Supernatural Season 3 Tigershire

Total Page：16

File Type：pdf, Size：1020Kb

Supernatural Season 3 Tigershire 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Across Down 2 The Doc was chained up in what, and burried? 1 ____ Distance Call 10 Best way to ensure a vampire is dead 3 Sam and Dean toast Christmas with what? 13 Number of episodes this season 4 Ghostfacer's main videographer 14 What kind of dream root do the boys need? 5 Ben Braeden's mom 16 Bela had her towed! 6 The Morton house is haunted every ____ year 17 Dean's hunter aquaintence they meet in Sin City 7 What is Bela really running from? 18 Issac was made to drink draincleaner which was really just Jello and 8 No Rest For The ______ ? 9 Who holds Dean's contract 19 The intern with the crush on Ed 11 The Carrigans are _____ ____ 21 Jared's then girlfriend played a crossroads demon 12 Demons are real. Who is a hoax? 23 Who are Tamara and Issac 15 Dream a ______ Dream of Me 28 Ruby's weapon again's demons 20 What was missing from John's storage locker 30 Original name for Season 3 Finale 21 What Christmas carol did Sam and Dean sing? 31 Ghostfacers vehicle 22 Episode where Dean dies over and over 32 Malleus __________ 24 Thomas Edison's _____ Phone 33 Who catches Sam and Dean in Jus In Bello? 25 What do the victims see in Red Sky At Morning? 35 What colour are Lillith's eyes? 26 This season we learn the Yellow Eyed Demon has a name 36 Bela stole it from Sam and Dean 27 Supernatural monster that hunts it's victims via phone calls 37 Bobby is not a "ditchable ____ date" 29 Ruby's favourite food 38 Kills Dean over and over 34 Time Is On My Side baddie 41 Gordon Walker's hunter friend 39 Monsters from episode The Kids Are Alright 44 If Lisa was GumbyGirl, Dean must be ? 40 Buffy & Angel alumni guest star 45 Who is hunting Sam Winchester? 42 Ruby 46 An alternative to rock salt 43 Ed and Harry are back, now they are the ___________ 48 Purveyor of supernatural objects 47 What Gordon got turned into 49 What Sam and Dean help Bela steal in Red Sky At Morning 52 I lost my ____ 50 Sam and Dean have anti-possesion what? 51 Seven deadly sins episode 53 A Very ____________ Christmas 54 Richard _______ Jr 55 Not really a lucky charm 56 Bobby was attacked by whom in his dream state? .

Copy Link

Recommended publications

The Truth About Angels
PROJECT CONNECT PROJECT CONNECT PROJECT CONNECT The Truth About Angels by Donald L. Deffner I grew up during the Great Depression in the early 1930s. My father was a minister. Behind our small home was a dirt alley which led nine blocks to downtown Wichita, Kansas. I can remember when I was a boy the hungry, destitute men who came to the back door begging for food. My mother never turned them down. She shared what little we had, even if only a couple of pieces of bread and a glass of milk. My mother didn’t just say, “Depart in peace! I’ll pray for you! Keep warm and well fed!” (See James 2:16.) No. She acted. She gave. Often I was curious about these mysterious and somewhat scary men. I had a sense that they were “different” than I was, not worse, not better, just different. I always watched these strangers heading back up the alley toward downtown, and sometimes, in a cops-and-robbers fashion, I secretly followed them, jumping behind bushes so I wouldn’t be seen. I think I half expected them to suddenly disappear. After all, my Sunday school teacher, encouraging us to be kind and care for strangers, told us the Bible says that, by doing so, many people have entertained angels without knowing it (see Hebrews 13:2). I never saw any of the men disappear. They were ordinary, hungry human beings. But my Sunday school teacher was right. God does send His angels to us, and they do interact with us—not just to test us and see if we are kind, but to protect us and guide us.
[Show full text]
Father Trumps Fate in Supernatural Lugene Rosen Chapman University, [email protected]
Chapman University Chapman University Digital Commons Library Books and Book Chapters Leatherby Libraries 9-2014 Who's Your Daddy: Father Trumps Fate in Supernatural Lugene Rosen Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/librarian_books Part of the Family, Life Course, and Society Commons, Gender and Sexuality Commons, and the Television Commons Recommended Citation Rosen, L. (2014). Who's your daddy? Father trumps fate in Supernatural. In S.A. George & R.M. Hansen (Eds.), Supernatural, humanity, and the soul: On the highway to hell and back (pp. 183-196). New York, NY: Palgrave Macmillan. This Book is brought to you for free and open access by the Leatherby Libraries at Chapman University Digital Commons. It has been accepted for inclusion in Library Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Rosen1 Who's Your Daddy: Father Trumps Fate in Supernatural From the pilot episode, Supernatural has clearly been rooted in family, specifically in a male-only family. The brief glimpse viewers have of the Winchester household together is quickly replaced by a family ravaged by the death of a beloved mother and wife. Following Mary’s death, the family becomes less like kin and more like an elite fighting squad with John as the stern general. John’s shift from loving, nurturing father to disciplinarian will have far- reaching effects on Dean and Sam and the men that they will ultimately become, yet their experiences with John as father are vastly different.
[Show full text]
Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002
Description of document: Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002 Requested date: 2002 Release date: 2003 Posted date: 08-February-2021 Source of document: Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: 703-613-3007 Filing a FOIA Records Request Online The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 1 O ct 2000_30 April 2002 Creation Date Requester Last Name Case Subject 36802.28679 STRANEY TECHNOLOGICAL GROWTH OF INDIA; HONG KONG; CHINA AND WTO 36802.2992 CRAWFORD EIGHT DIFFERENT REQUESTS FOR REPORTS REGARDING CIA EMPLOYEES OR AGENTS 36802.43927 MONTAN EDWARD GRADY PARTIN 36802.44378 TAVAKOLI-NOURI STEPHEN FLACK GUNTHER 36810.54721 BISHOP SCIENCE OF IDENTITY FOUNDATION 36810.55028 KHEMANEY TI LEAF PRODUCTIONS, LTD.
[Show full text]
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives.
[Show full text]
Will This Manhattan Projects Original Artwork Cliffhanger Make Another
COMICS COSPLAY TV/FILM GAMES SUBMIT CGC Search … Will This Manhattan Projects Original Artwork Cliffhanger Make Another Big Splash? Posted by Mark Seifert March 19, 2014 0 Comments Facebook Twitter Pinterest LinkedIn Tumblr Email Reddit [The Manhattan Projects #18 has been out for a couple weeks, but still — if you haven’t read this issue and plan to, you might want to skip this post for now.] Several years into the digital era for both comics reading and comics production, I still love to look at original comic art up close. The look and feel of the art board, the subtle texture of the ink, the faint traces of changes and corrections… it all adds up to a little extra insight into the time and circumstances behind the comics book’s creation. We’ve mentioned a bunch of noteworthy original art sales here in recent times — from that awe-inspiring Golden Age Action Comics #15 cover by Fred Guardineer, to this Silver Age Fantastic Four #55 page by Jack Kirby, to this Bronze Age classic Amazing Spider- Man #121 cover by John Romita Sr, down to the current record holder for a piece of American comic book art with this Amazing Spider-Man #328 cover by Todd McFarlane. And increasingly, original art sales from much more recent comics are turning heads as well. It’s probably no surprise that Skottie Young original art is highly sought after, or that Walking Dead original art — even panel pages — can command some eye- popping prices. But modern comic art collectors have broadened their interests to many other artists and titles of quality in recent times, such as this Pia Guerra Y: The Last Man panel page that recently went for $1000.
[Show full text]
Episode 47 – “A Very Merry Supernatural Christmas”
Episode 47 – “A Very Merry Supernatural Christmas” Release Date: December 24, 2018 Running Time: 1 hour, 11 minutes Sally: Kay. Fuck, marry, kill. Sam, Dean, Cas. Emily: Ah, fu-- (laugh) Brie: I feel like that’s easy. (laugh) Emily: That’s super easy. Sally: I just -- we gotta start the episode somehow. Emily: OK, kill Sam, obviously. Brie: Duh. Yeah, no, duh. Yeah. Emily: Yeah. Brie: Yeah. Mm. Sally: (laugh) Emily: Uh, then I guess I’d marry Cas? Brie: Yeah … Sally: Fuck Dean? Emily: Yeah. Sally: That’s where I was sitting too. Brie: Yeah. Sally: So we’re all in agreement. Brie: Yeah. Emily: I just -- Cas actually has a personality I can stand. When he actually develops a personality, which is later, I guess, in the series. Sally: Yeah. Brie: I do think, though, that, like, the emotional parts of Dean -- Emily: Yeah. Brie: If that -- if that was, like, turned on all the time. Marry. Emily: My idealized version of Dean -- Brie: Yeah. Emily: I would marry. Brie: Yeah. Yeah. Emily: But the Dean that’s actually on the show? Mm-mm. Fuckin’ leave. Sally: OK! (all laugh) Emily, singing: Have a holly, jolly Christmas … Sally: Um, earlier I was reading an article called -- Brie: Oh! Oh, yeah. Yeah. Emily: Don’t repeat it. It’s the worst. Sally: (laughing) Emily: I know we’re an explicit podcast, but this might be the line of what’s too explicit. Brie: (laugh) Sally: K, it was an article about monster erotica, and the title of the article is also a title for the book.
[Show full text]
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
[Show full text]
A University of Wisconsin Arboretum Narrative: Changing Landscapes and Changing Meaning
A University of Wisconsin Arboretum Narrative: Changing Landscapes and Changing Meaning Molly Evjen, Andreas Karlsson, Ryan Kelly, Matt Lamb Geography 565 Fall 2010 Abstract As societies change, so too does their relationship with the land. These changing relationships are reflected in and imprinted upon the land on which they live. In order to demonstrate how the landscape of the UW Arboretum has mirrored this changing association with nature through time, we have conducted an environmental history which focuses on four vignettes representing major changes in this relationship. Through research of primary data sources such as historical newsletters, observation, and plat map analysis our research shows that the Arboretum is a palimpsest of landforms and meaning resulting from these changing relationships. Introduction Environmental History is the study of the changing relationship between human beings and the natural world. We believe that the UW arboretum is a landscape that, through time, has been reflective of this changing relationship. Our purpose is to demonstrate how the landscape of the UW Arboretum has changed through time and how these changes reflect a cycle of changing, complex relationships between society and nature. We utilize multiple primary resources in our analysis such as plat maps, CCC newsletters, photographs, observations and personal reflections from our own field journals. We will demonstrate how the UW Arboretum is representative of this changing relationship in a number of ways. It is a reminder of early connections to the land represented by numerous burial mounds. The mounds also symbolize, through the multitude of possible interpretations of their purpose, people’s ever-changing interpretations of our relationship with nature in general.
[Show full text]
Supernatural Dallas Schedule of Events
SUPERNATURAL DALLAS SCHEDULE OF EVENTS THURSDAY, JUNE 20, 2019 NOTE: Pre-registration is not a necessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days. VENDORS will be open too! PRE-REGISTRATION IS ONLY FOR FULL CONVENTION ATTENDEES WITH EITHER GOLD, SILVER, COPPER OR GA WEEKEND. NOTE: If you have solo, duo or group photo ops with Jared, Jensen, and/or Misha, please VALIDATE at the Photo Op Validation table BEFORE your photo op begins! START END EVENT LOCATION 3:30 PM 7:45 PM Vendors set-up Main Hallway 7:00 PM 9:30 PM BRI & DICK 'S PJ PARTY!!! If you’d like to register tonight, you may join the line after the party ends. SOLD OUT! Spring Glade 7:45 PM 8:30 PM GOLD Pre-registration Main Hallway 7:45 PM 10:00 PM VENDORS ROOM OPEN Main Hallway 8:30 PM 9:00 PM SILVER Pre-registration Main Hallway 9:00 PM 9:30 PM COPPER Pre-registration Main Hallway 9:30 PM 10:00 PM GA WEEKEND Pre-registration plus GOLD, SILVER and COPPER Main Hallway FRIDAY, JUNE 21, 2019 *END TIMES ARE APPROXIMATE. PLEASE SHOW UP AT THE START TIME TO MAKE SURE YOU DON’T MISS ANYTHING! WE CANNOT GUARANTEE MISSED AUTOGRAPHS OR PHOTO OPS. Light Blue: Private meet & greets, Green: Autographs, Red: Theatre programming, Orange: VIP schedule, Purple: Photo ops, Dark Blue: Special Events Photo ops are on a first come, first served basis (unless you're a VIP or unless otherwise noted in the Photo op listing) Autographs for Gold/Silver are called row by row, then by those with their separate autographs, pre-purchased autographs are called first.
[Show full text]
Constructing Community and Cosmos: a Bioarchaeological Analysis of Wisconsin Effigy Mound Mortuary Practices and Mound Construction
CONSTRUCTING COMMUNITY AND COSMOS: A BIOARCHAEOLOGICAL ANALYSIS OF WISCONSIN EFFIGY MOUND MORTUARY PRACTICES AND MOUND CONSTRUCTION By Wendy Lee Lackey-Cornelison A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILSOPHY Anthropology 2012 ABSTRACT CONSTRUCTING COMMUNITY AND COSMOS: A BIOARCHAEOLOGICAL ANALYSIS OF WISCONSIN EFFIGY MOUND MORTUARY PRACTICES AND MOUND CONSTRUCTION By Wendy Lee Lackey-Cornelison This dissertation presents an analysis of the mounds, human skeletal remains, grave goods, and ritual paraphernalia interred within mounds traditionally categorized as belonging to the Wisconsin Effigy Mound Tradition. The term ‘Effigy Mound Tradition’ commonly refers to a widespread mound building and ritual phenomenon that spanned the Upper Midwest during the Late Woodland (A.D. 600-A.D. 1150). Specifically, this study explores how features of mound construction and burial may have operated in the social structure of communities participating in this panregional ceremonial movement. The study uses previously excavated skeletal material, published archaeological reports, unpublished field notes, and photographs housed at the Milwaukee Public Museum to examine the social connotations of various mound forms and mortuary ritual among Wisconsin Effigy Mound communities. The archaeological and skeletal datasets consisted of data collected from seven mound sites with an aggregate sample of 197 mounds and a minimum number of individuals of 329. The mortuary analysis in this study explores whether the patterning of human remains interred within mounds were part of a system involved with the 1) creation of collective/ corporate identity, 2) denoting individual distinction and/or social inequality, or 3) a combination of both processes occurring simultaneously within Effigy Mound communities.
[Show full text]
Theology of Supernatural
religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personiﬁed evil. The ideal conﬁrmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural.
[Show full text]
Anomalous Experiences, Trauma, and Symbolization Processes at the Frontiers Between Psychoanalysis and Cognitive Neurosciences
ORIGINAL RESEARCH published: 21 December 2015 doi: 10.3389/fpsyg.2015.01926 Anomalous Experiences, Trauma, and Symbolization Processes at the Frontiers between Psychoanalysis and Cognitive Neurosciences Thomas Rabeyron 1, 2* and Tianna Loose 2, 3 1 Department of Psychology, University of Nantes, Nantes, France, 2 Department of Psychology, University of Edinburgh, Edinburgh, UK, 3 Department of Psychology, University of Québec in Montreal, Montreal, QC, Canada Anomalous or exceptional experiences are uncommon experiences which are usually interpreted as being paranormal by those who report them. These experiences have long remained difﬁcult to explain, but current progress in cognitive neuroscience and psychoanalysis sheds light on the contexts in which they emerge, as well as on their underlying processes. Following a brief description of the different types of anomalous experiences, we underline how they can be better understood at the frontiers between psychoanalysis and cognitive neurosciences. In this regard, three main lines of research Edited by: Stijn Vanheule, are discussed and illustrated, alongside clinical cases which come from a clinical service Ghent University, Belgium specializing in anomalous experiences. First, we study the links between anomalous Reviewed by: experiences and hallucinatory processes, by showing that anomalous experiences Jonathan Douglas Redmond, frequently occur as a speciﬁc reaction to negative life events, in which case they mainly Deakin University, Australia Diana Caine, take the form of non-pathological hallucinations. Next, we propose to analyze these National Hospital for Neurology and experiences from the perspective of their traumatic aspects and the altered states Neurosurgery, UK of consciousness they often imply. Finally, these experiences are considered to be *Correspondence: Thomas Rabeyron the consequence of a hypersensitivity that can be linked to an increase in psychic [email protected] permeability.
[Show full text]