    [Show full text]
  • Supernatural
    “Why Would Anyone Want to Watch Our Lives?”: Dean as Fanboy and the Metatextual Mediation of Fan Desire in Supernatural During the 2012 ―Salute to Supernatural‖ convention in Dallas, TX, actor Jensen Ackles (who plays Dean Winchester on the series) answered a fan‘s light-hearted question by turning it back on her, asking her ―What would you do for a Klondike bar?‖ Her response was immediate: ―You.‖ Instead of responding verbally, Ackles shook his head, dropped his face into his hands, and left the stage for a moment, while the audience of roughly 1,000 people, mostly female, howled in laughter. This particular incident illustrates an issue that is, while not unique to Supernatural, particularly pertinent to the series—a show in which, as Lynn Zubernis and Katherine Larsen note, ―fan practices are incorporated into the show itself and canon and ‗fanon‘ live side by side‖ (3). Supernatural has an exceptionally active fan base—one which the series often acknowledges by engaging in metatextual conversations with fans. With episode titles like ―Slash Fiction‖ and episodes that involve brothers Sam (Jared Padalecki) and Dean Winchester meeting the ―author‖ of their lives—a ―prophet‖ who makes his living writing and selling the visions he has of the brothers‘ adventures in monster hunting—the show‘s writers overtly acknowledge fan-produced literature (like Sam/Dean ―Wincest‖ slash fiction or less sexually charged spin-off novels). Zubernis and Larsen note that ―much of the focus of fan studies has been on what happens when fans appropriate the role of producer, taking media properties and using them to create fan The Phoenix Papers, Vol.
    [Show full text]
  • Downloaded from Brill.Com10/04/2021 11:07:43PM Via Free Access P a G E | 156
    P a g e | 155 http://jrmdc.com “You’re My True Vessel”1 Knowledge and Digital Fan Culture Discussed on the Basis of Mediumship and Possession in Supernatural’s Narrative and Fandom2 Lisa Kienzl University of Graz Abstract Portrayals of mediumship in modern Western television narratives need to be seen as part of a broader phenomenon of the presence of religious elements in Western media, a phenomenon I argue expresses a longing for grand narratives in contemporary Western society. The portrayal and mediatization of religious elements in television narratives as well as their discussion in digital fan culture are part of what I would call a transformation process of knowledge and in particular knowledge of religious phenomena. More specifically, digital fan culture allows for an engagement with discursive transformation processes of knowledge and thus influences what is perceived as knowledge in society. Therefore, religious studies needs to pay closer attention to television narratives and the way fans interact with these narratives to create knowledge about religious practices. This article focuses on how the elements of “possession” and “mediumship” are being transformed by the US American TV series Supernatural and its fan culture. I argue that we can see at least two transformation processes here: the transformation and transplantation of religious concepts and practices (in the case of this article the idea of the human body as spirit medium) into a television context, and the transformation of these concepts and practices through digital fan culture. In its discussion of fan culture, the article looks at and analyzes fan based websites and how they present, discuss and imagine the body-medium.
    [Show full text]
  • Read Book Supernatural: Hardcover Ruled Journal Kindle
    SUPERNATURAL: HARDCOVER RULED JOURNAL PDF, EPUB, EBOOK Insight Editions | 192 pages | 20 Sep 2016 | Insight Editions | 9781608878260 | English | San Rafael, United States Supernatural: Hardcover Ruled Journal PDF Book Featuring a unique sculpted cover, this hardcover Was worth the purchase. Had to order a few extra journals. Tags: supernatural, spn, dean winchester, sam winchester, impala, driver picks the music. I love this item and would recommend it to any supernatural fan with a lot of creativity or loves to write. Stock photo. Dean Winchester Hardcover Journal By clarencemasters. Tags: super, natural, dean, sam, demon, angel, devil, hunter, weird, tv, fandom, star, pentagram, supernatural, magic, witch, protection, symbol. I like my angels - Castiel Hardcover Journal By loveableabusive. Record your deepest thoughts with the Aquaman Hardcover Ruled Journal! Hardcover Journal By perfmishka. Tags: supernatural, winchester, dean winchester, sam winchester, devils trap, crowley, king of hell, exorcism, castiel, impala, blood, spn, pentagram, sun burst, anti possession, runes, adios bitch, fandom, geek, typography, black, white, lettering, typeface. About this product Product Information Show off your Supernatural devotion with this deluxe journal, featuring notes and advice from John Winchester himself Blowing town after a deadly hunt, Sam and Dean Winchester accidentally leave behind their father's journal, containing notes, sketches, and advice gathered from decades of hunting. Tags: the witch, the vvitch, witch, horror, robert eggers, anya taylor joy, supernatural, witchcraft, movie, movies, film, magic, black phillip, satan, the devil, goat, death, new england. Good for fans Amazing journal! Tags: johnathan strange, mr norrell, english magic, magick, supernatural, witchcraft, book, susannah clarke, witch, tv show, covers, occult, the magicians, yorkshire.
    [Show full text]
  • Supernatural Season 4 Tigershire
    Supernatural Season 4 Tigershire 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 Across Down 3 He's big, black, full of fluff and a bit....suicidal....what is he? 1 Are you there ___? It's me, Dean Winchester 6 In the _________. 2 Bobby built is during a weekend off. 8 This halloween baddie's name is not pronounced as it's spelled. 3 Castiel convinced Dean to do this to Alistair. 10 We got to see this FBI guy again, albeit as a ghost 4 Give Dean an headband and a _____ and the power goes staight to 11 Jump the _____ his head 12 She used to be played by Katie, but now it's Genenieve 5 With Angels like this, who needs Demons? 15 Usually we get a butterfly when this happens, but not on this show. 7 Dean caught it in Yellow Fever 19 Angel of Thursday 9 Turns out Dracula, Werewolf and the Mummy were all the same 22 Death takes a _______ creature 24 The coin in Wishful Thinking made what work for real? 13 I know what ___ did last summer. 25 We laughed as Jensen rocked out to this song. 14 It's the Great _______, Sam Winchester. 27 But Lillith didn't need to break all 600 16 Sex and Violence monster 28 Movie 17 Blue Oyster Cult says not to fear them, but I wouldn't believe them.
    [Show full text]
  • On a Good Day, You Get to Kill a Whore: Narrative Misogyny and Female Audiences in Supernatural
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2011 On a Good Day, You Get to Kill a Whore: Narrative Misogyny and Female Audiences in Supernatural Jordan Richard Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Sociology Commons Recommended Citation Richard, Jordan, "On a Good Day, You Get to Kill a Whore: Narrative Misogyny and Female Audiences in Supernatural" (2011). Electronic Theses and Dissertations. 245. https://egrove.olemiss.edu/etd/245 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. “ON A GOOD DAY, YOU GET TO KILL A WHORE”: NARRATIVE MISOGYNY AND FEMALE AUDIENCE ENGAGEMENT IN SUPERNATURAL A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of Sociology The University of Mississippi By Jordan Richard May 2011 Copyright Jordan Richard 2011 ALL RIGHTS RESERVED ABSTRACT In this paper, I attempt to analyze the function of gender messages in media texts and the engagement of audiences with these messages. I adopt an interdisciplinary approach, applying theoretical and methodological concepts from both film studies and audience studies, in order to develop a new model through which to study media texts and fans. I apply this model to an analysis of female characters in the television program Supernatural and to self-identified female fans of Supernatural . Throughout the paper, I contend that such an interdisciplinary model is necessary for understanding media texts and audiences, and I conclude that media fans act as academics in their reading and interpretation of media texts.
    [Show full text]