Music and Sound Design Placements

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Music and Sound Design Placements Listed from most recent TITLE STUDIO SD / MX Loki Disney SD Hitman’s Wife’s Bodyguard Lionsgate SD Snake Eyes Paramount SD Godzilla vs. Kong Warner Bros SD The Mosquito Coast Apple SD Raya and the Last Dragon Disney SD Army of the Dead Netflix SD Cruella Disney SD Cherry Apple SD Wrath of Man Miramax SD Without Remorse Paramount SD Nobody Universal SD Space Jam 2 Warner Bros SD WandaVision Disney SD Fast 9 NBC Universal SD Promising Young Woman Focus SD Monster Hunter Sony SD Tenet Warner Bros SD Welcome to the Blumhouse Amazon SD Embattled IFC (Rainbow Media) MX + SD The Craft Sony MX + SD Project Zenith (Black Adam) Warner Bros SD See (Season 1) Apple SD Dune Warner Bros SD Apple + Promo Apple SD Greyhound Apple / Sony SD Candyman NBC Universal SD Freaky NBC Universal SD Hala Apple SD You Should Have Left NBC Universal SD Unorthodox Netflix MX (Custom) Voyagers Lionsgate SD The Hunt NBC Universal MX (Custom) New Mutants Disney SD Amazing Stories (Trailer 1) Apple MX (Custom) Amazing Stories (30 spot) Apple MX Nobody NBC Universal SD The Invisible Man NBC Universal SD The Green Knight A24 SD Mythic Quest-Raven Apple SD Let Him Go Focus SD Rhythm Section Paramount MX + SD Bad Boys Sony SD Outsider HBO MX Black Widow Disney SD Ghostbusters Sony MX (Custom) + SD A Quiet Place 2 Paramount SD Fantasy Island Sony SD The Grudge Sony SD Harriet Focus MX + SD Uncut Gems A24 SD Free Guy Disney SD Underwater Disney SD Maleficent 2 Disney SD Midway Lionsgate SD Spiderman: Far from Home Sony SD Rambo: Last Blood Lionsgate MX + SD Goliath S3 Amazon SD Countdown STX SD Godzilla: King of Monsters Warner Bros SD Ready or Not Searchlight SD IT part 2 Warner Bros SD Once Upon a Time in Hollywood Sony SD Angel Has Fallen Lionsgate SD Captive State Focus Feat SD Terminator Fox SD Exposure Sony / Screen Gems SD Crawl Paramount SD The Command / Kursk STX SD Watchmen HBO SD Trial By Fire Roadside Attractions SD The Curse of La Llorona Warner Bros SD Hobbs and Shaw NBC Universal SD Midsommar A24 SD Chambers Netflix SD John Wick 3 Lionsgate SD Escape Room Sony SD Pet Semetary Paramount SD Aniara Magnolia MX + SD Alita: Battle Angel Fox SD Dora the Explorer Paramount SD Dark Phoenix 20th Cent Fox SD Bolden King Bolden, LLC SD US NBC Universal SD Captain Marvel Disney SD The Mule Warner Bros SD Polar Netflix MX (Custom) + SD Overlord Paramount SD Nun Warner Bros SD The Hole in the Ground A24 SD Mortal Engines NBC Universal SD Bird Box Netflix / Univ SD The Kid Who Would Be King 20th Cent Fox SD Viper Club Roadside Attractions MX + SD The Predator 20th Cent Fox SD Kin Lionsgate SD Ant Man and the Wasp Disney SD Ocean’s 8 Warner Bros SD Halloween Universal SD Jurassic World 2 NBC Universal SD I Am Mother Netflix MX Widows 20th Cent Fox SD Bad Times at the El Royale 20th Cent Fox SD Operation Finale Annapurna Pics SD Mission Impossible 6 Paramount SD Kingsman Fox SD The Mummy NBC Universal SD Valerian Europacorp SD Ghost in the Shell Paramount SD Alias Grace Netflix MX (Custom) + SD Blade Runner Warner Bros SD The Shallows Sony MX (Custom) + SD Justice League Warner Bros SD Before I Fall Open Road Films SD Assassin’s Creed 20th Century Fox SD Jack Reacher: Never Go Back Paramount SD Star Trek Beyond Paramount SD Warcraft NBC Universal SD The Leftovers HBO MX (Custom) + SD Kill Me Three Times Magnolia Pictures MX (Custom) + SD The Water Diviner Warner Bros SD Interstellar Paramount SD SELMA Paramount SD Live, Die, Repeat (Edge of Warner Bros SD Tomorrrow) .

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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
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Netflix and Changes in the Hollywood Film Industry 넷플릭스와 할리우드
ISSN 2635-8875 / e-ISSN 2672-0124 산업융합연구 제18권 제5호 pp. 36-41, 2020 DOI : https://doi.org/10.22678/JIC.2020.18.5.036 Netflix and Changes in the Hollywood Film Industry Jeong-Suk Joo Associate Professor, Dept. of International Trade, Jungwon University 넷플릭스와 할리우드 영화산업의 변화 주정숙 중원대학교 국제통상학과 부교수 Abstract This paper aims to explore and shed light on how the rise of streaming services has been affecting the media landscape in the recent years by looking at the conflicts between the Hollywood film industry and Netflix. It especially examines Netflix’s disregard for the theatrical release, as it is the most portentous issue that could reshape the film industry, and Hollywood’s opposition to it as revealed through the 2019 Academy Awards where the issue was brought into sharp relief. At the same time, this paper also questions whether theatrical distribution makes a film any more cinematic by examining how Hollywood film production has been largely concentrated on tentpoles and franchises, while Netflix has been producing diverse films often shunned by the studios. In this light, it concludes the changes wrought by Netflix, including its bypassing of the theatrical release, are not likely to be reversed. Key Words : Netflix, Streaming service, Hollywood, Film industry, Netflix films 요 약 본 논문은 할리우드 영화산업과 넷플릭스 간 갈등의 고찰을 통해 스트리밍 서비스의 부상이 미디어 지형에 어떠한 영향을 미쳐왔는지 밝히고자 한다. 특히 영화산업의 재편을 가져올 수 있는 가장 중요한 문제로써 극장을 거치지 않고 자사 플랫폼에 영화를 공개하는 넷플릭스의 개봉방식을 살펴보고 이에 대한 반발이 크게 불거진 2019 년 아카데미 영화제를 중심으로 할리우드의 반대를 살펴본다.
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After Disney-Fox, Who's Next?
cc Wednesday, December 20, 2017 latimes.com/news After Disney-Fox, who’s next? Huge deal may force smaller media firms to grow or struggle By MEG JAMES AND RYAN FAUGHNDER TIMES STAFF WRITERS alt Disney Co.'s block- buster deal to buy W much of 21st Century Fox revealed Rupert Murdoch's fear that his media company was not strong enough to survive the digital onslaught — raising questions about how even smaller media com- panies will weather the storm. Since Disney clinched its $52.4- billion deal last week to buy some of Murdoch's most lucrative assets, many wonder which media compa- The entrance of the Metro-Goldwyn-Mayer offices in Santa Monica offices. nies might be next. MGM is among smaller media companies that are considered prime targets for The scramble to bulk up is likely acquisition. (Nick Ut / Associated Press) to force medium-sized players to strike their own deals out of con- nies to sell," predicted Ken Klein- "This is clearly an arms race and cern that they need to grow or get berg, a veteran Los Angeles enter- these companies need to step up left behind as tech giants like Net- tainment business lawyer. "If com- their game," said Lloyd Greif, a Los flix gain more power in Hollywood. panies like Fox are worried, what Angeles investment banker. "We are Sony Pictures Entertainment, are they waiting for?" going to see more creative, accretive CBS Corp., Viacom Inc., Liberty The Disney-Fox deal is just the strategic acquisitions — and acqui- Media Corp., Lionsgate and Metro- latest combination.
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Case #2020-11 IRB Netflix Studios
ALBUQUERQUE DEVELOPMENT COMMISSION November 23, 2020 Industrial Revenue Bond Hearing IRB 20-1: Netflix Studios LLC Project Case Number: IRB2020-11 REQUEST: Approval of $500,000,000 in City Industrial Revenue Bonds to be issued in two series is requested. PROJECT SUMMARY: Netflix Studios is planning to increase and expand their presence in Albuquerque by purchasing an additional 170 acres of land and investing more than $500 million in capital and another $1 billion in production spending, in addition to the company’s commitment of $1 billion in production spend under the 2018 local economic development transaction, to develop a major film and television production campus in Mesa Del Sol’s Planned Community Development. Netflix, Inc. is an American technology and media services provider and production company headquartered in Los Gatos, California. Netflix was founded in 1997 by Reed Hastings and Marc Randolph in Scotts Valley, California. The company's primary business is its subscription-based streaming service which offers online streaming of a library of films and television series, including those produced in-house. Netflix purchased Albuquerque Studios in 2018, and has undertaken significant production expenditures of approximately $150 million over two years (prior to the Covid pandemic that has limited film and television production worldwide). In 2020, Netflix began a competitive site selection process to determine where to focus its future production investment for the next decade and beyond. Netflix has three primary production facilities in North America other than Albuquerque, including Los Angeles, Atlanta, and Vancouver, Canada. The company sought a location with good business resiliency (not subject to shutdowns due to weather or other natural disasters), and selected the site at Mesa Del Sol in Albuquerque, New Mexico.
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Vodafone Idea and Starz Strike Strategic Alliance; Launch Lionsgate Play in India
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Media Kit Final2
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The Plight of Our Planet the Relationship Between Wildlife Programming and Conservation Efforts
! THE PLIGHT OF OUR PLANET ﬁ » = ˛ ≈ ! > M Photo: https://www.kmogallery.com/wildlife/2 = 018/10/5/ry0c9a1o37uwbqlwytiddkxoms8ji1 u f f ≈ f Page 1 The Plight of Our Planet The Relationship Between Wildlife Programming And Conservation Efforts: How Visual Storytelling Can Save The World By: Kelsey O’Connell - 20203259 In Fulfillment For: Film, Television and Screen Industries Project – CULT4035 Prepared For: Disneynature, BBC Earth, Netflix Originals, National Geographic, Discovery Channel, Animal Planet, Etc. Page 2 ACKNOWLEDGMENTS I cannot express enough gratitude to everyone who believed in me on this crazy and fantastic journey; everything you have done has molded me into the person I am today. To my family, who taught me to seek out my own purpose and pursue it wholeheartedly; without you, I would have never taken the chance and moved to England for my Masters. To my professors, who became my trusted resources and friends, your endless and caring teachings have supported me in more ways than I can put into words. To my friends who have never failed to make me smile, I am so lucky to have you in my life. Finally, a special thanks to David Attenborough, Steve Irwin, Terri Irwin, Jane Goodall, Peter Gros, Jim Fowler, and so many others for making me fall in love with wildlife and spark a fire in my heart for their welfare. I grew up on wildlife films and television shows like Planet Earth, Blue Planet, March of the Penguins, Crocodile Hunter, Mutual of Omaha’s Wild Kingdom, Shark Week, and others – it was because of those programs that I first fell in love with nature as a kid, and I’ve taken that passion with me, my whole life.
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Netflix and the Development of the Internet Television Network
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Press Releases
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CPY Document Title
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