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National Gallery Ofart
[object] Page 1of8 . ) National Gallery ofArt ttlin Pre Kir Release Date: March 20, 2003 MOST COMPREHENSIVE SHOW EVER OF ART BY ROMARE Press Release BEARDEN PREMIERES AT NATIONAL GALLERY OF ART, Checklist (pdf 386kb) SEPTEMBER 14, 2003 ·JANUARY 4, 2004; NATIONAL TOUR INCLUDES FIVE U.S. CITIES Image List Related Activities Washington, DC--The Art of Romare Bearden, the most AT&T Sponsor comprehensive retrospective ever assembled of the large and diverse Statement (pdf 416kb) body of work by one of America's preeminent 20th-century artists, will be presented by the National Gallery of Art in its East Building, For Press Inquiries Only: September 14, 2003 - January 4, 2004. Approximately 130 works- Deborah Ziska paintings; drawings and watercolors; monotypes and edition prints; (202) 842-6353 collages of diverse materials, including fabrics; photographs; wood [email protected] sculpture; and designs for record albums, costumes and stage sets, and book illustrations--will explore the complexity and scope of the artist's Sarah Holley, Publicist evolution and will feature many rarely exhibited and/or never before (202) 842-6359 reproduced works from private collections. [email protected] Organized by the National Gallery of Art, the exhibition will also be seen with slight variation at the San Francisco Museum of Modern Art, February 7 - May 16, 2004; the Dallas Museum of Art, June 20 - September 12, 2004; The Whitney Museum of American Art, New York, October 14, 2004 - January 9, 2005; and the High Museum of Art, Atlanta, January 29, 2005 - April 24, 2005. "Romare Bearden's art is richly layered, both figuratively and metaphorically, and speaks to people on multiple levels. -
Finding Aid to the Historymakers ® Video Oral History with Arthur Mitchell
Finding Aid to The HistoryMakers ® Video Oral History with Arthur Mitchell Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Mitchell, Arthur, 1934-2018 Title: The HistoryMakers® Video Oral History Interview with Arthur Mitchell, Dates: October 5, 2016 Bulk Dates: 2016 Physical 9 uncompressed MOV digital video files (4:21:20). Description: Abstract: Dancer, choreographer, and artistic director Arthur Mitchell (1934 - 2018 ) was a principal dancer for the New York City Ballet for fifteen years. In 1969, he co-founded the Dance Theatre of Harlem, the first African American classical ballet company and school. Mitchell was interviewed by The HistoryMakers® on October 5, 2016, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_034 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Dancer, choreographer and artistic director Arthur Mitchell was born on March 27, 1934 in Harlem, New York to Arthur Mitchell, Sr. and Willie Hearns Mitchell. He attended the High School of Performing Arts in Manhattan. In addition to academics, Mitchell was a member of the New Dance Group, the Choreographers Workshop, Donald McKayle and Company, and High School of Performing Arts’ Repertory Dance Company. After graduating from high school in 1952, Mitchell received scholarships to attend the Dunham School and the School of American received scholarships to attend the Dunham School and the School of American Ballet. In 1954, Mitchell danced on Broadway in House of Flowers with Geoffrey Holder, Louis Johnson, Donald McKayle, Alvin Ailey and Pearl Bailey. -
Ballet Hispanico 2017 Gala Rocked!
http://thatgirlattheparty.com/ballet-hispanico-gala-2017/ Ballet Hispanico 2017 Gala Rocked! May 25, 2017 – Courtney Henley On May 15th, Ballet Hispánico honored Puerto Rican legendary actress and EGOT winner Rita Moreno with the Toda Una Vida Lifetime Achievement Award, presented by actress Gina Rodriguez, and Ecuadorian-American Pinnacle Group Chairman and CEO Nina Vaca with the Nuestra Inspiración Award, presented by Ralph de la Vega, the former Vice Chairman of AT&T Inc. and CEO of Business Solutions & International, at its annual Carnaval Gala in The Plaza Hotel’s Grand Ballroom, 768 Fifth Avenue, NYC. Cocktails began at 6:30pm with dinner at 7:30pm. There were performances throughout the the 4-course dinner followed by dancing till 11pm. Proceeds, which totaled over $1.1 million, benefit the creation of new Company works, scholarships in the Ballet Hispánico School of Dance, and community arts education programs. For more than 45 years, Ballet Hispánico has empowered and educated the next generation through dance. Through its innovative outreach programs and acclaimed performances, the organization has introduced thousands of young people to a cultural heritage often overlooked in American society. Ballet Hispánico was founded by a Latina leader of its own, National Medal of Arts recipient Tina Ramirez, who infused the organization in 1970 with her mission to provide access to arts education and give voice to the Latino artist. When Eduardo Vilaro became Artistic Director in 2009, he launched a bold and eclectic brand of contemporary dance that reflects America’s changing cultural landscape. He has also established programs that have nurtured a new generation of Latino leaders, many of them female. -
Here Is an Example of a Heading #1
• • • April 5, 2021 Dear Member of Congress, As a National Partner of the National Arts Action Digital Summit 2021, the American Art Therapy Association (AATA) is calling on Congress to increase current support and funding for federal agencies and programs that promote, sustain, and support the arts and the creative arts therapies in all areas of American life. The mission of the AATA is to advocate for expansion of access to professional art therapists and advance art therapy as a regulated mental health profession, working in concert with our 38 state and regional chapters. Art therapy is a mental health profession that enriches the lives of individuals, families, and communities through active art-making, the creative process, and applied psychological theory within a psychotherapeutic relationship. It offers a means of communication for people who cannot find the words to express anxiety, pain, or emotions. Art therapists are clinicians, educators, and researchers with Masters-level degrees or higher, trained in art and psychotherapy. During the Coronavirus pandemic, art therapists have been on the frontlines, both risking their safety in-person as essential workers and supporting Americans via teletherapy through loss, isolation, depression, and other challenges. Art therapists are keenly aware of the serious mental health needs of children and adolescents caused by the pandemic, the consequences of prolonged isolation of older adults, the added toll on LGBTQIA mental health, as well as persistent disparities in access to mental health services among Black, Indigenous, and People of Color (BIPOC) communities. We thank Congress for passing the American Rescue Plan which provided critical support for the arts, mental health, and those who have been disproportionately impacted by the pandemic. -
Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer Is Second Inductee Into Multi-Year Music Icons Series
FOR IMMEDIATE RELEASE Media Contact: Mark Saunders June 5, 2013 [email protected] 202-268-6524 usps.com/news Release No. 13-056 To obtain a high-resolution of the stamp image for media use only, please email [email protected]. Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer is Second Inductee into Multi-Year Music Icons Series NASHVILLE — John Carter Cash, Rosanne Cash, Larry Gatlin, Jamey Johnson, The Oak Ridge Boys, The Roys, Marty Stuart, Randy Travis and other entertainers paid tribute to Johnny Cash as he was inducted today into the Postal Service’s Music Icons Forever stamp series at the Grand Ole Opry’s Ryman Auditorium. “With his gravelly baritone and spare percussive guitar, Johnny Cash had a distinctive musical sound — a blend of country, rock ’n’ roll and folk — that he used to explore issues that many other popular musicians of his generation wouldn’t touch,” said U.S. Postal Service Board of Governors member Dennis Toner. “His songs tackled sin and redemption, good and evil, selfishness, loneliness, temptation, love, loss and death. And Johnny explored these themes with a stark realism that was very different from other popular music of that time.” “It is an amazing blessing that my father, Johnny Cash be honored with this stamp. Dad was a hardworking man, a man of dignity. As much as anything else he was a proud American, always supporting his family, fans and country. I can think of no better way to pay due respect to his legacy than through the release of this stamp,” said singer-songwriter, producer John Carter Cash, Johnny Cash’s son. -
Artistic Director
Robert Geary, Artistic Director PRESENTS Artistic Director MARTIN BENVENUTO Welcome to the Third Annual Festival of New Music for Treble Voices The idea for the festival sprang from the realization that several of the most nationally- and internationally-acclaimed treble choirs, all leaders in commissioning and performing new music, reside in the Bay Area. As a professional choir dedicated to new music, Volti initiated the Festival of New Music for Treble Voices to support performances of this innovative repertoire. Volti is pleased to welcome Martín Benvenuto as the Festival’s artistic director. MARTÍN BENVENUTO, ARTISTIC DIRECTOR Martín Benvenuto has established himself as one of the leading treble choir con- ductors in the San Francisco Bay Area. A native of Buenos Aires, he has been Ar- tistic Director of the Peninsula Women’s Chorus since 2003. Active as a clinician, panelist, and guest conductor, Benvenuto is also Artistic Director of WomenSing, and has served on the faculty of the Piedmont East Bay Children’s Choir. Recognized for his exacting technique, compelling presence, and a passion for drawing the finest choral tone, Benvenuto’s repertoire is extensive, including great landmarks of the treble repertoire as well as works by living composers. His choirs are dedicated to commissioning new works from leading composers such as Libby Larsen, Chen Yi, Stacy Garrop, Charles Griffin, Cristián Grases, Brian Holmes, and David Conte. His choirs have earned high marks in international competitions in Argentina, South Africa, Canada, Hungary, and Spain. Of particular note is third prize awarded to the PWC at the Béla Bártok International Choir Competition, one of the most com- petitive and prestigious in the European circuit. -
Marian Anderson Award Gala Performance Assembles World
FOR IMMEDIATE RELEASE CONTACT: Laura Feragen, 215-793-0310| [email protected] Jesson Geipel, 215-893-3136| [email protected] MARIAN ANDERSON AWARD GALA PERFORMANCE ASSEMBLES WORLD-RENOWNED TALENT TO HONOR JAMES EARL JONES Operatic Tenor Lawrence Brownlee and Rising Star Christian Eason to Join the Stage with The Philadelphia Orchestra PHILADELPHIA (November 8, 2012) – The Marian Anderson Award today announced that it has assembled world-renowned talent to honor this year’s recipient, James Earl Jones, at a Gala Concert on Monday, November 19, 2012, at the Kimmel Center for the Performing Arts at 8:30 p.m. The evening will include performances by international sensation Lawrence Brownlee and local rising star Christian Eason, as well as The Philadelphia Orchestra under the baton of Assistant Conductor Cristian Macelaru. Performing a musical tribute will be international jazz, pop and R & B recording artist Jean Carne, appearing with Emmy Award winning composer/ arranger/musical director and keyboardist Bill Jolly. The Concert will be hosted by celebrated actor and Screen Actors Guild Award-recipient Terrence Howard, with a special appearance by critically acclaimed actress and Tony Award-winner Phylicia Rashad, “This year’s performers are nothing short of extraordinary,” said J. Patrick Moran, executive director of the Marian Anderson Award. “All possess a dedication to their art, which speaks to the life of Ms. Anderson and the mission of the Award.” Lawrence Brownlee is one of the most consistently sought-after operatic tenors on the international scene. He is praised for the beauty of his voice, his seemingly effortless technical agility, and his engaging dramatic skills. -
The National Arts Awards Chair
1 Edye and Eli Broad salute Americans for the Arts and 2 tonight’s honorees for their commitment ensuring broad access to the arts 2014 Americans for the Arts National Arts Awards Monday, October 20, 2014 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Outstanding Contributions to the Arts Award Legacy Award American Legion Auxiliary Madeleine H. Berman Presented by Nolen V. Bivens, Presented by Anne Parsons Brigadier General, U.S. Army, (Ret) Accepted by Janet Jefford Lifetime Achievement Award Richard Serra Eli and Edythe Broad Award for 3 Presented by Jennifer Russell Philanthropy in the Arts Vicki and Roger Sant Arts Education Award Presented by The Honorable Christopher J. Dodd P.S. ARTS Presented by Ben Stiller Bell Family Foundation Young Artist Award Accepted by Joshua B. Tanzer David Hallberg Presented by RoseLee Goldberg Dinner Closing Remarks Robert L. Lynch introduction of Maria Bell Abel Lopez, Chair, Americans for the Arts Vice Chairman, Americans for the Arts Board of Board of Directors Directors and Chair, National Arts Awards and Robert L. Lynch Greetings from the Board Chair and President It is our pleasure to welcome you to our annual Americans for the Arts National Arts Awards. Tonight we again celebrate a select group of cultural leaders— groundbreaking artists, visionary philanthropists, and two outstanding nonprofit organizations—who help ensure that every American has access to the transformative power of the arts. We gratefully acknowledge the contributions of all of our honorees. In this time of increasing challenges to our nation’s security and the sacrifices made by our servicemen and women and their families, we are especially pleased to recognize the American Legion Auxiliary, one of our many partners in the work we do with the military and veterans on the role of the arts & healing. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
San-Antonio-300-Years-Of-History.Pdf
Copyright © 2020 by Texas State Historical Association All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions,” at the address below. Texas State Historical Association 3001 Lake Austin Blvd. Suite 3.116 Austin, TX 78703 www.tshaonline.org IMAGE USE DISCLAIMER All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law. For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner. Dear Texas History Community, Texas has a special place in history and in the minds of people throughout the world. Texas symbols such as the Alamo, oil wells, and even the shape of the state, as well as the men and women who worked on farms and ranches and who built cities convey a sense of independence, self-reliance, hard work, and courage. -
Annual Report 2014
annual report 1 From the Financials Public support Board Chair & CEO Contributions & Special Events 759,278 United Way 647,622 As we move into the next century of Grants 174,070 Girl Scouting, we continue to be a Total Public Support 1,580,970 part of girls’ changing lives and interests and we look to the girls Revenues to lead, as they have done for the Product Sales, net 3,064,438 past 102 years. Program Fees 600,819 Retail Sales, net 189,901 This year we have created more Investment Income 216,927 opportunities for girls to learn and In-kind contributions 55,047 grow, from launching our Girl Genius Other 40,325 after school tutoring program to Total Revenues 4,167,457 expanding Camp Metro at the West Side Girl Scout Leadership Center (WSGSLC). The west side center has Total Public Support & Revenues 5,748,427 seen its monthly average participation rate double through Girl Scout programming as well as volunteer and caregiver enrichment Expenses sessions. And in summer 2014 more than 1,100 girls attended Camp Program services 5,153,999 Metro, experiencing a traditional Girl Scout day camp in an urban Supporting services 583,758 setting at the WSGSLC, again nearly doubling the number of girls Fundraising 235,489 served compared to the prior year. As we continue to provide new Total Expenses 5,973,246 opportunities for girls to gain the skills they need to make a lasting impact on their communities, girls and their families utilize the program to their fullest potential. Our Girl Genius after school Change in net assets (224,819) tutoring program has increased participation by 150% for the 2014- Net assets at beginning of year 13,023,015 2015 school year. -
2005-2006 SAC Catalog
Volume 78 Number 6 May 2005 A college of the Alamo Community College District. www.ACCD.edu/sac BULLETIN 2005-06 San Antonio College is approved and accredited by the Southern Association of Colleges and Schools (1866 Southern Lane, Decatur, GA 30033, telephone: 404/679-4501), the American Dental Association Commission on Dental Accreditation, the Commission on Accreditation of Allied Health Education Programs (CAAHEP), on recommendation of the Curriculum Review Board of the American Association of Medical Assistants Endowment (AAMAE), the Texas Educational Theatre Association, the Texas Association of Music Schools, the National League for Nursing, the Board of Nurse Examiners for the State of Texas, the American Board of Funeral Service Education, and the Community College Journalism Association. San Antonio College is a member of the American Association of Community Colleges, the Southern Association of Junior Colleges and the Service Member Opportunity College. This bulletin contains policies, regulations, procedures, and course content effective at the beginning of the Fall semester 2005. San Antonio College reserves the right to make changes at any time to reflect current Board policies, administrative regulations and procedures, and applicable State and Federal regulations. The provisions of this bulletin are subject to change without notice and do not constitute a contract between any student and the college. The Alamo Community College District including its affiliate colleges does not discriminate on the basis of race, religion, color, national origin, sex, age or disability with respect to access, employment, programs, or services. Inquiries or complaints concerning these matters should be brought to the attention of: EEO Official/Director of Human Resources Title IX Coordinator, Human Resources Department 201 W.