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Netflix and Changes in the Hollywood Film Industry 넷플릭스와 할리우드
ISSN 2635-8875 / e-ISSN 2672-0124 산업융합연구 제18권 제5호 pp. 36-41, 2020 DOI : https://doi.org/10.22678/JIC.2020.18.5.036 Netflix and Changes in the Hollywood Film Industry Jeong-Suk Joo Associate Professor, Dept. of International Trade, Jungwon University 넷플릭스와 할리우드 영화산업의 변화 주정숙 중원대학교 국제통상학과 부교수 Abstract This paper aims to explore and shed light on how the rise of streaming services has been affecting the media landscape in the recent years by looking at the conflicts between the Hollywood film industry and Netflix. It especially examines Netflix’s disregard for the theatrical release, as it is the most portentous issue that could reshape the film industry, and Hollywood’s opposition to it as revealed through the 2019 Academy Awards where the issue was brought into sharp relief. At the same time, this paper also questions whether theatrical distribution makes a film any more cinematic by examining how Hollywood film production has been largely concentrated on tentpoles and franchises, while Netflix has been producing diverse films often shunned by the studios. In this light, it concludes the changes wrought by Netflix, including its bypassing of the theatrical release, are not likely to be reversed. Key Words : Netflix, Streaming service, Hollywood, Film industry, Netflix films 요 약 본 논문은 할리우드 영화산업과 넷플릭스 간 갈등의 고찰을 통해 스트리밍 서비스의 부상이 미디어 지형에 어떠한 영향을 미쳐왔는지 밝히고자 한다. 특히 영화산업의 재편을 가져올 수 있는 가장 중요한 문제로써 극장을 거치지 않고 자사 플랫폼에 영화를 공개하는 넷플릭스의 개봉방식을 살펴보고 이에 대한 반발이 크게 불거진 2019 년 아카데미 영화제를 중심으로 할리우드의 반대를 살펴본다. -
A Psychoanalysisi of Anorexia Nervosa As Portrayed in Laurie Halse Andersons’S Novel Wintergirls
A PSYCHOANALYSISI OF ANOREXIA NERVOSA AS PORTRAYED IN LAURIE HALSE ANDERSONS’S NOVEL WINTERGIRLS A THESIS BY SILVY YOSVIANA MELIALA REG. NO. 160721014 DEPARTEMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA A PSYCHOANALYSIS OF ANOREXIA NERVOSA AS PORTRAYED IN LAURIE HALSE ANDERSON’S NOVEL WINTERGIRLS A THESIS BY SILVY YOSVIANA MELIALA REG. NO. 160721014 SUPERVISOR CO-SUPERVISOR Drs. Parlidungan Purba, M.Hum. Riko Andika, S.S, M.Hum NIP. 19630216 198903 1 003 NIP. 19840609 201504 1 001 DEPARTEMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 i UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as a thesis for The Sarjana Sastra Examination. Head of Department, Secretary of Department, Prof. T. Silvana Sinar, M.A, Ph.D Rahmadsyah Rangkuti, M.A,Ph.D. NIP. 1957117 198303 2 002 NIP. 19750209 200812 1 002 ii UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirement for the degree of Sarjana of Sastra from the Department of English, Faculty of Cutural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on July 22nd, 2019 Dean of Cultural Studies Faculty University of Sumatera Utara Dr. Budi Agustono, M.S. NIP. 19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A, Ph.D. Drs. Parlindungan Purba, M.Hum. Drs. Siamir Marulafau M.Hum. iii UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, SILVY YOSVIANA MELIALA, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS. -
Case #2020-11 IRB Netflix Studios
ALBUQUERQUE DEVELOPMENT COMMISSION November 23, 2020 Industrial Revenue Bond Hearing IRB 20-1: Netflix Studios LLC Project Case Number: IRB2020-11 REQUEST: Approval of $500,000,000 in City Industrial Revenue Bonds to be issued in two series is requested. PROJECT SUMMARY: Netflix Studios is planning to increase and expand their presence in Albuquerque by purchasing an additional 170 acres of land and investing more than $500 million in capital and another $1 billion in production spending, in addition to the company’s commitment of $1 billion in production spend under the 2018 local economic development transaction, to develop a major film and television production campus in Mesa Del Sol’s Planned Community Development. Netflix, Inc. is an American technology and media services provider and production company headquartered in Los Gatos, California. Netflix was founded in 1997 by Reed Hastings and Marc Randolph in Scotts Valley, California. The company's primary business is its subscription-based streaming service which offers online streaming of a library of films and television series, including those produced in-house. Netflix purchased Albuquerque Studios in 2018, and has undertaken significant production expenditures of approximately $150 million over two years (prior to the Covid pandemic that has limited film and television production worldwide). In 2020, Netflix began a competitive site selection process to determine where to focus its future production investment for the next decade and beyond. Netflix has three primary production facilities in North America other than Albuquerque, including Los Angeles, Atlanta, and Vancouver, Canada. The company sought a location with good business resiliency (not subject to shutdowns due to weather or other natural disasters), and selected the site at Mesa Del Sol in Albuquerque, New Mexico. -
Laurie Halse Anderson
Laurie Halse Anderson tend to discuss difficult and often taboo topics that are nonetheless of significant concern to many teens, Date of birth: October 23, 1961 have received critical acclaim as well as various Place of birth: Potsdam, New York awards. Anderson is also the author of a variety of children’s books. Principal Works Born Laurie Beth Halse on October 23, 1961, in Young Adult Literature Potsdam, New York, Anderson was the first of two Speak (1999) daughters born to Frank and Joyce Halse. Her father was Fever 1793 (2000) a minister who served for a time as chaplain at Syracuse Catalyst (2002) University. As a child, Anderson initially had some trou- Prom (2005) ble with reading, but she soon became an avid reader Twisted (2007) and particularly enjoyed the fantasy works of J. R. R. Seeds of America trilogy (2008–) Tolkien. A poetry lesson in elementary school taught her Wintergirls (2009) about the ability of words to convey emotion, a lesson The Impossible Knife of Memory (2014) that was key to her development as a writer. Children’s Literature Several of Anderson’s experiences during her early Ndito Runs (1996) life would have a significant influence on her later writ- Turkey Pox (1996) ing. Her novel Speak, which chronicles a teenager’s No Time for Mother’s Day (1999) trauma and recovery following a sexual assault, draws Vet Volunteers series (2000–2013) some emotional inspiration from Anderson’s own as- The Big Cheese of Third Street (2002) sault at the age of thirteen. The novel The Impossible The Hair of Zoe Fleefenbacher Goes to School (2009) Knife of Memory, which focuses on a teenager’s ex- Nonfiction perience with her veteran father’s post-traumatic stress Thank You, Sarah! The Woman Who Saved Thanksgiv- disorder (PTSD), is similarly personal. -
The Plight of Our Planet the Relationship Between Wildlife Programming and Conservation Efforts
! THE PLIGHT OF OUR PLANET fi » = ˛ ≈ ! > M Photo: https://www.kmogallery.com/wildlife/2 = 018/10/5/ry0c9a1o37uwbqlwytiddkxoms8ji1 u f f ≈ f Page 1 The Plight of Our Planet The Relationship Between Wildlife Programming And Conservation Efforts: How Visual Storytelling Can Save The World By: Kelsey O’Connell - 20203259 In Fulfillment For: Film, Television and Screen Industries Project – CULT4035 Prepared For: Disneynature, BBC Earth, Netflix Originals, National Geographic, Discovery Channel, Animal Planet, Etc. Page 2 ACKNOWLEDGMENTS I cannot express enough gratitude to everyone who believed in me on this crazy and fantastic journey; everything you have done has molded me into the person I am today. To my family, who taught me to seek out my own purpose and pursue it wholeheartedly; without you, I would have never taken the chance and moved to England for my Masters. To my professors, who became my trusted resources and friends, your endless and caring teachings have supported me in more ways than I can put into words. To my friends who have never failed to make me smile, I am so lucky to have you in my life. Finally, a special thanks to David Attenborough, Steve Irwin, Terri Irwin, Jane Goodall, Peter Gros, Jim Fowler, and so many others for making me fall in love with wildlife and spark a fire in my heart for their welfare. I grew up on wildlife films and television shows like Planet Earth, Blue Planet, March of the Penguins, Crocodile Hunter, Mutual of Omaha’s Wild Kingdom, Shark Week, and others – it was because of those programs that I first fell in love with nature as a kid, and I’ve taken that passion with me, my whole life. -
Music and Sound Design Placements
Music and Sound Design Placements Listed from most recent TITLE STUDIO SD / MX Loki Disney SD Hitman’s Wife’s Bodyguard Lionsgate SD Snake Eyes Paramount SD Godzilla vs. Kong Warner Bros SD The Mosquito Coast Apple SD Raya and the Last Dragon Disney SD Army of the Dead Netflix SD Cruella Disney SD Cherry Apple SD Wrath of Man Miramax SD Without Remorse Paramount SD Nobody Universal SD Space Jam 2 Warner Bros SD WandaVision Disney SD Fast 9 NBC Universal SD Promising Young Woman Focus SD Monster Hunter Sony SD Tenet Warner Bros SD Welcome to the Blumhouse Amazon SD Embattled IFC (Rainbow Media) MX + SD The Craft Sony MX + SD Project Zenith (Black Adam) Warner Bros SD See (Season 1) Apple SD Dune Warner Bros SD Apple + Promo Apple SD Greyhound Apple / Sony SD Candyman NBC Universal SD Freaky NBC Universal SD Hala Apple SD You Should Have Left NBC Universal SD Unorthodox Netflix MX (Custom) Voyagers Lionsgate SD The Hunt NBC Universal MX (Custom) New Mutants Disney SD Amazing Stories (Trailer 1) Apple MX (Custom) Amazing Stories (30 spot) Apple MX Nobody NBC Universal SD The Invisible Man NBC Universal SD The Green Knight A24 SD Mythic Quest-Raven Apple SD Let Him Go Focus SD Rhythm Section Paramount MX + SD Bad Boys Sony SD Outsider HBO MX Black Widow Disney SD Ghostbusters Sony MX (Custom) + SD A Quiet Place 2 Paramount SD Fantasy Island Sony SD The Grudge Sony SD Harriet Focus MX + SD Uncut Gems A24 SD Free Guy Disney SD Underwater Disney SD Maleficent 2 Disney SD Midway Lionsgate SD Spiderman: Far from Home Sony SD Rambo: Last Blood -
Speak Objective: You'll Be Reading Laurie Halse Anderson
English IV College Prep Summer Reading Guided Discussion Questions: Speak Objective: You’ll be reading Laurie Halse Anderson’s Speak as the senior summer reading assignment. Below are questions to help guide you through the novel. These questions are a small microcosm of the items that’ll be learned this upcoming school year as well as the expectations for the entire course to help prepare you for the 2020- 2021 school year and beyond. Use these questions as a purposeful active reading guide (to constantly think about what you’re reading). As a reinforcement, I highly recommend watching the Kristen Stewart film version of Speak, but only upon completion of the novel. Expect a Summative to begin the 2020-2021 semester on Speak. 1. In the first section, what are the signs that Melinda has experienced a trauma? 2. Why do you think Melinda's best friends from middle school turned against her immediately rather than asking what happened? 3. If you were one of Melinda's friends from middle school, do you think you would just drop her as a friend? Would you try to communicate with her? Support her? How? 4. What are the signs Melinda's parents should notice that would make them realize she's had something terrible happen? Why didn't Melinda confide in them? 5. Try putting yourself in the place of Melinda's parents for a moment. How do you think they view Melinda? Why, from their point of view, do they feel such frustration with her? 6. What are some of the ways Melinda has developed to help herself cope? 7. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Press Releases
Press Releases O’Melveny Guides ViacomCBS Through MIRAMAX Investment April 3, 2020 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Bruce Tobey CENTURY CITY—April 3, 2020—O’Melveny represented leading media and entertainment company Century City ViacomCBS (Nasdaq: VIACA; VIAC) in its acquisition of a 49percent stake in film and television studio D: +13102466764 MIRAMAX from beIN Media Group. The transaction, previously announced in December 2019, closed today. Amy Siegel ViacomCBS acquired 49 percent of MIRAMAX from beIN for a total committed investment of US$375 million. Century City Approximately US$150 million was paid at closing, while ViacomCBS has committed to invest US$225 million D: +13102466805 —comprised of US$45 million annually over the next five years—to be used for new film and television Silvia Vannini productions and working capital. Century City D: +13102466895 In addition, ViacomCBS’s historic film and television studio, Paramount Pictures, entered an exclusive, long term distribution agreement for MIRAMAX’s film library and an exclusive, longterm, firstlook agreement Eric Zabinski allowing Paramount Pictures to develop, produce, finance, and distribute new film and television projects Century City based on MIRAMAX’s IP. D: +13102468449 Rob Catmull ViacomCBS creates premium content and experiences for audiences worldwide, driven by a portfolio of Century City iconic consumer brands including CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, D: +13102468563 Comedy Central, BET, CBS All Access, Pluto TV, and Simon & Schuster. Eric H. Geffner beIN MEDIA GROUP is a leading independent global media group and one of the foremost sports and Century City entertainment networks in the world. -
Lionsgate Entertainment Corporation
Lionsgate Entertainment Corporation Q1 2021 Earnings Conference Call Thursday, August 6, 2020, 5:00 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Jimmy Barge - Chief Financial Officer Michael Burns - Vice Chairman Brian Goldsmith - Chief Operating Officer Kevin Beggs - Chairman, TV Group Joe Drake - Chairman, Motion Picture Group Jeff Hirsch - President, Chief Executive Officer, Starz Scott Macdonald - Chief Financial Officer, Starz Superna Kalle - Executive Vice President, International James Marsh - Executive Vice President and Head of Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by. Welcome to the Lionsgate Entertainment First Quarter 2021 Earnings Call. At this time, all participants are in a listen-only mode. Later, we will conduct a question and answer session; instructions will be given at that time. If you should require assistance during the call, please press "*" then "0." As a reminder, this conference is being recorded. I will now turn the conference over to our host, Executive Vice President and Head of Investor Relations, James Marsh. Please go ahead. James Marsh Good afternoon. Thank you for joining us for the Lion Gate’s Fiscal 2021 First Quarter Conference Call. We’ll begin with opening remarks from our CEO, Jon Feltheimer, followed by remarks from our CFO, Jimmy Barge. After their remarks, we’ll open the call for questions. Also joining us on the call today are Vice Chairman, Michael Burns, COO, Brian Goldsmith, Chairman of the TV Group, Kevin Beggs, and Chairman of the Motion Picture Group, Joe Drake. And from Starz, we have President and CEO, Jeff Hirsch, CFO, Scott Macdonald and EVP of International, Superna Kalle. -
Lionsgate Entertainment Corp
Lionsgate Entertainment Corp. 2020 Q1 Earnings Call Thursday, August 8, 2019, 5:00 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Jimmy Barge - Chief Financial Officer Michael Burns - Vice Chairman Brian Goldsmith – Lionsgate Chief Operating Officer Kevin Beggs - Chairman, Lionsgate TV Group Joe Drake - Chairman, Lionsgate Motion Picture Group Jeff Hirsch - Chief Operating Officer, Starz Scott Macdonald - Chief Financial Officer, Starz Superna Kalle - Executive Vice President, International Digital Networks, Starz James Marsh - Head, Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Lions Gate 2020 First Quarter Earnings Call. At this time all participants are in a listen-only mode. Later, we will conduct a question-and-answer session. Instructions will be given at that time. Should you require assistance during the call, please press "*", then "0." And as a reminder, this conference is being recorded. I would now like to turn the conference over to our host, Mr. James Marsh, Head of Investor Relations. Please go ahead sir. James Marsh Good afternoon. Thank you for joining us for the Lionsgate Fiscal '20 first quarter conference call. We'll begin with opening remarks from our CEO, Jon Feltheimer followed by remarks from our CFO, Jimmy Barge. After their remarks, we'll open the call for questions. Also joining us on the call today are: Vice Chairman, Michael Burns; COO, Brian Goldsmith; Chairman of the TV Group, Kevin Beggs; and Chairman of the Motion Picture Group, Joe Drake. And from Starz, we have COO, Jeff Hirsch; CFO, Scott Macdonald; and EVP of International, Superna Kalle. -
Network Blu-Ray Disc Home Theater System
HB954SA-AP.BUSALL_ENG_6606 8/14/09 5:12 PM Page 1 ENGLISH Network Blu-ray Disc For Service/ Home Theater System Support, call: Owner’s Manual Toll Free Number 1-800-243-0000 Model: LHB953 (http://us.lgservice.com) Netflix Support For help with Netflix Instant Streaming: Call 1-866-579-7113 or Visit www.netflix.com/help As an ENERGY STAR® Partner, LG has determined that this product or product models meet the ENERGY STAR® guidelines for energy efficiency. ENERGY STAR® is a U.S. registered mark. © Copyright 2009, LG Electronics U.S.A., Inc. P/NO : MFL62596606 HB954SA-AP.BUSALL_ENG_6606 8/14/09 5:12 PM Page 2 CAUTION proper ventilation is provided or the manufacturer's FCC WARNING: This equipment may generate or instruction has been adhered to. use radio frequency energy. Changes or modifica- RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: This product employs a Laser System. tions to this equipment may cause harmful To ensure proper use of this product, please read interference unless the modifications are expressly CAUTION: TO REDUCE THE RISK OF ELECTRIC this owner’s manual carefully and retain it for future approved in the instruction manual. The user could SHOCK DO NOT REMOVE COVER (OR BACK) reference. Shall the unit require maintenance, con- lose the authority to operate this equipment if an NO USER-SERVICEABLE PARTS INSIDE REFER tact an authorized service center. unauthorized change or modification is made. SERVICING TO QUALIFIED SERVICE PERSON- Use of controls, adjustments or the performance of NEL. procedures other than those specified herein may REGULATORY INFORMATION: FCC Part 15 This lightning flash with arrowhead symbol result in hazardous radiation exposure.