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Boston Symphony Orchestra Concert Programs, Season 122, 2002-2003

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2002-2003 SEASON JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAJTINK PRINCIPAL GUEST CONDUCTOR I OZAWA R LAUREATE BOSTON S Y M P H O 1ST ORCHESTRA Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR a / O^i'sJier Jfiff BROOKLINE «r a noisy world out there. ll ise above the din. r;:;^: • For almost twenty-five years, Sametz Blackstone has provided communications and design counsel to leading corporate, academic, and cultural organiza- tions-to build brand awareness, promote products and BSO, Tanglewood, Pops services, raise capital, and add measurable value. Boston Ballet FleetBoston Celebrity Series The need may be a comprehensive branding program Harvard University or a website, a capital campaign or an annual report. Through strategic consulting, thoughtful design, and Yale University innovative technology, we've helped both centenarians and start-ups to effectively communicate their messages Fairmont Hotels & Resorts offerings, and personalities-to achieve resonance-and American Ireland Fund be heard above the din. Scudder Investments / Deutsche Bank Raytheon Whitehead Institute / Genome Center Boston Public Library City of Boston Sametz Blackstone Associates Compelling communications—helping evolving organizations navigate change 40 West Newton Street Blackstone Square bla< kstone@sam< ' - ton 021 18 www.sametz.< om James Levine, Music Director Designate Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 122nd Season, 2002-2003 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Julian Cohen, Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Vincent M. O'Reilly, Treasurer Ed Linde, Vice-Chairman Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman Gabriella Beranek ex-officio George Krupp Hannah H. Schneider Jan Brett William R. Elfers R. Willis Leith, Jr. Roger T. Servison Paul Buttenwieser Nancy J. Fitzpatrick Richard P. Morse Thomas G. Sternberg James F. Cleary Charles K. Gifford Mrs. Robert B. Newman Stephen R. Weber John F. Cogan, Jr. Avram J. Goldberg Peter C. Read Stephen R. Weiner Eric D. Collins Thelma E. Goldberg Donna Riccardi, Dr. Nicholas T. Zervas Julian T. Houston ex-officio Life Trustees Vernon R. Alden Helene R. Cahners Dean W Freed Mrs. George Lee David B. Arnold, Jr. Abram T. Collier George H. Kidder Sargentt J. P. Barger Mrs. Edith L. Dabney Harvey Chet Krentzman Richard A. Smith Leo L. Beranek Nelson J. Darling, Jr. Mrs. August R. Meyer Ray Stata Deborah Davis Berman Archie C. Epps William J. Poorvu John Hoyt Stookey Jane C. Bradley Mrs. John H. Fitzpatrick Irving W. Rabb John L. Thorndike Other Officers of the Corporation Thomas D. May and John Ex Rodgers, Assistant Treasurers Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Diddy Cullinane, Chair Helaine B. Allen JoAnne Walton Steven E. Karol Patrick J. Purcell Joel B. Alvord Dickinson Stephen Kay Carol Reich Marjorie Arons-Barron Harry Ellis Dickson Douglas A. Kingsley Alan Rottenberg Diane M. Austin Francis A. Doyle Robert Kleinberg Michael Ruettgers Caroline Dwight Bain Alan Dynner Dr. Arthur R. Kravitz Kenan Sahin Maureen Scannell Jane C. Edmonds Mrs. William D. Arthur I. Segel Bateman George M. Elvin Larkin, Jr. Ross E. Sherbrooke George D. Behrakis John P. Eustis II Robert J. Lepofsky L. Scott Singleton Milton Benjamin Pamela D. Everhart Alexander M. Levine Gilda Slifka George W. Berry Judith Moss Feingold Christopher J. Lindop Mrs. Mieho Spring Mark G. Borden J. Richard Fennell Shari Loessberg Charles A. Stakeley Alan Bressler Lawrence K. Fish Edwin N. London Jaequelynne M. Robin A. Brown Myrna H. Freedman Diane H. Lupean Stepanian Samuel B. Bruskin Dr. Arthur Gelb John A. MacLeod II Wilmer Thomas William Burgin Jack Gill Carmine Martignetli Samuel Thome Dr. Edmund B. Cabot Robert P. Gittens Joseph B. Martin. M.I). Mill Van laasen Rena F. Clarke Paula Groves Robert J. Mayer, M.I). I ,oei \. Velmans Mrs. James C. Collias Michael Halperson Barbara E. Maze Paul M. Verrochi Margot Connell Ellen T. Harris Thomas MeCann I any Weber Ranny Cooper Deborah M. Hauser Joseph C. MeNay Robert S. Weil ( Martha H.W. Carol Henderson Dr. Martin C. Mihm. Jr. David '.. Weinstein Crowninshield Richard Higginbotham Molly Heals Milhnan James We^lra Joan P. Curhan Phyllis S. Hubbard Robert Mnookin Mis. Joan I ). \\ heeler Robert W. Daly Roger Hunt Robert T. O'Connell Reginald II. White Tamara P. Davis Ei nesl Jacquel Norio ( )hga Robin W ilaon Mrs. Miguel de Mrs. Robert M. Jaffe I ,ouis F. ( )rsalt i Robert W inters Braganca Charles H. Jenkins. Jr. \la\ 1 1. Pierce Kathryn \. Wong I )is(|ue Deane Miehael Joyce I )r. Tina V>iing Richard W m tman, M.I). Betsy P. Demirjian Martin S. Kaplan Poussainl Paul F. Deninger William M. Karlvn Millard II. Pryor.Jr. I deceased I Overseers Emeriti Sandra Bakalar Jordan Golding David I. Kosowsky John Ex Rodgers William M. Bulger Mark R. Goldweitz Robert K. Kraft Mrs. Jerome Rosenfeld Mrs. Levin H. Campbell Mrs. Haskell R. Benjamin H. Lacy Roger A. Saunders Earle M. Chiles Gordon Hart D. Leavitt Lynda Anne Schubert Johns H. Congdon Susan D. Hall Frederick H. Francis P. Sears, Jr. Phyllis Curtin John Hamill Lovejoy, Jr. Mrs. Carl Shapiro Phyllis Dohanian Mrs. Richard D. Hill Mrs. Charles P. Lyman Mrs. Arthur I. Strang Goetz B. Eaton Glen H. Hiner Mrs. Harry L. Marks Robert A. Wells Harriett Eckstein Marilyn Brachman C. Charles Marran Mrs. Thomas H.P. Edward Eskandarian Hoffman Nathan R. Miller Whitney Peter H.B. Lola Jaffe Hanae Mori Margaret Williams- Frelinghuysen H. Eugene Jones Mrs. Hiroshi H. Nishino DeCelles Mrs. Thomas Leonard Kaplan John A. Perkins Mrs. Donald B. Wilson Galligan, Jr. Mrs. S. Charles Kasdon David R. Pokross Mrs. John J. Wilson Mrs. James Garivaltis Richard L. Kaye Daphne Brooks Prout Mrs. Kenneth J. Mrs. Gordon F. Robert E. Remis Germeshausen Kingsley Mrs. Peter van S. Rice Business Leadership Association Board of Directors Charles K. Gifford, Chairman Leo L. Beranek, James F. Cleary, and Michael J. Joyce, President Harvey Chet Krentzman, Chairmen Emeriti Robin A. Brown John P. Hamill Thomas J. May Roger T. Servison Michael J. Costello Ernest K. Jacquet J. Kent McHose Malcolm L. Sherman Robert W Daly Steven E. Karol Joseph C. McNay Ray Stata Francis A. Doyle Edmund F. Kelly Louis F. Orsatti William C. Van Faasen William R. Elfers Christopher J. Lindop Patrick J. Purcell Paul M. Verrochi Lawrence K. Fish Carmine A. Martignetti Lynda A. Schubert Lawrence Weber Ex-Officio Peter A. Brooke • Diddy Cullinane • Nicholas T. Zervas Officers of the Boston Symphony Association of Volunteers Donna Riccardi, President Melvin R. Blieberg, Executive Vice-President/ Audley Fuller, Executive Vice-President/ Tanglewood Administration Olga Turcotte, Secretary Ann Philbin, Executive Vice-President/ William A. Along, Treasurer Fundraising Una Fleischmann, Nominating Committee Chairman Joyce Anagnos, Symphony Shop Howard Cutler, Resource Lisa Mafrici, Special Projects Staffing Development Ellen Mayo, Public Relations Judy Barr, Hall Services Ursula Ehret-Dichter, Patty Blais, Education and Dorothyann M. Callahan, Tanglewood Outreach Membership Table of Contents On Display at Symphony Hall 6 This Week's Boston Symphony Orchestra Program 11 Featured Artists 43 Future Programs 60 Symphony Hall Information 63 This week's Pre-Concert Talks are given by Elizabeth Seitz of Boston University and the New England Conservatory of Music. Programs copyright ©2003 Boston Symphony Orchestra, Inc. Cover design by Sametz Blackstone Associates, Boston/Cover photograph by Constantine Manos 9 * ^^B Administration Mark Volpe, Managing Director Eunice and Julian Cohen Managing Directorship, fully funded in perpetuity Tony Beadle, Manager, Boston Pops Kim Noltemy, Director of Sales and Marketing Artistic Administrator Anthony Fogg, Caroline Taylor, Senior Advisor to the Marion Gardner-Saxe, Director of Human Resources Managing Director Ellen Highstein, Director Tanglewood Music Center of Ray F. Wellbaum, Orchestra Manager Thomas D. May, Director of Finance and Business Affairs ADMINISTRATIVE STAFF/ARTISTIC Karen Leopardi, Artist Assistant/Secretary to the Music Director • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager of Board Administration • Alexander Stein- beis, Artistic Administration Coordinator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Operations Manager Felicia A. Burrey, Chorus Manager • H.R. Costa, Technical Supervisor • John Demick, Senior Stage Technician • Keith Elder, Production Coordinator • Stephanie Kluter, Assistant to the Orchestra Manager • Jake Moerschel, Stage Technician • Julie G. Moerschel, Assistant Chorus Manager • Mark C. Rawson, Stage Technician • Timothy Tsukamoto, Orchestra Personnel Coordinator BOSTON POPS Dennis Alves, Director of Artistic Programming Jana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor • Julie Knippa, Administration Coordinator • Margo Saulnier, Artistic Coordinator BUSINESS
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    Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication.
  • Icelandic Folklore

    Icelandic Folklore

    i ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE ii BORDERLINES approaches,Borderlines methodologies,welcomes monographs or theories and from edited the socialcollections sciences, that, health while studies, firmly androoted the in late antique, medieval, and early modern periods, are “edgy” and may introduce sciences. Typically, volumes are theoretically aware whilst introducing novel approaches to topics of key interest to scholars of the pre-modern past. iii ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE by ERIC SHANE BRYAN iv We have all forgotten our names. — G. K. Chesterton Commons licence CC-BY-NC-ND 4.0. This work is licensed under Creative British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds The author asserts their moral right to be identi�ied as the author of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted determinedprovided that to thebe “fair source use” is under acknowledged. Section 107 Any of theuse U.S.of material Copyright in Act this September work that 2010 is an Page exception 2 or that or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/ 29/ EC) or would be 94– 553) does not require the Publisher’s permission. satis�ies the conditions speci�ied in Section 108 of the U.S. Copyright Act (17 USC §108, as revised by P.L. ISBN (HB): 9781641893756 ISBN (PB): 9781641894654 eISBN (PDF): 9781641893763 www.arc- humanities.org print-on-demand technology.