Saint Dominic

Total Page:16

File Type:pdf, Size:1020Kb

Saint Dominic Saint Dominic For the village in Cornwall, see St Dominic, Cornwall. For Places and churches named after St Dominic, see St Dominic (Disambiguation). Saint Dominic (Spanish: Santo Domingo), also known as Dominic of Osma and Dominic of Caleruega, of- ten called Dominic de Guzmán and Domingo Félix de Guzmán (1170 – August 6, 1221), was a Spanish priest and founder of the Dominican Order. Dominic is the patron saint of astronomers. 1 Life 1.1 Birth and parentage Dominic was born in Caleruega,[3] halfway between Osma and Aranda de Duero in Old Castile, Spain. He was named after Saint Dominic of Silos, who is said to be the patron saint of hopeful mothers. The Benedictine abbey of Santo Domingo de Silos lies a few miles north of Caleruega. In the earliest narrative source, by Jordan of Saxony, Do- minic’s parents are not named. The story is told that be- Saint Dominic saw the need for a new type of organization to fore his birth his barren mother made a pilgrimage to Si- address the spiritual needs of the growing cities of the era, one los and dreamed that a dog leapt from her womb carry- that would combine dedication and systematic education, with ing a torch in its mouth, and “seemed to set the earth on more organizational flexibility than either monastic orders or the fire”. This story is likely to have emerged when his order secular clergy. became known, after his name, as the Dominican order, Dominicanus in Latin and a play on words interpreted as 1.2 Education and early career Domini canis: “Dog of the Lord.” Jordan adds that Do- minic was brought up by his parents and a maternal uncle who was an archbishop.[4] He was named in honour of Dominic was educated in the schools of Palencia (they Dominic of Silos. The failure to name his parents is not became a university soon afterwards) where he devoted six years to the arts and four to theology.[8] In 1191, when unusual, since Jordan wrote a history of the Order’s early [9] years, rather than a biography of Dominic. A later source, Spain was desolated by famine, young Dominic gave still of the 13th century, gives their names as Juana and away his money and sold his clothes, furniture and even Felix.[5] Nearly a century after Dominic’s birth, a local precious manuscripts to feed the hungry. Dominic re- author asserted that Dominic’s father was “vir venerabilis portedly told his astonished fellow students: “Would you have me study off these dead skins, when men are dying et dives in populo suo” (“an honoured and wealthy man in [10] his village”).[6] The travel narrative of Pero Tafur, writ- of hunger? extquotedbl In 1194, around age twenty- five, Dominic joined the Canons Regular in the canonry ten circa 1439 (about a pilgrimage to Dominic’s tomb in [11] Italy), states that Dominic’s father belonged to the family of Osma, following the rule of Saint Benedict. de Guzmán, and that his mother belonged to the Aça or In 1203 or 1204 he accompanied Diego de Acebo, the Aza family.[7] Dominic’s mother, Jane of Aza, was beat- Bishop of Osma, on a diplomatic mission for Alfonso ified by Pope Leo XII in 1828.[3] VIII, King of Castile, namely to secure a bride in 1 2 1 LIFE His chapel at Basilica of San Domenico, Bologna San Domenico Guzman – Fresco in Cantarana – Denise Schenardi, 2007 Christian religious sect with gnostic and dualistic be- liefs, which the Roman Catholic Church deemed hereti- cal. The negotiations ended successfully, but the princess died before leaving for Castile.[3] 1.3 Foundation of the Dominicans In 1215, Dominic established himself, with six follow- ers, in a house given by Peter Seila, a rich resident of Toulouse.[13] He subjected himself and his companions to the monastic rules of prayer and penance; and meanwhile bishop Foulques gave them written authority to preach In this painting depicted the Virgin giving the rosary to Saint Do- throughout the territory of Toulouse.[14] minic. In the scene also appear Fray Pedro de Santa María Ul- loa, Saint Catherine of Siena and Servant of God, Mary of Jesus In the same year, the year of the Fourth Lateran Coun- de León y Delgado. The fresco is located in the Church of Santo cil, Dominic and Foulques went to Rome to secure the Domingo in San Cristóbal de La Laguna (Tenerife, Spain). approval of the Pope, Innocent III. Dominic returned to Rome a year later, and was finally granted written au- thority in December 1216 and January 1217 by the new Denmark for crown prince Ferdinand.[12] The envoys pope, Honorius III for an order to be named “The Order traveled to Denmark via Aragon and the south of France. of Preachers” (“Ordo Praedicatorum”, or “O.P.,” popu- There, Dominic and Diego encountered the Cathars, a larly known as the Dominican Order). 3 1.4 Later life elicited from his lips nothing but praises to God”.[29] Dominic died at the age of fifty-one, according to Blessed Cecilia Caesarini, who was received by St. Do- Guiraud “exhausted with the austerities and labours of his minic into his new order, in her old age described him career”.[32] He had reached the convent of St Nicholas at as extquotedbl...thin and of middle height. His face was Bologna, Italy, “weary and sick with a fever”.[32] Guiraud handsome and somewhat fair. He had reddish hair and states that Dominic “made the monks lay him on some beard and beautiful eyes. ...His hands were long and fine sacking stretched upon the ground”[32] and that “the brief and his voice pleasingly resonant. He never got bald, time that remained to him was spent in exhorting his fol- though he wore the full tonsure, which was mingled with lowers to have charity, to guard their humility, and to a few grey hairs.[15] make their treasure out of poverty”.[33] He died at noon on 6 August 1221.[25] Although he traveled extensively to maintain contact with his growing brotherhood of friars,[16] Dominic made his headquarters at Rome.[17] In 1219 Pope Honorius III in- vited Saint Dominic and his companions to take up res- idence at the ancient Roman basilica of Santa Sabina, which they did by early 1220. Before that time the fri- ars had only a temporary residence in Rome at the con- vent of San Sisto Vecchio which Honorius III had given to Dominic circa 1218 intending it to become a con- vent for a reformation of nuns at Rome under Dominic’s guidance. The official foundation of the Dominican con- vent at Santa Sabina with its studium conventuale, the first Dominican studium in Rome, occurred with the legal transfer of property from Pope Honorius III to the Order of Preachers on June 5, 1222 though the brethren had taken up residence there already in 1220.[18] The studium at Santa Sabina was the forerunner of the studium gen- erale at Santa Maria sopra Minerva. The latter would be transformed in the 16th century into the College of Saint Thomas (Latin: Collegium Divi omæ), and then in the 20th century into the Pontifical University of Saint Thomas Aquinas, Angelicum sited at the convent of Saints Dominic and Sixtus. It was in the winter of 1216–1217, at the house of Ugolino de' Conti that he first met William of Montferrat, Dominican friar, afterwards a close friend.[19] Dominic arrived in Bologna on 21 December 1218.[20] A convent was established at the Mascarella church by the Blessed Reginald of Orléans.[21] Soon afterwards they had to move to the church of San Nicolò of the Vineyards.[22] Dominic settled in this church and held Pedro Berruguete, St Dominic Presiding over an Auto de fe in this church the first two General Chapters of the (around 1495[34]). order.[23][24] He died there on 6 August 1221 and was moved into a simple sarcophagus in 1233.[25][26] In 1267 Dominic’s remains were moved to the shrine, 2 Inquisition made by Nicola Pisano and his workshop.[26] According to Guiraud, Dominic abstained from meat,[27] What part Dominic personally had in the proceed- “observed stated fasts and periods of silence”,[28] “se- ings of the Medieval Inquisition has been disputed for lected the worst accommodations and the meanest centuries.[35] The historical sources from Dominic’s own clothes”, and “never allowed himself the luxury of a time period tell us nothing about his involvement in the bed”.[29][30] “When travelling, he beguiled the journey Inquisition.[36] As one recent historian states: “Was Do- with spiritual instruction and prayers” (also Guiraud).[31] minic the first of the inquisitors? The answer is cate- Guiraud also states that “as soon as Dominic passed the gorically: By no means! Simple chronology suffices to limits of towns and villages, he took off his shoes, and, resolve the problem: Dominic died in 1221, and the of- however sharp the stones or thorns, he trudged on his fice of the Inquisition was not established until 1231 in way barefooted”,[29] and that “rain and other discomforts Lombardy and 1234 in Languedoc.” [37] In fact, several 4 5 REFERENCES early Dominicans did become inquisitors.[38] But later on, 4 See also the difference between Dominic and some of his early followers would be obscured. For example, in the 15th • Arca di San Domenico: shrine containing the re- century, the Spanish Inquisition commissioned the artist mains of Saint Dominic Peter Beruguette to depict Dominic presiding at an auto da fé.
Recommended publications
  • December Saints
    Saint of the Day December December 1: St. Edmund Campion, Martyr St. Edmund Campion was born in 1540 in Protestant London. An exceptionally bright child, he was given a good education. He went to Oxford in 1557, during the last year of Catholic Queen Mary’s reign. In 1566, he was given the honor of leading a debate in front of Queen Elizabeth I, who was impressed by him. He became a deacon in Church of England, but soon regretted it. He left England to enter a Catholic seminary in France and became a Jesuit in 1573. He knew then that he desired to return to England and secretly minister to Catholics there, despite the dangers. In 1580, St. Edmund went back to England disguised as a jewel merchant. He secretly preached and said Masses for one year before he was arrested, imprisoned and martyred in 1581. St. Edmund is one of the Forty Martyrs of England and Wales. December 2: St. Bibiana, Virgin and Martyr St. Bibiana was an early Christian martyr, probably living during the late 4th century in Rome. Christianity had been made legal by Constantine, but persecutions continued. Bibiana’s parents were martyred, leaving Bibiana and her sister Demetria alone in poverty. They fasted and prayed, refusing to give up their faith. Demetria died of hunger and Bibiana, after undergoing harsh questioning, died a few days later. Their home was turned into a church, and is now the site of the Basilica of Santa Bibiana. December 3: St. Francis Xavier St. Francis Xavier was born in Spain in 1506.
    [Show full text]
  • Bologna Nei Libri D'arte
    Comune di Bologna Biblioteca dell’Archiginnasio Bologna nei libri d’arte dei secoli XVI-XIX Biblioteca dell’Archiginnasio Piazza Galvani 1, 40124 Bologna www.archiginnasio.it L’immagine della copertina è tratta dal frontespizio del volume: GIAMPIETRO ZANOTTI, Le pitture di Pellegrino Tibaldi e di Niccolò Abbati esistenti nell’Instituto di Bologna descritte ed illustrate da Giampietro Zanotti segretario dell’Accademia Clementina, In Venetia, presso Giambatista Pasquali stampatore e libraio all’Insegna della felicità delle lettere, 1756. Comune di Bologna Biblioteca dell’Archiginnasio Bologna nei libri d’arte dei secoli XVI-XIX a cura di Cristina Bersani e Valeria Roncuzzi Biblioteca dell’Archiginnasio 16 settembre – 16 ottobre 2004 Bologna, 2004 L’esposizione organizzata dall’Archiginnasio rientra nel programma delle manifestazio- ni promosse in occasione del Festival del libro d’arte (Bologna, 17-19 settembre 2004). e si svolge col patrocinio del Ministero per i Beni e le Attività Culturali Ministero degli Affari Esteri Alma Mater Studiorum Associazione Bancaria Italiana Associazione fra le Casse di Risparmio Italiane Si ringraziano per la collaborazione: Adriano Aldrovandi, Caterina Capra, Paola Ceccarelli, Saverio Ferrari, Vincenzo Lucchese, Sandra Saccone, Rita Zoppellari Un ringraziamento particolare a Pierangelo Bellettini e alla professoressa Maria Gioia Tavoni Allestimento: Franco Nicosia Floriano Boschi, Roberto Faccioli, Claudio Veronesi Fotografie: Fornasini Microfilm Service Ufficio Stampa: Valeria Roncuzzi Biblioteca dell’Archiginnasio Piazza Galvani 1, 40124 Bologna www.archiginnasio.it INFO: tel. 051 276811 - 051 276813; FAX 051 261160 Seconda edizione riveduta ed ampliata La proprietà artistica e letteraria di quanto qui pubblicato è riservata alla Biblioteca Comunale dell’Archiginnasio di Bologna e per essa al Comune di Bologna.
    [Show full text]
  • Terracotta Tableau Sculpture in Italy, 1450-1530
    PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy.
    [Show full text]
  • 7 Colonne E Marmi Colorati Delle Chiese Di Roma Nelle
    INDICE INTRODUZIONE Pag. 1 STORIA DEGLI STUDI SUL REIMPIEGO » 7 COLONNE E MARMI COLORATI DELLE CHIESE DI ROMA NELLE OPERE DI FAUSTINO CORSI, FRANCESCO BELLI E L'lNTERESSE ERUDITO SULLA QUALITÄ E ORIGINE DEI MARMI NEGLI STUDI DEL XIX SECOLO . » 9 L'lNTERPRETAZIONE DEL FENOMENO DEL REIMPIEGO NEGLI STUDI DEL XX E DEL XXI SECOLO . » 10 IL QUADRO LEGISLATIVO E LA PRASSI »21 PREMESSA ............... 23 DALL'ETA TARDO REPUBBLICANA ALLA FINE DEL III SEC. D.C. ........ 24 Appendice I: leggi e disposizioni sulle demolizioni e sul riuso dei materiali . » 26 DALL'ETÄ COSTANTINIANA ALLA CADUTA DELL'IMPERO ROMANO D'OCCIDENTE . » 27 Premessa .............. 27 Ii periodo da Costantino a Valentiniano 1 . » 27 Ii periodo da Teodosio I a Maiorano .......... 28 Trasformazione in chiese di edifici con altre funzioni e le disposizioni suU'abbattimento dei templi 29 Conclusione .............. 33 PERIODO OSTROGOTO E BIZANTINO . » 34 Appendice II: legislazione sugli edifici pubblici, sul divieto dei sacrifici e sulla chiusura dei templi ............. 34 Appendice III: fonti sull'ediliza teodoriciana nelle Variae di Cassiodoro . » 40 PERIODO MEDIEVALE . » 41 REIMPIEGO E PROGETTAZIONE ARCHITETTONICA DALL'ETÄ TARDO REPUBBLICANA AL III SEC. D.C »43 Colosseo ............... 48 PORTICO IN SUMMA CAVEA . » 51 FUSTI ............... 53 CAPITELLI............... 56 1 - Capitelli corinzi ad acanthus mollis ......... 56 2 - Capitelli corinzi asiatici ad acanthus spinosus . » 58 3 - Capitelli corinzi a foglie lisce . » 59 4 - Capitelli corinzi sbozzati........... 60 5 - Capitelli figurati ........... y> 60 6 - Capitelli compositi ad acanthus mollis . » 61 7 - Capitelli compositi a foglie lisce ......... 62 8 - Capitelli ionici lisci ........... 64 Pensabene, Patrizio digitalisiert durch: Roma su Roma IDS Basel Bern VIII ROMA SU ROMA BASI 64 1 - Basi attiche semplici ..........
    [Show full text]
  • Dell' Accademia Di Palermo
    DELL’ ACCADEMIA DI PALERMO DI PALERMO ACCADEMIA DELL’ DELL’ ACCADEMIA DI PALERMO CONOSCENZA, CONSERVAZIONE E DIVULGAZIONE SCIENTIFICA Musei e siti delle opere originali National Gallery of Art - Washington (D.C.) Museo dell'Hermitage di S. Pietroburgo British Museum, Londra Royal Academy, Londra Musée del Louvre di Parigi Grande Museo del Duomo - Milano Gipsoteca di Possagno Galleria degli Uffizi - Firenze Galleria dell’Accademia - Firenze Museo Nazionale del Bargello - Firenze Battistero di San Giovanni – Firenze Museo dell’Opera del Duomo - Firenze Musei Vaticani – Città del Vaticano Museo Gregoriano profano - Città del Vaticano Musei Capitolini – Roma Museo dell’Ara Pacis -Roma Museo Nazionale Romano di Palazzo Altemps, Roma Museo Nazionale Romano di Palazzo Massimo - Roma Galleria Borghese - Roma Museo Archeologico di Napoli Duomo - Monreale Galleria Interdisciplinare Regionale della Sicilia di Palazzo Abatellis - Palermo Galleria d'Arte Moderna (GAM) - Palermo Palazzo dei Normanni - Palermo Palazzo Ajutamicristo - Palermo Chiesa e Oratorio di S. Cita - Palermo Oratorio del Rosario in San Domenico - Palermo Cattedrale - Palermo Chiesa di S. Agostino - Palermo Chiesa di S. Maria della Catena - Palermo Museo Pepoli di Trapani Chiesa di S. Maria La Nova - Palermo Chiesa di Santa Maria dello Spasimo - Palermo Teatro Massimo - Palermo Palazzo Sottile - Palermo Museo Archeologico, Olimpia Palazzo della Cassa di Risparmio Vittorio Emanuele - Palermo Museo Interdisciplinare Regionale “A.Pepoli” - Trapani Museo Archeologico, Atene Museo Interdisciplinare Regionale “M. Accascina” - Messina LA GIPSOTECA DELL’ ACCADEMIA DI BELLE ARTI DI PALERMO conoscenza, conservazione e divulgazione scientifica a cura di Giuseppe Cipolla 1 fotografco di Palazzo MIUR – Ministero DIRETTORE CATALOGO RINGRAZIAMENTI dell’Istruzione, dell’Università Mario Zito a cura di Giuseppe Cipolla Abatellis, Palermo Il Direttore, i coordinatori del SOMMARIO e della Ricerca N.
    [Show full text]
  • CPR Newsletter Issue 7Full
    CONFRATERNITY OF PILGRIMS TO ROME NEWSLETTER August 2009 No. 7 Contents 3 Editorial Alison Raju Chris George 4 Why me? Chris George 6 Rome for the modern pilgrim, 4: the Christianisation of Rome – churches built between Constantine’s move to the east and the fall of Rome in 410. Howard Nelson 25 Notes from a Pilgtim in England Jim Peele 26 The final stage of the Via Francigena into Rome from the south along the Appian Way Alberto Alberti 29 Santiago to Rome via Lourdes – reprise Ann Milner 36 Book Reviews William Marques Ann Milner 38 Letter to the Editor William Marques 39 Secretary's Notebook Bronwyn Marques Editorial This is the seventh issue of the Confraternity of Pilgrims to Rome's Newsletter. There are five articles, two book reviews, one Letter to the Editor and the section entitled “Secretary's Notebook,” containing short items of information likely to be of interest to our members. For technical reasons it has not been possible to include the customary list of additions to the CPR library but this will be rectified in the December issue. Chris George, asking “Why me?”, writes about writes about the gift of friendship, hospitality and unmerited kindness that pilgrims can experience along their way. Howard Nelson resumes his series of articles exploring the extraordinary richness that Rome presents to the modern pilgrim, with the fourth one dealing with the Christianisation of Rome and the churches built between Constantine’s move to the east and the fall of Rome in 410. Jim Peele tells us briefly about his walk not from but towards Canterbury, Alberto Alberti describes the final stage of the Via Francigena into Rome from the south along the Appian Way while Ann Milner writes about a re-exploration of part of the Pyrenean section her journey from Santiago to Rome via Lourdes.
    [Show full text]
  • St. Dominic Catholic Church Tuesday 7/27 5:30Pm Tom Bontje by Roger & Deb Kleinschmit 800 E Walnut Canton, SD 57013
    Liturgical Schedule St. Dominic Catholic Church Tuesday 7/27 5:30pm Tom Bontje By Roger & Deb Kleinschmit 800 E Walnut Canton, SD 57013 Thursday 7/29 Herb Ulrikson 8:30am By Rick & Gail Viereck July 25th, 2021 Saturday 7/31 17th Sunday in Ordinary Time Stan Wolf Lector, EM, 4:30pm By Racine Kimball Servers Please Volunteer 9th Sunday After Pentecost Sunday 8/1 Wayne Mitchell Lector , EM , 8:30am By Tom Konechner Servers Please Volunteer Traditional Latin Mass 2pm Parishioners of St. Dominic & St. Magdalen X Sunday after Pentecost Collections 7/18/2021 Envelopes & $1820.00 Online Loose $167.00 TLM $795.00 Total $2782.00 CFSA Goal $20,600 Collected $21,232 The Miracle of the Loaves and Fishesca. 1545–50 Jacopo Tintoretto (Jacopo Robusti) Italian Please Keep in Your Prayers…. Phone: (605)764-5640 Nursing Home and Assisted Living residents: Betty Parr, Jeanne Oliver, Margaret Baldwin Email: [email protected] Pastor: Fr. Martin Lawrence [email protected] Those who are ill, undergoing treatment, in need of healing and all especially in need of our prayers: Website: www.stdominiccanton.org Jeannette Koch, Fr. Rader, Fr. Dana Christensen, Benjamin Coad, Kim McNulty, Andy Veldhuizen Parish Staff For the homebound, our country and its leaders, for respecting life in all stages, for the Pope, all priests and religious, and the Pastor: Fr. Lawrence Sacraments health and safety of our American Troops. Parish Office Hours Secretary: Amy Buitenbos Reconciliation: 1/2 hour prior to Week- DRE: Amy Buitenbos 7/24 Victoria Rakus, 7/25 Ron Desmet, Michael Gubbels, 7/29 Jean Brown, Tues/Thurs 8a-12:30pm & end Mass, & by appointment Those Celebrating Birthdays Custodian: Troy Young Evenings as needed Baptism: Contact Fr.
    [Show full text]
  • Scarica L'anteprima Del Libro
    Domenicani 44 ANGELO OTTAVIANO PIAGNO IL CONVENTO PATRIARCALE DI SAN DOMENICO Edizioni Studio Domenicano Tutti i libri e le altre attività delle Edizioni Studio Domenicano possono essere consultate su: www.edizionistudiodomenicano.it Tutti i diritti sono riservati © 2019 - Edizioni Studio Domenicano - www.edizionistudiodomenicano.it - Via dell’Osservanza 72, 40136 Bologna, 051 582034. L’Editore è a disposizione degli aventi diritto con i quali non è stato possibile comunicare. I diritti di traduzione, di memorizzazione elettronica, di riproduzione e di adattamento totale o par - ziale con qualsiasi mezzo, compresi i microfilm, le fotocopie e le scannerizzazioni, sono riservati per tutti i Paesi. Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% del volume dietro pagamento alla SIAE del compenso previsto dall’art. 68, commi 4 e 5, della legge 22/04/1941, n. 633. Le riproduzioni diverse da quelle sopra indicate, e cioè le riproduzioni per uso non personale (a titolo esemplificativo: per uso commerciale, economico o professionale) e le riproduzioni che superano il limite del 15% del volume possono avvenire solo a seguito di specifica autorizzazione scritta rilasciata dall’Editore oppure da AIDRO, Corso di Porta Romana 108, 20122 Milano, segre - [email protected] L’elaborazione dei testi, anche se curata con scrupolosa attenzione, non può comportare specifiche responsabilità per eventuali involontari errori o inesattezze. S OMMARIO PRESENTAZIONE 9 SECOLO XIII 11 1 - Una stentata prima presenza 11 2 - Arriva
    [Show full text]
  • A Taxonomy of Art Patronage in Renaissance Italy Sheryl E
    1 A Taxonomy of Art Patronage in Renaissance Italy Sheryl E. Reiss On November 25, 1523, Michelangelo wrote from Florence to his stonecutter Topolino in Carrara with important news: “You will have heard that Medici has been made pope, because of which, it seems to me, everyone is rejoicing and I think that here, as for art, there will be much to be done.”1 Michelangelo spoke of Cardinal Giulio de’ Medici, who had been elected Pope Clement VII two days before. This passage reveals the necessarily symbiotic relationships of patrons and artists in early modern Italy. Each depended upon the other to secure their repu- tations by bringing works of art and architecture into existence. Although the strategies employed by artists and patrons were often mutually reinforcing, some- times relations between them were adversarial. Patrons in Renaissance Italy promoted personal, familial, and group renown by requesting works from – and fostering the careers of – famous or promising artists. Just as artists in this period often competed for the attention of patrons, patrons frequently competed for the services of successful artists. While artists of the caliber of Michelangelo, Raphael, or Titian often manipulated the patronage game to great advantage, most painters, sculptors, and architects in the period functioned within a deeply entrenched sociocultural system of mutual dependency. Even in the case of Michelangelo (who had, to paraphrase William Wallace, “reversed the rules of patronage”), in a painting for the Casa Buonarroti, his Seicento descendants had him depicted in the mode of a traditional presentationCOPYRIGHTED image, in which artist MATERIAL was subservient to patron (fig.
    [Show full text]
  • Dominican History Newsletter 5 (1996)
    INSTITUTUM HISTORICUM ORDINIS FRATRUM PRAEDICATORUM DOMINICAN HISTORY NEWSLETTER BULLETIN D'HISTOIRE DOMINICAINE BOLLETTINO DI STORIA DOMENICANA V 1996 ROMAE 1996 ABBREVIATURAE Ad perspicuitatem bibliographiarum servandam abbreviaturas quam maxime vitandas censuit redactor. His tamen uti quae sequuntur visum est, ne eadem saepius piene citata paginam inutiliter gravent: AFP Archivum Fratrum Praedicatorum AGOP Archivum Generale OP (Convento di S.Sabina, Piazza P. d'Il­ liria 1, 00153 Roma, Italia) ASOP Analecta Sacri Ordinis Fratrum Praedicatorum BG Bibliographia generalis in hoc volumine edita Comp. Compendia dissertationum in hoc volumine edita CP R.Coulon & A.Papillon OP, Scriptores Ordinis Praedicatorum 1701-1750 (Roma & Paris in pluribus fasciculis 1909-1934, denuo in duobus voluminibus apud Bibl. SJ, heverlee 1961 ). DHN Dominican History Newsletter Diss. Tabula dissertationum in hoc volumine edita Documents Documents pour servir à l'Histoire de l'Ordre de Saint-Domi­ nique en France KP Thomas Kaeppeli OP - Emilio Panella OP, Scriptores Ordinis Praedicatorum Medii Aevi (S.Sabina, Roma 1970-94) MOPH Monumenta Ordinis Praedicatorum Historica Not. Var. Notitiae variae in hoc volumine editae QE J.Quétif & J.Échard OP, Scriptores Ordinis Praedicatorum (Paris 1719-1721) 2 voli. QF Quellen und Forschungen zur Geschichte des Dominikaner­ ordens (in Deutschland) RP Repertorium peritorum (1996) in hoc volumine editum In omnibus bibliographiis scripta recentius edita (1988-1993) asterisco ('') notantur. 2 Voi. V, 1996 PRAEFATIO REDACTORIS Pro hoc fasciculo redigendo, quia multa alia inserenda erant, totam seriem unius tantum periodici scrutatus sum, Escritos del Vedat. Ut promisi autem Repertorium Peritorum integrum renovavi, inde excludens paucos qui nobiscum communicationem non iam tenent; bibliographiae tamen et cetera quae iam in fasciculis praeteritis nuntiata sunt hic non iterum eduntur.
    [Show full text]
  • Volume 11, 2008 158 the Shepherd Goes to War: Santo Domingo Revisited Martha M. Daas Old Dominion
    Martha M. Daas 158 The Shepherd Goes to War: Santo Domingo Revisited Martha M. Daas Old Dominion University The thirteenth century was witness to a revolution in personal piety and the Camino de Santiago represented this new age. Pilgrimage in the Middle Ages became not only a symbol of devotion, but also a powerful method of active participation in one’s own salvation.1 The importance of this burgeoning individualism is reflected by the miracle tales of a saint who is connected both spiritually and geographically to Santiago and his trail. Like the miracles attributed to the patron saint, the miracles of Santo Domingo de Silos, as they are interpreted by Gonzalo de Berceo, reflect this revolution in personal piety. In Berceo’s hagiography, Santo Domingo turns from intercessor and healer to liberator who actively seeks to reward those who demonstrate external practices of devotion. By the thirteenth century, the monastery San Millán de la Cogolla was one of the largest in Christian Spain. Fortuitously located near the pilgrimage trail to Santiago, the monastery most likely profited from the vast number of pilgrims who may have strayed off the trail. But the monastery’s location was not the only reason for its popularity. Like the trail itself, the monastery claimed a relationship to important medieval personages and miracle tales. Gonzalo de Berceo’s exciting stories of local saints could have easily provided a reason to visit the monastery with which they were associated. In his hagiographies of Santo Domingo, San Millán and Santa Oria, Berceo demonstrates an intimate relationship with the saints associated with his monastery.
    [Show full text]
  • Romanit〠a Roma
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Custom Citation Kinney, Dale. "Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni." In La Cattedrale Cosmatesca di Civita Castellana: Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010). ed. Luca Creti. Roma: L'Erma di Bretschneider, 2012. 53-76. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/64 For more information, please contact [email protected]. LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA ATTI DEL CONVEGNO INTERNAZIONALE DI STUDI (Civita Castellana, 18-19 settembre 2010) a cura di Luca Creti «L’ERMA» di BRETSCHNEIDER LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010) a cura di LUCA CRETI Copyright 2012 © «L’ERMA» di BRETSCHNEIDER Via Cassiodoro, 11 – 00193 Roma http://www.lerma.it Progetto grafico: «L’ERMA» di BRETSCHNEIDER Tutti i diritti riservati. È vietata la riproduzione di testi e illustrazioni senza il permesso scritto dell’Editore ISBN 978-88-8265-761-1 Con l’Alto Patrocinio del Presidente della Repubblica della Presidenza del Consiglio dei Ministri della Segreteria di Stato della Santa Sede e della Conferenza Episcopale Italiana REGIONE LAZIO PROVINCIA DI VITERBO MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SOPRINTENDENZA PER I BENI ARCHITETTONICI SOPRINTENDENZA PER I BENI ARTISTICI ED ETNOANTROPOLOGICI UNIVERSITà “LA SAPIENZA” ROMA UNIVERSITÀ DELLA TUSCIA VITERBO UNIVERSITÀ DI SIENA UNIVERSITà “G.
    [Show full text]