Saint Dominic
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
December Saints
Saint of the Day December December 1: St. Edmund Campion, Martyr St. Edmund Campion was born in 1540 in Protestant London. An exceptionally bright child, he was given a good education. He went to Oxford in 1557, during the last year of Catholic Queen Mary’s reign. In 1566, he was given the honor of leading a debate in front of Queen Elizabeth I, who was impressed by him. He became a deacon in Church of England, but soon regretted it. He left England to enter a Catholic seminary in France and became a Jesuit in 1573. He knew then that he desired to return to England and secretly minister to Catholics there, despite the dangers. In 1580, St. Edmund went back to England disguised as a jewel merchant. He secretly preached and said Masses for one year before he was arrested, imprisoned and martyred in 1581. St. Edmund is one of the Forty Martyrs of England and Wales. December 2: St. Bibiana, Virgin and Martyr St. Bibiana was an early Christian martyr, probably living during the late 4th century in Rome. Christianity had been made legal by Constantine, but persecutions continued. Bibiana’s parents were martyred, leaving Bibiana and her sister Demetria alone in poverty. They fasted and prayed, refusing to give up their faith. Demetria died of hunger and Bibiana, after undergoing harsh questioning, died a few days later. Their home was turned into a church, and is now the site of the Basilica of Santa Bibiana. December 3: St. Francis Xavier St. Francis Xavier was born in Spain in 1506. -
Bologna Nei Libri D'arte
Comune di Bologna Biblioteca dell’Archiginnasio Bologna nei libri d’arte dei secoli XVI-XIX Biblioteca dell’Archiginnasio Piazza Galvani 1, 40124 Bologna www.archiginnasio.it L’immagine della copertina è tratta dal frontespizio del volume: GIAMPIETRO ZANOTTI, Le pitture di Pellegrino Tibaldi e di Niccolò Abbati esistenti nell’Instituto di Bologna descritte ed illustrate da Giampietro Zanotti segretario dell’Accademia Clementina, In Venetia, presso Giambatista Pasquali stampatore e libraio all’Insegna della felicità delle lettere, 1756. Comune di Bologna Biblioteca dell’Archiginnasio Bologna nei libri d’arte dei secoli XVI-XIX a cura di Cristina Bersani e Valeria Roncuzzi Biblioteca dell’Archiginnasio 16 settembre – 16 ottobre 2004 Bologna, 2004 L’esposizione organizzata dall’Archiginnasio rientra nel programma delle manifestazio- ni promosse in occasione del Festival del libro d’arte (Bologna, 17-19 settembre 2004). e si svolge col patrocinio del Ministero per i Beni e le Attività Culturali Ministero degli Affari Esteri Alma Mater Studiorum Associazione Bancaria Italiana Associazione fra le Casse di Risparmio Italiane Si ringraziano per la collaborazione: Adriano Aldrovandi, Caterina Capra, Paola Ceccarelli, Saverio Ferrari, Vincenzo Lucchese, Sandra Saccone, Rita Zoppellari Un ringraziamento particolare a Pierangelo Bellettini e alla professoressa Maria Gioia Tavoni Allestimento: Franco Nicosia Floriano Boschi, Roberto Faccioli, Claudio Veronesi Fotografie: Fornasini Microfilm Service Ufficio Stampa: Valeria Roncuzzi Biblioteca dell’Archiginnasio Piazza Galvani 1, 40124 Bologna www.archiginnasio.it INFO: tel. 051 276811 - 051 276813; FAX 051 261160 Seconda edizione riveduta ed ampliata La proprietà artistica e letteraria di quanto qui pubblicato è riservata alla Biblioteca Comunale dell’Archiginnasio di Bologna e per essa al Comune di Bologna. -
Terracotta Tableau Sculpture in Italy, 1450-1530
PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy. -
7 Colonne E Marmi Colorati Delle Chiese Di Roma Nelle
INDICE INTRODUZIONE Pag. 1 STORIA DEGLI STUDI SUL REIMPIEGO » 7 COLONNE E MARMI COLORATI DELLE CHIESE DI ROMA NELLE OPERE DI FAUSTINO CORSI, FRANCESCO BELLI E L'lNTERESSE ERUDITO SULLA QUALITÄ E ORIGINE DEI MARMI NEGLI STUDI DEL XIX SECOLO . » 9 L'lNTERPRETAZIONE DEL FENOMENO DEL REIMPIEGO NEGLI STUDI DEL XX E DEL XXI SECOLO . » 10 IL QUADRO LEGISLATIVO E LA PRASSI »21 PREMESSA ............... 23 DALL'ETA TARDO REPUBBLICANA ALLA FINE DEL III SEC. D.C. ........ 24 Appendice I: leggi e disposizioni sulle demolizioni e sul riuso dei materiali . » 26 DALL'ETÄ COSTANTINIANA ALLA CADUTA DELL'IMPERO ROMANO D'OCCIDENTE . » 27 Premessa .............. 27 Ii periodo da Costantino a Valentiniano 1 . » 27 Ii periodo da Teodosio I a Maiorano .......... 28 Trasformazione in chiese di edifici con altre funzioni e le disposizioni suU'abbattimento dei templi 29 Conclusione .............. 33 PERIODO OSTROGOTO E BIZANTINO . » 34 Appendice II: legislazione sugli edifici pubblici, sul divieto dei sacrifici e sulla chiusura dei templi ............. 34 Appendice III: fonti sull'ediliza teodoriciana nelle Variae di Cassiodoro . » 40 PERIODO MEDIEVALE . » 41 REIMPIEGO E PROGETTAZIONE ARCHITETTONICA DALL'ETÄ TARDO REPUBBLICANA AL III SEC. D.C »43 Colosseo ............... 48 PORTICO IN SUMMA CAVEA . » 51 FUSTI ............... 53 CAPITELLI............... 56 1 - Capitelli corinzi ad acanthus mollis ......... 56 2 - Capitelli corinzi asiatici ad acanthus spinosus . » 58 3 - Capitelli corinzi a foglie lisce . » 59 4 - Capitelli corinzi sbozzati........... 60 5 - Capitelli figurati ........... y> 60 6 - Capitelli compositi ad acanthus mollis . » 61 7 - Capitelli compositi a foglie lisce ......... 62 8 - Capitelli ionici lisci ........... 64 Pensabene, Patrizio digitalisiert durch: Roma su Roma IDS Basel Bern VIII ROMA SU ROMA BASI 64 1 - Basi attiche semplici .......... -
Dell' Accademia Di Palermo
DELL’ ACCADEMIA DI PALERMO DI PALERMO ACCADEMIA DELL’ DELL’ ACCADEMIA DI PALERMO CONOSCENZA, CONSERVAZIONE E DIVULGAZIONE SCIENTIFICA Musei e siti delle opere originali National Gallery of Art - Washington (D.C.) Museo dell'Hermitage di S. Pietroburgo British Museum, Londra Royal Academy, Londra Musée del Louvre di Parigi Grande Museo del Duomo - Milano Gipsoteca di Possagno Galleria degli Uffizi - Firenze Galleria dell’Accademia - Firenze Museo Nazionale del Bargello - Firenze Battistero di San Giovanni – Firenze Museo dell’Opera del Duomo - Firenze Musei Vaticani – Città del Vaticano Museo Gregoriano profano - Città del Vaticano Musei Capitolini – Roma Museo dell’Ara Pacis -Roma Museo Nazionale Romano di Palazzo Altemps, Roma Museo Nazionale Romano di Palazzo Massimo - Roma Galleria Borghese - Roma Museo Archeologico di Napoli Duomo - Monreale Galleria Interdisciplinare Regionale della Sicilia di Palazzo Abatellis - Palermo Galleria d'Arte Moderna (GAM) - Palermo Palazzo dei Normanni - Palermo Palazzo Ajutamicristo - Palermo Chiesa e Oratorio di S. Cita - Palermo Oratorio del Rosario in San Domenico - Palermo Cattedrale - Palermo Chiesa di S. Agostino - Palermo Chiesa di S. Maria della Catena - Palermo Museo Pepoli di Trapani Chiesa di S. Maria La Nova - Palermo Chiesa di Santa Maria dello Spasimo - Palermo Teatro Massimo - Palermo Palazzo Sottile - Palermo Museo Archeologico, Olimpia Palazzo della Cassa di Risparmio Vittorio Emanuele - Palermo Museo Interdisciplinare Regionale “A.Pepoli” - Trapani Museo Archeologico, Atene Museo Interdisciplinare Regionale “M. Accascina” - Messina LA GIPSOTECA DELL’ ACCADEMIA DI BELLE ARTI DI PALERMO conoscenza, conservazione e divulgazione scientifica a cura di Giuseppe Cipolla 1 fotografco di Palazzo MIUR – Ministero DIRETTORE CATALOGO RINGRAZIAMENTI dell’Istruzione, dell’Università Mario Zito a cura di Giuseppe Cipolla Abatellis, Palermo Il Direttore, i coordinatori del SOMMARIO e della Ricerca N. -
CPR Newsletter Issue 7Full
CONFRATERNITY OF PILGRIMS TO ROME NEWSLETTER August 2009 No. 7 Contents 3 Editorial Alison Raju Chris George 4 Why me? Chris George 6 Rome for the modern pilgrim, 4: the Christianisation of Rome – churches built between Constantine’s move to the east and the fall of Rome in 410. Howard Nelson 25 Notes from a Pilgtim in England Jim Peele 26 The final stage of the Via Francigena into Rome from the south along the Appian Way Alberto Alberti 29 Santiago to Rome via Lourdes – reprise Ann Milner 36 Book Reviews William Marques Ann Milner 38 Letter to the Editor William Marques 39 Secretary's Notebook Bronwyn Marques Editorial This is the seventh issue of the Confraternity of Pilgrims to Rome's Newsletter. There are five articles, two book reviews, one Letter to the Editor and the section entitled “Secretary's Notebook,” containing short items of information likely to be of interest to our members. For technical reasons it has not been possible to include the customary list of additions to the CPR library but this will be rectified in the December issue. Chris George, asking “Why me?”, writes about writes about the gift of friendship, hospitality and unmerited kindness that pilgrims can experience along their way. Howard Nelson resumes his series of articles exploring the extraordinary richness that Rome presents to the modern pilgrim, with the fourth one dealing with the Christianisation of Rome and the churches built between Constantine’s move to the east and the fall of Rome in 410. Jim Peele tells us briefly about his walk not from but towards Canterbury, Alberto Alberti describes the final stage of the Via Francigena into Rome from the south along the Appian Way while Ann Milner writes about a re-exploration of part of the Pyrenean section her journey from Santiago to Rome via Lourdes. -
St. Dominic Catholic Church Tuesday 7/27 5:30Pm Tom Bontje by Roger & Deb Kleinschmit 800 E Walnut Canton, SD 57013
Liturgical Schedule St. Dominic Catholic Church Tuesday 7/27 5:30pm Tom Bontje By Roger & Deb Kleinschmit 800 E Walnut Canton, SD 57013 Thursday 7/29 Herb Ulrikson 8:30am By Rick & Gail Viereck July 25th, 2021 Saturday 7/31 17th Sunday in Ordinary Time Stan Wolf Lector, EM, 4:30pm By Racine Kimball Servers Please Volunteer 9th Sunday After Pentecost Sunday 8/1 Wayne Mitchell Lector , EM , 8:30am By Tom Konechner Servers Please Volunteer Traditional Latin Mass 2pm Parishioners of St. Dominic & St. Magdalen X Sunday after Pentecost Collections 7/18/2021 Envelopes & $1820.00 Online Loose $167.00 TLM $795.00 Total $2782.00 CFSA Goal $20,600 Collected $21,232 The Miracle of the Loaves and Fishesca. 1545–50 Jacopo Tintoretto (Jacopo Robusti) Italian Please Keep in Your Prayers…. Phone: (605)764-5640 Nursing Home and Assisted Living residents: Betty Parr, Jeanne Oliver, Margaret Baldwin Email: [email protected] Pastor: Fr. Martin Lawrence [email protected] Those who are ill, undergoing treatment, in need of healing and all especially in need of our prayers: Website: www.stdominiccanton.org Jeannette Koch, Fr. Rader, Fr. Dana Christensen, Benjamin Coad, Kim McNulty, Andy Veldhuizen Parish Staff For the homebound, our country and its leaders, for respecting life in all stages, for the Pope, all priests and religious, and the Pastor: Fr. Lawrence Sacraments health and safety of our American Troops. Parish Office Hours Secretary: Amy Buitenbos Reconciliation: 1/2 hour prior to Week- DRE: Amy Buitenbos 7/24 Victoria Rakus, 7/25 Ron Desmet, Michael Gubbels, 7/29 Jean Brown, Tues/Thurs 8a-12:30pm & end Mass, & by appointment Those Celebrating Birthdays Custodian: Troy Young Evenings as needed Baptism: Contact Fr. -
Scarica L'anteprima Del Libro
Domenicani 44 ANGELO OTTAVIANO PIAGNO IL CONVENTO PATRIARCALE DI SAN DOMENICO Edizioni Studio Domenicano Tutti i libri e le altre attività delle Edizioni Studio Domenicano possono essere consultate su: www.edizionistudiodomenicano.it Tutti i diritti sono riservati © 2019 - Edizioni Studio Domenicano - www.edizionistudiodomenicano.it - Via dell’Osservanza 72, 40136 Bologna, 051 582034. L’Editore è a disposizione degli aventi diritto con i quali non è stato possibile comunicare. I diritti di traduzione, di memorizzazione elettronica, di riproduzione e di adattamento totale o par - ziale con qualsiasi mezzo, compresi i microfilm, le fotocopie e le scannerizzazioni, sono riservati per tutti i Paesi. Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% del volume dietro pagamento alla SIAE del compenso previsto dall’art. 68, commi 4 e 5, della legge 22/04/1941, n. 633. Le riproduzioni diverse da quelle sopra indicate, e cioè le riproduzioni per uso non personale (a titolo esemplificativo: per uso commerciale, economico o professionale) e le riproduzioni che superano il limite del 15% del volume possono avvenire solo a seguito di specifica autorizzazione scritta rilasciata dall’Editore oppure da AIDRO, Corso di Porta Romana 108, 20122 Milano, segre - [email protected] L’elaborazione dei testi, anche se curata con scrupolosa attenzione, non può comportare specifiche responsabilità per eventuali involontari errori o inesattezze. S OMMARIO PRESENTAZIONE 9 SECOLO XIII 11 1 - Una stentata prima presenza 11 2 - Arriva -
A Taxonomy of Art Patronage in Renaissance Italy Sheryl E
1 A Taxonomy of Art Patronage in Renaissance Italy Sheryl E. Reiss On November 25, 1523, Michelangelo wrote from Florence to his stonecutter Topolino in Carrara with important news: “You will have heard that Medici has been made pope, because of which, it seems to me, everyone is rejoicing and I think that here, as for art, there will be much to be done.”1 Michelangelo spoke of Cardinal Giulio de’ Medici, who had been elected Pope Clement VII two days before. This passage reveals the necessarily symbiotic relationships of patrons and artists in early modern Italy. Each depended upon the other to secure their repu- tations by bringing works of art and architecture into existence. Although the strategies employed by artists and patrons were often mutually reinforcing, some- times relations between them were adversarial. Patrons in Renaissance Italy promoted personal, familial, and group renown by requesting works from – and fostering the careers of – famous or promising artists. Just as artists in this period often competed for the attention of patrons, patrons frequently competed for the services of successful artists. While artists of the caliber of Michelangelo, Raphael, or Titian often manipulated the patronage game to great advantage, most painters, sculptors, and architects in the period functioned within a deeply entrenched sociocultural system of mutual dependency. Even in the case of Michelangelo (who had, to paraphrase William Wallace, “reversed the rules of patronage”), in a painting for the Casa Buonarroti, his Seicento descendants had him depicted in the mode of a traditional presentationCOPYRIGHTED image, in which artist MATERIAL was subservient to patron (fig. -
Dominican History Newsletter 5 (1996)
INSTITUTUM HISTORICUM ORDINIS FRATRUM PRAEDICATORUM DOMINICAN HISTORY NEWSLETTER BULLETIN D'HISTOIRE DOMINICAINE BOLLETTINO DI STORIA DOMENICANA V 1996 ROMAE 1996 ABBREVIATURAE Ad perspicuitatem bibliographiarum servandam abbreviaturas quam maxime vitandas censuit redactor. His tamen uti quae sequuntur visum est, ne eadem saepius piene citata paginam inutiliter gravent: AFP Archivum Fratrum Praedicatorum AGOP Archivum Generale OP (Convento di S.Sabina, Piazza P. d'Il liria 1, 00153 Roma, Italia) ASOP Analecta Sacri Ordinis Fratrum Praedicatorum BG Bibliographia generalis in hoc volumine edita Comp. Compendia dissertationum in hoc volumine edita CP R.Coulon & A.Papillon OP, Scriptores Ordinis Praedicatorum 1701-1750 (Roma & Paris in pluribus fasciculis 1909-1934, denuo in duobus voluminibus apud Bibl. SJ, heverlee 1961 ). DHN Dominican History Newsletter Diss. Tabula dissertationum in hoc volumine edita Documents Documents pour servir à l'Histoire de l'Ordre de Saint-Domi nique en France KP Thomas Kaeppeli OP - Emilio Panella OP, Scriptores Ordinis Praedicatorum Medii Aevi (S.Sabina, Roma 1970-94) MOPH Monumenta Ordinis Praedicatorum Historica Not. Var. Notitiae variae in hoc volumine editae QE J.Quétif & J.Échard OP, Scriptores Ordinis Praedicatorum (Paris 1719-1721) 2 voli. QF Quellen und Forschungen zur Geschichte des Dominikaner ordens (in Deutschland) RP Repertorium peritorum (1996) in hoc volumine editum In omnibus bibliographiis scripta recentius edita (1988-1993) asterisco ('') notantur. 2 Voi. V, 1996 PRAEFATIO REDACTORIS Pro hoc fasciculo redigendo, quia multa alia inserenda erant, totam seriem unius tantum periodici scrutatus sum, Escritos del Vedat. Ut promisi autem Repertorium Peritorum integrum renovavi, inde excludens paucos qui nobiscum communicationem non iam tenent; bibliographiae tamen et cetera quae iam in fasciculis praeteritis nuntiata sunt hic non iterum eduntur. -
Volume 11, 2008 158 the Shepherd Goes to War: Santo Domingo Revisited Martha M. Daas Old Dominion
Martha M. Daas 158 The Shepherd Goes to War: Santo Domingo Revisited Martha M. Daas Old Dominion University The thirteenth century was witness to a revolution in personal piety and the Camino de Santiago represented this new age. Pilgrimage in the Middle Ages became not only a symbol of devotion, but also a powerful method of active participation in one’s own salvation.1 The importance of this burgeoning individualism is reflected by the miracle tales of a saint who is connected both spiritually and geographically to Santiago and his trail. Like the miracles attributed to the patron saint, the miracles of Santo Domingo de Silos, as they are interpreted by Gonzalo de Berceo, reflect this revolution in personal piety. In Berceo’s hagiography, Santo Domingo turns from intercessor and healer to liberator who actively seeks to reward those who demonstrate external practices of devotion. By the thirteenth century, the monastery San Millán de la Cogolla was one of the largest in Christian Spain. Fortuitously located near the pilgrimage trail to Santiago, the monastery most likely profited from the vast number of pilgrims who may have strayed off the trail. But the monastery’s location was not the only reason for its popularity. Like the trail itself, the monastery claimed a relationship to important medieval personages and miracle tales. Gonzalo de Berceo’s exciting stories of local saints could have easily provided a reason to visit the monastery with which they were associated. In his hagiographies of Santo Domingo, San Millán and Santa Oria, Berceo demonstrates an intimate relationship with the saints associated with his monastery. -
Romanit〠a Roma
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Custom Citation Kinney, Dale. "Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni." In La Cattedrale Cosmatesca di Civita Castellana: Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010). ed. Luca Creti. Roma: L'Erma di Bretschneider, 2012. 53-76. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/64 For more information, please contact [email protected]. LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA ATTI DEL CONVEGNO INTERNAZIONALE DI STUDI (Civita Castellana, 18-19 settembre 2010) a cura di Luca Creti «L’ERMA» di BRETSCHNEIDER LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010) a cura di LUCA CRETI Copyright 2012 © «L’ERMA» di BRETSCHNEIDER Via Cassiodoro, 11 – 00193 Roma http://www.lerma.it Progetto grafico: «L’ERMA» di BRETSCHNEIDER Tutti i diritti riservati. È vietata la riproduzione di testi e illustrazioni senza il permesso scritto dell’Editore ISBN 978-88-8265-761-1 Con l’Alto Patrocinio del Presidente della Repubblica della Presidenza del Consiglio dei Ministri della Segreteria di Stato della Santa Sede e della Conferenza Episcopale Italiana REGIONE LAZIO PROVINCIA DI VITERBO MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SOPRINTENDENZA PER I BENI ARCHITETTONICI SOPRINTENDENZA PER I BENI ARTISTICI ED ETNOANTROPOLOGICI UNIVERSITà “LA SAPIENZA” ROMA UNIVERSITÀ DELLA TUSCIA VITERBO UNIVERSITÀ DI SIENA UNIVERSITà “G.