Isn't the First Time We've Had Three Companions, It's Been Decades Since It Last Happened

Total Page:16

File Type:pdf, Size:1020Kb

Isn't the First Time We've Had Three Companions, It's Been Decades Since It Last Happened Friday 1:15-2:15 PM Is the TARDIS Too Crowded? Although Series 11 (and the forthcoming Series 12) isn't the first time we've had three companions, it's been decades since it last happened. What's it like to have so many friends of the Doctor on-screen at once? How does it compare this time around to previous full TARDISes? Panelists: Alex Seymour, Karina Lozano, Kathryn Sullivan Location: Peri’s Panels Strong Females in Sci-Fi Ellen Ripley. Leia Organa. Uhura. Science Fiction writers have created some strong female characters. Let’s discuss our favorites in film, tv, and print. Panelists: Justine Mastin, Kris Coulter, T. Aaron Cisco Location: Polly’s Panels 2:30-3:30 PM Interview with Robert Smith? Join Interviewer Bill Evenson in a conversation with Guest Robert Smith?. Learn about his published work and upcoming projects. Interviewer: Bill Evenson Location: Martha’s Mainstage Doctor Who Crossovers There are some great crossover episodes in other fandoms (The Beverly Hillbillies, Scoobynatural, Arrowverse). What fandoms do we want to see Doctor Who do a crossover episode with? Panelists: Amber Raden, Hugh Gitlin, Michael Zecca Location: Peri’s Panels Traveling to Worldcon – New Zealand Getting there and back again. All your questions answered about traveling to New Zealand. Join the travel experts at Wayward Nerd and Nerds Travels for a discussion and Q&A session on all things New Zealand. Weta, Hobbits, the One Ring, Rivendell – it’s all there and we have the map. Panelists: Kelly Mitchell, MJ Wilke Location: Potts’ Panels 3:45-4:45 PM Back to Your Beginnings How did you get started in Who? What keeps you coming back for more? Maybe you took a break from the show and were pulled back in? Talk to us about your journey! Panelists: David Barsky, Kathryn Sullivan, Marcia Franklin, Nicole Printy, T. Aaron Cisco Location: Martha’s Mainstage Doctor Who Nonfiction Books With the plethora of Nonfiction books written about Doctor Who, where does one start? Panelists: Dr. Arnold T. Blumberg, Matt Savelkoul, Robert Smith? Location: Peri’s Panels Classic Who-rays Early 2018 BBC announced it would be releasing digitally restored Classic Who series on Blu-ray. So far, they have released Series 12 with Tom Baker and Series 19 with Peter Davison. What series/episodes are we excited to see next? Panelists: Bill Evenson, Jeff Elston, Michael Rogers, Steve Manfred Location: Polly’s Panels 5:00-5:30 PM Opening Ceremonies Join our co-chairs Jason Tucker and Amber Raden as they introduce the Guests of Honor, Featured Guests, and Attending Professionals. Hear them outline all the exciting events planned for CONsole Room 2020! Location: Martha’s Mainstage 5:45-6:45 PM 50 Years of the Third Doctor Jon Pertwee's incarnation of our favorite Time Lord leaped onto our screens in full color 50 years ago this month! Season 7 (Pertwee's first) was a radical departure from the previous six - what do we think of it now and what was its lasting impact on the show? Panelists: David Barsky, Don Kaiser, Michael Rogers, Michael Zecca Location: Martha’s Mainstage The Nit-Picker’s Guide to Doctor Who Discussion on all thing’s minutia within Doctor Who. For folks who love to talk about the fine details of their favorite show. Panelists: Bill Evenson, Jeff Elston, Steve Manfred Location: Peri’s Panels The Glorious Outside In The Outside In book series has been examining your favourite pop culture shows for some years now. Covering classic and new Doctor Who, as well as various incarnations of Star Trek, the Whedonverse and others to come, they collect together hundreds of reviewers with one purpose in mind: to say something different. Come hear a variety of authors (as well as editor Robert Smith? and publisher Arnold T. Blumberg) talk about their contributions, what goes into writing a review with a twist and get the chance to contribute something yourself. Panelist: Dr. Arnold T. Blumberg, Robert Smith? Location: Polly’s Panels Costplay Creating costumes can be expensive. Let’s discuss tips and tricks for creating costumes on a budget. Panelists: Nicole Printy, T. Aaron Cisco Location: Potts’ Panels 6:00-8:00 PM Gallifrey Aikido Warrior This obstacle course will test your mind through puzzles, games, and trivia. If you complete all tasks, you will be in the running to be the next Gallifrey Aikido Warrior. Sign-ups start at 6:00 and are first come first serve. If you don’t want to compete, seating will be available for your viewing pleasure. Moderators: Kelly Joseph & Marissa Vogt Location: Jo Grant’s Green Room 5:45-8:45 PM Painting with Plasmavores: Tardis in the Park Our artist will walk you step-by-step through your very own painting in this three-hour painting session. Additional $20 fee required. Sign up at Registration. Class size is limited. Artist: Amber Raden Location: Elizabeth Shaw’s Event Space 7:00-8:00 PM Interview with Richard Ashton Join Interviewer Ben Ellis in a conversation with Guest of Honor Richard Ashton. Hear stories from his time as an Ice Warrior on Doctor Who, and other television and movie appearances including The Fifth Element and Outlander. Interviewer: Ben Ellis Location: Martha’s Mainstage Returning Monsters Who Never Were Voord, Krotons, The Wire, and even Pting. They've all showed up once, but no more (not yet, at least), so let's talk about the monsters that made one-off appearances, what we thought of them, and how we'd like to see them come back. Panelists: Christopher Bahn, Marcia Franklin Location: Peri’s Panels Pop Culture References in Stranger Things Stranger Things is in a way a love letter to the 80s. Let’s talk about all the pop culture references – both geeky and not. Panelists: David Barsky, Diana Tonn, Kris Coulter Location: Polly’s Panels 8:15-9:15 PM Running Themes in Doctor Who There are some things we have come to expect from each new Doctor. The sonic screwdriver, a catchphrase, and we know there will always be running. What other similarities do we see among the Doctors? Panelists: Bruce Rehberg, Diana Tonn, Kathryn Sullivan Location: Peri’s Panels Trial of a Hogwarts Professor Dolores Umbridge was a controversial professor in Harry Potter. Was she really as evil as she seems? Or was she just trying to protect the children at Hogwarts? Let’s put Dolores Umbridge on trial. Panelists: Don Kaiser, Hugh Gitlin, Karina Lozano, T. Aaron Cisco Location: Polly’s Panels Are you sure that will fit? It’s great that commercial pattern makers are getting onto the Cosplay bandwagon, but do those patterns really fit? We will talk about techniques to alter commercial patterns for different body types, Including sizing up and down, what is ease and why is it important and manipulating the pattern so you can create the look you want. We will also look at the practical application of taking measurements. Then how to use those measurements when building costumes for yourself of for someone else. Panelists: Kat Pepmiller Location: Potts’ Panels 9:00 PM – 1:00 AM The Doctor Dances Join DJs SLT, dv8, and Noise as they present a variety of geek songs, music videos, and dance floor favorites, along with some classic tunes and surprises in-between. We’ll heat up the dance floor, make you boogie, and make you laugh. Location: Martha’s Mainstage 9:30-10:30 PM Writing A Female Doctor The idea of a female Doctor was first discussed in the mid-1980s. Thirty years later we finally got her. How do we think the writers have done at breaking down the stereotypes? Panelists: Karina Lozano, Kathryn Sullivan, Kris Coulter, Robert Smith? Location: Peri’s Panels Game of Thrones – The Final Season The final season of Game of Thrones was controversial, to say the least. What did we like, and what did we dislike? Panelists: Alex Seymour, Diana Tonn, Justine Mastin, T. Aaron Cisco Location: Polly’s Panels 9:30-11:00 PM CONsole Room Variety Hour Join us for music and laughter at our second annual variety show. Hear the comedy stylings of Miss Shannan Paul and Will Spottedbear, and the geek-centric tunes of SlytherPuff. Performers: Miss Shannan Paul, SlytherPuff, Will Spottedbear Location: Elizabeth Shaw’s Event Space 10:45-11:45 PM Cyberman Evolution From Mondas to present, let's discuss how the Cybermen have evolved. Panelists: Christopher Bahn, David Barsky Location: Peri’s Panels Letterkenny What started as a YouTube show has now become a hit show on Hulu. How has this show about a rural Canadian town captured the American audience? Panelists: Jim Soos, Karina Lozano, T. Aaron Cisco Location: Polly’s Panels Saturday 10:15-11:15 AM Video Interview with John Leeson Join Interviewer Jason Tucker in a conversation via satellite with Guest of Honor John Leeson. Hear stories from his time as K9 on Doctor Who, K9 and Company, The Sarah Jane Adventures, and K9. Interviewer: Jason Tucker Location: Martha’s Mainstage Wizard Dueling Club Do you think you have what it takes to be a dueling champion? Test your spell casting skills in rounds of duels. Prizes awarded to those that win the most rounds. Moderators: Kelly Joseph, Marissa Vogt Location: Elizabeth Shaw’s Event Space Happy Who Year! For the first time since Doctor Who came back, we didn't get a Christmas special in 2018, instead getting a New Year's Day 2019 special. Did it work as well? Did it feel any more or less connected to Series 11 as a result? And, more importantly, should this trend continue? Panelists: Kathryn Sullivan, Marcia Franklin Location: Peri’s Panels Who Do You Want to Be? In the world of Cosplay, the possibilities are endless.
Recommended publications
  • Eric Kurlander. Hitler's Monsters
    130 Book Reviews / Correspondences 5 (2017) 113–139 Eric Kurlander. Hitler’s Monsters: A Supernatural History of the Third Reich. New Haven/London: Yale University Press, 2017. ISBN: 9780300189452. Among the steady stream of publications devoted to the relationship between esotericism and National Socialism, Eric Kurlander’s study is one of the rare examples of a serious contribution to an old debate. It offers a most welcome critical perspective that sets it apart from the scholarship of recent decades, most significantly Nicholas Goodrick-Clarke’s The Occult Roots of Nazism (1985) and Corinna Treitel’s A Science for the Soul (2004). In contrast to these studies, which were highly cautious about claiming actual links between esotericism and National Socialism, Kurlander establishes the central argument that “ National Socialism, even when critical of occultism, was more preoccupied by and indebted to a wide array of supernatural doctrines and esoteric practices than any mass political movement of the interwar period.” (xiv) By covering a vast spectrum of topics and sources, and by taking into consideration an impressive amount of secondary literature, the ambitions of Hitler’s Monsters are high: In the three chapters of Part One, Kurlander investigates the emergence of National Socialism since the late 1880s and its relationship to what is termed “the supernatural”; Part Two, again consisting of three chapters, discusses the relationship between the National Socialist state and the supernatural; while the last three chapters of Part Three deal with the period of the Second World War until 1945. Despite a range of important arguments and inspiring thoughts, Hitler’s Monsters is at times a highly problematic book that leaves an ambivalent impression.
    [Show full text]
  • The Truth About Angels
    PROJECT CONNECT PROJECT CONNECT PROJECT CONNECT The Truth About Angels by Donald L. Deffner I grew up during the Great Depression in the early 1930s. My father was a minister. Behind our small home was a dirt alley which led nine blocks to downtown Wichita, Kansas. I can remember when I was a boy the hungry, destitute men who came to the back door begging for food. My mother never turned them down. She shared what little we had, even if only a couple of pieces of bread and a glass of milk. My mother didn’t just say, “Depart in peace! I’ll pray for you! Keep warm and well fed!” (See James 2:16.) No. She acted. She gave. Often I was curious about these mysterious and somewhat scary men. I had a sense that they were “different” than I was, not worse, not better, just different. I always watched these strangers heading back up the alley toward downtown, and sometimes, in a cops-and-robbers fashion, I secretly followed them, jumping behind bushes so I wouldn’t be seen. I think I half expected them to suddenly disappear. After all, my Sunday school teacher, encouraging us to be kind and care for strangers, told us the Bible says that, by doing so, many people have entertained angels without knowing it (see Hebrews 13:2). I never saw any of the men disappear. They were ordinary, hungry human beings. But my Sunday school teacher was right. God does send His angels to us, and they do interact with us—not just to test us and see if we are kind, but to protect us and guide us.
    [Show full text]
  • Ragnarok Worksheet
    Ragnarok 231 RAGNAROK Also known as “the Twilight of the Gods,” Ragnarok, the Norse Doomsday, is the ultimate battle between good and evil—an event similar to the apocalypse of the Bible. According to the Norse myths, Ragnarok will contain a number of specific events, which are related here. But is it the end of the world—or just the beginning of a new one? hat tidings are to be told of Ragnarok? First, there W will come a winter called the Fimbul‐winter, where snow will drive from all quarters, the frost will be so severe, and the winds so keen and piercing that there will be no joy to be found— not even in the sun. There will be three such winters in succession without any intervening summer. Great wars will rage over all the world. Brothers will slay each other for the sake of gain, and no one will spare his father or mother in that carnage. Then a great supernatural tragedy will happen: The two wolves of darkness that have pursued the sun and moon since the beginning of time will finally catch their prey. One wolf will devour the sun, and the second wolf will devour the moon. The stars shall be hurled from heaven. Then it shall come to pass that the earth and the mountains will shake so violently that trees will be torn up by the roots, the mountains will topple down, and all bonds and fetters will be broken and snapped. Loki and the Fenrir‐wolf will be loosed. The sea will rush over the earth, for the Midgard Serpent will writhe in rage and seek to gain the land.
    [Show full text]
  • Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
    A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives.
    [Show full text]
  • Dr. Eric Kurlander Professor of Modern European History Stetson University
    Dr. Eric Kurlander Professor of Modern European History Stetson University Department of History Office: (386) 822-7578 Elizabeth Hall, Unit 8344 (386) 822-7535 421 N. Woodland Blvd. Fax: (386) 822-7544 Stetson University Email: [email protected] Deland, FL 32724 EDUCATION HARVARD UNIVERSITY Cambridge, MA PhD, Modern European History. 2001 MA, Modern European History. 1997 BOWDOIN COLLEGE Brunswick, ME BA, summa cum laude. History and English (minor). 1994 PROFESSIONAL EXPERIENCE Professor, History Department, Stetson University Spring 2015 - present Professor and Chair, History Department, Stetson University Fall 2013 – Fall 2014 Associate Professor and Chair, History Department, Stetson University Fall 2010 – Spring 2013 Visiting Professor and Fulbright Fellow, History Department, Freiburg Pädagogische Hochschule January 2012 – July 2012 Associate Professor, History Department, Stetson University Fall 2007 – Spring 2010 Alexander von Humboldt Fellow, History Department, University of Bonn/Berlin December 2007 – June 2008 Thyssen-Heideking Fellow, Anglo-American Institute, University of Cologne June 2007 – February 2008 Assistant Professor, History Department, Stetson University Fall 2001 – Spring 2007 Assistant Senior Tutor, Currier House, Harvard University Fall 2000 – Spring 2001 Teaching Fellow, History Department, Harvard University Fall 1999 – Spring 2001 SELECTED PUBLICATIONS (2001 – present) Books Hitler’s Monsters: A Supernatural History of the Third Reich. New Haven and London: Yale University Press (under contract). The West in Question: Continuity and Change. v. II. New York and Oxford: Oxford University Press (under contract) Monica Black and Eric Kurlander, eds., Revisiting the Nazi Occult: Histories, Realities, Legacies. Rochester: Camden House, 2015. Joanne Miyang Cho, Eric Kurlander, and Douglas McGetchin, eds., Transcultural Encounters between Germany and India: Kindred Spirits in the Nineteenth and Twentieth Centuries, New York and London: Routledge, 2014.
    [Show full text]
  • The Supernatural World of the Kawaiisu by Maurice Zigmond1
    The Supernatural World of the Kawaiisu by Maurice Zigmond1 The most obvious characteristic at the supernatural world of the Kawaiisu is its complexity, which stands in striking contrast to the “simplicity” of the mundane world. Situated on and around the southern end of the Sierra Nevada mountains in south - - central California, the tribe is marginal to both the Great Basin and California culture areas and would probably have been susceptible to the opprobrious nineteenth century term, ‘Diggers’ Yet, if its material culture could be described as “primitive,” ideas about the realm of the unseen were intricate and, in a sense, sophisticated. For the Kawaiisu the invisible domain is tilled with identifiable beings and anonymous non-beings, with people who are half spirits, with mythical giant creatures and great sky images, with “men” and “animals” who are localized in association with natural formations, with dreams, visions, omens, and signs. There is a land of the dead known to have been visited by a few living individuals, and a netherworld which is apparently the abode of the spirits of animals - - at least of some animals animals - - and visited by a man seeking a cure. Depending upon one’s definition, there are apparently four types of shamanism - - and a questionable fifth. In recording this maze of supernatural phenomena over a period of years, one ought not be surprised to find the data both inconsistent and contradictory. By their very nature happenings governed by extraterrestrial fortes cannot be portrayed in clear and precise terms. To those involved, however, the situation presents no problem. Since anything may occur in the unseen world which surrounds us, an attempt at logical explanation is irrelevant.
    [Show full text]
  • Will This Manhattan Projects Original Artwork Cliffhanger Make Another
    COMICS COSPLAY TV/FILM GAMES SUBMIT CGC Search … Will This Manhattan Projects Original Artwork Cliffhanger Make Another Big Splash? Posted by Mark Seifert March 19, 2014 0 Comments Facebook Twitter Pinterest LinkedIn Tumblr Email Reddit [The Manhattan Projects #18 has been out for a couple weeks, but still — if you haven’t read this issue and plan to, you might want to skip this post for now.] Several years into the digital era for both comics reading and comics production, I still love to look at original comic art up close. The look and feel of the art board, the subtle texture of the ink, the faint traces of changes and corrections… it all adds up to a little extra insight into the time and circumstances behind the comics book’s creation. We’ve mentioned a bunch of noteworthy original art sales here in recent times — from that awe-inspiring Golden Age Action Comics #15 cover by Fred Guardineer, to this Silver Age Fantastic Four #55 page by Jack Kirby, to this Bronze Age classic Amazing Spider- Man #121 cover by John Romita Sr, down to the current record holder for a piece of American comic book art with this Amazing Spider-Man #328 cover by Todd McFarlane. And increasingly, original art sales from much more recent comics are turning heads as well. It’s probably no surprise that Skottie Young original art is highly sought after, or that Walking Dead original art — even panel pages — can command some eye- popping prices. But modern comic art collectors have broadened their interests to many other artists and titles of quality in recent times, such as this Pia Guerra Y: The Last Man panel page that recently went for $1000.
    [Show full text]
  • Episode 47 – “A Very Merry Supernatural Christmas”
    Episode 47 – “A Very Merry Supernatural Christmas” Release Date: December 24, 2018 Running Time: 1 hour, 11 minutes Sally: Kay. Fuck, marry, kill. Sam, Dean, Cas. Emily: Ah, fu-- (laugh) Brie: I feel like that’s easy. (laugh) Emily: That’s super easy. Sally: I just -- we gotta start the episode somehow. Emily: OK, kill Sam, obviously. Brie: Duh. Yeah, no, duh. Yeah. Emily: Yeah. Brie: Yeah. Mm. Sally: (laugh) Emily: Uh, then I guess I’d marry Cas? Brie: Yeah … Sally: Fuck Dean? Emily: Yeah. Sally: That’s where I was sitting too. Brie: Yeah. Sally: So we’re all in agreement. Brie: Yeah. Emily: I just -- Cas actually has a personality I can stand. When he actually develops a personality, which is later, I guess, in the series. Sally: Yeah. Brie: I do think, though, that, like, the emotional parts of Dean -- Emily: Yeah. Brie: If that -- if that was, like, turned on all the time. Marry. Emily: My idealized version of Dean -- Brie: Yeah. Emily: I would marry. Brie: Yeah. Yeah. Emily: But the Dean that’s actually on the show? Mm-mm. Fuckin’ leave. Sally: OK! (all laugh) Emily, singing: Have a holly, jolly Christmas … Sally: Um, earlier I was reading an article called -- Brie: Oh! Oh, yeah. Yeah. Emily: Don’t repeat it. It’s the worst. Sally: (laughing) Emily: I know we’re an explicit podcast, but this might be the line of what’s too explicit. Brie: (laugh) Sally: K, it was an article about monster erotica, and the title of the article is also a title for the book.
    [Show full text]
  • ABSTRACT the Women of Supernatural: More Than
    ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
    [Show full text]
  • A University of Wisconsin Arboretum Narrative: Changing Landscapes and Changing Meaning
    A University of Wisconsin Arboretum Narrative: Changing Landscapes and Changing Meaning Molly Evjen, Andreas Karlsson, Ryan Kelly, Matt Lamb Geography 565 Fall 2010 Abstract As societies change, so too does their relationship with the land. These changing relationships are reflected in and imprinted upon the land on which they live. In order to demonstrate how the landscape of the UW Arboretum has mirrored this changing association with nature through time, we have conducted an environmental history which focuses on four vignettes representing major changes in this relationship. Through research of primary data sources such as historical newsletters, observation, and plat map analysis our research shows that the Arboretum is a palimpsest of landforms and meaning resulting from these changing relationships. Introduction Environmental History is the study of the changing relationship between human beings and the natural world. We believe that the UW arboretum is a landscape that, through time, has been reflective of this changing relationship. Our purpose is to demonstrate how the landscape of the UW Arboretum has changed through time and how these changes reflect a cycle of changing, complex relationships between society and nature. We utilize multiple primary resources in our analysis such as plat maps, CCC newsletters, photographs, observations and personal reflections from our own field journals. We will demonstrate how the UW Arboretum is representative of this changing relationship in a number of ways. It is a reminder of early connections to the land represented by numerous burial mounds. The mounds also symbolize, through the multitude of possible interpretations of their purpose, people’s ever-changing interpretations of our relationship with nature in general.
    [Show full text]
  • Supernatural Dallas Schedule of Events
    SUPERNATURAL DALLAS SCHEDULE OF EVENTS THURSDAY, JUNE 20, 2019 NOTE: Pre-registration is not a necessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days. VENDORS will be open too! PRE-REGISTRATION IS ONLY FOR FULL CONVENTION ATTENDEES WITH EITHER GOLD, SILVER, COPPER OR GA WEEKEND. NOTE: If you have solo, duo or group photo ops with Jared, Jensen, and/or Misha, please VALIDATE at the Photo Op Validation table BEFORE your photo op begins! START END EVENT LOCATION 3:30 PM 7:45 PM Vendors set-up Main Hallway 7:00 PM 9:30 PM BRI & DICK 'S PJ PARTY!!! If you’d like to register tonight, you may join the line after the party ends. SOLD OUT! Spring Glade 7:45 PM 8:30 PM GOLD Pre-registration Main Hallway 7:45 PM 10:00 PM VENDORS ROOM OPEN Main Hallway 8:30 PM 9:00 PM SILVER Pre-registration Main Hallway 9:00 PM 9:30 PM COPPER Pre-registration Main Hallway 9:30 PM 10:00 PM GA WEEKEND Pre-registration plus GOLD, SILVER and COPPER Main Hallway FRIDAY, JUNE 21, 2019 *END TIMES ARE APPROXIMATE. PLEASE SHOW UP AT THE START TIME TO MAKE SURE YOU DON’T MISS ANYTHING! WE CANNOT GUARANTEE MISSED AUTOGRAPHS OR PHOTO OPS. Light Blue: Private meet & greets, Green: Autographs, Red: Theatre programming, Orange: VIP schedule, Purple: Photo ops, Dark Blue: Special Events Photo ops are on a first come, first served basis (unless you're a VIP or unless otherwise noted in the Photo op listing) Autographs for Gold/Silver are called row by row, then by those with their separate autographs, pre-purchased autographs are called first.
    [Show full text]
  • “Who's SS-Scared?” to “Zoinks!”: Scooby Doo and the Embracement
    From “Who’s S-S-Scared?” to “Zoinks!”: Scooby Doo and the Embracement of Technology through the Rejection of the Supernatural Saturday mornings of my childhood always included the cartoon Scooby Doo, which premiered in September of 1969. Requested by Fred Silverman, the head of daytime programming at CBS, Scooby Doo was meant to be a high school version The Many Loves of Dobie Gillis, with the addition that the characters played in a band together and solved mysteries. There was to be a horror feel about the show, since Silverman was a huge fan of horror films. William Hanna and Joseph Barbara’s writers’ first attempt was a literally version of Silverman’s request: A band consisting of five members who solver crimes between gigs, and their dog Too Much. After revision, the show, titled Who’s S-S-Scared?, was rejected by CBS executives for being too scary. It was rejected a second time for being too boring. The final version was based on the dog character, bring comedy into contrast with the “scary,” and Silverman suggested the name of the new dog star be the scat line from Frank Sinatra’s “Strangers in the Night”, “doo-be-doo-be-doo.” Scooby Doo had its beginnings, crushing its competition when it premiered, and 48 years later, it’s still going strong. In this paper, I explore one reason for the cartoon’s success. I argue that through Scooby Doo, Hanna- Barbara and later Warner Bros, are exploring the same fears of industrial revolution – including technical and digital revolution - that Mary Shelley explored in Frankenstein.
    [Show full text]